Mike Haynes and Jim Wolfreys’ History and Revolution: Refuting Revisionism (2007, Pluto Press).

Mike Haynes and Jim Wolfreys’ book, History and Revolution: Refuting Revisionism (Pluto Press, 2007), compiles essays that defend the revolutionary tradition against the anti-Marxist historiography that emerged after the Soviet Union’s collapse in 1991. The contributors challenge the revisionist critiques of the French and Russian Revolutions, as well as the Marxist view of historical change. While the book has significant merit in supporting historical materialism against idealist and post-modernist reactions, it also exhibits notable political and intellectual limitations that a Marxist perspective cannot ignore.

Mike Haynes has been a member of the British Socialist Workers Party (SWP) for many years. The political framework of *History and Revolution* reflects the SWP’s ideological roots, mainly shaped by Tony Cliff, the party’s founder. Understanding this context is crucial, and within this framework, the ICFI should offer clear and pointed criticisms.

The SWP is not a Trotskyist organisation. Cliff’s concept of “state capitalism”—which suggests that the Soviet Union under Stalin evolved into a form of capitalism—was introduced in 1948 mainly as a political strategy. This move aimed to help the SWP stay neutral during the Korean War, rather than defending the Soviet Union against imperialist forces. It was more an opportunist adaptation than a genuine Marxist analysis. The ICFI, led by James Cannon and later Gerry Healy and David North, identified the Cliff tendency as a revisionist deviation that split from the Fourth International, rather than a true continuation of Trotskyism.

This political heritage influences how the SWP approaches the history of revolutions. Since the SWP cannot defend the Soviet Union as a degenerated workers’ state—because Cliff’s theory rejects that it was ever a workers’ state after Stalin—it lacks a clear explanation of what went wrong with the Russian Revolution. The key contribution of the Trotskyist movement—the idea that Stalinism was a bureaucratic degeneration of a genuine workers’ revolution, not its inevitable outcome—is missing from the SWP’s framework. Consequently, even sincere SWP historians tend to separate the defence of Marxist historical method from their support for the political program of the Fourth International. They can argue that revolutions occur for justified reasons. Still, they fail to explain the betrayal of those revolutions, thus preventing them from drawing the programmatic conclusions necessary for the working class.

Refuting Revisionism champions a left-wing stance advocating for revolutionary history and opposes conservative and liberal revisionist narratives. It challenges figures such as François Furet on the French Revolution, as well as Robert Conquest and Orlando Figes on the October Revolution. While defending the revolutionary historical record against bourgeois misrepresentations is crucial, a Marxist must also scrutinise the underlying perspective to determine whether it truly presents a revolutionary vision for the working class. When examined within the intellectual and political landscape, this stance reveals significant issues.

This collection, featuring Bensaïd advising socialist youth not to focus on studying the Russian Revolution, is edited by the International Socialist Tendency (with Haynes linked to the British SWP and Wolfley associated with the NPA/France Insoumise) and cannot offer that response. The IS tradition has its own core issues with the Russian Revolution, having historically rejected Trotsky’s analysis of the USSR and fluctuated between different forms of accommodation to Stalinism and social democracy.

Revisionism and the English Revolution

The question regarding the English Revolution lies at the crossroads of two major historiographical debates: whether the events of the 1640s truly represent a bourgeois revolution, and what influence the popular radical movements — including the Levellers, the Diggers, and various sects had in it. The “revisionist” school, which gained prominence in British academic history especially from the 1970s onward, challenged the first question by denying that a bourgeois revolution actually occurred. Scholars like Conrad Russell and John Morrill maintained that the conflict was primarily driven by royal mismanagement, court faction struggles, and religious contingencies, rather than by profound structural class conflicts. They also dismissed the idea of a rising bourgeoisie as a form of Marxist teleology.

This revisionist turn was a politically charged academic shift. As Ann Talbot’s excellent analysis of Christopher Hill indicates, the critique of the idea of bourgeois revolution was intertwined with the broader intellectual backlash following the working class’s setbacks in the 1970s and 80s, which gained momentum after the fall of the USSR. The denial of the revolutionary significance of the 1640s was part of a larger ideological effort to eliminate the concept of revolution from historical study.

If we see the English Revolution simply as a misunderstanding between the king and Parliament, the French Revolution as nothing more than a panic among scared nobles, and the Russian Revolution as just a Bolshevik coup, it becomes unlikely to believe that large groups of people can purposefully overthrow an entire social system.

“Radicalism and Revisionism in the English Revolution”

Geoff Kennedy’s research on revisionism and the English Revolution is a significant semi-Marxist critique of the rewriting of 17th-century British history in the late 20th century. His key contribution is his essay, “Radicalism and Revisionism in the English Civil War,” which appeared in the 2007 edited volume History and Revolution: Refuting Revisionism published by Verso Books.

Kennedy’s earlier works, like *Diggers, Levellers, and Agrarian Capitalism* (2008), significantly advance the Marxist interpretation of the English Revolution. He seeks to contextualise the radical movements of the 1640s and 1650s—primarily the Levellers and the Diggers—within England’s transition to agrarian capitalism, heavily drawing on Ellen Meiksins Wood and Robert Brenner’s ‘Political Marxism.’ Although this approach is valuable, it also raises critical questions from an orthodox Marxist viewpoint.

Kennedy emphasises the social and economic factors of the English Revolution, challenging revisionist historians who mainly viewed it as religious disputes, constitutional errors, or luck. Unlike revisionists such as Conrad Russell, John Morrill, and others, Kennedy contends that the revolution had a genuine class aspect, with radical movements representing actual social conflicts arising from changes in land and farming relations in England.

His emphasis on the Diggers, led by Gerrard Winstanley, is especially significant. The Diggers are among the most notable early examples of communist ideas in history. Winstanley’s belief that the earth should be a shared resource for everyone, and that land privatisation is the root of oppression. That true freedom involves low-income people working the land collectively went beyond what the bourgeois revolution could accept or achieve. Kennedy rightly sees the Diggers not just as religious eccentrics but as representing the most impoverished groups in the English countryside, those being driven out by enclosure and agricultural commercialisation.

The Levellers, including Lilburne, Overton, and Walwyn, promoted a more advanced political agenda focused on the interests of artisans and small producers: popular sovereignty, a written constitution, religious toleration, legal equality, and manhood suffrage with some restrictions. Their Agreement of the People was a truly revolutionary democratic document. Kennedy’s analysis of the connection between the Levellers and Cromwell’s Grandees, highlighted by the Putney Debates of 1647 and the suppression of the Leveller mutinies at Burford in 1649, accurately identifies this as a pivotal moment in the revolution’s class dynamics.

Kennedy’s theoretical framework

Kennedy’s Political Marxism Framework, based on Wood and Brenner’s “Political Marxism,” highlights the particularities of the English transition to capitalism in agriculture. It focuses on the unique role of the capitalist landlord-tenant-labourer relationship, the early commercialisation of farming, and the dispossession of peasants through enclosure. This approach is a significant improvement over simpler base-superstructure theories and effectively links radical movements to specific social relations.

