George Orwell, Anti‑Stalinism, and the Politics of Appropriation: A Marxist Reassessment of John Rodden, Fred Mazelis, and the Historiography of “Orwell”

1. Introduction: The Problem of “Orwell”

Few twentieth-century writers have been as extensively appropriated, repurposed, and wielded as ideological tools as George Orwell. Today, his name is less linked to a particular historical figure and more as a symbolic term within the political lexicon of the capitalist West: “Orwellian” surveillance, propaganda, and authoritarianism. This term functions as a universal shorthand for political evil, used effortlessly by liberals, conservatives, libertarians, and even security agencies. This broad usage is no accident but the result of a long, deliberate process of cultural shaping that has transformed Orwell from a nuanced democratic socialist into a Cold War icon of anti-communism and a moral voice against “totalitarianism” in all its forms.

John Rodden’s *Becoming George Orwell: Life and Letters, Legend and Legacy* offers a nuanced look at Orwell’s changing reputation. His key point—that there are “two Orwells,” the historical figure and the posthumous icon—is convincing and well-supported. Rodden tracks Orwell’s reputation from the Book-of-the-Month Club’s promotion of *Animal Farm* to the CIA’s influence in the film adaptation, showing how cultural bodies shape political meanings. Despite thorough archival work, Rodden’s perspective remains politically limited. By focusing mainly on how audiences received Orwell’s work, he subtly endorses the liberal view that Orwell’s politics were always consistent, and that the Cold War distorted them. This assumption is weak analytically and overlooks important questions a Marxist approach would raise.

This question is simple: why did the ruling class easily embrace Orwell? Why did Animal Farm and Nineteen Eighty-Four become key texts in Western anti-communism? Why has Orwell’s name been turned into a tool within the ideological weapons of the very system he aimed to oppose? These questions extend beyond cultural history alone. They require a political analysis of Orwell’s personal beliefs, contradictions, and limitations.

Fred Mazelis and the World Socialist Web Site (WSWS) provide an important correction here. Mazelis’s critique of Orwell’s anti-Stalinism—particularly in “George Orwell and the British Foreign Office”—challenges the liberal myth about Orwell that has persisted since the 1950s. For Mazelis, Orwell’s political evolution is more about unresolved contradictions than heroic dissent. Although Orwell’s opposition to Stalinism was genuine and courageous, it was not based on a revolutionary Marxist worldview. His political associations—the ILP in Britain and the POUM in Spain—aligned him with centrist groups that rejected Trotsky’s analysis of Stalinism and, in effect, supported the Popular Front. As Mazelis notes, Orwell’s connection to the working class was “more based on emotion and sentiment than on scientific conviction.” Thus, he was opposed to Stalinism but did not fully support the revolutionary alternative of the Fourth International.

This article argues that Orwell’s work is susceptible to right-wing co-optation not due to misinterpretation, but because of the inherent ambiguities in his political position. The Cold War did not distort Orwell’s ideas; rather, it selectively highlighted certain aspects of his writings. The ruling elite did not need to distort Orwell’s anti-Stalinist views; they just had to disconnect them from his broader socialist beliefs, which Orwell himself could never fully articulate. Consequently, Orwell’s ideological legacy is closely linked to the political boundaries within which he operated.

The argument is supported by comparing three historiographical traditions: Rodden’s cultural-historical approach, which examines how “Orwell” became a symbolic figure; the mainstream liberal and social-democratic perspective, seeing Orwell as a moral witness and democratic socialist; and the Marxist analysis by Mazelis and the WSWS, which situates Orwell’s anti-Stalinism within the wider context of the international socialist movement’s political crisis.

These traditions are more than just different interpretations; they are rooted in conflicting ideological theories. Rodden views ideology as its reception, the mainstream perceives it as a moral stance, and Mazelis regards it as a political position. Only the political line can explain Orwell’s internal political contradictions and the way his work has been used externally.

The significance of this analysis extends beyond Orwell himself. The discussion of Orwell’s legacy primarily centres on interpretations of socialism, anti-Stalinism, and the history of revolutionary Marxism. Clarifying Orwell’s role against liberal mythmaking doesn’t imply portraying him as a revolutionary—since he was not— but rather involves situating his work within the political chaos that shaped his experiences and outcomes. Orwell’s tragedy isn’t being misunderstood but being politically stuck: caught between a Stalinism he truly hated and a revolutionary path he couldn’t pursue. This article aims to highlight an alternative focus in Orwell studies. Only through this can we fully grasp Orwell’s work, legacy, and the political uses to which they have been subjected.

2. Rodden’s “Two Orwell’s”: Reputation, Myth, and Cultural Construction

John Rodden’s *Becoming George Orwell* offers the most thorough exploration of Orwell’s evolution from a specific historical figure to a lasting cultural icon. His central idea—the distinction between Orwell the person and “Orwell” the myth—is more than just stylistic; it’s a methodological stance. This approach allows him to examine Orwell through the lens of the sociology of reputation, highlighting that his importance is shaped not only by his political beliefs but also by the institutional and ideological forces that have invoked his name since he died in 1950. Consequently, Rodden’s work resonates with reception studies inspired by Raymond Williams, Stuart Hall, and the Birmingham School, albeit without their Marxist perspective. For Rodden, “Orwell” functions as a cultural artefact, a symbolic resource, and a site of ideological contest.

Rodden’s key empirical insights include a detailed examination of how Animal Farm integrated into American culture. He discusses its promotion by the Book-of-the-Month Club, how anti-communist liberals embraced it, and the CIA’s covert funding of its 1954 animated adaptation. Additionally, he shows that Nineteen Eighty-Four was seen not just as a socialist warning about bureaucracy but as a universal symbol of “totalitarianism,” a concept that during the Cold War blurred the distinctions between Stalinism and fascism. Rodden’s analysis also highlights how Orwell’s essays were selectively included in anthologies, how his letters were curated, and how politicians from various ideologies used his image. Through his analysis, Orwell serves as a lens for understanding Cold War cultural politics.

Rodden’s framework, while sophisticated, suffers from a key theoretical flaw: it views appropriation as happening after the author’s death, overlooking its reliance on the original work’s political context. His “two Orwells” model posits a distinct separation between the historical Orwell and the symbolic “Orwell,” allowing him to set aside Orwell’s anti-Stalinist stance to concentrate on later interpretations. This methodological choice has significant consequences. It causes Rodden to perceive Cold War-era uses of Orwell as distortions, misinterpretations, or cultural recontextualizations, rather than as expressions of contradictions already present in Orwell’s own political beliefs.

Rodden intentionally avoids scrutinising Orwell’s political views on the grounds of the liberal belief that Orwell’s anti-Stalinism and his concept of “democratic socialism” are fundamentally valid. This view holds that the Cold War highlighted certain aspects of Orwell’s work while hiding others. Such an approach allows Rodden to maintain a neutral stance, positioning himself as a credible historian rather than an ideological critic. However, this also prevents him from addressing a key question: why was Orwell’s work so easily co-opted by groups he opposed? While Rodden can explain how this appropriation occurs, he struggles to justify why it remains politically feasible.

Rodden’s analysis of Animal Farm and Nineteen Eighty-Four highlights this limitation. He thoroughly documents their Cold War usage but doesn’t investigate why these works, rather than titles like The Road to Wigan Pier or Homage to Catalonia, became Orwell’s main texts. Although he mentions the CIA’s role in the Animal Farm film, he doesn’t explore the political reasons that made the text suitable for such intervention. He claims that American audiences primarily knew Orwell through his anti-totalitarian works, but overlooks how Orwell’s political ambiguities influenced this perception.

Rodden’s lack of mention of Trotsky is especially revealing. In a study examining Orwell’s ideological perspectives, Trotsky—the prominent opponent of Stalinism—is not just absent but fundamentally omitted. He is only referenced as a name Orwell or his contemporaries mention, never as a political alternative that could shed light on Orwell’s own boundaries. This omission is common in mainstream Orwell scholarship but significantly weakens Rodden’s analysis, which seeks to explore Orwell’s ideological applications. By ignoring Trotsky and the revolutionary tradition Stalinism aimed to erase, it becomes impossible to fully grasp Orwell’s stance or properly analyze his ideological position.

Rodden’s “two Orwells” model shifts focus twice: it attributes the political contradictions in Orwell’s writings to the cultural forces that shaped his posthumous fame, while also marginalising Trotsky and the Fourth International’s revolutionary alternative. This creates a thorough history of Orwell’s reputation but offers limited political analysis. Although Rodden discusses how Orwell became a Cold War icon, he does not explore why Orwell’s work was so easily transformed in this way.

3. The Mainstream Liberal and Social‑Democratic Orwell

While Rodden’s work provides the most detailed effort to contextualise Orwell’s posthumous reputation historically, the mainstream liberal and social-democratic traditions most frequently aim to maintain its stability. From Bernard Crick’s “George Orwell: A Life” (1980) to D. J. Taylor’s “Orwell: The Life” (2003), and from Michael Shelden’s more narrative biography to Christopher Hitchens’ provocative “Why Orwell Matters,” the dominant scholarly and journalistic consensus largely remains unchanged: Orwell is regarded as a principled democratic socialist, a moral critic opposing totalitarianism, and a writer whose political integrity exceeds the ideological conflicts of his time. This consensus persists strongly, not because it is strictly historically accurate, but because it plays a specific ideological role within the political culture of the capitalist West.

The common view considers Orwell as a figure of moral clarity amidst the chaos of ideology. His socialism is seen not as a fixed Marxist theory but as an ethical position based on a rejection of injustice, compassion for the oppressed, and a dedication to fairness and decency. This form of ethical socialism stands in contrast to Stalinism’s bureaucratic nightmare, which is regarded as an inevitable result of rigid ideology and revolutionary zeal. In this view, Orwell serves as the conscience of the Left, highlighting the risks of ideological extremism and advocating for moderation, diversity, and parliamentary democracy.

This interpretation offers political benefits, allowing liberal scholars to view Orwell as aligned with their values while distancing him from the revolutionary roots that shaped early-twentieth-century socialism. Likewise, social democrats can present Orwell as a precursor to their reformist ideas, often ignoring his profound disillusionment with the Labour Party and his recognition of the limitations of parliamentary socialism. Furthermore, the broader ideological apparatus of the capitalist state can leverage Orwell as a tool to oppose any radical critique, whether Marxist, anarchist, or anti-imperialist.

This analysis centres on selective emphasis. Mainstream scholars often focus on Orwell’s critique of Stalinism, frequently ignoring his criticisms of British imperialism, class society, and capitalist exploitation. They celebrate *Animal Farm* and *Nineteen Eighty-Four* as universal warnings against totalitarianism but tend to minimise *The Road to Wigan Pier* and *Homage to Catalonia*, which expose capitalism’s brutality and the Popular Front’s betrayals. Moreover, they highlight Orwell’s essays on language and politics while overlooking his more radical views on revolutionary change.

