The Future in our Past: The General Strike, 1926/2026 by Callum Cant and Matthew Lee. Verso Publications

“Future historians will know the General Strike for what it is, a landmark in British history and its most important post-war event.  A general strike is not an accident due to incidental causes, workmen misguided by agitators, the stock shibboleths of the Tory Press. It is a major political phenomenon ultimately springing from the profound dislocation of the entire economic and social system. Nothing else can so move millions of men to united action. It is the class-war in its most acute pre-revolutionary stage: the next stage is revolution.”

C. L. R. James

“The conclusion which I reach in my study is that Britain is approaching, at full speed, an era of great revolutionary upheavals… Britain is moving towards revolution because the epoch of capitalist decline has set in. And if culprits are to be sought, then in answer to the question who and what are propelling Britain along the road to revolution, we must say: not Moscow, but New York.”

Leon Trotsky

“The only class I am afraid of is our own”

J.R. Clynes, Labour Party Politician

“What I dreaded about the strike, more than anything else, was this; if by any chance it should have got out of the hands of those who would be able to exercise some control, every sane man knows what would have happened … That danger, that fear, was always in our minds, because we wanted, at least, even in this struggle, to direct a disciplined army.”

J.H. Thomas, Trade Union Leader

It is hard not to agree with the points made by the Socialist Equality Party in its comments on the 1926 General Strike anniversary: “There are few more bitterly contested and less clearly understood historical experiences than the general strike of 1926, despite it being a decisive moment in the history of the British and international working class.  What will distinguish the SEP’s meetings from the slew of commemorative articles and books on 1926 is an examination of the general strike primarily from the standpoint of the disastrous line pursued by the Communist Party of Great Britain (CPGB) under the direction of the Communist International (Comintern), led by Joseph Stalin and his allies.”[1]

The Future in our Past: The General Strike, 1926/2026 is one of many slews published in the last few months. Described as a fresh, accessible history of the 1926 General Strike on its centenary – telling a story of working-class community then and now, “it is one of the better books on the subject. It tells the story of the 1926 General Strike on its centenary. It is a compelling on-the-ground account of how workers brought the country to a standstill for nine extraordinary days.

Callum Cant and Matthew Lee take us on a journey through a Britain living on its nerves, from the London docklands to the South Wales coalfields and the railways and warehouses of middle England. Winston Churchill, then Chancellor, feared that labour militancy presaged a Bolshevik-style revolution. The question of power hung in the air as rank-and-file militants pursued a chaotic, improvised and wildly uneven confrontation with the British ruling class. This is social history at its most immediate and relevant.

Both Cant and Lee write for the Notes from Below website. It is a working‑class repository of workplace testimony, petitions and grassroots labour reporting. It performs an important practical function: documenting the lived experience of workers, exposing employer abuses, and creating links between isolated shop‑floor struggles. For that reason alone, such initiatives deserve defence and engagement by socialists. But a class‑struggle analysis requires us to go beyond sympathetic description to evaluate the political and strategic implications of the material and the direction this sort of project advances.[2]

The reappearance of rank‑and‑file initiatives and worker blogs is a product of the deepening crisis of capitalism. As employers accelerate restructuring, automation and outsourcing, and as union bureaucracies increasingly organise class collaboration with management and the state, workers are forced to build their own communication platforms. This social reality accords with the need for independent rank-and-file initiatives and organisations.

Notes From Below primarily offers empirical materials: testimonies, minutes, and petitions. This is indispensable for breaking information blackouts and building solidarity. But empirical documentation by itself is not a political program. Lenin long argued that trade‑unionist economism — which confines politics to immediate economic demands and local grievances — will not by itself develop the conscious leadership required to overthrow capitalist rule; political consciousness must be consciously brought to the working class by a revolutionary organisation. Worker‑produced media can and should serve as a training ground for political education. Still, without explicit political independence and a program that links struggles to the need to overthrow capital, such projects can be outflanked by reformism and the trade‑union apparatus.[3]

So what are the lessons of the General Strike for today’s struggles? Begun on May 3 and officially lasting nine days, it was the first and remains the only general strike ever to have taken place in the UK.

The action was launched in response to a massive attack on the wages of Britain’s 1.2 million coal miners, amid a period of widespread labour unrest. Overseeing the strike, the Trades Union Congress (TUC) was terrified by its revolutionary potential and worked to bring it to an end, succeeding on May 12 and enforcing a crushing defeat.

But material conditions alone do not determine outcomes. Political leadership and organisation do. As Chris Marsden explains in his lecture, the decisive factor in the defeat was not only the state’s preparation—organisations for strikebreaking, emergency powers and armed forces—but also the political line imposed by the Comintern under Stalin, Bukharin and Zinoviev. That line subordinated the Communist Party of Great Britain to an alliance with the Trades Union Congress via the Anglo‑Russian Committee, treating the TUC General Council and its “left” representatives as safe conduits for “revolutionary” influence rather than exposing and combating them. The result was a catastrophic political misorientation: the CPGB was transformed into a left‑ginger group for the bureaucracy at the very moment when the class struggle required independent revolutionary leadership.[4]

The general strike of May 1926 was not merely a historical rupture confined to its nine official days; it was a concentrated expression of the objective crisis of British capitalism and the political maturity (and immaturity) of the working class at that historical juncture.  The reader should note that a Marxist materialist analysis locates its significance in the interaction of social forces—the objective erosion of British imperialist power, the consequences of the First World War and the Russian Revolution, and the class relations that produced both immense industrial potential and profound political weakness.

The general strike objectively posed “which class shall rule?” The working class in 1926 had the industrial capacity to disrupt capitalist reproduction yet lacked a party capable of transforming industrial militancy into political power. As Marsden’s 1926 strike lecture emphasises, the Trades Union Congress (TUC) and the Comintern-influenced Communist Party acted to contain and demobilise revolutionary potential. The result was a strategic defeat whose lessons include the catastrophic consequences when the labour bureaucracy or opportunist “lefts” substitute themselves for proletarian political independence.

A century later, objective conditions again make a general strike a live political possibility. Global capitalism is convulsed by stagnation, inflation, war and austerity. It is important to see the connection between the historical weaknesses exposed in 1926 and the present-day degeneration of unions and reformist parties. The trade union apparatus today often functions as a corporatist arm of capital, seeking to manage and suppress rather than lead independent working-class offensives.

The social weight of the working class, its international integration, and the development of rank-and-file initiatives create objective conditions far more favourable to revolutionary politics than those that existed in 1926.

1926 is not an exhausted archive; it is a living repository of lessons for 2026. Capital’s crisis, the bankruptcy of union bureaucracies and the emergence of rank-and-file militancy mean the objective possibility of a general strike—and with it, the political question of power—again stands on the agenda. The working class must learn from the past not to repeat its errors: organise democratically in the workplaces, coordinate internationally, and build the independent revolutionary leadership necessary to turn strikes into a socialist strategy. The future is written in the material contradictions of the present; the past supplies the lessons to read it.

Notes

The General Strike at the National Archives- http://www.nationalarchives.gov.uk/explore-the-collection/stories/the-general-strike/


[1] Socialist Equality Party (UK) announces public meeting series on 1926 general strike-https://www.wsws.org/en/articles/2026/04/09/fhfg-a09.html

[2] https://notesfrombelow.org/

[3] See (Lenin, What Is To Be Done?).

[4]. The new pamphlet by Mehring Books (UK), “Trotsky, Stalin and the 1926 British General Strike: Lessons For Today”.

The Sirens’ Call: How Attention Became the World’s Most Endangered by Chris Hayes Scribe UK : ‎ 13 Feb. 2025 :336 Pages

Chris Hayes is one of the more articulate voices on the “left.” His 2025 book, The Sirens’ Call, is well written and at times thoughtful. However, his politics are mostly characteristic of the petty‑bourgeois layer that passes for the contemporary media “left”: critical in tone, reformist in content, and ultimately subordinate to the interests and institutions of the ruling class.

Hayes—formerly a prominent host on MSNBC and a widely read public intellectual—has for years occupied a political position that illustrates the contradictions and dangers of the media “left.” His arguments, style and role function not as an organ of working-class struggle but as a channel by which layers of the petty-bourgeoisie and professional-class radicals are integrated into the interests and strategies of the capitalist state.