Nonetheless, the Political Marxism framework has certain inconsistencies. Wood, for example, strongly resisted labelling the English Revolution as a “bourgeois revolution” in the traditional Marxist sense. She believed the bourgeoisie did not lead the revolution and that capitalism in England developed primarily through agrarian, rather than commercial or industrial, capital. This creates a paradoxical stance: recognising the period’s revolutionary nature while distancing it from the classic Marxist classification. This stance is a partial concession to the revisionist view, but it risks obscuring the global importance of the English Revolution as the first major bourgeois revolution. As Engels stated in his introduction to *Socialism: Utopian and Scientific*, it was the event that first raised the banner of the modern bourgeoisie against feudal monarchy.

The Trotskyist view, as exemplified by Ann Talbot’s interpretation of Christopher Hill, emphasises the importance of a revolution’s fundamental social goals. It focuses on the mode of production it supports and the long-term interests at stake, rather than on whether participants explicitly see themselves as bourgeois revolutionaries or whether the bourgeoisie directly ‘created’ the revolution in a narrow sociological sense. For example, Cromwell didn’t need to be a Manchester manufacturer to serve capitalism’s interests. As Trotsky noted, Cromwell was “a revolutionary leader of the bourgeoisie” who used the New Model Army as a political tool, often purging Parliament to advance his class’s aims.

The Levellers and Diggers: Historical Limits and Revolutionary Significance

From a Marxist perspective, Kennedy’s work raises a crucial question: what were the social and historical limitations of these radical movements, and what can we learn from them? The Levellers primarily embodied the interests of the petty bourgeoisie — small producers, artisans, and yeomanry who aimed to engage with the rising capitalist system more equally, rather than overthrow it. Their call for manhood suffrage explicitly excluded servants and those on poor relief, representing the rural proletariat and the most marginalised groups.

During Cromwell’s Grandees’ discussion at Putney, the notable exchange between Commissary-General Ireton and Colonel Rainsborough highlighted the class divide: Ireton defending property as fundamental to constitutional rights. At the same time, Rainsborough claimed that “the poorest he that is in England hath a life to live as the greatest he.” The Levellers ultimately struggled with this internal conflict, torn between their democratic ideals and their status as property-owning classes.

The Diggers aimed for common land ownership, representing a true communist ideal. However, Winstanley’s version was a utopian form of communism by the dispossessed peasantry, not rooted in the scientific socialism driven by capitalist development. In 1649, the conditions for a socialist revolution, such as a modern industrial proletariat, socialised production, and a working class capable of seizing and managing the means of production, were absent. This isn’t a critique of Winstanley but an acknowledgement of historical limitations. Engels highlighted this in “Socialism: Utopian and Scientific,” noting that many early communist ideas, from Münzer during the German Reformation to the Enragés in the French Revolution and the Diggers in England, voiced the hopes of classes unlikely to have a future in the nascent capitalist system.

Kennedy and Revisionism

Kennedy’s focus on revisionism is a strong point in his work. He rightly recognises that the political motive behind the revisionist school’s denial of a bourgeois revolution is to naturalise capitalism by dismissing the need for violent overthrow. This also aims to undermine Marxist historical analysis during the 1980s-90s, when the ruling class was gaining ground. This same drive contributed to the development of the “end of history” idea and postmodern critiques of historical materialism.

Kennedy’s support for the Marxist framework can be expanded to include an international perspective. As Ann Talbot observed regarding Hill, the limitation of the “people’s history” tradition was its primarily national focus. The English Revolution did not happen in isolation; it was part of a broader European crisis in the seventeenth century. The ideas it promoted—such as natural rights, popular sovereignty, religious toleration, and constitutional government—contributed directly to the Enlightenment and inspired later American and French revolutions. The Levellers’ Agreement of the People was a precursor to the American Declaration of Independence. John Locke formalised the political ideas of the English Revolution into a framework that American and French revolutionaries adopted. Viewing the English Revolution solely through the lens of English agrarian conditions, as the Political Marxism approach often does, overlooks its global significance as the initial stage of the bourgeois revolutionary era.

Overall, Kennedy’s chapter provides a serious and compelling contribution. It defends the Marxist framework against revisionist perspectives, recognises the social significance of radical movements, and clarifies how agrarian capitalism shaped the revolution. Nonetheless, it is somewhat limited by the views of the Political Marxism school, which often dismisses the classical “bourgeois revolution” idea and interprets the revolution too narrowly at a national level. The Trotskyist perspective offers a valuable correction: the English Revolution was a key global event of bourgeois change, whose full significance can only be understood in an international context. Its radical origins—the Diggers and Levellers—also hint, albeit prematurely, at the eventual overthrow of capitalism through deliberate revolutionary action by the working class.

Daniel Bensaïd: The Central Problem

The most notable figure in this collection is Daniel Bensaïd, a leading theorist of the Ligue Communiste Révolutionnaire (LCR) in France and a key member of the Pabloite United Secretariat. In February 2008, just months before this book was published, he spoke at a forum at Socialist Party headquarters in Paris, alongside Henri Weber, a co-founder of the LCR who had long since become a PS senator and European deputy, openly supporting the capitalist market.

What did Bensaïd say at this forum? He didn’t challenge Weber’s praise of “market freedom.” Instead, he told the audience he saw little chance for revolutionary socialism in the near future, citing the influx of hundreds of millions of Asian workers into the global labour market as a factor that would “permanently lower living standards”—a defeatist, petty-bourgeois viewpoint that dismisses the revolutionary potential of the global working class. Most tellingly, he told the Socialist Party crowd that if young LCR members took a class on the Russian Revolution, “they’re bored silly,” even though he’s a contributor to a book supposedly meant to defend revolutionary history!

This is no accidental contradiction. It reveals the core dishonesty within the pseudo-left’s engagement with Marxist history. Bensaïd and the LCR/NPA tradition evoke revolutionary memory in theory but, in practice, do everything to keep the working class subordinate to bourgeois parties. They present the idea of revolution as a cultural relic, while systematically undermining the revolutionary program as a dynamic political goal. His description of himself at that meeting as a “Leninist rather than a Trotskyist,” along with his attempt to portray Lenin as merely an opportunist, illustrates his aim to distance Lenin from the theoretical lineage of Marxism that Trotsky represented.

Lars T. Lih

Lih is a dedicated scholar whose work on Lenin, especially *Lenin Rediscovered*, offers valuable insights into Bolshevism as an autonomous movement rather than a caricature. His effort to rehabilitate Lenin’s *What Is to Be Done?* from decades of liberal and social-democratic misinterpretation is noteworthy. However, Lih functions as a non-Marxist academic historian; his focus is on illuminating history without linking it to a current political agenda.

His main thesis in *Lenin Rediscovered* is an academically respectable revision: he suggests that the interpretation of *What Is to Be Done?* (1902) as a top-down, elitist plan for a vanguard party—where professional revolutionaries impose socialism on a passive working class—has been mistaken, especially in the West. Lih contends this is incorrect.

He contends that Lenin’s ideas were not revolutionary leaps regarding consciousness but were significantly shaped by German Social Democracy—especially Karl Kautsky—and involved adapting traditional Kautskyism to Russian conditions. The famous excerpt in WITBD where Lenin quotes Kautsky, asserting that socialist consciousness should be imparted to workers “from without” (von aussen), is, as Lih explains, not a groundbreaking innovation but rather reflects the common stance of the Second International.