This focus excludes Trotsky and the Fourth International. Crick’s biography portrays Trotsky as a distant figure, briefly mentioning him without emphasising his role as a political thinker whose ideas could illuminate Orwell’s perspectives. Taylor’s biography is even more evasive, presenting Trotskyism as a marginal sect rather than a significant revolutionary alternative to Stalinism. Hitchens, despite his rhetorical skill, reduces Trotsky to an emblem of ideological excess, linking him to Orwell only as victims of Stalinist repression. Consequently, the revolutionary Marxist critique of Stalinism becomes obscured, and Orwell’s anti-Stalinism is detached from the political tradition that could have given it coherence.

This omission is intentional, not accidental. It emphasises a core idea: viewing Trotsky as a viable political choice requires us to see Stalinism not as an unavoidable outcome of Marxism but as a particular historical decline. This means recognising that the crimes of the Soviet bureaucracy are not inherently socialist but are committed by a counter-revolutionary elite that seized the gains of 1917. Furthermore, it shows that Orwell’s anti-Stalin position, though morally compelling, lacked the analytical depth and political strategy that Trotsky provided.

The dominant tradition avoids admitting this because it would diminish Orwell’s influence in liberal political culture. Orwell is appreciated because he appears to critique totalitarianism without undermining the legitimacy of capitalist democracy. He can be invoked by both the Left and the Right, embodying a brand of socialism that fits within the existing system — one motivated by sentiment and ethics instead of revolutionary strategy.

Mainstream scholars stick to calling Orwell a “democratic socialist’ because the term is broad enough to encompass his ethical views while excluding revolutionary Marxism that might challenge liberal democracy. This perspective allows Orwell to be regarded as a critic of injustice without supporting any movement that aims to overthrow the existing system. Consequently, Orwell is viewed as a ‘safe socialist’—a figure respected but not necessarily endorsed.

A closer look reveals complexity in Orwell’s views. His political writings reveal deep ambivalence and unresolved contradictions, highlighting the tension between his disdain for oppression and his difficulty articulating a clear revolutionary alternative. His socialism was sincere but lacked a comprehensive theoretical framework. His anti-Stalinist stance was courageous but lacked a solid political foundation. While his critique of totalitarianism was influential, it was not sufficiently dialectical. Calling Orwell a coherent democratic socialist wrongly implies a unified perspective that his thoughts do not actually exhibit.

A Marxist historiography should therefore reject the typical portrayal of Orwell as merely a moral witness and democratic socialist. This depiction aligns more with the ideological goals of the capitalist state than with Orwell’s actual political development. Furthermore, it is important to restore the revolutionary alternative as a central aspect of the narrative—a choice Orwell rejected and that mainstream scholars often ignore.

4. Mazelis and the WSWS: Anti‑Stalinism, Centrism, and the Revolutionary Alternative

Rodden’s work provides the most sophisticated cultural analysis of Orwell’s reputation, and the predominant liberal perspective offers a simplified, sanitised view of Orwell’s politics. Fred Mazelis and the World Socialist Web Site (WSWS) offer the only approach capable of uncovering the political reasoning behind Orwell’s posthumous interpretation. While Rodden focuses on reception and mainstream narratives highlight moral character, Mazelis centres on political line—the essential element in any Marxist assessment of an intellectual’s historical importance.

Mazelis contends that Orwell’s anti-Stalinism, though courageous and sincere, lacked a basis in revolutionary Marxist ideology. Consequently, it was inherently susceptible to manipulation by the bourgeois state. This insight is a political analysis rather than a moral judgment. For Mazelis, Orwell’s ideological position consistently leans toward centrism—a hesitation to support either the Stalinist regime or revolutionary Marxists such as Trotsky and the Fourth International. It is this centrist tendency, rather than any later misinterpretation, that accounts for Orwell’s work being so effectively exploited during the Cold War.

Mazelis’ analysis begins by examining Orwell’s political affiliations. In Britain, Orwell associated with the Independent Labour Party (ILP), a centrist group opposing both the reformist Labour Party and the Stalinist policies of the Communist Party, though it lacked a clear revolutionary agenda. In Spain, Orwell was involved with the POUM, which opposed Stalinism, supported the Popular Front, and rejected Trotsky’s criticism of the Soviet bureaucracy. These political connections were intentional, reflecting Orwell’s personality: principled, contrarian, and strongly supportive of the working class, but cautious of extreme theories and opposed to what he saw as ideological “sectarianism.”

Mazelis’ critique is incisive, arguing that Orwell’s ties to the working class were “more rooted in emotion and sentiment than in scientific conviction.” This doesn’t call into question Orwell’s sincerity but highlights the limits of a politics driven by moral intuition rather than revolutionary theory. While Orwell’s intense opposition to oppression was evident, his lack of a Marxist understanding of the state, class struggle, and bureaucratic decline meant his anti-Stalinism lacked political depth. He recognised the Soviet bureaucracy’s abuses but couldn’t explain their roots, condemned totalitarianism but failed to propose a revolutionary alternative.

This political flaw had real consequences. Orwell’s failure to recognise the Fourth International as the compassionate third camp, positioned between Stalinism and capitalism, confined him to the ideological framework of the Popular Front. Although he opposed Stalinism, he believed bourgeois democracy was the only viable alternative. Consequently, he later provided the British Foreign Office’s Information Research Department (IRD), an openly anti-communist propaganda agency, with a list of individuals suspected of Stalinist sympathies. Orwell’s collaboration with the IRD was a logical outcome of his political stance—which rejected revolutionary Marxism in favour of a “lesser evil” alternative to Stalinism—rather than a sign of personal weakness or confusion.

Mazelis’ critique of Animal Farm and Nineteen Eighty-Four is based on the same logic. He argues that while these works strongly denounce bureaucratic tyranny, they lack the specific programmatic focus needed to condemn capitalist exploitation as well. Their critique of totalitarian regimes remains broad and abstract, not anchored in particular historical contexts. As a result, they can be—and have been—exploited by the bourgeois state as tools against socialism. This misapplication isn’t due to Orwell’s intent, but to his political viewpoint creating the possibility.

Mazelis’s analysis emphasises the strong link between Orwell’s political contradictions and the larger crisis affecting the international socialist movement. For Mazelis, Orwell’s centrism reflects more than a personal preference; it signals a broader political confusion stemming from the Stalinist decline of the Soviet Union and the collapse of the Comintern as a revolutionary organisation. Orwell’s lack of support for the Fourth International reveals the ideological pressures of his time but also shows the limits of a politics driven by ethical instinct rather than revolutionary theory.

Mazelis’ analysis is essential to any Marxist understanding of Orwell, as it reintroduces the revolutionary viewpoint Orwell dismissed and mainstream scholars often overlook. It clarifies both Orwell’s objections and what he overlooked. Moreover, it reveals the political logic behind the ideological exploitation of Orwell’s work: rather than misrepresenting him, the ruling class has manipulated the contradictions in his own politics.

Mazelis’ framework provides the basic theory for analysing Orwell’s influence. It emphasises that discussions of Orwell’s importance are closely tied to broader debates about the meaning of socialism. Furthermore, it paves the way for the next stage of analysis by recognising that Rodden, the mainstream tradition, and Mazelis all hold fundamentally different ideas about ideology.

5. Three Theories of Ideology: Why the Historiography Cannot Be Reconciled

The earlier sections showed that Rodden, the mainstream liberal tradition, and Mazelis/WSWS hold markedly different views on Orwell’s politics and legacy. Yet, their disagreement extends beyond mere interpretation or academic focus. The core difference lies in their fundamental understanding of ideology—what it is, how it operates, and how it shapes the relationship between a writer’s work and its historical backdrop. These divergent notions are incompatible, resulting in not only contrasting views of Orwell but also entirely different analytical objects. A Marxist historiography must recognize that the field is influenced by three conflicting theories of ideology: as reception, as moral stance, and as political line. Each theory leads to a different version of Orwell, with each fulfilling a unique ideological role in the present context.

A. Rodden: Ideology as Reception

Rodden’s theory is grounded in the idea that meaning is constructed after the text’s creation, during reception, circulation, and cultural recontextualization. According to this perspective, the author’s political beliefs are less significant than the ways their work is subsequently employed; ideology operates through institutions such as publishers, cultural bureaucracies, and media networks; and the crucial phase occurs after the author’s death, when “Orwell” becomes a symbolic resource.

This theory allows Rodden to analyse Orwell’s reputation in detail, but it also overlooks the political dimensions of Orwell’s anti-Stalinism. Since ideology primarily emerges from how Orwell is perceived, the internal contradictions in Orwell’s politics are considered less important. As a result, the Cold War perspective on Orwell is viewed more as a cultural phenomenon than a purely political one. Rodden’s Orwell is therefore a passive figure, seen as a writer whose work is shaped by external influences. While this perspective helps explain how reputation operates, it does not clarify why Orwell’s work was so easily reinterpreted from the outset.

B. The Mainstream Tradition: Ideology as Moral Stance

The mainstream liberal and social-democratic tradition perceives ideology differently—as connected to personal ethics, moral clarity, and political decency rather than as a structural force. In this view, Orwell’s socialism is regarded as an ethical position rather than a set of theoretical beliefs. Anti-Stalinism is seen as a moral victory rather than a particular political stance. Any inconsistencies in Orwell’s thoughts are interpreted as signs of integrity rather than political inconsistency.

This theory allows mainstream scholars to see Orwell as a moral witness, valued for his honesty and decency. It also distances Orwell’s anti-Stalinism from the revolutionary tradition, which might have given it more coherence. By presenting ideology as a moral stance, the mainstream view elevates Orwell to a figure beyond political conflicts—a writer whose insights are widely relevant and whose warnings are timeless. This highlights Orwell’s role in liberal political culture: as a safe socialist critic of injustice who does not threaten the capitalist system. However, this perspective systematically omits Trotsky and the Fourth International, whose presence would expose the political limits of Orwell’s anti-Stalinism and demonstrate that ethical socialism alone cannot prevent bureaucratic decline.

C. Mazelis/WSWS: Ideology as Political Line

Mazelis and the WSWS follow a traditional Marxist understanding of ideology, viewing it as a reflection of one’s political stance—specifically, their position within class struggle—rather than merely perceptions or morals. In this framework, anti-Stalinism holds significance only when based on a revolutionary program. The crucial issue is not Orwell’s personal sentiments but the political alternative he offered. Additionally, centrism is not just a moderate position; it is a structural attitude that naturally results in political capitulation.