Readers familiar with Hayes’s other books and media work will know that he operates within a media and institutional milieu whose social base is the upper strata of the middle class—journalists, academics, think-tank professionals, and professional managers. As far as  I can tell, Hayes is not linked to or is a member of any radical party, but for the sake of clarity, it would be safe to say that he is from the same social layer as other “pseudo-lefts”:

Hayes’ early career was spent within a network whose executives, shareholders, and advertising base are embedded in the capitalist class. As a recent article on the WSWS leading broadcasters and columnists “operate in effect as the public faces of their respective firms” and must conform to corporate priorities to keep their platforms and fortunes” Hayes’s career has largely been spent making criticisms acceptable only up to the point where they do not threaten corporate clients, advertisers, financial interests or imperialist foreign policy He is a prime example of how individual dissent is tolerated so long as it stabilises, rather than challenges, the system. I doubt we will see Hayes on the barricades anytime soon.

During Hayes’s former program, he often performed the ritual of exposing outrages (inequality, racism, corruption), but the structural constraints of corporate ownership limited the reach of those critiques. The result is a media ecology where “critical” voices reinforce, rather than rupture, the legitimacy of capitalist institutions by confining debate within narrow parameters. Hayes’s style—moral passion, policy technocracy, and denunciations of right-wing reaction—fits this social function. He channels legitimate anger at inequality into policy reforms, electoralism, and crusades within the bounds of bourgeois democracy. This can radicalise public sentiment, but simultaneously diverts class anger into institutional remedies that leave capitalist property relations intact.

The political consciousness of media commentators like Hayes does not develop in a political vacuum. Their professional positions are secured by corporate media conglomerates, venture capital, and advertising markets embedded in global capitalism. The need to retain access to funding sources, advertising revenue, and elite networks naturally inclines such figures toward compromises with state and corporate power. The result: a politics of “reform” that is simultaneously anti‑Trump, pro‑liberal intervention, and protective of the neoliberal order’s basic rules.

The same political outlook that guides Hayes’s media work is carried into his books. No more so than in The Siren’s Call. Hayes knows his audience. To paraphrase Bob Dylan, he knows his song before he starts singing. The Siren’s Call, like much of the punditry produced within the corporate media, performs an important political function: it channels popular anger and democratic anxieties into narratives that stop short of challenging the economic and class foundations of society. His audience is politically conscious but still embedded within the institutions of the bourgeois state and corporate media. This book is written to diagnose social problems accurately enough to win credibility—unequal power, corrupt elites, erosion of democratic norms—but then it prescribes solutions that leave capitalism fundamentally untouched.

To sum up, the siren call that Hayes and his Pseudo-Left friends offer—reform, managerial solutions, moralism—must be answered by a socialist perspective capable of ending capitalist rule.

The Housing Crisis in Kensington and Chelsea

One rule I have regarding this website is that I never talk about my personal situation or problems. That changed yesterday when we received an email that our attempt to stay in our parents’ council flat had been turned down for the third time. Our story is that in 2008, we moved back into the family rental flat to look after our ailing parents. The flat had been in the family since 1976. When my father passed, we stayed in the flat to look after my mother, who was in no fit state to be left on her own.

Our first attempt to stay in the property was unsuccessful. Due to Kensington and Chelsea’s archaic and discriminatory housing policy, we were unable to succeed in the property. So insensitive were the council that when my dad passed in 2016, he had not yet been buried before they sent a notice to quit the property to my mother, who was not even on the tenancy. This was challenged by us and rectified.

When my mother passed away at the beginning of this year, we again asked for succession. Again, we were turned down, so we asked for a discretionary tenancy based on the fact that this was the family home for over 50 years, and that we had not only lived in the property for over 15 years, but we had also contributed to rent and council tax, both accounts were in our name. We spent a significant amount of money on decorating the flat. We fed, clothed, and cared for her even when she had her stroke that led to her passing. Yesterday, we received a letter stating that the council has refused our discretionary tenancy request, giving no reason, and that we must leave the property within two weeks, or they will take legal action to remove us. Aside from the cruel and unjust decision, the council never visited or spoke to us about our needs at any stage. No alternative housing arrangement has been made or discussed.

Having researched the housing crisis in the borough, I somehow doubt that ours is an isolated case. Kensington and Chelsea is one of the wealthiest boroughs in the United Kingdom. At the moment, there is a massive housing boom, but it is only catered for the mega-rich. Next door in the borough of Hammersmith is the former BBC Television Centre in White City, which has been redeveloped into high-end, exclusive residential apartments and luxury lifestyle areas. These areas now feature private clubs, high-end fitness facilities, restaurants and high-security residences, leading to descriptions of them as “playgrounds for the rich.”

In Kensington and Chelsea, there is a severe shortage of affordable housing, with over 2,900 households waiting for social housing. It has the second-highest rate of use of temporary accommodation in the capital. The borough has a high rate of households with children in temporary accommodation, with nearly 30 per 1,000 households. There are calls for the council to take action against over 600 homes that have been left empty for more than two years.

The housing crisis is not confined to London; it is a national crisis of huge proportions. A recent article shows that “Across the UK, rents have increased by 40 per cent since the COVID pandemic began in 2020, and mortgage repayments by 40-60 per cent. Housing stress affects 67 per cent of the population—45 million people, struggling to pay rents or mortgages, cutting back on food and heating, or facing eviction and foreclosure. Up to 4 million people are on the waiting list for social housing, with 1.3 million of these waiting more than a decade. 400,000 people are homeless, sleeping on the streets, in hostels and shelters or sofa surfing. Up to 2 million children live in substandard and unsafe accommodation, including 1.5 million in England (one in six children). One million children live in homes with a Category 1 hazard, defined as “serious risk to health or safety”.Multi-occupancy accommodation with renters crammed together, and young people forced to lodge with their parents into their late 20s, 30s, 40s, and 50s, is the new normal. Older adults in the private rental market face a nightmarish future.[1]

As I said in the opening paragraph, I am loath to go public with this. However, this council has given me no choice but to. My MP Joe Powell has been contacted about this case. We will seek advice from the Citizens Advice Bureau and will take legal action to prepare for the Council’s impending court action.


[1] The socialist answer to the housing crisis in Britain- http://www.wsws.org/en/articles/2026/04/16/mpru-a16.html

Paul Weller: Dancing Through the Fire: The Authorised Oral History: Dan Jennings (Author), Paul Weller (Contributor) 11 Sept. 2025 Constable Publishers

I’m always looking for something. Not in an unhappy way. I like to try different things. I don’t want to be morbid, but I’m not getting any younger.

Paul Weller

“Do I contradict myself? / Very well then I contradict myself, / (I am large, I contain multitudes.)”

Walt Whitman

I get labelled as just being about one thing, but there are lots of layers to what I do.

Paul Weller

Dancing Through the Fire is the authorised oral history of one of the world’s most important musical figures: Paul Weller has almost Dylanesque managed to reinvent himself from the stunning rise of The Jam to the stylish reinvention of The Style Council. Since disbanding the Council, he has had a spectacular decades-long solo career. Weller, alongside Lennon and McCartney, remains among only a handful of artists who have topped the UK album charts in five consecutive decades. This excellent oral history by award-winning broadcaster and journalist Dan Jennings features over 200 hours of interviews with Weller’s family, bandmates, collaborators, and industry figures.

A study of Paul Weller’s career (from the Jam and Style Council to his solo work) and Dan Jennings’ use of the oral history genre will provide the reader with a rich entry point of how popular music reflects class formations, political currents and the shifting role of intellectuals and artists under capitalism.

The Modfather and Working-Class icon Paul Weller’s post‑punk and Britpop-era work reinforces a British working‑class identity, nostalgia, and dissent. Weller’s politics and music were grounded in the post‑war British political economy of deindustrialisation, youth unemployment, Thatcherism, and the music industry’s structural shifts toward commodification, consolidation, and global markets.

Understanding Weller through disciplined oral history equips readers to recognise how culture both expresses and can obscure class interests. Today’s struggles — precarious labour, austerity, environmental crisis — require cultural work that mobilises artistic forms for political education and organisation. A critical study reveals how artists may ally with bourgeois institutions (such as parliamentary politics and corporate sponsorship and how autonomous working‑class cultural forms can be revived.

One of the most important songs from Weller’s punk days was A Town Called Malice. Released in 1982 by the Jam (written by Paul Weller, recorded with Style Council musicians), the song emerges in the wake of late-1970s deindustrialisation, rising unemployment and the political consolidation of Thatcherism. These processes transformed the British working class—through mass redundancies, the decline of long-term industrial employment, and the expansion of precarious, service-sector labour—altering both objective class positions and political subjectivity.  