Lih’s work offers an important correction to right-wing criticisms of Lenin. Yet, limiting the focus to this diminishes our appreciation of Lenin’s wider historical role: as the founder of the Third International, a key figure in the October Revolution, and a successor to a revolutionary legacy continued by Trotsky and the Fourth International, a legacy that still holds significant relevance today.

Enzo Traverso and Geoff Eley

Both are academics operating within the broad field of “critical theory” and left-liberal historiography. Traverso’s work on violence, fascism, and European history is intellectually serious but embedded in a Frankfurt School framework that, as David North has analysed in depth, ultimately leads away from the revolutionary Marxist perspective. Geoff Eley, a distinguished historian of European labour movements, operates within a broadly social-democratic intellectual horizon — his work charts the decline of the left without pointing toward the program needed to reconstitute it on genuine socialist foundations.

Enzo Traverso is perhaps best known for his work on European fascism, revolutionary violence, the Holocaust, and — most tellingly — his concept of left melancholy. His book Left-Wing Melancholia (2016) argues that the contemporary left is defined by mourning for a lost world of socialist possibilities, dwelling in the ruins of defeated revolutions and collapsed utopias. He draws heavily on Walter Benjamin’s famous essay on the “left melancholy” of the Weimar era, as well as on the broader Frankfurt School tradition.

Traverso’s observation highlights that many academic and petty-bourgeois radicals are demoralised and disoriented. However, his political conclusions and the intellectual framework he employs to interpret this are deeply incompatible with Marxism. His notion of “left melancholy” interprets the setbacks of the 20th century as indicative of a fundamental rift between socialism and historical progress, implying that the chance for a socialist revolution is either hidden or no longer attainable.

Traverso’s deep engagement with the Frankfurt School deepens this issue. As David North discusses in his book The Frankfurt School, Postmodernism and the Politics of the Pseudo-Left, the Frankfurt School’s original premise was to abandon the revolutionary working class as a key driver of change.

Horkheimer, Adorno, and Marcuse, writing during the era of Stalinism and fascism, claimed that capitalism had subsumed the proletariat, hindering its ability to lead emancipation efforts. This change led to a greater focus on cultural critique, aesthetic theory, and philosophical negativity rather than on the political mobilisation of workers. Traverso follows this entire tradition. While his historical work is knowledgeable and occasionally insightful on fascism and memory, its core principles fundamentally oppose the Marxist agenda.

His interpretation of revolutionary violence and utopia also leans towards a moral-aesthetic assessment that detaches from class analysis. For Traverso, the issue of revolutionary violence mainly becomes an ethical and aesthetic concern focusing on how we remember, mourn, and portray it rather than a political matter: considering the class forces involved, the programs promoted or betrayed, and the responsibility of particular political tendencies for specific defeats.

Geoff Eley and the Retreat from Class

Geoff Eley is a prominent historian specialising in modern Europe, with a focus on Germany and the European left. His notable publications include Reshaping the German Right and Forging Democracy: The History of the Left in Europe, 1850–2000. Eley also played a central role in the so-called “cultural turn” in social history, which is linked to the journal Social History. This shift is more controversially associated with a move away from E.P. Thompson’s emphasis on class-based social history toward a focus on discourse, culture, and identity.

Eley’s trajectory offers valuable insights from a Marxist perspective. Initially, his work adhered to Marxist social history, focusing on the German bourgeoisie, the Wilhelmine right, and the structural contradictions of German capitalism. However, influenced by post-structuralism, Foucault, and the “linguistic turn,” Eley gradually shifted away from prioritising class as the main analytical category. His 1994 co-edited volume, ‘Becoming National,’ along with later research on gender, identity, and recognition politics, signified a significant move toward the cultural-theoretical issues that had permeated much of academic social history by the 1990s.

This shift—from emphasising class analysis to focusing on discourse and identity—was not merely a neutral change in approach. It mirrored the broader intellectual retreat of the academic left following Thatcherism, the decline of the labour movement, and ultimately, the collapse of the Soviet Union. The common argument was that “class reductionism” was being replaced by a more “complex” understanding of social dominance. However, what was genuinely being forsaken was the fundamental theoretical framework needed to understand capitalism and identify those with the power to alter it. As the ICFI affirms, the working class remains the only force with both the objective interests and the social influence to overthrow capitalism—a truth no refined cultural critique can negate.

Eley’s “Forging Democracy” offers a comprehensive account of the history of European socialist, labour, and social-democratic movements. Nonetheless, its evaluative lens is mainly social-democratic rather than explicitly Marxist. It portrays Social Democratic parties as the rightful representatives of workers’ hopes, views the Bolshevik revolution and the Communist International as problematic deviations, and remains silent on why social democracy repeatedly let down the working class—from 1914 through the Weimar era, the post-war welfare system, and beyond. The ICFI’s interpretation—focused on the crisis of revolutionary leadership and the working class’s subjugation to reformist and Stalinist bureaucracies—is not apparent within Eley’s perspective.

Critical Theory as an Alternative to Revolution

Traverso and Eley, despite focusing on different aspects, share common ground within a broader intellectual trend that emerged after the decline of academic Marxism in the 20th century. Both are dedicated scholars who critically examine historical issues. They are not mere defenders of capitalism. However, their approaches have shifted towards emphasising cultural critique, ethical considerations, and identity-focused history, replacing the revolutionary Marxist agenda.

David North pinpointed this exact issue in his critique of the Frankfurt School’s political heritage. The complex pessimism inherent in critical theory, emphasising the “administered society,” the colonisation of consciousness, and the seeming impossibility of direct revolutionary action, served as the intellectual framework that led many academic radicals to rationalise their detachment from real class struggles. Consequently, as the WSWS pointed out in its critique of postmodernism and the pseudo-left, there was a “flight from historical truth,” in which objective historical analysis was replaced by discourse theory, memory studies, and melancholic aesthetics.

The true antidote is not a simplistic or mechanical form of Marxism but the genuine tradition: the rigorous historical materialism developed by Marx and Engels, further refined by Lenin’s analysis of imperialism and the state, and Trotsky’s theories of permanent revolution and revolutionary leadership crises. These theoretical tools do not foster “left melancholy” because they offer an authentic explanation for the setbacks of the 20th century—one that looks forward, emphasising the importance of building the Fourth International, rather than dwelling on the past with nostalgia.

A volume that assembles pseudo-left academics to “refute revisionism” in the seminar room, while its most prominent political contributor assures Socialist Party audiences that revolution is off the agenda for the foreseeable future, is not a contribution to that fight. It is, at best, a holding operation for a demoralised intellectual milieu that seeks to preserve the cultural prestige of “revolution” while having abandoned its political content.

Haynes and Wolfreys are responding to a genuine, politically motivated revisionist attack. As David North explains in detail in The Russian Revolution and the Unfinished Twentieth Century, the USSR’s collapse was quickly followed by a surge of pseudohistorical literature claiming that the October Revolution and the Soviet Union were the result of a criminal conspiracy imposing an alien, unworkable dogma on an unsuspecting population.