This theory clarifies why Orwell’s anti-Stalinism, even if sincere, was politically constrained. It also illustrates how the bourgeois state could adopt Orwell’s ideas. Since Orwell rejected Trotsky’s revolutionary approach, he lacked a firm foundation to oppose Stalinism beyond endorsing the “lesser evil” of bourgeois democracy. Consequently, Orwell is not merely a misinterpretation or moral observer but a complex figure reflecting the crisis within the global socialist movement. Thus, Orwell’s ideological role is closely tied to his political limitations.

D. Why These Frameworks Cannot Be Reconciled

These three interpretations of Orwell present conflicting images: Rodden’s Orwell is a cultural figure shaped by posthumous memory. The mainstream view portrays Orwell as a moral exemplar with unwavering ethical beliefs. Mazelis’ depiction shows Orwell as a centrist navigating contradictions that seem fitting. These images are incompatible because their underlying ideologies clash. Rodden’s reception-based model does not account for Orwell’s anti-Stalinist political stance. The mainstream moral narrative fails to explain the contradictions in Orwell’s politics. Similarly, the Marxist view cannot accept the liberal notion of Orwell as a straightforward democratic socialist.

A Marxist historiography should avoid attempting to unify these diverse traditions. Instead, it must recognize that discussions about Orwell’s significance fundamentally revolve around the meaning of ideology—and, by extension, the fundamental concepts of socialism, anti-Stalinism, and revolutionary politics.

6. The Structural Ambiguity of Orwell’s Politics

To grasp why Orwell’s work remains ideologically adaptable—how the Cold War state could readily utilize it and why it continues to serve as a rhetorical device for both liberalism and conservatism—we must examine the fundamental structural ambiguity in Orwell’s politics. This ambiguity wasn’t caused by personal inconsistency or internal psychological conflict. Rather, it originated from a political position that rejected Stalinism but did not endorse the revolutionary alternative presented by Trotsky and the Fourth International.

The ambiguity originated from a form of socialism rooted more in ethical sentiments than in scientific analysis, coupled with anti-Stalinism that lacked a clear program. It also involved a critique of totalitarianism that was not dialectical enough to fully understand the link between bureaucratic control and capitalist exploitation. This ambiguity manifested in three interconnected areas: Orwell’s perspective on socialism, his critique of Stalinism, and his understanding of the capitalist state.

A. Socialism as Ethical Sentiment

Orwell’s socialism was authentic and emotionally driven, grounded in a genuine connection to the working class. However, it lacked in-depth theoretical foundation. It was not founded on Marxist analysis of class struggle, the state, or capitalist accumulation. Instead, it was motivated by a moral intuition: the belief that ordinary people deserve dignity, fairness, and a decent standard of living. This ethical view of socialism gave Orwell a deep sense of injustice, but it did not provide a concrete revolutionary strategy.

This explains why Orwell was able to write *The Road to Wigan Pier*, a compelling critique of working-class poverty and bourgeois hypocrisy, without endorsing a specific plan for socialist reform. It sheds light on his criticism of the Labour Party’s cautious stance while also remaining cautious of revolutionary groups. As a result, his political writings often oscillate between radical critique and pragmatic reform. Ethical socialism, although admirable, is inherently fragile. It lacks the theoretical frameworks to analyze the state as a tool for class domination, to grasp the necessity of revolution in history, or to understand how bureaucratic systems can deteriorate. Consequently, liberalism can easily adopt it, embracing its moral critique but dismissing its political implications.

B. Anti‑Stalinism Without Revolutionary Anchoring

Orwell’s opposition to Stalin was courageous and, in many respects, ahead of its era. His experience in Spain exposed the brutal reality of the Stalinist regime, and his writings on the Moscow Trials, purges, and the suppression of POUM serve as strong condemnations of Stalinist repression. Nonetheless, Orwell’s anti-Stalin position was not based on a solid political foundation. Although he viewed Stalinism as a betrayal of socialism, he did not employ the revolutionary Marxist analysis that explains this betrayal.

Orwell’s opposition to Trotskyism was based not on an in-depth critique of Trotsky’s perspectives on the Soviet bureaucracy but on a suspicion of what he perceived as ideological “sectarianism” and a rigid, doctrinal stance among Trotskyists. This suspicion prevented Orwell from recognizing that Trotsky’s critique of Stalinism went beyond mere doctrinal disputes; it was an in-depth analysis of how the bureaucracy caused the workers’ state to decline.

Orwell opposed Stalinism but didn’t fully understand its origins. Although he recognized signs of bureaucratic tyranny and shown how totalitarian control functioned, he failed to explain why the Soviet state had transformed. This lack of insight led Orwell to be influenced by the liberal perspective that Stalinism was an inevitable outcome of revolutionary aims—an interpretation endorsed by the Cold War authorities.

C. A Critique of Totalitarianism Without a Critique of Capitalism

Orwell’s political ambiguity is most evident in Animal Farm and Nineteen Eighty-Four. These works critically examine bureaucratic control, surveillance, and ideological manipulation but remain open-ended politically. Their critique of totalitarianism is general and not linked to any particular historical period. While they illustrate how domination operates, they do not identify the specific class forces involved. They portray the horrors of bureaucratic regimes without distinguishing between the decline of a workers’ state and the authoritarian features of capitalist democracies.

This indeterminacy serves more than a literary purpose; it underscores the limits of Orwell’s political outlook. Lacking a Marxist critique of the capitalist state, Orwell did not recognize how thoroughly mechanisms like surveillance, propaganda, and ongoing war were woven into the fabric of liberal democracies of his time. As a result, Nineteen Eighty-Four was frequently seen as a warning primarily about Soviet totalitarianism, neglecting its implications for the United States and Britain.

The Cold War government didn’t distort Orwell’s work; rather, it exploited its ambiguity. *Animal Farm* and *Nineteen Eighty-Four* served as anti-communist instruments because they lacked a definite stance that would also criticize capitalist control. Their political ambiguity increased their usefulness for ideological aims.

D. The Logic of Appropriation

Orwell’s political ambiguity stems from a structural flaw that made it easy for the ruling class to co-opt his work. This wasn’t because Orwell was reactionary—he was not. Nor was it due to the CIA and the Book-of-the-Month Club being particularly shrewd—though they certainly were. Instead, it was because Orwell’s political framework contained an ideological gap that the bourgeois state could exploit. Ethical socialism can be absorbed by liberalism, and anti-Stalinism without a revolutionary basis can be redirected against socialism itself. A critique of totalitarianism that overlooks capitalism can be used to justify the capitalist state. This logic explains Orwell’s posthumous fate: the ruling class didn’t need to falsify Orwell, only to emphasize certain parts of his work.

7. The Revolutionary Counterfactual: The Orwell Who Never Existed

To fully grasp Orwell’s political contradictions, we must consider the elusive figure that haunts his work but never appears: the Orwell who might have embraced Trotsky and the Fourth International’s revolutionary Marxist path. This isn’t a trivial counterfactual; it serves as a tool to clarify history. Reconstructing the political worldview Orwell rejected uncovers the limits of the one he inhabited. Envisioning the Orwell who could have existed allows us to better understand the Orwell that was.

This exercise does not intend to categorize Orwell as a Trotskyist or imply he was nearing revolutionary Marxism. Historical evidence indicates Orwell strongly disliked Trotskyism, mainly because he saw it as excessively rigid and doctrinal. Nonetheless, this aversion originated from the political confusion caused by Stalinist corruption in the Soviet Union and the weakening of the Comintern as a revolutionary force. Orwell’s opposition to Trotskyism was not founded on an in-depth critique but was shaped by the ideological chaos of his time.

A revolutionary Orwell—who considers the Fourth International as the true successor of the October Revolution—would have a markedly different body of work than the one we recognize today. This Orwell would view Stalinism not as an inevitable outcome of socialism but as a bureaucratic counter-revolution. He would understand that the crimes of the Soviet bureaucracy are not based on Marxist principles but are carried out by a parasitic elite that hijacked the achievements of 1917. Moreover, he would see that fighting Stalinism requires bolstering revolutionary politics rather than abandoning them.

This recognition would have significantly altered Orwell’s key works. Instead of viewing Animal Farm as a general allegory of power’s corrupting nature, it would have been a precise critique of the specific decline of the workers’ state in history. The book would emphasize not just the deception of Stalinist leaders, but also the political motivations behind the Popular Front, the suppression of the Left Opposition, and the betrayal of the global working class. It would have endorsed the October Revolution, rather than lament its failures.

Nineteen Eighty-Four would have been quite different if it focused more on materialist views of the state rather than just philosophical ideas about power. It would have shown how both capitalist democracies and Stalinist regimes display authoritarian traits. The novel also would have pointed out that control mechanisms—like continuous warfare, ideological influence, and shaping consent—are not only used by totalitarian governments but are essential features of imperialist capitalism.

The Cold War regime would likely have struggled to confiscate these works, as they challenged both the Stalinist bureaucracy and capitalist elites. Such writings would have aligned Orwell more with revolutionary Marxism than with the liberal anti-communists who linked to him after his death. As a result, Orwell would have been viewed as a threat to the status quo rather than a symbol of its ideological triumph.

The absence of this imagined Orwell—the Orwell who never truly existed—is thus significant historically. It reveals the limits of the real Orwell’s views, showing that his political contradictions were not just personal but also structural. These contradictions arose from a stance that opposed Stalinism yet did not fully support the revolutionary alternative. This highlights that Orwell’s work, despite its impact, was shaped by the crisis within the international socialist movement and the ideological pressures of the Popular Front. Furthermore, it suggests that Orwell’s ideological arguments are closely linked to the political choices he made—and those he was unable to make.

Rebuilding the Orwell who never was involves revisiting the revolutionary vision Orwell overlooked. It requires acknowledging that the fight against Stalinism was not opposition to socialism but a struggle for it. Understanding that Orwell’s failure to see this distinction is key to grasping his work and legacy. This perspective leads to the article’s final point: the discussion about Orwell’s importance ultimately mirrors a broader debate about the meaning of socialism.

8. Conclusion: Orwell, Anti‑Stalinism, and the Meaning of Socialism

For a long time, two misconceptions have shaped the way Orwell’s history is perceived: the idealized image of Orwell as a moral figure held by liberals, and scholars’ reluctance to confront the political contradictions in his work. Rodden’s *Becoming George Orwell* provides a nuanced attempt to contextualize Orwell’s reputation after his death, but it still is influenced by the same ideological lens it seeks to critique. By framing appropriation as how Orwell’s work is received rather than how it was created, Rodden inadvertently supports the notion that Orwell’s political beliefs were consistent. and that the Cold War only distorted them. This belief is not only analytically flawed but also obscures the political reasoning behind Orwell’s enduring posthumous influence.