The pun names the locality (town) as a social relation: not merely a site of decline but a product of hostile economic restructuring. “Malice” anthropomorphises the systemic violence of capital’s restructuring—plant closures, wage cuts, rising rents—making structural brutality feel like an intentional social agent. The title functions ideologically: it mobilises resentment but frames it as a local pathology rather than an expression of class conflict.

The song captures the accelerated proletarianisation of entire layers: young people forced into wage dependency or precarious work, losing access to transitional education and apprenticeship pathways. The affective register—disorientation, fatalism, yearning—reflects a class composition with fractured organisation and weakened industrial solidarity. The lyrics’ focus on private emotional response rather than collective remedy points to the present limits of working-class political organisation under Thatcherism.

The song’s upbeat Motown-derived groove and horn lines give it a buoyant, danceable surface while the lyrics narrate decline. This contradiction of form and content is dialectically significant: an uplifting groove can broaden appeal (embedding class grievances in popular culture) but can also aestheticise suffering, sedating political urgency. The adoption of black popular forms—soul and Motown references—connects British working-class musical practice to international proletarian cultural traditions. Yet, here it is largely cosmetic rather than explicitly solidaristic.

Jenning’s book runs to well over 700 pages, but it is well worth the read. As you can see from the picture, I bumped into Weller recently. Had a brief but memorable conversation. He was kind and polite. I look forward to his next piece of work. Jennings’s book is a masterpiece and reflects Weller’s genius.

Sisters in Yellow: Mieko Kawakami (author), Laurel Taylor (translator), Hitomi Yoshio (translator), Pan Macmillan, 448 pages, 2026

For someone still at such a tender age, Mieko Kawakami is a stunningly good writer. She is a novelist, poet and essayist whose internationally acclaimed works — notably Breasts and Eggs, Heaven, and Paradise — probe gender, class, bodily experience and social alienation in late‑capitalist Japan.

Heaven, an early work on school bullying and the social formation of suffering; then Breasts and Eggs, which raised questions of reproduction, women’s labour, precarity; and Paradise, the moral and existential problems faced by Japanese women. All her previous work has themes of work, family economy, institutional violence, and bodily commodification. These are all acute portrayals of class stratification, gender oppression, marketised bodies and private suffering under neoliberal Japan.

Kawakami exposes how Japanese neoliberal capitalism commodifies bodies, care and intimacy, producing isolation, mental distress and precarious survival strategies. Her work demonstrates how private suffering is socially produced rather than merely individual pathology. She highlights the intersection of gender oppression and class exploitation in everyday life.

While the reader is free to read Kawakami as they like, reading Kawakami through a Marxist lens develops the capacity to see private affliction as a social product and to analyse cultural form as ideology.

Sisters in Yellow is a 2023 novel by Mieko Kawakami, translated into English by Laurel Taylor and Hitomi Yoshio, and was published in March 2026. The title and the bar’s name (“Lemon”) refer to Hana’s obsession with a feng shui belief that the colour yellow attracts wealth and financial security. Kawakami has described the novel as an exploration of a Breaking Bad-style story without the typical “macho drama.”

It’s a crime-infused story about friendship, betrayal, and survival in 1990s Tokyo, following 15-year-old Hana and her older friend Kimiko as they open a bar called Lemon, which becomes a haven but leads them into a world of crime and desperation. The novel explores themes of poverty, female resilience, and the harsh realities of life on the fringes of society, blending social realism with thriller elements.

Kawakami often portrays the pressures of precarious labour, consumerist culture, and gendered norms. Sisters in Yellow registers social vulnerability through small, intimate details that encode larger class relations. Her book shows everyday scenes of work: casual, piecemeal paid work, and precarious hours. They are material signs of neoliberal precarity. Part‑time shifts, temporary cleaning/retail tasks, work that starts or ends at odd hours, or days lost to cancelled gigs. These concrete markers show labour organised in fragments rather than stable employment. It must be understood that fragmented labour time is not accidental but a mode of disciplining labour power — keeping wages low and workers on call so capital can extract more surplus. This corresponds to the global growth of informal and platform work, where “casual labour” and algorithmic scheduling spread precarious conditions. According to the latest statistics, over 2.1 billion workers are in informal work worldwide.

Kawakami is part of a formidable new generation of Japanese writers. Takiji Kobayashi’s Kanikosen (The Crab-Canning Ship), essays and short stories by proletarian writers, modernists like Jun’ichirō Tanizaki, and later novelists who grapple with imperialism and postwar capitalism.

A significant section of modern Japanese literature exposes how culture can conceal and reveal class exploitation, how nationalism and militarism are built into cultural forms. The recent resurgence of proletarian texts shows literature’s capacity to rekindle class consciousness in periods of economic crisis—an opening for political work among youth and precarious layers.

Given that Japanese women have borne the brunt of neoliberalisation, it is not surprising that some of the most important modern Japanese writers are women. Female Japanese literature today often grapples with precarity, social withdrawal (hikikomori), ageing, and the collapse of secure employment—issues central to contemporary class struggle. Japan’s casualised labour market, suicides and social isolation show the objective conditions that many recent novels and short stories dramatise.

Readers interested in the class struggle, gender, and Japanese imperialism are encouraged to read Higuchi Ichiyō, Hayashi Fumiko, Miyamoto Yuriko, Hiratsuka Raichō, and Yosano Akiko. Higuchi Ichiyō — “Takekurabe / Growing Up” (short story). A compassionate, class‑conscious portrayal of poor urban youth and women’s constrained social options under early modern capitalism. A good entry point to Meiji-era class/gender conditions. Hayashi Fumiko — Diary of a Vagabond (Nomad’s Diary) and selected short stories. Hayashi’s work offers vivid, autobiographical glimpses into the itinerant, precarious lives of women in the interwar period and the underside of urban labour markets.

Miyamoto Yuriko — fiction and essays from the 1920s–1940s. Miyamoto was politically engaged with left movements, and her writing expresses proletarian themes and women’s emancipation, and connects with the politics of the day; her work is useful for seeing how committed women writers sought to fuse literary and political struggle. Hiratsuka Raichō — essays and Seitosha (Bluestocking) journal writings. As founder of Japan’s early feminist journal Seito (1911–16), Hiratsuka’s polemics illuminate feminist demands, cultural critique and their tensions with rising national politics—Yosano Akiko — poetry and essays. Yosano’s career illustrates the ambivalence of some feminist-modernist currents that combined emancipation rhetoric with nationalist sentiment; studying her work shows how gender politics can be co‑opted by imperialist ideology.

These writers retain a contemporary resonance and how patriarchy, precarity and imperialist expansion are mutually reinforcing: gender oppression is intensified by capitalist industrialisation and militarism; nationalism and imperialism can co‑opt feminist rhetoric; and working‑class women are often the most exposed to dispossession and colonial violence. Understanding these dynamics strengthens contemporary anti‑imperialist, feminist and socialist practice by identifying the material roots of ideological illusions.

Mieko Kawakami is one of the most important contemporary Japanese writers because her work combines rigorous attention to individual subjectivity with an unflinching portrayal of the social forces that shape and deform everyday life. Mieko Kawakami is important not because she offers tidy political answers, but because her art reveals how capitalism structures pain and possibility. Sisters in Yellow is a book I heartily recommend.

Author

(born 1976) is a celebrated Japanese author, poet, and former singer-songwriter known for her visceral exploration of the female body, economic class, and social ethics. Originally from Osaka, she worked as a factory hand and a bar hostess before gaining national fame as a blogger and eventually a novelist.

Ariana E. Vigil, Understanding Francisco Goldman (Columbia: The University of South Carolina Press, 2018), 141 pp.

There’s a certain advantage to living in a small country like Guatemala, I think. You don’t feel so distant from political reality there. When things happen, they almost seem to unfold on a Shakespearean stage, with the audience so close they can become actors too. This is partly what Joseph Brodsky meant when he wrote that small countries have big politics”.

Francisco Goldman

“As centuries of dictators have known, an illiterate crowd is the easiest to rule; since the craft of reading cannot be untaught once it has been acquired, the second-best recourse is to limit its scope.”

— Alberto Manguel

“I feel a responsibility, as I get older, to be responsible for what I’ve experienced, to what I’ve lived and been in a position to witness. I realise now that, as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don’t know about or wouldn’t be able to tell. Maybe there’s an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.”