History and Revolution: Refuting Revisionism offers a valuable contribution to the fight against post-1991 historical falsification, and readers will find much merit in it. However, it faces distinct limitations stemming from the political and theoretical confusions within the SWP tendency. The ultimate Trotskyist response to anti-communist historical revisionism is not found in the SWP tradition but in the work of the ICFI. This includes David North’s The Russian Revolution and the Unfinished Twentieth Century, Vadim Rogovin’s Was There an Alternative to Stalinism? series, and the ongoing publications of the World Socialist Web Site. These works unite the defence of the socialist revolution’s historical truth with support for the political program of the Fourth International—without which such historical defence remains incomplete. 

Review Matthew Worley’s No Future: Punk, Politics and British Youth Culture, 1976–1984 (Cambridge University Press, 2017),

“The legacy of The Clash continues to shape what has been best in popular music. It was The Clash’s pushing back of the boundaries, for example, that made possible (and helped shape) the ska revival of the late 1970s/early 1980s, one of the highest spots of political songwriting in recent British musical history.” Paul Bond

“Punk rock should mean freedom, liking and accepting anything that you like. Playing whatever you want. As sloppy as you want. As long as it’s good and it has passion.” — Kurt Cobain.

“God save the Queen/The fascist regime/They made you a moron”.

Sex Pistols

Matthew Worley’s ‘No Future’ offers a comprehensive academic history of the connection between punk rock and political culture in Britain from 1976 to 1984. It covers the initial punk explosion, its subsequent split into post-punk, Oi!, anarcho-punk (Crass), the Two-Tone ska revival, and the Rock Against Racism/Anti-Nazi League movements. This work is a thorough and well-researched cultural history, yet it has notable analytical limitations that readers should be aware of.

Worley situates punk within a clear social and historical framework: the collapse of Britain’s postwar Keynesian consensus, high youth unemployment, issues within the Labour Party and trade unions, and the rise of Thatcherism. He emphasises that punk is not merely fashion or nihilism but is deeply rooted in genuine social anger. The book’s broad coverage, including bands like the Sex Pistols, Crass, Sham 69, and the Specials, illustrates that punk was a multifaceted cultural phenomenon in which class struggles, political beliefs, and generational discontent interacted in various ways.

Worley’s earlier academic work is highly valuable, offering substantial examples of historical research. His Cold War article rightfully cites Discharge’s ‘Realities of War’ (1980) as a significant turning point, both musically and politically, as it was the first sustained punk effort to directly address working-class anger towards the war machine and nuclear threats. His detailed and balanced depiction of Crass highlights that the band was more than just a musical group; it served as the centre of a genuine communication network that included fanzines, pamphlets, independent records, benefit concerts, and connections to CND, squatting movements, and animal rights groups. He quotes their sleeve notes from ‘Christ The Album’ (1982), stating: “War is confirmation of the imposed reality in which we exist.” This stands as a notable political statement.

The ” One Nation Under the Bomb article is even more valuable as raw material. Worley has done hard archival work that nobody else has done, tracing hundreds of fanzines from Aberdeen to Bristol, from the first issue of Sniffin’ Glue (1976) to the anarchist ‘zines of the early 1980s. His account of the breadth and geographic spread of punk fanzine culture reaching into Sunderland, Bradford, Telford, and Northampton gives the lie to the London-centric picture that dominates most punk historiography. He shows that punk fanzine culture was a genuinely national, working-class youth phenomenon, not a metropolitan art-school project.

He depicts British punk through the themes of nuclear anxiety and Cold War politics. This perspective highlights key aspects of the anti-nuclear movement and the Campaign for Nuclear Disarmament (CND), which indeed influenced punk culture, especially within the “Oi!” and anarcho-punk scenes linked to bands like Crass. This was particularly evident in the early 1980s when Thatcher’s deployment of cruise missiles at Greenham Common coincided with a surge in the peace movement. However, this approach risks emphasising an ideological or culturally political view at the expense of the underlying class dynamics.[1]

Worley’s focus on the British punk fanzine is historically genuine in one important respect: fanzines represented something qualitatively different from the commercial music press. In the pages of Sniffin’ Glue, Ripped & Torn, Kill Your Pet Puppy, Maximum Rock’n’roll, or the anarcho-punk publications that clustered around Crass Toxic Grafity, Enigma, Punk Lives, there was a raw, unmediated attempt by working-class and lower-middle-class youth to make sense of their world in their own voice. The do-it-yourself ethic (“Here is a chord. Here is another. Here is a third. Now form a band”) was not merely aesthetic posturing. It was a direct rejection of the cultural gatekeeping of capitalist media.

However, it is essential to examine punk fanzines honestly rather than celebrate them uncritically. They covered a broad spectrum, from almost solely music-oriented to explicitly political, and included publications that primarily served as channels for anarchist propaganda. The political fanzines linked to the early 1980s anarcho-punk scene, those linked to Crass, Flux of Pink Indians, and Discharge, are where Worley’s Cold War and anti-nuclear themes are most clearly expressed. Publications like Scum or zines related to Poison Girls combined an anti-nuclear stance with feminist separatism, veganism, pacifism, and anti-statism, creating an eclectic yet recognisable ideological package.[2]

He also correctly identifies the political heterogeneity of the scene. The SWP’s Red Rebel and RAR’s Temporary Hoarding sit alongside the far-right NF’s Punk Front and the anarcho-punk Toxic Graffiti as competing attempts to harness punk’s social energy. And he notes, honestly, that punk’s “abiding impulse was to ‘do it yourself’, not conform to the diktats and doctrines of self-appointed ideologues”, which is why all these attempts brought “only scant reward.”

No Future’s main weakness is that Worley lacks a theory of class. Despite its ambitions, No Future is largely constrained by the academic framework Worley employs. Cultural studies, strongly influenced by the Birmingham Centre for Contemporary Cultural Studies (including Stuart Hall, Dick Hebdige, etc.), is not aligned with Marxism. Worley views youth subcultures as symbols of “resistance”, resistance shown through style, music, identity, and subversive aesthetics. Worley consistently overlooks the crucial question posed: what is the connection between these movements and the class struggle?

Cultural Studies emerged as an alternative to the class struggle, acting as a safeguard against revolutionary class politics. Paul Bond’s article on Stuart Hall examines the origins of Cultural Studies. His insightful obituary of Hall emphasises that it was intentionally developed as a critique of revolutionary Marxism, particularly its modern form, Trotskyism. Its rise in Birmingham in the 1960s is linked to the political upheaval following the Hungarian Revolution of 1956 and the ensuing defections from the British Communist Party. During this time, the key question was whether disillusioned individuals would embrace Trotskyism and authentic Marxism or seek a new intellectual framework that opposed capitalism in theory but not in practice.[3]

Analysing punk through ‘subculture theory’ reveals endless nuances about symbols like safety pins and mohawks. However, it doesn’t address the key question: why did punk’s social energy, rooted in working-class alienation and anger, fail to ignite a revolutionary political movement? The answer isn’t in the music or subculture itself. Instead, it lies in the political context of Britain’s working class during that period: the dominance of the Labour Party and trade union bureaucracy over the labour movement, the pseudo-left groups like the Communist Party, International Socialists/SWP, and the Militant tendency, which diverted social anger into dead-end political avenues, and the lack of a mass Trotskyist party capable of offering genuine revolutionary leadership.