The mainstream liberal and social-democratic view even elevates Orwell to a secular saint of “democratic socialism.” His moral integrity is often viewed as justifying any lack of political consistency. This perspective emphasizes Orwell’s ethical values but downplays the revolutionary context necessary to understand his anti-Stalinist stance. It commends Orwell’s critiques of totalitarian regimes but neglects his criticisms of capitalism. The focus tends to be on *Animal Farm* and *Nineteen Eighty-Four*, while works like *The Road to Wigan Pier* and *Homage to Catalonia* are often overlooked. Moreover, it usually excludes Trotsky and the Fourth International, whose inclusion would highlight the shortcomings of Orwell’s ethical socialism and demonstrate that moral instincts alone cannot solve bureaucratic decline.

Conversely, Mazelis and the WSWS highlight the political element often overlooked or dismissed by Rodden and mainstream discourse. They argue that anti-Stalinism holds significance only when it’s connected to a revolutionary goal. While Orwell genuinely opposed Stalinism, he did not do so with a revolutionary purpose. His political affiliations — including the ILP and POUM — placed him among centrist groups that distanced themselves from both Stalinism and revolutionary Marxism. His resistance to Trotskyism stemmed more from a suspicion of strict ideological loyalty than from a thorough engagement with Trotsky’s ideas. Orwell’s socialism was motivated by ethics rather than theory, sentimental rather than scientific. Although his critique of totalitarianism was powerful, it lacked the dialectical nuance needed to analyze authoritarian features in capitalist democracies.

This structural ambiguity—ethical socialism without revolutionary theory, anti-Stalinism without revolutionary roots, and a critique of totalitarianism without addressing capitalism—explains why the ruling class easily co-opted Orwell’s work. The Cold War state didn’t distort Orwell; it exploited the contradictions within his politics. ‘Animal Farm’ and ‘Nineteen Eighty-Four’ served as anti-communist tools because they lacked a clear stance condemning capitalist domination. Orwell’s ethical socialism was compatible with liberalism, as it did not threaten capitalism. His anti-Stalinism could be used against socialism by lacking a revolutionary alternative. Similarly, his critique of totalitarianism was exploited by opponents because it didn’t fully address the link between bureaucratic control and capitalist exploitation.

Imagining an alternative Orwell—one who might have backed the Fourth International—highlights the significance of this analysis. Such an Orwell would have produced anti-Stalinist writings that the bourgeois state could not suppress. He would have supported the October Revolution while denouncing the crimes of the Stalinist bureaucracy. He would have viewed the fight against Stalinism as a struggle for socialism, not against it. Additionally, he would have recognized that the control mechanisms in Nineteen Eighty-Four are not exclusive to totalitarian regimes but are rooted in imperialist capitalism.

The missing version of Orwell—the one who never existed—exposes the limitations of the Orwell who did. It highlights that Orwell’s political contradictions were not just personal but structural, stemming from a stance that opposed Stalinism but did not support the revolutionary alternative. Despite his powerful work, Orwell’s writings were influenced by the crisis within the international socialist movement and the ideological pressures of the Popular Front. Additionally, his ideological perspectives are closely linked to the political decisions he made—and those he was unable to make.

A Marxist historiography should therefore reject the liberal myth that Orwell was the sole conscience of the twentieth century. It must also dismiss the academic view that Orwell’s politics were consistent or that his anti-Stalinism can be separated from the revolutionary alternative he misunderstood. Furthermore, it should reject the comforting notion that depicting Orwell’s image distorts his ideas, when in reality, it highlights the contradictions in his worldview.

The main issue isn’t simply Orwell’s intentions or interpretations, but what he couldn’t anticipate. The clear answer is that the Fourth International was the only consistent opposition to both Stalinism and capitalism in the twentieth century. Overlooking this aspect in Orwell’s history omits its core. Acknowledging it shows that the debate about Orwell’s legacy mainly hinges on the true definition of socialism.

Notes

The Spectre Haunting Orwell Studies-John Rodden-The Orwell Society Journal 27 Spring 2026

George Orwell and the “Marxist Left”

“Who Controls the Present Controls the Past…

George Orwell 1984

“If you want a picture of the future, imagine a boot stamping on a human face—forever.”

George Orwell 1984

“All animals are equal, but some are more equal than others.”

Animal Farm

“But if thought corrupts language, language can also corrupt thought.”

George Orwell

In the most recent edition of The Orwell Society Journal, John Rodden wrote an article[1] defending George Orwell from a “Never Ending Siege”. According to Rodden, no day goes by without Orwell coming under sustained attack from both left and right writers or journalists.

In the first part of his article, under the heading The Hate Campaign: From Two Minutes to a Hundred Years Rodden examines one of the more recent and sustained attacks on Orwell from the poison pen of Naoise Dolan writing in the Financial Times[2]. The FT donated an inordinate amount of space for her to bemoan Orwell’s influence: She writes, “ George Orwell died in 1950, but he’s in the newspapers nearly every day. In the past few years alone, the British press has quoted him on whether Britain is an unserious country, whether book blurbs are degenerate and why a good British pub should be revolting.

Writers ask what he would have made of the end of British coal, and repeat his counsel on how to make the perfect cup of tea. They cite him on why English people love queueing, the importance of having hobbies, and why “cancel culture” is a poor substitute for free speech. They ask what he can teach us about Israel and Palestine, and when Britain will tire of its culture wars. One might just as well ask when Britain will tire of the obligatory Orwell reference.”

Naoise Dolan is an Irish novelist, while I have nothing against novelists, it would appear that Dolan has not read too much Orwell or perhaps not understood what she has read. She would also appear to be weighed down by an extraordinarily large axe, looking for a place to grind it.

Rodden breaks his article down into seven parts. In the first part, he perhaps inaccurately states that Orwell “hated the Marxist Left”. A wildly inaccurate generic term if ever I saw one. It would be an understatement to say that Rodden is loose with his wording, something that Orwell hated. Just read his essay Politics and the English Language.

The “Marxist Left “ is a vague term meaning just about every radical group under the sun. Although in the end Rodden is forced to make the distinction between the Marxist Left, by which he means the Stalinist British Communist Party, who are the Far Left, Rodden does not elaborate. The term usually denotes radical groups such as the Socialist Workers Party (SWP), who do not hate Orwell; in fact, one of its leading members is an expert on Orwell.[3]

The Stalinists, on the other hand, had good reason to hate Orwell, and for more than two minutes. Orwell, who called himself a democratic socialist, first came to prominence in the 1930s for the powerful social criticism of Down and Out in Paris and London and The Road to Wigan Pier. The Stalinists hated these two books. The general secretary of the British Communist Party, Harry Pollitt, accused Orwell of “slumming it” and  “bourgeois snobbery”.

He wrote, “If ever snobbery had its hallmark placed upon it, it is by Mr Orwell. If on his return from Mandalay he had bought one or two penny pamphlets on socialism and the working-class movement, what fatal experiences he could have saved himself from, because one never gets to know the movement by slumming. I gather that the chief thing that worries Mr Orwell is the “smell” of the working-class, for smells seem to occupy the major portion of the book. Well, pardon me if I say at once, without any working-class snobbery, that it’s a lie.”[4]

However, what put the Stalinist noses severely out of joint was the publication of Orwell’s Homage to Catalonia. According to Fred Mazelis: “ When Homage to Catalonia was published, Orwell was virtually ostracised for this account of the Spanish Civil War, which laid bare the Stalinists’ treachery against the Spanish and international working class. The Stalinists and their supporters were enraged by the book’s exposure of their role in strangling a genuine revolutionary movement through the same bloody methods then being utilised inside the USSR. In the ensuing years, Orwell found it increasingly difficult to get his writings published.”[5]

In section two, Spain and the Communists, Betrayal of the Left, Homage to Catalonia 1938, Rodden ends the paragraph with the strange assertion that the Russian secret police spied on Orwell and may have targeted him for elimination. Given what we know about Orwell and his wife, it is pretty clear that if Orwell’s wife had not acted when she did, they would have both been murdered by the Stalinists in Spain.

Orwell spent the last few years before his death coming to terms with the betrayal of the Russian Revolution and the rise of Stalinism. Orwell’s Animal Farm was his second attempt at reckoning with Stalinism, his first being the book Homage to Catalonia. At 120 pages, the book Animal Farm can be read on many levels. As John Newsinger points out, “The politics of the book were pretty straightforward: a capitalist farmer had been quite properly overthrown by the worker animals, and an egalitarian socialist system had been introduced on the farm. The pigs had then betrayed the revolution with the revolutionary Snowball (Trotsky) driven out and the dictator Napoleon (Stalin) establishing a murderous police state”.[6]

Right-wing ideologues have attempted to portray the book as anti-revolutionary. Orwell refuted this slander, saying, “I meant the moral to be that revolutions only effect a radical improvement when the masses are alert and know how to chuck out their leaders as soon as the latter have done their job. The turning point of the story was supposed to be when the pigs kept the milk and apples for themselves (Kronstadt). If the other animals had had the sense to put their foot down, then it would have been all right…I was trying to say, “You can’t have a revolution unless you make it for yourself; there is no such thing as a benevolent dictatorship.”

Although Homage to Catalonia was a devastating exposure of the counterrevolutionary nature of the Stalinists, he was to some extent blinded by his bitter experiences with the pro-Stalinist intellectuals and the smug pro-Stalinist liberals. Although his analysis of these people was usually accurate, his method was largely a subjective one. He dismissed the historic significance of the Russian Revolution and saw nothing left to defend in this revolution.

Mazelis writes, “This finds expression in Animal Farm and especially in 1984. While there is much that is powerful in these books, Orwell’s outlook also made it possible for them to be used by the anti-communists. Stalinism itself, of course, bears the major responsibility for dragging the name of socialism through the mud.”[7]

Orwell certainly did not write 1984 to drag Socialism through the mud. Published in June 1949, it came out amid rising Cold War tensions.  As Richard Mynick explains, “The novel’s police state bore an obvious resemblance to Stalin’s USSR. Coming from Orwell—a self-described democratic socialist who was deeply hostile to Stalinism—this was unsurprising. But while Orwell was too clear-sighted to conflate Stalinism with socialism (writing, for example, “My recent novel [‘1984’] is NOT intended as an attack on socialism…but as a show-up of the perversions…which have already been partly realized in Communism and Fascism.…”), his Cold War-era readership was often blind to this distinction. His cautionary notes (“The scene of the book is laid in Britain…to emphasize that the English-speaking races are not innately better than anyone else and that totalitarianism…could triumph anywhere”) were largely overlooked, and in the public mind, the novel’s grim prophesy (“If you want a picture of the future, imagine a boot stamping on a human face—forever”) attached itself mainly to political systems seen as enemies of Western-style capitalist “democracies.”