Francisco Goldman

The deeper the literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to ‘picture’ life.”

Leon Trotsky

Francisco Goldman is best known as a novelist and reporter whose work centres on Central America and on the moral and human consequences of violence, state terror and corruption. A large part of his work has centred on Guatemala, exile, memory and state violence are common themes of his writing. He is best known for the investigative account The Art of Political Murder, which traces the 1998 assassination of Bishop Juan José Gerardi and the political forces that sought to cover it up. Goldman’s writing blends literary narrative, reportage and personal memoir to render victims’ lives visible — a valuable contribution that nonetheless requires political grounding to explain the class and imperialist forces behind the crimes he documents.

Ariana E. Vigil’s Understanding Francisco Goldman is a highly regarded academic examination of the work of this gifted and important writer. It must be said from the start that this book is long overdue. Goldman was born to a Guatemalan mother and Jewish American father. Goldman’s heritage has shaped his unique perspective and significantly influenced his literary themes.

Goldman documents, with clarity, the human costs of imperialism, military repression, and oligarchic rule. He emphasises the victims—peasants, indigenous communities, journalists and dissidents—and helps break through the complacent narratives of Western media. His moral outrage identifies perpetrators and abuses, but he rarely traces those abuses to the underlying dynamics of capitalist accumulation and imperial rivalry.

What is missing from Goldman’s worldview is an understanding that wars, coups and economic “reforms” are expressions of the fundamental contradiction between social production and private ownership; without that materialist analysis, denunciations risk becoming appeals for better conduct by the same ruling class that profits from repression. Goldman’s solutions tend to expose corruption, strengthen human rights mechanisms, or press for better governance. These remain within the terrain of bourgeois politics and cannot uproot the capitalist interests—both domestic oligarchies and imperial powers—that sustain inequality and violence. While Goldman documents social suffering, he does not generally articulate a strategy centred on independent working-class political organisation.

To Vigil’s credit, she sets Goldman’s work within a broader process: the violent integration of Latin America into global capitalism under structural adjustment, privatisation, and the erosion of state provision. As she explains in this description of her own book: “In Understanding Francisco Goldman, the first book-length study of Goldman’s life and work, I begin with a biographical chapter drawn largely from Goldman’s essays and interviews. The following analytical chapters, one for each of Goldman’s four novels and two works of nonfiction, provide biographical, historical, political, and literary context for each work and explore its major themes. My book examines the influence of literary and political history on the development of Goldman’s characters and themes, as well as his use of multiple literary genres and the role of humour in his work. I underscore that major themes in Goldman’s work—migration, political violence, love, and loss—are explored across nations and time periods, and that they remain significant today. In Understanding Francisco Goldman, I draw connections between the writer’s life and work and demonstrate the appreciation he deserves for his influence, diversity, and breadth. Through his thoughtful, intellectual, transnational writing, Goldman expands the definition of what it means to be American.”[1]

The controversial and radical nature of Goldman’s work is certainly behind the lack of capitalist media coverage of this book. One of the few reviews was by Judith Sierra-Rivera, who perceptively writes: “Ariana E. Vigil has brought us a much-awaited comprehensive study on Francisco Goldman’s writing. Even though critical articles and chapters on specific works or aspects have proliferated in recent years, Understanding Francisco Goldman offers a broad overview of the author’s development, his significance across a variety of literary genres and traditions, and his complex position as a cultural translator in the hemispheric Americas. This is precisely Vigil’s most provocative proposition: “Goldman’s insistence on continuing to publish in and for U.S. venues indicates his commitment to not only translating Latin American issues to a U.S. and global audiences but also underscoring how interconnected these issues are, particularly for U.S. citizens and residents”.

While she follows this line of analysis throughout her presentation of Goldman’s production and in dialogue with other critics, she does so in a widely accessible discourse that serves both literary scholars and other readers. Vigil describes Goldman as “a truly American writer,” referring not only to the US but also to the rest of the North American continent and the Caribbean. She traces his racial and cultural heritage, birth and upbringing, education and career, and travels to help readers understand Goldman’s elusive identity. Although Goldman was born and raised in Boston, his mother is Guatemalan and his father is Jewish-American, which meant he always travelled to Guatemala, spoke English and Spanish, and, most importantly, navigated a complicated heritage. Furthermore, his travels and readings led him to move constantly among different countries on the continent and to eagerly embrace literary influences from a wide range of authors and styles, such as Truman Capote’s New Journalism and Gabriel García Márquez’s magical realism”.[2]

Goldman’s investigations teach readers how bourgeois states and imperial powers conceal crimes, how impunity is institutionalised, and how liberal human rights discourse can be recuperated by imperial policy. These lessons are directly relevant to exposing modern wars, occupations and media complicity. However, a serious, disciplined study of a contemporary writer such as Francisco Goldman requires more than literary taste or moral sympathy. It calls for a method that relates aesthetic form to social content, traces ideas to class forces, and connects interpretation to political practice. This is where a Marxist study is necessary. A Marxist understanding is not merely interpretive: it clarifies how culture reproduces or challenges ruling-class interests. When Goldman depicts violence, displacement, or memory, the reader should ask: whose interests are served by particular framings of suffering? Does the narrative naturalise imperialism, or expose its mechanics?

Studying Francisco Goldman’s work should strengthen readers’ historical memory and human empathy while sharpening their class analysis. Francisco Goldman provides indispensable testimony about violence and impunity in Latin America. His work advances conscience and awareness. But to end the cycle he documents, it requires moving beyond humanitarian critique to a revolutionary strategy that uproots the capitalist and imperialist interests that produce repression—building independent working-class political power on an international scale.

Marxism does not reduce art to propaganda, but it insists that art is embedded in social life. As Marx warned against speculative mystification and Trotsky against empty formalism, the aim of any Marxist is a historically concrete, dialectical criticism that strengthens the working class’s understanding and capacity to act. Cultural study—of Goldman or any writer—must therefore be a component of socialist education.


[1] http://arianavigil.com/

[2] Ariana E. Vigil, Understanding Francisco Goldman (Columbia: The University of South Carolina Press, 2018), 141 pp. Reviewed by Judith Sierra-Rivera,

A People’s History of Football By Mickaël Correia Translated by Fionn Petch Pluto Press 2026 £ 16.99

“Complaining about boring football is a little like complaining about the sad ending of King Lear: it misses the point somehow.”

― Nick Hornby, Fever Pitch

“In football, everything is complicated by the presence of the opposite team.”

– Jean-Paul Sartre

“I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it.”

― Nick Hornby, Fever Pitch

“Football has become one of the most profitable businesses in the world, organised not for play but rather to impede it. […] Luckily, on the field you can still see some insolent rascal, who sets aside the script and commits the blunder of dribbling past the entire opposing side, the referee and the crowd in the stands, all for the carnal delight of embracing the forbidden adventure of freedom.”

– Eduardo Galeano, in Football in Sun and Shadow

At the heart of Football, the world’s most popular sport, there’s a conundrum.  On the one hand, you have a grasping global capitalist elite that owns the game who will stop at nothing to make more money out of the beautiful game(See Robert Stevens ’ Billionaires’ European Super League proposal shelved amid mass opposition from football fans), on the other, you have fans who still retain a love of the game in its purest and non-capitalist form.[1]

Stevens’s article shows that workers and youth, who still make up the bulk of football’s audience, are not a passive body that, in the words of Mickaël Correia, bends to “logic of the market” but, time and again, have sought to “shake itself free” of greedy capitalist control of the game. It is still a “crucible of resistance to this control.

As an addition to Correia’s book, it is well worth the reader having a look at Gavin Kitching’s article, The Origins of Football: History, Ideology and the Making of the People’s Game. In this article, he examines how the modern sport emerged not as a neutral cultural pastime but as a social product shaped by class relations, schooling, institutions and ideology. Kitching traces the transition from medieval “folk” games to codified, organised association football. It shows how the game’s form, meanings and social functions were transformed by industrialisation, urbanisation, public schooling and the rise of mass spectatorship. He exposes the ideological work of institutions—schools, the press, the FA—in turning a variety of popular practices into a “people’s game” whose apparent spontaneity masks specific class origins and power relations.[2]

Having said this, one critique of Correia’s book is that it offers too little space to the working class and its historical struggles against capitalism. Roger Domeneghetti, writing in the Times Literary Supplement (TLS), makes this succinct point. “Correia’s history is epic in its scope, taking us from the origins of modern football in the late nineteenth century to the present day, from the playing fields of England’s public schools to the streets of Senegal. But this breadth is also the book’s weakness: in barely twenty pages, for example, we are taken on a whistle-stop tour of football in Mussolini’s Italy, Franco’s Spain and Stalin’s Soviet Union. The antagonisms between the respective dictatorships’ co-option of the sport for political ends and fans’ use of stadiums as a means of resistance are discussed but never afforded the space they deserve.