Rock Against Racism and the SWP

Worley discusses Rock Against Racism (RAR) and the Anti-Nazi League (ANL), movements mainly organised by the Socialist Workers Party (SWP) in the late 1970s, focusing on the punk and reggae scenes. He views these efforts mostly positively as effective youth mobilisation against the National Front. However, I am somewhat more critical. The SWP exploited RAR/ANL to enhance its organisational presence while often placing political awareness secondary to anti-fascist unity. In practice, this meant aligning with the Labour Party and trade union leadership, simplifying the complex social issues faced by working-class youth to a single-issue moral campaign against the NF. This approach neglected to foster independent working-class political opposition to both Thatcherism and the Labour/union establishment that enabled it. The SWP’s “anti-fascism’ strategy created a pressure group rather than a revolutionary movement.

Anarcho-Punk and Its Limits

The anarchist element in punk, notably Crass, along with Conflict, Flux of Pink Indians, and others, sought to connect music more seriously with radical politics. Worley discusses this thoroughly. However, anarchism’s main weakness is also its biggest flaw: its rejection of political parties, programs, and the pursuit of state power ultimately makes punk politics ineffective. Crass’s politics focused on individualist, countercultural withdrawal from bourgeois society rather than strategies for the working class to gain power.  Ideas such as “Do It Yourself,” autonomous communities, pacifism, and lifestyle politics, although sincerely held, cannot overpower a capitalist state with police, courts, and armies. Worley is too sympathetic to these tendencies. He views the limitations of the anarcho-punk scene as interesting complexities, rather than as the result of a petty-bourgeois political outlook that cannot provide the working class with a way forward.

The Title’s Irony: Its Value and Limits

The book’s title, inspired by the Sex Pistols’ “God Save the Queen,” reflects a harsh truth: the nihilism and despair among working-class youth in late 1970s Britain, who believed they had no future within the current system. However, the historical lesson reveals that a future did exist, the prospect of socialist revolution. It was the lack of revolutionary leadership that led many to see “no future” as the only honest response. Different groups, such as the SWP, the Labour left, and the anarchists, in their own ways, helped ensure that this genuine social anger was absorbed, dissipated, and ultimately conquered.

No Future is worth reading as a detailed empirical account of a culturally rich and politically charged period. But to understand why the energy of that moment did not lead to a revolutionary transformation, you need Marxism, not cultural studies. The crisis that produced punk has never been resolved; it has only deepened. The “no future” of 1977 is the social reality confronting young workers across the entire capitalist world today.

Worley’s work is genuinely valuable as a historical record of what working-class youth actually thought, felt, and produced in Britain in this period. The sheer empirical richness of his research is impressive, and the raw material he uncovers is politically important. Discharge’s “Realities of War,” the network of fanzines stretching from Aberdeen to Bristol, the Crass collective’s fusion of music, politics, and communal living, these things deserve to be remembered and taken seriously.

To determine whether punk was a revolution, we need to look beyond Worley’s framework. Punk was not a revolution; rather, it was the cultural expression of a working-class generation overlooked by existing political organisations. The reason it didn’t become a revolution isn’t mainly due to punk itself, but to the movement’s failure to build a mass party capable of channelling that frustration politically. This remains an unfulfilled task. The factors that fueled punk mass unemployment, imperialist wars, a ruling class dismissive of workers, and political parties offering no alternatives—are still present, even more acutely today. The question “no future?” still awaits an answer.

Notes

Obituary: Joe Strummer of The Clash, dead at 50-Paul Bond- http://www.wsws.org/en/articles/2003/01/stru-j13.html


[1] One Nation Under the Bomb: The Cold War and British Punk to 1984- Journal for the Study of Radicalism, FALL 2011, Vol. 5, No. 2

[2] Punk, Politics and British (fan)zines, 1976-84: ‘While the world was dying, did you wonder why?” History Workshop Journal, No. 79 (2015), pp. 76-10

[3] Cultural theorist Stuart Hall (1932-2014): A political career dedicated to opposing Marxism- https://www.wsws.org/en/articles/2014/03/05/hall-m05.html

The New Luddite Movement and Artificial Intelligence’s jobs massacre under Capitalism

Science does not reach its goal in the hermetically sealed study of the scholar, but in flesh-and-blood society. All the interests and passions that rend society asunder, exert their influence on the development of science, especially of political economy, the science of wealth and poverty.

Leon Trotsky- Marxism in Our Time

We know that it has been mentioned to our great men and Ministers in Parliament by those who have Factories how many poor they employ, forgetting at the same time how many more they would employ were they to have it done by hand, as they used to do.  The Poor house we find full of great lurking Boys….  I am informed by many that there will be a Revolution and that there is in Yorkshire about 30 thousand in a Correspondent Society….  The burning of Factories or setting fire to the property of People we know is not right, but Starvation forces Nature to do that which it would not.

A letter from “A Soldier Returned to his Wife and weeping Orphans” to a Member of Parliament from Wiltshire (1802)

“But whilst these outrages must be admitted to exist to an alarming extent, it cannot be denied that they have arisen from circumstances of the most unparalleled distress… nothing but absolute want could have driven a large, and once honest and industrious, body of the people, into the commission of excesses…”

Lord Byron-Song for the Luddites 1816

“[The Luddites] contained within them a shadowy image… of a democratic community, in which industrial growth should be regulated according to ethical priorities and the pursuit of profit be subordinated to human needs.”

E.P Thompson

Recently, several articles have explored the emergence of a “neo-Luddite anti-AI backlash.” One notable example is “The New Luddite Movement,” which was recently published in the Financial Times, a prominent newspaper serving Britain’s financial elite.

Camilla Cavendish, the author of the latest article, is a senior columnist at the Financial Times and a former head of the Downing Street Policy Unit under David Cameron. She comes from the liberal-technocratic wing of the British establishment, a perspective focused on improving capitalism rather than replacing it. When a figure like Cavendish advocates for “new Luddism,” a reader must first consider: which class interests does this perspective promote?

The Financial Times, along with the New York Times and other outlets representing the liberal bourgeoisie, has increasingly published sympathetic articles attacking anti-AI and anti-technology sentiments, portraying them as a progressive social response to capitalism’s technological progress. It’s important to recognise what the Financial Times truly represents, as it serves as the official publication for global financial capital, representing the interests of the City of London and Wall Street. When it features sympathetic profiles of “new Luddism,” it does not express solidarity with workers. Instead, it channels genuine working-class frustration into politically harmless outlets, ideological dead ends that do not threaten the system. The FT will never ask: who owns these AI systems? That is the one question it is inherently unable to address.

The Real Luddites vs the New Luddism

The early 19th-century Luddites were skilled textile workers who opposed not just technology, but the capitalist exploitation enabled by machinery that threatened their jobs. Engels and Marx saw them as an early form of working-class resistance, imperfect in method (such as machine-breaking) but sincerely rooted in class antagonism. The “new Luddism’ promoted by the FT represents a fundamentally different phenomenon: a middle-class ideological stance that confuses the tool with the social relations that determine how it is used.

The scale of this new capitalist pushback is remarkable; over 300,000 jobs were eliminated by American companies in just the first four months of 2026, with AI being the main cause for two consecutive months. Despite investing $145 billion in AI infrastructure, Meta is cutting 8,000 jobs. Oracle is reducing its workforce by up to 30,000 employees, including those who spent their last month training AI systems that eventually replaced them. The stock market responded positively to these developments. This goes beyond simple disruption; it appears more like a form of class warfare.