Yet Nineteen Eighty-Four was no endorsement of the West. It posits only an unaccountable elite that rules in its interests and maintains power by taking state-run mind control to its logical extreme. It examines what’s operationally involved in compelling a population to submit to exploitative rule, without regard to the nominal form of economic organisation. Put a bit differently, the book considers the psycho-social machinery of unaccountable state power in general, regardless of whether it originates from a ruling bureaucracy or finance capital. It explores the general problem of maintaining social stability in a highly unequal society, which can be done only through some combination of repression and controlling the population’s consciousness.”[8]

In section six, The Anti Intellectual Brigade, Rodden examines E.P. Thompson’s attack on Orwell. Thompson criticised Orwell from the right, not the left; he compared Orwell to “a man who is raw all down one side and numb on the other. He is sensitive—sometimes obsessionally so—to the least insincerity upon his left, but the inhumanity of the right rarely provoked him to a paragraph of polemic.”

Thompson spent most of his academic career distancing himself from his former life inside the British Communist Party. His criticism of Stalinism was not from an orthodox Marxist position; instead, he advocated a type of “socialist humanism”. Thompson at an early age rejected the classical Marxism of Leon Trotsky; despite later breaking with Stalinism, it is clear that Thompson’s subsequent historical and political writings still retained ideological baggage from his Stalinist past.

As Rodden’s article shows the discussion over Orwell’s work and, more importantly, his opposition to Stalinism continues unabated today. At a recent election meeting held by the UK Socialist Equality Party, a member of the audience used Orwell’s book Animal Farm to conclude that revolutions have always been defeated. In his reply, Chris Marsden said that despite Orwell being a brilliant writer and an opponent of Stalinism, he nonetheless drew pessimistic conclusions from the victory of Stalinism in the former USSR.

One example of this confusion was his turning over some 35 of these names, a year before he died in 1950, to a secret government unit called the Information Research Department. This arm of the British Foreign Office had been set up to organise anti-Soviet and anti-communist propaganda. Marsden made the point that the co-leader of the Russian Revolution and his Left Opposition opposed Stalinism from the standpoint of Marxism and had faith in the working class overthrowing it. They worked under extraordinary political and physical pressure to provide a Marxist opposition to Stalinism, something Orwell could never have done.


[1] The Never Ending Siege-Orwell and the Left The Orwell Society-Journal no 25 spring 2025

[2] How George Orwell Became a Dead Metaphor-https:www.ft.com/content/83625fad-f101-4712-ba2b-483b87ef0e12

[3] See John Newsinger -Hope Lies in the Proles

[4] George Orwell, Snobby Truthteller- Blaise Lucey- litverse.substack.com/p/george-orwell-snobby-truthteller

[5] George Orwell and the British Foreign Office- http://www.wsws.org/en/articles/1998/09/orw-s09.html

[6] Nineteen Eighty-Four and all that-https://socialistworker.co.uk/socialist-review-archive/nineteen-eighty-four-and-all/

[7] George Orwell and the British Foreign Office- http://www.wsws.org/en/articles/1998/09/orw-s09.html

[8] A comment: Revisiting George Orwell’s Nineteen Eighty-Four in 2010- http://www.wsws.org/en/articles/2010/06/1984-j12.html

160 George Orwell’s papers saved after a Public Protest.

“There are lots of people with lots of money who’d like a trophy. But you then lose track of them and they disappear, until they pop up on the market again.”

Prof Jean Seaton

‘I hope I shall get the chance to write the truth about what I have seen. The stuff appearing in the English papers is largely the most appalling lies, more I can’t say, owing to the censorship.’ –

George Orwell, May 1937

All animals are equal, but some are more equal than others

Animal Farm-George Orwell

“The horrible thing about the Two Minutes Hate was not that one was obliged to act a part, but, on the contrary, that it was impossible to avoid joining in. Within thirty seconds, any pretence was always unnecessary. A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledgehammer, seemed to flow through the whole group of people like an electric current, turning one even against one’s will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp”.

1984

About 160 historically important George Orwell papers have been acquired by University College London. The Gollancz Papers, as they were known were at risk of being sold to the highest bidder at auction.

The papers contain Orwell’s correspondence, contracts and readers’ reports relating to his earliest novels, dating from 1934 to 1937. The papers relate to four of his earliest published works – A Clergyman’s Daughter, Keep the Aspidistra Flying, The Road to Wigan Pier and Inside the Whale . His analysis of the politics of 1930s Europe, shaped his world viewpoint. The newly acquired papers contain manuscript notebooks, personal papers and the first handwritten notes of some of Orwell’s most famous words and phrases, such as “Two Minutes Hate”, “Newspeak”, and “War is Peace. Ignorance is strength. Freedom is slavery”.

The collection acquired by UCL had originally belonged to Orwell’s publisher, Victor Gollancz, who founded one of the 20th century’s most important left-wing publishing houses. Publishing several of Orwell’s early novels. However he refused to publish three of Orwell’s major political books, Homage to Catalonia, Animal Farm and Nineteen Eighty-Four.

Gollancz was particularly hostile to Orwell’s Homage to Catalonia. Gollancz thought Orwell was a Trotskyist and was hostile to Stalinism. Although no Trotskyist, Orwell was hostile to Stalinism. Orwell’s Homage to Catalonia is an important written by a gifted and honest writer committed to exposing the truth.

“Written in 1937, it is a moving account of the heroic revolutionary struggle of the Spanish people against fascism and for socialism. Above all, it provides irrefutable proof by an independent living witness to the crimes committed by the Stalinist bureaucracy in Spain and its betrayal of the Spanish revolution. Orwell’s account was a vindication of the analysis that had been made by Leon Trotsky and the International Left Opposition of the Soviet bureaucracy, whose policies had by then become utterly counterrevolutionary on a world scale.”[1]

A spokesman for University College London (UCL) said the papers were “a valuable piece of Britain’s cultural heritage”. UCL already has the world’s most comprehensive research material relating to Orwell. The purchase by UCL was done with the help of the National Heritage Memorial Fund and the Friends of the Nations’ Libraries to stop the collection falling into the hands of a few money-grabbing collectors. Anger was also expressed at the condition of the papers, which had been “languishing in dozens of rusty, dusty filing cabinets”.

The Orwell papers were owned by the Orion Group, which was in turn owned by Hachette. Hachette had no interest in the cultural value of the papers. Their decision to sell to the highest bidder because they were closing down the warehouse where the papers were stored had been condemned as an act of “Cultural vandalism”. According to Rick Gekoski in his 2021 book, Guarded by Dragons, “No one on the Orion board cared where they went, or to whom.”[2]

How Orion came to get the papers was explained by Richard Young, who writes, “Gollancz continued as an independent publishing house even after the death of Victor Gollancz in 1967, under the guidance of his daughter Livia. In the late 1980s, however, the business was sold to new owners and went through several changes of ownership in the 1990s, ending up under the Orion Group. In 2012, Orion was faced with a problem, in that the archive of Gollancz was by then housed in a warehouse on the south coast, along with archives from several other publishing houses. The warehouse provider planned to close the facility in the coming years, and so faced with this, Orion took the opportunity to put the archive up for sale.

So, what exactly is a publishing house archive? Essentially, it consists of two main elements: so-called file or archive copies of the books published by the firm, and secondly, the correspondence or publishing files relating to each of the published works. Gekoski did his best to place the entire correspondence archive with an institution. Those tapped included the British Library, as well as Universities in the UK and the US. The price tag of 1 million pounds, which Orion was seeking, proved to be a stumbling block, however, and all negotiations to sell the archive (which included significant George Orwell correspondence) in its entirety fell through.[3]

The capitalist speculators of the Orion company stands in stark contrast to the “extraordinary generosity” of Orwell’s only son of Richard Blair, who with his own money purchased 50 letters to donate them to UCL’s Orwell Archive, to stop them being gobbled up by vampire collectors and according to him “Then they’re never seen again.

Orwell’s biographer D J Taylor concurred with Blair, saying, “This is a fantastic treasure trove from the point of view of Orwell and publishing history … Literary manuscripts have a terrible habit of disappearing”.


[1] www.wsws.org/en/articles/2002/04/orwe-a11.html

[2] Guarded by Dragons: Encounters with Rare Books and Rare People Paperback – 19 Jan. 2023

[3] Orwell and the Gollancz Archive -orwellsociety.com/orwell-and-the-gollancz-archive/

Who Is Big Brother? A Reader’s Guide to George Orwell Hardcover – March 26, 2024, by D. J. Taylor

“If there was hope, it must lie in the Proles because only there, in those swarming disregarded masses, eighty-five per cent of the population of Oceania, could the force to destroy the Party ever be generated.”

George Orwell 1984

“All animals are equal, but some animals are more equal than others.”― George Orwell, Animal Farm.

The ancient philosopher said that strife is the father of all things. No new values can be created where a free conflict of ideas is impossible. To be sure, a revolutionary dictatorship means, by its very essence, strict limitations of freedom. But for that same reason, epochs of revolution have never been directly favourable to cultural creation; they have only cleared the arena for it. The dictatorship of the proletariat opens a wider scope to human genius the more it ceases to be a dictatorship. The socialist culture will flourish only in proportion to the dying away of the state.

Leon Trotsky Revolution Betrayed (1936)

The essence of Marxism consists in that it approaches society concretely, as a subject for objective research, and analyses human history as one would a colossal laboratory record. Marxism appraises ideology as a subordinate integral element of the material social structure. Marxism examines the class structure of society as a historically conditioned form of the development of the productive forces; Marxism deduces from the productive forces of society the inter-relations between human society and surrounding nature, and these, in turn, are determined at each historical stage by man’s technology, his instruments and weapons, his capacities and methods for struggle with nature. Precisely this objective approach arms Marxism with the insuperable power of historical foresight.

Leon Trotsky’s Dialectical Materialism and Science (1925)

D J Taylor’s new book is an extremely good introduction to the work of George Orwell. However, it joins an already overcrowded market, so much so Taylor was encouraged to justify his new book. It must said Taylor’s book is one of the better book releases. It is a well-researched perceptive analysis of the work of Orwell. Unfortunately, that cannot be said of many new releases and articles attempting the “uncover the real Orwell”. Some of these books and articles have been nothing more than hack work aimed at character assignation and burying Orwell ‘s reputation under a large pile of dead dogs.