Correia acknowledges that the path he treads through football’s past is “meandering and fragmentary”, but this too is a weakness. Did the British football hooligans of the 1980s really have the same concerns and motivations as Palestinians trying to express a sense of national identity through football, or as the avowedly left-wing fan base of FC St Pauli of Hamburg? Beyond some loose notion of resistance to whatever form the mainstream (football) establishment in each country takes, the book never really makes a coherent argument as to how, or even whether, they did.”[3]

Even a cursory look at Correia’s A People’s History of Football would tell the reader that this is not a neutral “sports book”. Rather, it should be seen as a social-scientific document: a history of a mass cultural form shaped by capitalist property relations, class struggle and the politics of the state. Correia’s history explains why an episode like the Super League is not an aberration but an expression of capitalist accumulation in sport, how leagues are now nodes of global finance, vulnerable to crises and subject to speculative pressures. This explains recurring conflicts over ticket prices, gentrification of stadium areas, and players’ labour conditions. It should be noted that not all footballers are multi-millionaires.

Correia’s book has a very contemporary relevance; he relates how football’s commercialisation and financialisation flow from capitalist accumulation and the demands of global markets. However briefly, he explains why fans, workers, and local communities are frequently in conflict with owners and governing bodies — these are class and social-interest conflicts, not mere “culture wars.” Also, how periodic crises (financial crises, pandemics) reveal the systemic contradictions of commodified sport.

Global context

Correia situates football’s transformation from a local, working‑class pastime into a global, profit‑driven industry within the same logic that governs modern imperialism, i.e. the concentration and internationalisation of capital. The expansion of transnational finance, media conglomerates and corporate ownership has turned clubs, leagues and broadcast rights into assets for speculation and surplus extraction. The 2021 European Super League episode illustrates this dynamic: billionaire owners and Wall Street financiers sought to “close” competition to guarantee revenue streams and asset values, treating clubs as franchises rather than social institutions.

Correia’s book addresses the international implications of this global, profit-driven industry for the future struggles of the working class and why those struggles must be international in both form and content. Football’s production chains and revenue flows are transnational: players move across borders, TV rights are sold worldwide, and merchandise is manufactured in low‑wage countries. Consequently, struggles are interconnected. When owners seek to centralise revenue (ESL) or when broadcasters pressure for cost efficiencies, the consequences reverberate across countries — layoffs in stadium workforces, intensified shift patterns for broadcast crews, and rising ticket and subscription costs that drive fans out of the game.

An isolated national struggle cannot stop global capital. The correct response is international working‑class coordination: rank‑and‑file committees of stadium workers, broadcast unions organised across borders, and fan organisations linking campaigns to worker demands. Partial reforms (fan seats on boards, wage floors) are necessary but insufficient. Correia’s framework leads to a strategic conclusion: only the socialisation of the commanding heights of the sporting economy — democratically controlled international public infrastructures for mass sport and public broadcasting under workers’ and communities’ control — can root out the capitalist incentives that create dispossession and commodification. This requires an international political movement of the working class that moves beyond national compromises. The strategic response is an international working‑class organisation that fuses fan resistance with the rank‑and‑file power of stadium and broadcast workers to reclaim the game as a social, not a speculative, resource.


[1] Billionaires’ European Super League proposal shelved amid mass opposition from football fans- http://www.wsws.org/en/articles/2021/04/24/supe-a24.html

[2] The Origins of Football History Ideology and the Making of the People’s Game- History Workshop Journal No. 79 (SPRING 2015), pp. 127-153 (27 pages)

[3] The other football: A Meandering People’s history of the beautiful game.www.the-tls.com/regular-features/in-brief/a-peoples-history-of-football-mickael-correia-book-review-roger-domeneghet

A People’s History of Portugal-By Raquel Varela and Roberto della Santa -Translated by Ana Daglish de Almeida-Pluto Press 2025

“Who controls the past controls the future. Who controls the present controls the past”

George Orwell 1984

“One of the deepest impulses in man is the impulse to record, to scratch a drawing on a tusk or keep a diary… The enduring value of the past is, one might say, the very basis of civilisation.”

John Jay Chapman, American author (1862-1933)

“History is the study of all the world’s crime.”

Voltaire, French writer and philosopher (1694-1778)

“The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours.”

Alan Bennett, English playwright (1934- )

A People’s History of Portugal is a valuable reconstruction of the last two hundred years of class struggle in Portugal. Raquel Varela writes, “In A People’s History of Portugal, written with Roberto della Santa, we develop the idea that Portuguese capitalism was dependent on British capitalism, in the sense of Ellen Wood’s notion of capitalism being exported by the British Empire to the periphery and semi-periphery”.[1]

Raquel Varela and Roberto Della Santa are contemporary historians whose work on Portugal must be assessed not as an abstract literary or moral account but as a political and social explanation rooted in concrete class relations. The central question posed by Santa and Varela and their “people’s history” is: which social forces and material conditions produced the events described, and how did political forms (parties, the army, unions) mediate the class struggle in Portugal?

Both Raquel Varela’s and Roberto Della Santa’s work belongs to a broad current in historiography often called the people’s history genre: recovering the struggles, experiences and agency of oppressed groups omitted from elite-centred narratives. This genre has considerable value insofar as it corrects bourgeois forgetfulness and restores the working class and oppressed peoples to the centre of historical inquiry.

One of the most important exponents of the genre put this way: “I am seeking to rescue the poor stockinger, the Luddite cropper, the ‘obsolete’ hand-loom weaver, the ‘utopian’ artisan, and even the deluded follower of Joanna Southcott, from the enormous condescension of posterity. Their crafts and traditions may have been dying. Their hostility to the new industrialism may have been backwards looking. Their communitarian ideals may have been fantasies. Their insurrectionary conspiracies may have been foolhardy. But they lived through these times of acute social disturbance, and we did not. Their aspirations were valid in terms of their own experience”.[2]

While this genre is legitimate and entirely worthwhile, the reader should know that, from the standpoint of orthodox Marxism, the recovery of forgotten facts is only the first step. Marxist historiography insists that facts be integrated into a scientific, materialist explanation that locates political consciousness and social movements in the social relations of production, class antagonisms and objective economic laws.

The father of Russian Marxism Georgi Plekhanov insisted that institutions, laws, and human ideas must be explained by deeper material relations and class interests, writing “The historical development of mankind is reasonable in the sense that it is law-governed; but the law-governed nature of historical development does not yet prove at all that its ultimate cause must be sought in the views of men or in their opinions”.[3]

Why is Varela’s and Santa’s A People’s History of Portugal an important popular intervention? Because it recovers the social struggles, popular organisations and class conflicts that conventional bourgeois national histories either marginalise or explain away. From a classical Marxist standpoint, the value of Varela’s work lies less in doctrinal purity than in its insistence that classes and masses make history or as Karl Marx put it so succinctly ““Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionising themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis, they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes to present this new scene in world history in time-honoured disguise and borrowed language.”[4]

From the standpoint of a materialist conception of history, the people’s history method has two strengths: it exposes elite crimes and centres subordinate agency; and, in doing so, it helps break the ideological monopoly of official history. It also has its limits, as Marxist historian Tom Mackaman pointed out in his assessment of Howard Zinn. “ While it helps bring to light facts omitted from standard textbooks, Zinn’s work can only serve as a beginning in understanding US history. There is an unmistakable anachronistic, even a-historical, thread in A People’s History. If it has a theme, it is an endless duel between “resistance” and “control,” two of Zinn’s preferred words.

Populating his historical stage are, on the one side, a virtually unbroken line of “Establishment” villains who exercise this control and, on the other, benighted groups who often struck out against their plight. The names and dates change; the story does not. Complexity and contradiction do not rest comfortably in such a schema. The limitations of this approach are most evident in Zinn’s treatment of the American Revolution and the US Civil War, which he presents as instances of the elite beguiling the population to strengthen its control”.[5]

Raquel Varela’s erudition is plain to see in this scholarly book. Her work is noted for its attention to labour, popular movements and transnational dimensions of working-class struggle. She makes an important empirical contribution by documenting struggles and networks often neglected by mainstream historiography. Her work helps restore the subjectivity and agency of the working class to historical study, an indispensable corrective to bourgeois historiography.