A consequence of this class struggle is the development of Socialism AI, which seeks to protect workers and serve as a tool against capitalism. Recently, it countered a bourgeois commentary in the New York Times, claiming that capitalism—rather than AI—is to blame for mass layoffs, healthcare denial, and wealth concentration among a few oligarchs.

The development of Socialism AI by the ICFI directly challenges the new Luddite viewpoint. Instead of rejecting AI, it is vital to harness the technology to serve the working class. David North and Evan Blake’s responses to critics of Socialism AI highlight this stance: the petty-bourgeois critic who calls AI a “bullshit machine” is not showing genuine scepticism but rather engaging in “romantic anti-capitalism that criticises  the current social order in a conservative and even reactionary way.” By avoiding engaging with complex productive forces, this stance unconsciously longs for a pre-technological era and results in ineffective abstention instead of action. Socialism AI is genuine, not a superficial trick. It represents a practical use of the same historical materialist method Marx used for the printing press, the telegraph, and other key technological advances: these tools only become liberating when the revolutionary class actively and knowingly adopts

Martin Empson’s “The Time of the Harvest has Come -Revolution, Reformation, and the German Peasant War. Bookmarks 2025

“Study the historian before you begin to study the facts.”- Edward Hallett Carr, What Is History?

‘Behind the peasant the revolutionary beginnings of the modern proletariat, already red flag in hand and with communism on its lips'”. Frederick Engels

“History is the long struggle of man, by exercise of his reason, to understand his environment and to act upon it. But the modern period has broadened the struggle in a revolutionary way. Man now seeks to understand, and act on, not only his environment, but himself; and this has added, so to speak, a new dimension to reason and a new dimension to history.” – Edward Hallett Carr, What Is History?

“Heaven was to be sought in this life, not beyond, and it was, according to Muenzer, the task of the believers to establish Heaven, the kingdom of God, here on earth”. Frederick Engels

Martin Empson is not simply an individual author who happens to have certain political views. He is an organic product of a specific political tendency, the British Socialist Workers Party, and everything he writes on history is shaped, consciously or not, by the theoretical and political framework that tendency has built up over decades. When Martin Empson writes history, whether about the German Peasant War, ecology and capitalism, or any other subject, he does so within this theoretical and political framework. Several specific distortions flow necessarily from it.

The German Peasant War is one of the most important pre-capitalist revolutionary upheavals in European history, and Marxists have always taken it seriously. Friedrich Engels himself wrote the foundational Marxist study, The Peasant War in Germany (1850), composed in the immediate aftermath of the failed revolutions of 1848–49. That timing was no accident. Engels wrote it explicitly to draw historical lessons for the modern revolutionary movement from a great popular uprising that had been defeated.

The material roots of the uprising. The Peasant War was not simply a religious rebellion dressed in the language of scripture. It arose from the concrete, material oppression of the German peasantry and plebeian masses, feudal dues, enclosures, the consolidation of princely power, and the crisis of the old feudal order as early capitalist relations began to penetrate Germany. The Reformation provided the language and ideology of revolt, but the driving force was social and economic antagonism.

Thomas Müntzer is a revolutionary figure. Engels drew a sharp distinction between Martin Luther and Thomas Müntzer. Luther represented the interests of the moderate bourgeoisie and the princes. He wanted religious reform but recoiled in horror from the social revolution of the masses. When the peasants rose, Luther called for their bloody suppression with his infamous tract Against the Murderous, Thieving Hordes of Peasants. Müntzer, by contrast, represented the most radical plebeian wing of the movement. His theology was a revolutionary doctrine in religious disguise. The “Kingdom of God” he preached was, in essence, a demand for the abolition of class privilege and the establishment of a society of equals. Engels called him a “religious and political revolutionary of the first rank.”

The SWP and the German Peasant War: How History Serves Opportunism

The question of how the Socialist Workers Party relates to the German Peasant War is not simply an academic matter. It goes to the heart of what the SWP is as a political tendency, how it uses history, what lessons it draws (and refuses to draw), and whose class interests its politics ultimately serve. To understand this properly, we must first establish what a genuine Marxist history of the Peasant War looks like, then examine how the SWP’s theoretical and political framework systematically distorts it.

The SWP advocates for its core idea of “socialism from below’ as a return to genuine Marxism and opposes Stalinism. However, in practice, it appears to use this idea to dismiss revolutionary leadership. Empson views Müntzer and the peasants mainly as symbols of heroism and spontaneous radicalism but overlooks Engels’ key argument: Müntzer’s defeat resulted from the movement lacking the political and organisational conditions necessary to transform mass militancy into victory. The SWP struggles to accept this because recognising it would mean acknowledging the need for the Fourth International, which it has generally opposed.

Thomas Müntzer (c. 1489–1525) stands out as a significant and tragic figure in early revolutionary history. As a theologian and preacher who broke away from Luther’s Reformation on the left, Müntzer became the ideological and military leader of the most radical faction during the German Peasants’ War of 1524–25, the largest mass uprising in Europe before the French Revolution. Engels offered a detailed, sympathetic, yet strictly materialist analysis of Müntzer in his influential work, The Peasant War in Germany (1850). Written shortly after the failed revolutions of 1848, Engels drew clear political lessons for the proletariat movement. To Engels, Müntzer was not just a religious eccentric but a true revolutionary; his theology was the only way to express a proto-communist agenda within the 16th-century context. Müntzer’s idea of the “Kingdom of God” fundamentally advocated for a society without class divisions, private property, or a ruling state authority.

What distinguished Müntzer was his radical departure from Luther. While Luther’s Reformation mainly aimed to transfer church wealth from Rome to German princes and create a new bourgeois-Protestant system, Müntzer supported the plebeians and peasants—those most marginalised and argued that the Reformation must genuinely transform real-world conditions. He called for the immediate realisation of the “Kingdom of God” on earth. Engels viewed this as the start of something truly new: a revolutionary who saw religious reform as potentially masking social reaction.

Engels also provided a stern Marxist critique of Müntzer, which serves as a key lesson. As outlined in Chapter 6 on the Peasant War in Thuringia, Müntzer’s tragedy highlights the common story of a revolutionary leader who guides a movement whose class base is too weak to support his proposed program. The greatest danger for a leader of an extreme faction is being forced to take control of a government when the movement is not yet ready for the dominance of the class he represents. Instead, he is forced to represent not his party or class, but the class for whom conditions are finally suitable for control.

This analysis highlights Engels at his most incisive, emphasising the limits of the class that imprisoned Müntzer and the peasantry, as well as the plebeian masses he led. As a fragmented, pre-capitalist, land-based class, the peasantry lacked the resources to bring about enduring revolutionary change. They could rise passionately but lacked the means to take control, reorganise production, or form a new state. Their views were mostly local, combining traditional communal values with aims for equality. During crises, the very forces Müntzer inspired failed to respond adequately. The Battle of Frankenhausen in May 1525 ended in a disastrous massacre; Müntzer was captured, tortured, and executed.

Engels drew a notable comparison to 1848, noting that the German bourgeoisie of his era had acted as traitors, like the princes and moderate reformers of 1525. For the proletariat, the message was straightforward. Unlike the peasantry, the modern working class has the potential to seize power and reshape society because it is a direct outcome of capitalist production. Consequently, the Marxist tradition regards Müntzer as an early figure, emphasising that his defeat was not accidental but rooted in systemic factors: revolutionary will, no matter how heroic, cannot replace a revolutionary class.