Before I review Taylor’s book, I would like to say something about a recent article from the Orwell’s Society’s website[1]. The article in question was by Patrick Homes called Can We Truly Rebel? Fisher and Orwell[2]. Homes begin by mislabeling Fisher as a Marxist. Fischer was nothing of the sort. He was a pseudo-left masquerading as a Marxist and a very pessimistic one at that.

Fisher’s 2008 book Capitalist Realism offers no real alternative to Capitalism. It was easier for him to “imagine the end of the world than the end of Capitalism”. Fisher cannot imagine a modern world without Capitalism. Not a very classical Marxist position I might add. While offering mild criticism of Capitalism, Fisher accepts that Capitalism “entails subordinating oneself to a reality that is infinitely plastic, capable of reconfiguring itself at any moment.”[3] It would appear that Fisher has accepted Francis Fukuyama’s Mantra that we have reached the “End of History” and that Liberal Capitalism is now the only game in town.[4]

Fisher writes, “The catastrophe in Children of Men is neither waiting down the road nor has it already happened. Rather, it is being lived through. There is no punctual moment of disaster; the world doesn’t end with a bang. It winks out, unravels, and gradually falls apart. What caused the catastrophe to occur, who knows; its cause lies long in the past, so absolutely detached from the present as to seem like the caprice of a malign being: a negative miracle, a malediction which no penitence can ameliorate. Such a blight can only be eased by an intervention that can no more be anticipated than was the onset of the curse in the first place. Action is pointless; only senseless hope makes sense. Superstition and religion, the first resorts of the helpless, proliferate. But what of the catastrophe itself? It is evident that the theme of sterility must be read metaphorically as the displacement of another kind of anxiety. I want to argue this anxiety cries out to be read in cultural terms, and the question the film poses is: how long can a culture persist without the new? What happens if the young are no longer capable of producing surprises?”[5]

Unfortunately there are no surprises in Fisher’s book. He is both hostile and disdains  orthodox Marxism and its history in equal measure, writing, “One of the left’s vices is its endless rehearsal of historical debates, its tendency to keep going over Kronstadt or the New Economic Policy rather than planning and organising for a future that it believes in.”

Unlike Homes, I do not believe Fisher’s intellectual framework offers an insightful understanding of George Orwell’s work, particularly Nineteen Eighty-Four. Regardless of his faults, and there were many, Orwell did not share Fisher’s total pessimism or despair. His “Hope Lies in the Proles “ from 1984 is a clear indication that Orwell saw the working class as a revolutionary class and was the only force that could overthrow Capitalism. Orwell was not a Marxist, but throughout his life, he sought to understand and live by Marx’s theory that “The history of all hitherto existing society is the history of class struggles.”[6] I am pretty sure that Orwell would have concurred with Marx’s understanding of the role of the individual in history. Marx wrote, “Men make their history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionising themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis, they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes to present this new scene in world history in time-honoured disguise and borrowed language.”[7]

As was said earlier Taylor’s book is a fine introduction to the literature of Orwell. D. J. Taylor is a leading scholar on Orwell, and this book is the product of decades of work on Orwell. Taylor concentrates mostly on Orwell’s literary output and focuses less on his political involvement. Orwell’s trip to Spain had an enormous impact on him, and if you want to understand the real Orwell, you have to study Orwell’s experience in Spain and his book Homage To Catalonia. This book is far more important than Animal Farm or 1984. As Taylor writes, “Spain, it is safe to say, politicised Orwell in a way that his exposure to homegrown Socialism in the previous five years had not. To begin with, it offered him a vision of how an alternative world, founded on the principles of freedom and equality, might work.”[8] Taylor is not a Marxist and can only offer a perfunctory analysis of Orwell’s experiences in Spain.

A closer approximation of Orwell’s time in Spain can be found in the analysis of the Marxist writer Vicky Shaw, who wrote, “Orwell’s experience was different from most other artists and intellectuals, who went to Spain as supporters of the Stalinist Communist Parties, which many still associated with Lenin’s Bolshevik party and the revolutionary traditions of October 1917 and which possessed a massive apparatus for both propaganda and direct repression of dissent. For George Orwell to produce and publish such material then was, therefore, no small task. The Kremlin bureaucracy was actively seeking the physical annihilation of the entire generation of Marxist workers and intellectuals who had made the Russian Revolution in 1917 possible, while internationally, the Communist Parties were acting as the agents of Stalin in suppressing any opposition to the bureaucracy’s interests wherever such opposition appeared. Orwell’s honest account of the Spanish events also conflicted with the reigning perceptions amongst large layers of revolutionary-minded working people.

Homage to Catalonia is, therefore, a seminal text and remains an excellent introduction to the Spanish events and the strangling of the revolution by Stalinism. However, Orwell could not elaborate on a revolutionary alternative to Stalinism. Eventually, the domination of the workers’ movement by the bureaucracy, combined with the victories this gave Fascism, led him to extreme forms of political demoralisation, as is seen in his book 1984. He supported the democratic imperialist powers in the Second World War”.[9]

Taylor does not make much of Orwell’s faith in the working class. In 1984, he believed the “proles were the only hope for the future. If there was hope, it MUST lie in the proles, because only there, in those swarming disregarded masses, eighty-five per cent of the population of Oceania, could the force to destroy the Party ever be generated.” If only they could somehow become conscious of their strength needed only to rise and shake themselves like a horse shaking off flies. If they chose, they could blow the Party to pieces tomorrow morning. The proles had stayed human. They had not become hardened. They had a “vitality which the Party did not share and could not kill…the future belonged to the proles”.

That said, Orwell never clarified his position towards the 1917 October Revolution. As Fred Mazellis correctly states, “Orwell was always ambivalent about the genuine legacy of the October Revolution which Trotsky represented. His identification with the working class was based more on emotion and sentiment than scientific conviction. He associated with centrists like the Independent Labour Party in Britain and the POUM in Spain. The ILP called for “left unity,” adapting to the Stalinists and criticising Trotsky’s merciless critique of Stalinism as “sectarian.” In Spain, the POUM played a similar role, supporting the Popular Front government, which turned around and suppressed it. At the same time, the Stalinists assassinated the POUM leaders because they could not tolerate any independent left-wing working-class movement.”[10]

To conclude, the discussion about Stalinism and the betrayal of revolutions has little interest for Taylor, which is certainly reflected in this book. His main concern is literature and culture. As John Newsinger correctly points out, “Taylor’s achievement is to construct an Orwell who is acceptable to the literary establishment, someone non-threatening, irredeemably one of them. As far as he is concerned, two major influences on Nineteen Eighty-Four were Orwell’s rat phobia and the totalitarian horrors he had experienced at his prep school, St Cyprian’s!”.

[1] https://orwellsociety.com/

[2] https://orwellsociety.com/can-we-truly-rebel/

[3] Mark Fisher, Capitalist Realism: Is There No Alternative?2008

[4] The world economic crisis and the return of history-https://www.wsws.org/en/articles/2009/02/meet-f02.html 

[5] Mark Fisher, Capitalist Realism: Is There No Alternative?

[6] The Communist Manifesto

[7]  Karl Marx, The Eighteenth Brumaire of Louis Bonaparte

[8] Who Is Big Brother?: A Reader’s Guide to George Orwell

[9] George Orwell’s Homage to Catalonia, Stalinism and the Spanish revolution- https://www.wsws.org/en/articles/2002/04/orwe-a11.html

[10] https://atrumpetofsedition.org/george-orwell/

Who Is Big Brother? A Reader’s Guide to George Orwell Hardcover – March 26, 2024, by D. J. Taylor

“If there was hope, it must lie in the Proles because only there, in those swarming disregarded masses, eighty-five per cent of the population of Oceania, could the force to destroy the Party ever be generated.”

George Orwell 1984

“All animals are equal, but some animals are more equal than others.”― George Orwell, Animal Farm.

The ancient philosopher said that strife is the father of all things. No new values can be created where a free conflict of ideas is impossible. To be sure, a revolutionary dictatorship means, by its very essence, strict limitations of freedom. But for that same reason, epochs of revolution have never been directly favourable to cultural creation; they have only cleared the arena for it. The dictatorship of the proletariat opens a wider scope to human genius the more it ceases to be a dictatorship. The socialist culture will flourish only in proportion to the dying away of the state.

Leon Trotsky Revolution Betrayed (1936)

The essence of Marxism consists in that it approaches society concretely, as a subject for objective research, and analyses human history as one would a colossal laboratory record. Marxism appraises ideology as a subordinate integral element of the material social structure. Marxism examines the class structure of society as a historically conditioned form of the development of the productive forces; Marxism deduces from the productive forces of society the inter-relations between human society and surrounding nature, and these, in turn, are determined at each historical stage by man’s technology, his instruments and weapons, his capacities and methods for struggle with nature. Precisely this objective approach arms Marxism with the insuperable power of historical foresight.

Leon Trotsky’s Dialectical Materialism and Science (1925)

D J Taylor’s new book is an extremely good introduction to the work of George Orwell. However, it joins an already overcrowded market, so much so Taylor was encouraged to justify his new book. It must said Taylor’s book is one of the better book releases. It is a well-researched perceptive analysis of the work of Orwell. Unfortunately, that cannot be said of many new releases and articles attempting the “uncover the real Orwell”. Some of these books and articles have been nothing more than hack work aimed at character assignation and burying Orwell ‘s reputation under a large pile of dead dogs.

Before I review Taylor’s book, I would like to say something about a recent article from the Orwell’s Society’s website[1]. The article in question was by Patrick Homes called Can We Truly Rebel? Fisher and Orwell[2]. Homes begin by mislabeling Fisher as a Marxist. Fischer was nothing of the sort. He was a pseudo-left masquerading as a Marxist and a very pessimistic one at that.

Fisher’s 2008 book Capitalist Realism offers no real alternative to Capitalism. It was easier for him to “imagine the end of the world than the end of Capitalism”. Fisher cannot imagine a modern world without Capitalism. Not a very classical Marxist position I might add. While offering mild criticism of Capitalism, Fisher accepts that Capitalism “entails subordinating oneself to a reality that is infinitely plastic, capable of reconfiguring itself at any moment.”[3] It would appear that Fisher has accepted Francis Fukuyama’s Mantra that we have reached the “End of History” and that Liberal Capitalism is now the only game in town.[4]

Fisher writes, “The catastrophe in Children of Men is neither waiting down the road nor has it already happened. Rather, it is being lived through. There is no punctual moment of disaster; the world doesn’t end with a bang. It winks out, unravels, and gradually falls apart. What caused the catastrophe to occur, who knows; its cause lies long in the past, so absolutely detached from the present as to seem like the caprice of a malign being: a negative miracle, a malediction which no penitence can ameliorate. Such a blight can only be eased by an intervention that can no more be anticipated than was the onset of the curse in the first place. Action is pointless; only senseless hope makes sense. Superstition and religion, the first resorts of the helpless, proliferate. But what of the catastrophe itself? It is evident that the theme of sterility must be read metaphorically as the displacement of another kind of anxiety. I want to argue this anxiety cries out to be read in cultural terms, and the question the film poses is: how long can a culture persist without the new? What happens if the young are no longer capable of producing surprises?”[5]

Unfortunately there are no surprises in Fisher’s book. He is both hostile and disdains  orthodox Marxism and its history in equal measure, writing, “One of the left’s vices is its endless rehearsal of historical debates, its tendency to keep going over Kronstadt or the New Economic Policy rather than planning and organising for a future that it believes in.”