But from the standpoint of Marxist science, any historiography must move beyond documentation to explanation, and that requires a mapping of the class composition and material interests of actors. It also needs an analysis of how material constraints shaped state and party forms. If left at the level of primarily descriptive, it can be hijacked by reformism or identity politics. Unfortunately, most books of this genre fall into this ideological trap.

In this book, Varela writes of the experiences of peasants, workers, and popular movements — showing how changes in production, imperialism and property relations shape politics and ideas. Varela’s narrative demonstrates how Portugal’s late and dependent capitalist development, colonial plunder and landlordism produced a fragmented bourgeoisie, a precarious working class and mass emigration — objective conditions that repeatedly gave rise to political radicalisation.

Varela and Santa reconstruct crucial episodes — the liberal revolutions, the rise of the republic, the consolidation of Salazar’s Estado Novo, the colonial wars, and the Carnation Revolution of 1974 — as outcomes of deeper economic and social contradictions. [6] Varela’s people-centred focus complements previous historiography showing how popular assemblies, strikes and local organisations expressed and attempted to resolve those objective contradictions. The book makes clear that Portugal’s political oscillations — reactionary regimes, fragile reformisms, anti-colonial wars — were not merely the result of individual leaders but rooted in capitalist development and imperial relations. The book is valuable because, by narrating the lives and struggles of ordinary people, Varela helps break bourgeois historiographical isolation of politics from production and class interest.

While invaluable as social history, Varela is not an orthodox Marxist, and her account can only understate the decisive political question of leadership.  The Carnation Revolution contained both an immense revolutionary potential and a political defeat: social democracy, Stalinism and pseudo-left currents helped channel working-class power back into capitalist institutions.[7]

Raquel Varela’s A People’s History of Portugal is well worth reading, and I would recommend this book. It is a crucial corrective to elite-centred history: it returns the reader to popular agency, material forces and class struggle. Despite its limitations, it offers a rich source of historiography and allows for rigorous analysis by general readers and Marxists alike. Only by combining social-historical recovery with Leninist-Trotskyist political organisation can the working class carry out the socialist transformation of society. Given the rise of Trump and his fascist oligarchy, this is an urgent historical necessity.

Notes

Social Conflicts in the Portuguese Revolution, 1974–1975: Raquel Varela and Joana Alcântara Le Travail, FALL 2014 AUTOMNE, Vol. 74

Raquel Varela. A People’s History of the Portuguese Revolution. Ed. By Peter Robinson. Transl. [from Portuguese] by Sean Purdy. Pluto Press

Fifty years since Portugal’s Carnation Revolution-Paul Mitchell- https://www.wsws.org/en/articles/2024/04/24/fgtz-a24.html


[1] https://raquelcardeiravarela.wordpress.com/2024/05/01

[2] The Making of the English Working Class-E P Thompson

[3] Georgi Plekhanov’s The Development of the Monist View of History

[4] Karl Marx, The Eighteenth Brumaire of Louis Bonaparte

[5] Howard Zinn, 1922-2010-https://www.wsws.org/en/articles/2010/02/zinn-f15.html

[6] See https://keith-perspective.blogspot.com/2020/05/a-review-of-raquel-varela-peoples.html

[7] See https://keith-perspective.blogspot.com/2024/12/the-portuguese-workers-revolution-1974.html

The Nazis, Capitalism and the Working Class by Donny Gluckstein Haymarket Books 26 July 2012

“Fascism is the political punishment meted out to the working class for the squandering of opportunities to overthrow the capitalist system”

Leon Trotsky

“If, against all expectations, Germany finds itself in a difficult situation, then she can be sure that the Soviet people will come to Germany’s aid and will not allow Germany to be strangled. The Soviet Union wants to see a strong Germany, and we will not allow Germany to be thrown to the ground.”

Joseph Stalin[1]

“All these things are still apparent today. You Americans can see for yourselves how impossible it is to feed the German people from the German soil itself. From the viewpoint of a historian’s perspective, one could say that Hitler would never have arisen if the Allies had not treated Germany so poorly. Justice Jackson said so himself. Today, things are more impossible than ever. The East has been taken away from Germany – in other words, hunger created Hitler, and paradoxically, Hitler created still greater hunger.”

Hans Frank[2]

“Not only did waging war against Hitler fail to save the Jews, but it may also be that the war itself brought on the Final Solution of genocide. This is not to remove the responsibility from Hitler and the Nazis. Still, there is much evidence that Germany’s anti-Semitic actions, cruel as they were, would not have turned to mass murder were it not for the psychic distortions of war, acting on already distorted minds. Hitler’s early aim was forced emigration, not extermination, but the frenzy of it created an atmosphere in which the policy turned to genocide.”

Howard Zinn[3]

It is a little surprising that a book of this significance has been so little reviewed. In fact, I would go as far as to say it has been completely ignored by the capitalist media. This is not surprising given that it purports to be a Marxist analysis of the rise of fascism in Germany and examines the struggles of the working class.

Gluckstein’s The Nazis, Capitalism and the Working Class is well-written and researched. It addresses a vital question for those interested in what social forces produced Nazism, and how the global working class should respond. This is not merely an academic debate. The answers determine whether workers adopt an independent socialist strategy or are diverted into alliances that preserve capitalism and open the road to mass fascism and barbarism. Gluckstein’s book is a significant attempt to understand the rise of fascism from the standpoint of the materialist conception of history. The reader needs to locate fascism in the development of capitalist class relations, not as an aberrant moral failing or solely a product of culture.

Gluckstein is not an economic historian, but his book does show that structural economic crisis and the disintegration of ruling-class authority created the conditions for the rise of the fascists. Marxist analysis explains Nazism as a political instrument forged out of definite class needs and crisis tendencies within German and world capitalism. Adam Tooze’s economic study, The Wages of Destruction, demonstrates how the Nazi project was shaped by the drive of German capital to overcome its relative decline and secure raw materials, markets and strategic position—in short, the connection of militarism, imperialism and genocide to economic aims.

In the introduction to his book, which is well worth reading, Tooze puts forward his basic thesis: “The originality of National Socialism was that rather than meekly accepting a place for Germany within a global economic order dominated by the affluent English-speaking countries, Hitler sought to mobilise the pent-up frustrations of his population to mount an epic challenge to this order. Repeating what Europeans had done across the globe over the previous three centuries, Germany would carve out its own imperial hinterland; by one last great land grab in the East, it would create the self-sufficient basis both for domestic affluence and the platform necessary to prevail in the coming superpower competition with the United States…. The aggression of Hitler’s regime can thus be rationalised as an intelligible response to the tensions stirred up by the uneven development of global capitalism, tensions that are of course still with us today.”[4] As Tooze points out, the German ruling class, fragmented and terrified by mass working-class struggles, turned to the far right as a means of defending property, reimposing discipline and preparing for future imperialist war aims.

Gluckstein’s work tends to emphasise aspects of this history; however, not being a classical Marxist is a handicap.  A Marxist critique would dig deeper. It needs to be explained how capitalist reorganisation, imperial rivalries and the political sclerosis of working-class leadership created the objective basis for Nazism—and why only a revolutionary alternative rooted in working-class independence could have prevented it.

The political defeat of the German working class was not a result of workers’ “backwardness” alone but of the collapse and betrayal of their organisations: Social Democracy’s subordination to bourgeois parliamentary politics and Stalinism’s bureaucratic compromises and purges left workers without revolutionary leadership. The trade-union bureaucracy and social-democratic leaderships, by integrating into the state apparatus and policing class discipline, blocked independent mass action. As Trotsky warned, the bureaucratized unions tend to “grow together” with state power and capital—creating a political vacuum that fascist movements exploit.

Nazism fused older anti-Jewish prejudices with virulent anti-Bolshevism to mobilise the petty bourgeoisie and small sections of the working class against organised labour and socialism. It should be noted that the genocidal culmination—the Holocaust—cannot be divorced from the imperial-colonial aims of the Nazi regime and its need to smash the labour movement and seize “Lebensraum” in the East (Imperialism and the political economy of the Holocaust). Ideology mattered—but ideology itself was shaped and harnessed to class strategy.