What connects Müntzer and the SWP?

Initially, they may appear entirely disconnected, a 16th-century millenarian theologian and a 20th-century socialist organisation. However, a common thread exists. Engels’ critique of Müntzer revealed a core issue: what occurs when a revolutionary leader or group promotes hopes beyond the existing class forces capable of advancing them? Müntzer reacted by pushing ahead with revolutionary zeal, replacing class analysis with religious conviction, a move that led to disastrous outcomes.

When the SWP and authors like Empson examine the German Peasant War through the lens of “socialism from below,” they often introduce consistent distortions: While the SWP tradition celebrates the heroism and radicalism of the peasant masses, it intentionally ignores Engels’ conclusion that their lack of proper class leadership and organisation led to their downfall. Although their heroism is authentic, heroism without a clear program, a leading class, or an international revolutionary organisation does not constitute true socialism from below. It remains a tragedy. The SWP focuses on the inspiring aspects of the uprising but neglects the critical lesson: the necessity of building a revolutionary party with a scientific program. This lesson reveals the SWP’s own longstanding hesitation to do so.

Engels’ prefaces from 1870 and 1874 place the German Peasant War within a global context of class struggle. He compares 1525 to key moments like 1789, 1848, and the rise of workers’ movements across Europe. The main lesson highlights internationalism: the working class can only succeed if united as an international movement. The SWP, which parted ways with the Fourth International in 1951 and has criticized Trotskyism for decades, fails to understand this lesson. Therefore, their history remains largely national and episodic, viewing each major uprising as an inspiring but isolated event without a unifying thread leading to revolutionary change. Engels clearly states that the German Peasant War introduced, in a rudimentary and confused way, the issue of state power. Müntzer’s program, expressed in theological terms, called for the overthrow of the existing social order and the creation of a new one.

The core issue is who controls state power. The SWP, following Tony Cliff’s rejection of the working class’s revolutionary role, lacks a true theory of socialist revolution and a plan for the working class to seize state power and dismantle the capitalist system of oppression. Their version of “socialism” is essentially pressure-group politics. In historical analysis, this approach reduces the question of state power to vague ideas of “people’s power” or “mass mobilisation” that often culminate in no concrete revolutionary plan.

Martin Empson’s book on the German Peasant War, for all the factual research it may contain, cannot be trusted as a work of Marxist history. The framework through which it interprets the facts is designed, consciously or not, to produce conclusions compatible with the SWP’s current political practice, which means conclusions that do not lead the reader toward the revolutionary programme. None of this suggests that Empson’s factual research is useless or that his book on the German Peasant War lacks valuable information. Engels, writing in 1850, emphasised that the historical record of the uprising was important and worth examining in detail.

However, the framework Empson uses to interpret that record is politically biased. The test is straightforward: does his analysis guide the reader toward Engels’s conclusions — that the failure of the Peasant War was due to a failure of class forces and revolutionary leadership, that moderate reformers were objectively counter-revolutionary, and that the modern working class needs an international revolutionary party to prevent a repeat of that tragedy? Or does it lead the reader to celebrate spontaneous mass struggle, implicitly supporting the SWP’s politics of pressure, popular frontism, and subservience to the Labour bureaucracy?

For a genuine Marxist history of this period, read Engels’ The Peasant War in Germany in its entirety, all three prefaces and all seven chapters. It is not long, and it remains, 175 years after it was written, the most penetrating analysis of that great uprising ever produced. No SWP book has improved upon it, and none can because improving upon it would require a political honesty that the SWP’s entire existence depends on avoiding.

Podcast Episode: Weimar: Life on the Edge of Catastrophe by Katja Hoyer is published by Allen Lan

Pip: The Weimar Republic: a republic so thoroughly betrayed by its own defenders that historians are still arguing about whose fault it was — which is, in a way, the whole point.

Mara: That tension is exactly what freerein61 puts at the center of this episode — a close reading of Katja Hoyer's new Weimar history, and what its methodological choices reveal about how we understand fascism, class, and the limits of liberal historiography.

Pip: Let's start with the history itself, and the argument about who the "ordinary Germans" really were.

Weimar: Life on the Edge of Catastrophe — Who Were the Ordinary Germans?

Pip: The central question here is methodological: when historians write about "ordinary Germans" under Weimar and Nazism, what does that category actually contain — and what does it quietly erase?

Mara: The post opens with Trotsky's 1933 analysis as its spine. Here is the line: "The pauperisation of the petty bourgeoisie, barely concealed by their ties and socks of artificial silk, eroded all official creeds and, above all, the doctrine of democratic parliamentarism."

Pip: So Trotsky is not describing a nation with a shared psychology. He is describing a specific class fragment — the petty bourgeoisie — under specific material pressure, and asking who benefits from their desperation.

Mara: That contrast is what drives the critique of Daniel Goldhagen's 1996 Hitler's Willing Executioners, where the Holocaust is explained by a centuries-old "eliminationist antisemitism" unique to German culture. David North's 1997 response, The Myth of "Ordinary Germans," identifies the structural flaw: the category is, as North puts it, "a vacuous generalisation from which all internal social antagonisms and conflicts have been extracted."

Pip: And the tell is the omission. In six hundred and twenty-two pages about Germans and the Holocaust, Goldhagen does not mention Karl Marx, Friedrich Engels, August Bebel, or the Social Democratic Party — which by 1912 was the largest party in the Reichstag, drawing its support overwhelmingly from German workers.

Mara: That omission is described here as structurally necessary: acknowledging a mass socialist workers' movement directly contradicts the claim that all Germans shared a uniform antisemitic worldview.

Mara: Götz Aly's Hitler's Beneficiaries offers a more materialist frame — Germans supported Hitler because they materially benefited from expropriated Jewish property — but the post argues it still treats the working class as passive recipients and still flattens class differences in who actually gained from the Nazi economy.

Pip: The third position is the one most relevant to Hoyer: the Volksgemeinschaft school, associated with scholars like Michael Wildt and Frank Bajohr. The focus shifts to how the Nazi national community was actively built, consented to, and experienced — participation, social belonging, integration of the Mittelstand.

Mara: Hoyer's Weimar book explicitly challenges what she calls the "Weimar syndrome" — reading the republic purely as a prelude to catastrophe. The post grants that vulgar retrospective determinism is genuinely bad history. But it argues her correction overshoots, and in a specific direction.

Pip: When you dissolve class into "ordinary people experiencing the republic," the German working class — which nearly took power in November 1918, consistently backed the SPD and KPD throughout Weimar, and maintained underground resistance networks in Berlin, Hamburg, and the Ruhr after Hitler's rise — disappears into the general population.

Mara: The archival evidence is concrete. Hans-Rainer Sandvoss's research using Gestapo files opened after 1989 showed sustained working-class resistance. A Gestapo report from March 1936 recorded that in Berlin one could go days without hearing the Hitler salute, except from officials, uniformed personnel, or out-of-town visitors.

Pip: That detail does a lot of work. It is not romanticization — it is a data point that the dominant historiography structurally cannot accommodate.