Unlike Homes, I do not believe Fisher’s intellectual framework offers an insightful understanding of George Orwell’s work, particularly Nineteen Eighty-Four. Regardless of his faults, and there were many, Orwell did not share Fisher’s total pessimism or despair. His “Hope Lies in the Proles “ from 1984 is a clear indication that Orwell saw the working class as a revolutionary class and was the only force that could overthrow Capitalism. Orwell was not a Marxist, but throughout his life, he sought to understand and live by Marx’s theory that “The history of all hitherto existing society is the history of class struggles.”[6] I am pretty sure that Orwell would have concurred with Marx’s understanding of the role of the individual in history. Marx wrote, “Men make their history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionising themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis, they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes to present this new scene in world history in time-honoured disguise and borrowed language.”[7]

As was said earlier Taylor’s book is a fine introduction to the literature of Orwell. D. J. Taylor is a leading scholar on Orwell, and this book is the product of decades of work on Orwell. Taylor concentrates mostly on Orwell’s literary output and focuses less on his political involvement. Orwell’s trip to Spain had an enormous impact on him, and if you want to understand the real Orwell, you have to study Orwell’s experience in Spain and his book Homage To Catalonia. This book is far more important than Animal Farm or 1984. As Taylor writes, “Spain, it is safe to say, politicised Orwell in a way that his exposure to homegrown Socialism in the previous five years had not. To begin with, it offered him a vision of how an alternative world, founded on the principles of freedom and equality, might work.”[8] Taylor is not a Marxist and can only offer a perfunctory analysis of Orwell’s experiences in Spain.

A closer approximation of Orwell’s time in Spain can be found in the analysis of the Marxist writer Vicky Shaw, who wrote, “Orwell’s experience was different from most other artists and intellectuals, who went to Spain as supporters of the Stalinist Communist Parties, which many still associated with Lenin’s Bolshevik party and the revolutionary traditions of October 1917 and which possessed a massive apparatus for both propaganda and direct repression of dissent. For George Orwell to produce and publish such material then was, therefore, no small task. The Kremlin bureaucracy was actively seeking the physical annihilation of the entire generation of Marxist workers and intellectuals who had made the Russian Revolution in 1917 possible, while internationally, the Communist Parties were acting as the agents of Stalin in suppressing any opposition to the bureaucracy’s interests wherever such opposition appeared. Orwell’s honest account of the Spanish events also conflicted with the reigning perceptions amongst large layers of revolutionary-minded working people.

Homage to Catalonia is, therefore, a seminal text and remains an excellent introduction to the Spanish events and the strangling of the revolution by Stalinism. However, Orwell could not elaborate on a revolutionary alternative to Stalinism. Eventually, the domination of the workers’ movement by the bureaucracy, combined with the victories this gave Fascism, led him to extreme forms of political demoralisation, as is seen in his book 1984. He supported the democratic imperialist powers in the Second World War”.[9]

Taylor does not make much of Orwell’s faith in the working class. In 1984, he believed the “proles were the only hope for the future. If there was hope, it MUST lie in the proles, because only there, in those swarming disregarded masses, eighty-five per cent of the population of Oceania, could the force to destroy the Party ever be generated.” If only they could somehow become conscious of their strength needed only to rise and shake themselves like a horse shaking off flies. If they chose, they could blow the Party to pieces tomorrow morning. The proles had stayed human. They had not become hardened. They had a “vitality which the Party did not share and could not kill…the future belonged to the proles”.

That said, Orwell never clarified his position towards the 1917 October Revolution. As Fred Mazellis correctly states, “Orwell was always ambivalent about the genuine legacy of the October Revolution which Trotsky represented. His identification with the working class was based more on emotion and sentiment than scientific conviction. He associated with centrists like the Independent Labour Party in Britain and the POUM in Spain. The ILP called for “left unity,” adapting to the Stalinists and criticising Trotsky’s merciless critique of Stalinism as “sectarian.” In Spain, the POUM played a similar role, supporting the Popular Front government, which turned around and suppressed it. At the same time, the Stalinists assassinated the POUM leaders because they could not tolerate any independent left-wing working-class movement.”[10]

To conclude, the discussion about Stalinism and the betrayal of revolutions has little interest for Taylor, which is certainly reflected in this book. His main concern is literature and culture. As John Newsinger correctly points out, “Taylor’s achievement is to construct an Orwell who is acceptable to the literary establishment, someone non-threatening, irredeemably one of them. As far as he is concerned, two major influences on Nineteen Eighty-Four were Orwell’s rat phobia and the totalitarian horrors he had experienced at his prep school, St Cyprian’s!”.

[1] https://orwellsociety.com/

[2] https://orwellsociety.com/can-we-truly-rebel/

[3] Mark Fisher, Capitalist Realism: Is There No Alternative?2008

[4] The world economic crisis and the return of history-https://www.wsws.org/en/articles/2009/02/meet-f02.html 

[5] Mark Fisher, Capitalist Realism: Is There No Alternative?

[6] The Communist Manifesto

[7]  Karl Marx, The Eighteenth Brumaire of Louis Bonaparte

[8] Who Is Big Brother?: A Reader’s Guide to George Orwell

[9] George Orwell’s Homage to Catalonia, Stalinism and the Spanish revolution- https://www.wsws.org/en/articles/2002/04/orwe-a11.html

[10] https://atrumpetofsedition.org/george-orwell/

The Socialist Patriot: George Orwell and War-By Peter Stansky Stanford University Press, 2023, 150 pp

All animals are equal, but some animals are more equal than others.

George Orwell

“If there was hope, it must lie in the Proles because only there, in those swarming disregarded masses, eighty-five per cent of the population of Oceania, could the force to destroy the Party ever be generated.”

George Orwell 1984

Who controls the past controls the future: who controls the present controls the past.”

George Orwell 1984

“If you want a picture of the future, imagine a boot stamping on a human face—forever.”

George Orwell

The ancient philosopher said that strife is the father of all things. No new values can be created where a free conflict of ideas is impossible. To be sure, a revolutionary dictatorship means, by its very essence, strict limitations of freedom. But for that very reason, epochs of revolution have never been directly favourable to cultural creation; they have only cleared the arena for it. The dictatorship of the proletariat opens a wider scope to human genius the more it ceases to be a dictatorship. The socialist culture will flourish only in proportion to the dying away of the state.

Leon Trotsky Revolution Betrayed (1936)

The essence of Marxism consists in this that it approaches society concretely, as a subject for objective research, and analyses human history as one would a colossal laboratory record. Marxism appraises ideology as a subordinate integral element of the material social structure. Marxism examines the class structure of society as a historically conditioned form of the development of the productive forces; Marxism deduces from the productive forces of society the inter-relations between human society and surrounding nature, and these, in turn, are determined at each historical stage by man’s technology, his instruments and weapons, his capacities and methods for struggle with nature. Precisely this objective approach arms Marxism with the insuperable power of historical foresight.

Leon Trotsky’s Dialectical Materialism and Science (1925)

The Socialist Patriot, published in 2023, joins an extremely busy book market on the English writer George Orwell, one of the most important and influential writers of the 20th century. There is no special reason for reviewing Stansky’s book other than to place it in the context of recent Orwell studies.

The majority of recent publications, it must said, have not been very good. Some have been written by paid-up members of the #MeToo movement that have been nothing short of character assassination. The attack on Orwell by Anna Funder in her book Wifedom is particularly nasty.[1] Given the caustic nature of the attack, it is not surprising that Orwell’s son, Richard Blair, took to his father’s defence in the Spring edition of the Orwell Society’s journal. In the same journal, John Rodden argues that Orwell was neither a “plagiarist” nor a “predator”. Other writers have written in defence of Orwell.

In an essay for The Article, Jeffrey Meyers defends Orwell. He relates how “In Barcelona in May 1937, the Stalinists attacked POUM, their supposed anti-fascist allies, and began a civil war within the Civil War that led to their defeat. Orwell was in the losing faction of the losing side. While he was fighting at the front, the Stalinist police searched Eileen’s hotel room. She was not arrested and hid their passports and chequebooks under the mattress while she remained in bed. Funder says Orwell “abandoned” Eileen by returning to the front, but he went to Spain to fight the fascists, not to take care of her. It is true that when he was shot through the throat, she devotedly nursed him. In July, the Stalinist secret tribunal condemned Orwell and Eileen to death for espionage and high treason, and they barely managed to escape with their lives into France.

Anna Funder, extremely imperceptive, says she’d read Orwell’s Homage to Catalonia (1938) twice without realising that Eileen had been in Spain with him. Though there are in fact 37 references to Eileen in his book, Funder, determined to put a malign interpretation on everything Orwell does, states that she’s scarcely mentioned and never named and that he wrote her out of the story. She doesn’t realise that Homage is about Spain, not Eileen and that his sense of privacy and decorum prevented him from naming her. (Orwell would have been sickened by the current dedications “To my beautiful and brilliant wife” that are deleted in the post-divorce edition.)  More important, after being convicted of treason and condemned to death, he feared he could be murdered by Soviet agents whom he knew were operating in England, and wanted to protect Eileen from dangerous reprisals by hiding her connection to POUM Funder repeatedly calls his very real fear “paranoia”. But millions of people were murdered in Stalin’s Purges of 1936-38, and Leon Trotsky was assassinated in Mexico in 1940. The Communists continued to murder their enemies for the next 80 years. Recently, Sergei Skripal was poisoned in England, and Yevgeny Prigozhin was blown up for opposing the present Russian dictator.[2]

While containing biographical elements, The Socialist Patriot is more polemic than biography. Stansky is broadly politically sympathetic towards Orwell. While reading Stansky’s book, one is struck by how contemporary much of what Orwell wrote about. Room 101, Ignorance is Strength, Big Brother, and doublethink – to name but a few are Orwellian phrases instantly recognisable even today’s phrase-laden society. Despite being born over one hundred years ago, Orwell’s writing is still part of our everyday culture.