Donny Gluckstein comes from a political milieu associated with the Lambertist tradition; historically, this current has tended toward nationalist and economistic deviations from the Trotskyist method. The Lambertist milieu and the POID‑derived formations trace their politics to Pierre Lambert’s line. Historically, Lambertism emerged as a response to the crisis of the post‑war left: a stress on trade‑union work, factory embedding, and the construction of broad “workers’ parties.” But as documented in the history of the French PCI/OCI, Lambert’s priorities—rooted in unions and seeking broad alliances—produced persistent tendencies toward centrism, accommodation to union bureaucracies, and political compromises that diluted a Leninist program.[5]

Many on the pseudo left tend to treat Nazism primarily as a quasi-irrational cultural or psychological phenomenon, divorced from capitalist interests. These risks mystify its social roots and underestimating the conscious role played by industrialists, financiers and the military bureaucracy in bringing Hitler to power.

Gluckstein’s book came under sustained attack primarily from his fellow pseudo-lefts, and two are worth mentioning. Tom Cord’s article in Fighting Talk, issue 23, addresses fascism as a political phenomenon that the left must confront. His piece raises useful questions about the social roots of far‑right movements and the failures of centrist parties. However, Cord’s article, aside from being a right-wing attack on Gluckstein, suffers from theoretical limits that require correction. The starting point of a genuinely revolutionary analysis must be the materialist method: ideas and movements are rooted in social relations and the class interests that those relations express. Any assessment of Nazism that abstracts from the objective interests and political role of German capitalism will be incomplete and in danger of demagogy, which is precisely the tone and content of Ford’s review of Gluckstein’s book.[6] I am unable to find any reply by Gluckstein regarding Cord’s attack on his book.

The “debate” between German Marxist Horst Haenisch and Donny Gluckstein was a far more substantial matter than Cord’s somewhat simplistic riposte. The debate took place through a series of written exchanges in the journal International Socialism between 2018 and 2019. The debate over whether the Holocaust is a particular specificity to Nazism or a universal manifestation of broader modern imperialism) was at the heart of this discussion. The answer to this conundrum can be found in the realm of dialectics. Particular forms emerge out of universal tendencies: the Holocaust must be understood as both an extreme, historically specific manifestation and as rooted in broader processes. On the universal level, capitalist imperialism, racial ideologies developed in colonialism, and the social crises of a decaying capitalism create conditions in which genocidal solutions become thinkable and implementable. The reader should note that the racialist ideology of the Nazis was the most extreme expression of a wider European and global tradition of colonial, racial pseudo-science and political violence.

Who are the actors?

Donny Gluckstein is a historian associated with the British SWP milieu whose work addresses fascism, class struggle and working‑class resistance. His writings often emphasise political and cultural factors alongside social causes. The British SWP evolved from the revolutionary left and developed into a large extra‑parliamentary organisation; over decades, critics on the Marxist left have charged it with political adaptation to trade‑union and extra‑parliamentary alliances, opportunist united‑front practices, and failures to break decisively with reformist perspectives.

Horst Haenisch is a contemporary German author and scholar associated with German Marxist historiography. He is best known for his 2017 book “Fascism and the Holocaust: Attempt at an Explanation”.

Haenisch’s critique — insofar as it targeted excessive intellectualism, opportunism or sectarianism — has a legitimate core if you believe that Haenisch insists the party must be in organic relation to workers’ struggles. But when such critiques abandon dialectical analysis or slide into petty‑bourgeois rejection of theory, they become politically harmful. The famous debate between Trotsky and James Burnham is relevant to this situation. Trotsky warned that anti‑dialectical tendencies among intellectuals often lead them to inconsistent politics, saying, “The ‘petty-bourgeois opposition’ is fleeing from the hard reality of the world struggle into the ivory tower of abstract ‘reason’. James Burnham’s famous rejection of dialectics in the 1939 debate became a vehicle for abandoning working‑class analysis and led to opportunist conclusions. Burnham ended his days as a right-wing mouthpiece for capitalism.

To summarise Haenisch’s position, he believed the Holocaust was a unique event that was not simply the fault of the ruling class. He claims it is the only Nazi project that falls into the category of the “primacy of politics” over economics.

According to Google’s artificial intelligence, he uses the concept of Bonapartism to describe the Nazi state’s relative autonomy, suggesting the Nazi party acted like a “Praetorian Guard” that could pursue its own racist fantasies independently of immediate capitalist needs. He distinguishes Nazi antisemitism from general racism, characterising it as a deadly “antisemitism of reason” driven by middle-class competition for professional positions.

Readers should ask themselves the relevant methodological question: do arguments rest on a concrete, historically grounded analysis of class relations and state form — a materialist-dialectical determination — or on impressions, eclecticism or petty‑bourgeois moralising that detach ideas from class reality? When theory becomes a matter of rhetorical flourishes or pragmatism, it ceases to serve proletarian politics and becomes a barrier to building working‑class independence.

Intentionalism versus structuralism

The debate between Gluckstein and Haenisch, to put it simplistically, was over two contending historiographical schools of thought which currently dominate historiography regarding the rise of fascism and the Holocaust.

The intentionalist school emphasises decisions and individuals—most prominently Hitler and top Nazi leaders—as the causal centre. Structuralist/functionalist accounts emphasise impersonal social structures, administrative routines and systemic pressures that produced genocidal outcomes without requiring a single master plan. To put it simply, one is relatively close to a Marxist historiography, the other is not.

Do agency and leadership matter: Hitler, Heydrich, Himmler and the Nazi leadership were decisive agents who gave ideological content, legitimacy and directives that escalated persecution to extermination. This move towards extermination appeared at The Wannsee Conference (Berlin, January 20, 1942). It was a high‑level administrative meeting of senior Nazi officials that consolidated and coordinated the implementation of the regime’s policy of mass murder of Jews—what came to be called the “Final Solution.” Far from a sudden, isolated act of criminality, Wannsee formalised a process already rooted in the racist, expansionist and economic policies of the Nazi state that flowed from the contradictions of imperialist capitalism and Germany’s drive for living space in the East.

Structural conditions enabled and shaped those decisions: the bureaucratic-capitalist state, the logic of war and colonisation, the collaboration of local administrations, and the preexisting racism of European imperialism created the technical and social capacity to carry out mass murder.

As Nick Beams argues, if one considers the question very narrowly, as we have noted, then it is easy to show that the mass murder of the Jews ran counter to the immediate economic and military interests of German imperialism. But that is the problem—the narrow perspective through which the issue is viewed. If we widen the horizon, then the underlying interests come into view. The Holocaust arose out of the war against the Soviet Union and the plans of German imperialism for the domination of Europe. The German capital had handed over the reins of power to the Nazis to carry out these tasks. To be sure, as occurred before the war, some of their actions conflicted with the immediate short-term interests of German business—although there is no record of opposition from within the German ruling elites to the mass murder of the Jews—but there was a direct coincidence between the drive of the Nazis for Lebensraum in the East and the interests and needs of German imperialism.[7]

Thus, the explanation is neither “Hitler did it alone” nor “structural forces made individuals irrelevant.” Rather, structural pressures channel and constrain agency; individuals choose within those constraints, and those choices can be decisive. The dialectical relationship between structure and agency is central.

To finish one question the reader should ask is whether this is just a historical debate or whether it helps us understand contemporary politics. Reducing the Holocaust to a metaphysical “evil” or to merely psychological explanations dissolves political responsibility and obscures the social origins of mass barbarism. Conversely, purely structural reductionism that denies conscious decision-making can excuse perpetrators as mere cogs. Both tendencies are politically dangerous and historically inadequate.

Understanding the Holocaust as an outcome of capitalist crisis, imperial rivalry and the betrayal and destruction of workers’ movements reveals the crucial lesson emphasised by Trotsky: the absence of an independent, politically conscious revolutionary leadership permits the rise of barbaric counterrevolutions. Stalinism’s betrayal and the defeats of the workers’ movement in the interwar period were decisive in opening the road to Nazism.

As the global economy careens into a new period of crisis, far-right and explicitly fascist parties are gaining ground across Europe. The urgency of preventing a resurgence of fascism in the twenty-first century makes it more necessary than ever to understand the political and social context of the Nazis’ ascent to power in Germany.