Orwell was a brilliant writer who took the study of culture very seriously and was one of many writers in the 20th century to chart its influence. Orwell had an extraordinary range. He wrote about the 19th-century British novelists Charles Dickens and Rudyard Kipling, the Irish poet W.B. Yeats, the American writer Henry Miller, and Donald McGill’s postcards, to name but a few. While Orwell’s Novels and cultural writings are important, I believe Orwell’s greatest book is neither Animal Farm nor 1984 but his Homage To Catalonia.

In a letter he wrote to Cyril Connolly from the hospital in Barcelona where he was being treated for a bullet wound to his throat and arm by the fascists, he wrote: “Thanks also for recently telling the public that I should probably write a book on Spain, as I shall, of course, once this bloody arm is right. I have seen wonderful things and I believe in Socialism, which I never did before. On the whole, though I am sorry not to have seen Madrid, I am glad to have been on a comparatively little-known front among Anarchists and POUM [Workers Party of Marxist Unification] people instead of in the International Brigade, as I should have been if I had come here with CP [Communist Party] credentials instead of ILP [Independent Labour Party] ones. “[3]

In Another letter to his publisher, Victor Gollancz On 1 May 1937, he wrote “ I shall be going back to the front probably in a few days & barring accidents I expect to be there till about August. After that, I think I shall come home, as it will be about time I started on another book. I greatly hope I come out of this alive, if only to write a book about it. It is not easy here to get hold of any facts outside the circle of one’s own experience, but with that limitation, I have seen a great deal that is of immense interest to me. Owing partly to an accident, I joined the POUM militia instead of the International Brigade, one which was a pity in one way because it meant that I had never seen the Madrid front; on the other hand, it has brought me into contact with Spaniards rather than Englishmen & especially with genuine revolutionaries. I hope I shall get a chance to write the truth about what I have seen. The stuff appearing in the English papers is largely the most appalling lies – more, I can’t say, owing to the censorship. If I can get back in August I hope to have a book ready for you about the beginning of next year.[4]

After Orwell returned from Spain, he elaborated his commitment to Socialism by writing the essay/pamphlet The Lion and the Unicorn, Socialism and the English Genius. Orwell’s essay was not just a knee-jerk reaction to the war. Gregory Claeys writes, “Before he wrote The Lion and the Unicorn, Orwell had briefly suggested three of its central themes: first, patriotism was not inherently conservative or reactionary, but might be expressed as a legitimate sentiment among those on the left; second, patriotism alone would not prevent England’s defeat, but instead the social revolution must progress (and here his Spanish ideals were carried forward). Third, Orwell argued that it was those who were most patriotic who were least likely to “flinch from revolution when the moment comes.” John Cornford, a Communist killed while serving in the International Brigades, had been “public school to the core.” This proved, Orwell thought, that one kind of loyalty could transmute itself into another and that it was necessary for the coming struggle to recognise “the spiritual need for patriotism and the military virtues.”[5]

Orwell is crystal clear that the only way to beat the fascists was for the working class to make the war a revolutionary one. He writes, “It is only by revolution that the native genius of the English people can be set free. Revolution does not mean red flags and street fighting; it means a fundamental power shift. Whether it happens with or without bloodshed is largely an accident of time and place. Nor does it mean the dictatorship of a single class. The people in England who grasp what changes are needed and are capable of carrying them through are not confined to any one class, though it is true that very few people with over £2,000 a year are among them. Ordinary people want a conscious, open revolt against inefficiency, class privilege and the rule of the old. It is not primarily a question of change of government. British governments do, broadly speaking, represent the will of the people, and if we alter our structure from below, we shall get the government we need. Ambassadors, generals, officials and colonial administrators who are senile or pro-Fascist are more dangerous than Cabinet ministers whose follies have to be committed in public. Right through our national life, we have got to fight against privilege, against the notion that a half-witted public schoolboy is better for command than an intelligent mechanic. Although there are gifted and honest individuals among them, we have to break the grip of the monied class. England has got to assume its real shape. The England that is only beneath the surface, in the factories and the newspaper offices, in the aeroplanes and the submarines, has got to take charge of its destiny.”

Stansky spends a fair amount of time and space writing about Orwell’s The Lion and the Unicorn essay. It is then all the more bizarre that he could conclude on page 73 of his book that Orwell disdained theory and had an empirical outlook. He further elaborates that Orwell was part of an unbroken radical tradition. This is a line that is perpetrated by the Pseudo Lefts, who see the working class as inherently radical and in no need of a revolutionary perspective. It must be said that the paragraph looks out of place from the rest of the book. It seems like another writer might have inserted it.

Orwell spent the last few years before his death coming to terms with the defeat of the Russian Revolution and the rise of Stalinism. Orwell’s Animal Farm was his second attempt at reckoning with Stalinism, his first being the book Homage to Catalonia. At 120 pages, the book Animal Farm can be read on many levels. As John Newsinger points out, “The politics of the book were pretty straightforward: a capitalist farmer had been quite properly overthrown by the worker animals, and an egalitarian socialist system had been introduced on the farm. The pigs had then betrayed the revolution with the revolutionary Snowball (Trotsky) driven out and the dictator Napoleon (Stalin) establishing a murderous police state”.

Right-wing ideologues have attempted to portray the book as anti-revolutionary. Orwell refuted this slander saying, “I meant the moral to be that revolutions only effect a radical improvement when the masses are alert and know how to chuck out their leaders as soon as the latter have done their job. The turning point of the story was supposed to be when the pigs kept the milk and apples for themselves (Kronstadt). If the other animals had had the sense to put their foot down, then it would have been all right…I was trying to say, “You can’t have a revolution unless you make it for yourself; there is no such thing as a benevolent dictatorship.”

Despite having serious political differences with Leon Trotsky, there is no doubt that Orwell respected and was heavily influenced by the writings of Trotsky. As Jeffrey Meyers writes in his not-too-friendly essay on Trotsky and Orwell, “In May 1946 Orwell tried to persuade his publisher Fredric Warburg to publish the English edition of Trotsky’s Life of Stalin (1941): “I have read a good deal of it, mostly the bits dealing with Stalin’s childhood, with the civil war and with the alleged murder of Lenin” by Stalin. The earlier parts were “particularly interesting because they demonstrate the difficulty of establishing any fact about a public figure who has been a subject for propaganda. It might be worth trying to get a little more information about the circumstances of Trotsky’s assassination, which may have been partly decided on because of the knowledge that he was writing this very book.”

Remarkably, the political discussion over Orwell’s opposition to Stalinism continues unabated today. At a recent election meeting held by the Uk Socialist Equality Party,[6] a member of the audience used Orwell’s book Animal Farm to conclude that revolutions have always been defeated. In his reply, Chris Marsden said that despite Orwell being a brilliant writer and an opponent of Stalinism, he nonetheless drew pessimistic conclusions from the victory of Stalinism in the former USSR. One example of this confusion was his turning over some 35 of these names, a year before he died in 1950, to a secret government unit called the Information Research Department. This arm of the British Foreign Office had been set up to organise anti-Soviet and anticommunist propaganda.

Marsden made the point that The co-leader of the Russian Revolution and his Left Opposiiton opposed Stalinism from the standpoint of Marxism and had faith in the working class overthrowing it. They worked under extraordinary political and physical pressure to provide a Marxist opposition to Stalinism, something Orwell could never have done.

As the Marxist writer Fred Mazelis wrote, “The Trotskyists showed that there was a socialist alternative to Stalinism and that the bourgeois-democratic regimes headed by Churchill and Roosevelt, the same regimes which praised the Soviet government at the time of the Moscow Trials and were its allies during WWII, and whose predecessors had intervened to destroy the Russian Revolution, were no defenders of democracy at all. Those who today praise Orwell as a solitary opponent of Stalinist are the same ones who deliberately censor any mention of Trotsky, the Left Opposition and the Fourth International.”

Notes

A Link to the Debate over Animal Farm.

@sep_uk

“But won’t this just be another Animal Farm?” The reports delivered to the Socialist Equality Party general election rally in Holborn and St Pancras provoked an important discussion, centred on why there were not more socialists and wouldn’t there be a degeneration of any socialist government. This raised an important discussion on Stalinism, which was warmly received. #GazaGenocide #GeneralElection #socialism #AnimalFarm

♬ original sound – SEP

[1] https://keith-perspective.blogspot.com/2023/09/wifedom-by-anna-funder-penguin-books.html

[2] In defence of George Orwell- https://www.thearticle.com/in-defence-of-george-orwell

[3] The Collected Non-Fiction: Essays, Articles, Diaries and Letters, 1903-1950

[4] Orwell in Spain-by George Orwell- bookreadfree.com/412706/10147298

[5] “The Lion and the Unicorn”, Patriotism, and Orwell’s Politics-Gregory Claeys-The Review of Politics-Vol. 47, No. 2 (Apr., 1985), pp. 186-211

[6] https://www.wsws.org/en/articles/2024/07/01/dmho-j01.html

Diary of a Nobody

Current Work

I am working on a review of George Orwell and Russia by Masha Karp. There are several new books on Orwell out now, so I will be kept busy doing reviews. I have paid primary visits to the archives of George Orwell held at UCL, and Bernard Crick’s archive is at Birkbeck.

Three long-term projects are the books. I will update the collection of the Why I Write series that is already in eBook form on Amazon. I want to add some more writers to a new version. The second will be a collection of essays on the historian Raphael Samuel. The third will be a short book or long essay on Oliver Cromwell and the Putney Debates. Cromwell was the subject of my car crash 2003 dissertation for my BA History at Birkbeck.

I will write a short letter to the London Review of Books. It published a terrible letter from B. Letzler called The Shoah after Gaza. He managed to call Bob Dylan’s With God on Our Side  “Dud”

Recent Book Purchases

  1. The Carnation Revolution by Alex Fernandes. I have written previously on this subject.
  2. Until I Find You by Rachel Nolan. An extraordinary book well researched on the disappeared children and coercive adoptions in Guatemala.
  3. Cancion by Eduardo Halfon
  4. The Great Revolutions by Duncan Hallas. I fine SWP tradition seems to concentrate on What happened rather than why.
  5. The Blazing World by J Healey. This is the paperback version. I have been meaning to get around to reviewing this for ages.
  6. Travellers of the World Revolution by B Studer, Verso
  7. Marxism and the English Revolution by John Rees. This has not been released yet. I will get a review copy, hopefully.

Recent Events

I regularly attend the online SEP Postal Workers Committee. I follow their work closely and their stuff on the Post is way better than I can write. They write about it. I work it. A good combination.

I have started to watch a few episodes of Sky’s Royal Kill List. What a terrible piece of television. If there was a historian consulted on this programme, he should share the same fate as Charles 1st. When a series has so much swearing, it has very little to say and even less history.