I don’t usually end a review with an advert, but readers of this article would be advised to read two books. The first being Why Are They Back?: Historical falsification, political conspiracy and the return of fascism in Germany by Christoph Vandreier  and secondly, Where is America Going -David North

Notes

German Marxism and the Holocaust-(Summer 2018) www.marxists.org/history/etol/writers/gluckstein/2018/xx/holocaust.html

Imperialism and the political economy of the Holocaust-Nick Beams-www.wsws.org/en/articles/2010/05/holo-m12.html


[1] Statement in September 1939, as quoted in “Stalin’s pact with Hitler” in WWII Behind Closed Doors at PBS http://www.pbs.org/behindcloseddoors/episode-1/ep1_stalins_pact.html Contemporary witnesses/

[2]To Leon Goldensohn, March 16, 1946, from “The Nuremberg Interviews” by Leon Goldensohn, Robert Gellately – History – 2004

[3] Howard Zinn on War (2000), Ch. 21: Just and Unjust War

[4] Adam Tooze, The Wages of Destruction: The Making and Breaking of the Nazi Economy, Allen Lane: 2006, 832 pages,

[5] French revisionist Pierre Lambert dies aged 87- http://www.wsws.org/en/articles/2008/01/lamb-j21.html

[6] libcom.org/article/class-analysis-afa-review-nazis-capitalism-and-working-class-donny-gluckstein

[7] Marxism and the Holocaust-

Nick Beams

Milton: Poetry & Revolution By: Andrew Milner- A Redwords revolutionary Pocketbook 2026 £5

“Milton! thou shouldst be living at this hour:

England hath need of thee: she is a fen

Of stagnant waters: altar, sword, and pen,

Fireside, the heroic wealth of hall and bower,

Have forfeited their ancient English dower

Of inward happiness. We are selfish men;

O raise us up, return to us again,

And give us manners, virtue, freedom, power.”

William Wordsworth

“For books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them.”

― John Milton, Areopagitica

“Milton, for example, who wrote Paradise Lost, was an unproductive worker. In contrast, the writer who delivers hackwork for his publisher is a productive worker. Milton produced Paradise Lost in the way that a silkworm produces silk, as the expression of his own nature. Later on, he sold the product for £5 and, to that extent, became a dealer in a commodity.”

Karl Marx

“Life is not an easy matter…. You cannot live through it without falling into frustration and cynicism unless you have before you a great idea which raises you above personal misery, above weakness, above all kinds of perfidy and baseness.”

― Leon Trotsky, Diary in Exile, 1935

To say that this small book of just 47 pages has gone under the radar would be an understatement. A Google and Bing search has produced no mention, reviews, or even an image of the book cover. A scenario that would not look out of place in Stalin’s Russia or in George Orwell’s 1984. This is all the stranger since Andrew Milner is a significant scholar and has produced a substantial amount of work on John Milton.

John Milton (1608–1674) is best known for Paradise Lost. He was also a vigorous political writer (Areopagitica, The Tenure of Kings and Magistrates) who defended freedom of conscience and republican principles in the English Revolution. For any reader, Milton’s work is historically and culturally useful. He illuminates the ideas and political disputes of the 17th‑century bourgeois revolution in England, the rise of parliamentary power, and the ideological roots of modern notions of liberty and censorship.

Milner is a member of the British Socialist Workers Party and a Marxist literary scholar who has situated John Milton’s poetry and prose within the political and social context of the English Revolution. In this small book, Milner seeks to show how Milton’s imagery, rhetoric and political tracts are bound up with the emergent class formations, religious conflicts and ideological struggles of seventeenth‑century England. He is primarily known as a literary and cultural theorist; his work deals with ideology, culture, and intellectual history. His work addresses ideology, aesthetics and the left’s intellectual history. That terrain is important because ideology shapes class consciousness, and the battle over ideas is a necessary front in the class struggle.

However, cultural analysis alone cannot substitute for a rigorous political-economic account of property relations, surplus appropriation and class power. Classical Marxism holds that consciousness is rooted in material conditions; therefore, cultural critiques must be integrated into analyses of the social relations of production and the balance of class forces. Milton’s poetry and prose are embedded in the English revolutionary conjuncture. His biblical epic and tragic forms are works where he questions authority, liberty, and social order. Milner reads Milton’s theological motifs as ideological representations tied to emergent bourgeois and republican tendencies, while also acknowledging the contradictions and ambiguities in Milton’s voice.

Milner’s body of work, including this book, situates the poet within the political and social convulsions of the English Revolution. For any reader, Milton’s poetry and prose are productive areas for analysing how class conflict, ideology, and revolutionary consciousness are represented, contested and mythologised in literature. Studying Milton through Milner’s revolutionary eyes teaches how literature both reflects and shapes class consciousness.

Socialist Workers Party

At this point, it is worth examining Milner’s politics. Milner, as was said, is a member of the British SWP, which does not represent orthodox Marxism. Along with comrades in the SWP, he belongs to a tradition that broke with orthodox Trotskyism in the mid‑20th century and developed the state‑capitalist analysis of the USSR (most associated with figures like Tony Cliff).

For Cliff and the International Socialism tendency, regimes that nationalised industry but retained wage labour and commodity production were analysed as forms of capitalism in which the state functions as the collective capitalist; thus, they rejected the Trotskyist formulation of a degenerated workers’ state and argued for an independent revolutionary strategy oriented to overthrowing bureaucratic rule. In the 2010s, it was riven by a political and moral crisis around leadership, internal democracy and allegations of sexual abuse. 

Although Milner’s book illuminates how bourgeois and petty‑bourgeois cultural forms mediate working-class experience, it still risks idealism if detached from concrete, empirical investigation of the organisation of production and the state. Some critics have argued that Milner collapses literary meaning into class interest, treating Milton as merely an ideological mouthpiece of a social class rather than a complex, contradictory subject. Perhaps a more serious charge, one in which the great historian Christopher Hill was also charged with, was cherry-picking passages or contexts that fit a class‑interest thesis while ignoring counter‑evidence in Milton’s prose and reception.

In the book, Milner cites Christopher Hill and E.P. Thompson as early influences. It is entirely correct to look at the work of these major historians when it comes to evaluating John Milton.

Christopher Hill treated seventeenth‑century literature as part of a revolutionary conjuncture. Hill’s interpretive stance is class-centred and teleological. He reads Milton as embedded in the Puritan radical tradition. He locates literary production within the contours of political conflict, ideology, and mobilisation. This is the Marxist tradition in history that emphasises the structures and social forces that shape ideas—Milton becomes a voice within a contested social order.

Hill’s major contribution was to relocate the English Revolution from a narrow constitutional dispute among elites into a broad social and cultural upheaval rooted in class conflict. Works such as Society and Puritanism in Pre‑Revolutionary England and The World Turned Upside Down argue that the upheavals of the 1640s were driven by changing material conditions—agrarian transformation, commercial expansion, and the rise of new classes and layers within the population—thereby producing religious and political movements ranging from Puritans to Levellers and Diggers. Hill’s method was classic historical materialism: ideas and texts are treated as expressions of social forces and class interests rather than as autonomous abstractions.

Hill emphasised the dialectical interaction between structural changes and conscious political action: material crises opened space for radical ideas, which in turn reshaped social relations until countervailing forces produced new stabilisations. His sensitivity to popular religion, millenarianism, and the “culture of protest” made visible the agency of Milton’s political tracts—Areopagitica, The Tenure of Kings and Magistrates, and his numerous pamphlets—which must be read as ideological interventions in the convulsive politics of the 1640s and 1650s. Milton defended republican sovereignty, individual conscience and vehement opposition to censorship; his positions reflected a fragment of the emergent bourgeois‑republican current and the layers of intellectuals allied with parliamentary and anti‑royalist forces. His great epic, Paradise Lost, also encodes the metaphysical and moral anxieties of a society undergoing revolutionary reconfiguration.

On the other hand, E. P. Thompson, by contrast, insisted on the agency, experience and consciousness of social subjects. Where Hill stresses the structures and propensities of classes, Thompson recovers lived mentality: culture is both produced by and constitutive of working-class self-activity. Applied to Milton, Thompson’s method would press you to examine how Milton’s language and political interventions circulated among social groups, how readers appropriated or resisted his ideas, and how ideological formations were lived and transformed.

Andrew Milner’s work on John Milton situates Milton’s poetry and prose within the political struggles of seventeenth‑century England and the emergence of the modern public sphere. Milner shows Milton not simply as an isolated literary genius but as a political writer whose formal choices—pamphlet rhetoric, epic mode, religious imagery—intervene in class conflict, state formation and the struggle over free speech. Milner’s contributions to cultural theory enrich our understanding of ideology and intellectual history. Still, they cannot replace the scientific analysis of class, property and state that classical Marxism provides.