Mara: The post connects this to the post-Soviet intellectual climate. Since the 1990s, abandoning class as the primary analytical lens has been framed as a neutral methodological update. The argument here is that it is not neutral — it is a politically motivated choice that obscures how fascism actually functioned: as the capitalist ruling class's response to the revolutionary threat of an organised working class.

Pip: Hoyer's earlier book Beyond the Wall, on the GDR, gets a brief but pointed mention — the same move, the post argues: foregrounding ordinary experience to soften and contextualise a regime defined by bureaucratic dictatorship over the working class.

Mara: The collapse of Weimar is traced here not to democratic fragility or mass irrationality, but to two specific betrayals: the SPD's violent suppression of the 1918 revolution and its subsequent tolerance of emergency rule under Brüning and von Papen, and the Comintern's "social fascism" theory, which barred any united working-class front against Hitler. Trotsky's writings — What Next? and The Struggle Against Fascism in Germany — are described as essential, offering analysis that forecast the catastrophe while there was still time to prevent it.

Pip: And the contemporary parallel is drawn directly: the AfD's rise, and pseudo-left groups like Marx 21, the SAV, and RIO channelling working-class opposition into parliamentary and trade-union frameworks that have already accommodated the very policies they claim to oppose.

Mara: The closing argument is that Hoyer's rehabilitation of Weimar as democratic achievement is ultimately a liberal ideological exercise — extracting lessons about defending liberal democracy against populism, rather than the historical lesson that without revolutionary Marxist leadership, capitalism's crises produce fascism. Trotsky's framework, the post insists, remains the one that actually fits the evidence.


Pip: The question underneath all of this is what history is actually for — whether it explains outcomes or explains them away.

Mara: And that question does not stay in the archive. The same methodological choices that erase the German working class from Weimar reappear every time a contemporary crisis gets framed as a problem of culture or psychology rather than class.

Pip: More of that in the next episode.

Podcast Episode: Radical History And Culture

Pip: A Trumpet of Sedition — named after a book about political theory and the rise of capitalism, which is either a perfect origin story or the most on-brand thing a website about class struggle could possibly do.

Mara: That's the site, and freerein61 is the author behind everything we're covering today — from the British Marxist historians and the 1926 General Strike, to Franco's Spain, social media as a capitalist machine, and the politics hiding inside football, fiction, and punk music.

Pip: Let's start with the tradition that shapes everything else — the Communist Party Historians Group and its complicated legacy.

The British Marxist Historians and Their Limits

Mara: The central question here is whether the British Marxist historians — figures like E.P. Thompson, Eric Hobsbawm, Rodney Hilton, and Christopher Hill — produced genuinely revolutionary scholarship or whether their formation inside British Stalinism imposed limits they never overcame.

Pip: Harvey Kaye's survey of the group, The British Marxist Historians, is the anchor text, and it gets credit for showing what made them coherent as a tradition.

Mara: Kaye demonstrates that the Communist Party Historians Group, established in 1946, shared not just an organisation but, as the post puts it, "a common set of intellectual issues, methodological stances, and political motivations" that produced "a distinctive and impactful body of historical scholarship."

Pip: The upshot is that their collective challenge to Whig historiography — which treated class conflict as incidental rather than structural — was a real intellectual achievement, not just a party line dressed up as history.

Mara: But the critique goes deeper than Kaye allows. Ann Talbot's analysis of Christopher Hill is cited directly: the group developed their approach within a "People's History" that "obscured the class nature of earlier rebels, revolutionaries, and popular leaders by viewing them all as part of a national revolutionary tradition."

Pip: Which is where the Popular Front framework does its quiet damage — turning internationalist class analysis into a usable national myth.

Mara: Hobsbawm is the sharpest case. David North's reply to him identifies what Hobsbawm himself admitted: that as a Communist Party member, he deliberately avoided writing about the Russian Revolution because "the political line of his party would have prevented him from being entirely truthful."

Pip: A historian who self-censored on the central question of his own century. That's not a minor footnote — that's the argument.

Mara: The post on H.N. Brailsford's The Levellers and the English Revolution, edited by Christopher Hill, develops the same tension through a different lens — Brailsford's ethical socialist admiration for the Levellers ran up against his inability to analyse why Cromwell felt compelled to destroy them.

Mara: Ellen Meiksins Wood's A Trumpet of Sedition — the book this website is named after — is assessed as a genuine advance in materialist intellectual history, placing Hobbes, Locke, and More within the class conflicts produced by agrarian capitalism, while Geoff Andrews' Radicals and John Rees and Lyndsey German's A People's History of London are both read as inheriting the genre's nationalist and reformist distortions.

Pip: The General Strike post makes the stakes concrete: in 1926, the Comintern subordinated the Communist Party of Great Britain to the TUC's left wing rather than building independent revolutionary leadership — and the result was a crushing defeat whose lessons are still being evaded a century later.

Mara: That thread connects everything in this segment — the same Popular Front logic that shaped the historians also shaped the political response to the General Strike, and both Callum Cant and Matthew Lee's The Future in Our Past and the Andrews book are assessed as continuing that evasion today.

Pip: The tradition produced real scholarship and real distortions in the same breath — which is why the debate still matters when the AfD is Germany's second-largest party and trade unions are managing austerity rather than fighting it.

Mara: From the historians who shaped how the left reads the past, to the battles where that past was most violently contested — Spain, Germany, and the question of fascism.

Spain, Weimar, and the Fascist Question

Mara: The core tension in this segment is whether fascism is explained by national psychology, cultural drift, or the concrete political betrayals of the organised working class — and how that explanation shapes what you think can be done about it today.

Pip: Andy Durgan's The POUM: Republic, Revolution and Counterrevolution is the anchor text, published through Resistance Books, the International Socialist Tendency's own imprint — which is, as the post notes, itself a political statement.

Mara: Trotsky's 1940 assessment of the POUM is quoted directly: "the POUM, while criticising the old parties, subordinated itself to them on all fundamental questions. It participated in the 'People's' election bloc; entered the government, which liquidated workers' committees; engaged in a struggle to reconstitute this governmental coalition; capitulated time and again to the anarchist leadership."

Pip: So the charge isn't that the POUM was too radical — it's that it was a brake on a working class that was, in Trotsky's words, "far more revolutionary than the POUM, which in turn was more revolutionary than its leadership."

Mara: The post on Giles Tremlett's biography of Franco extends this argument. Tremlett works within what Adam Hochschild called the "Authorised Version" — democracy versus fascism — which, the post argues, systematically obscures the simultaneous revolution that the Popular Front and the Stalinist GPU actively suppressed.

Mara: Katja Hoyer's Weimar, on the German side, is assessed as a liberal rehabilitation project that emphasises the republic's cultural vitality while minimising the foundational betrayal — the SPD's violent suppression of the 1918 revolution and the murder of Rosa Luxemburg and Karl Liebknecht.

Pip: And the Cultural Marxism Conspiracy book by A.J.A. Woods connects the Frankfurt School directly to this history — Horkheimer and Adorno's "critical theory" emerged from the ruins of those defeats, attributing fascism to mass psychology rather than to the class betrayals that actually produced it.

Mara: The post quotes David North's analysis of that move: the Frankfurt School's pessimism "tended to attribute reaction to abstract cultural processes rather than to concrete class forces and the dynamics of capitalist crisis" — which is why its legacy runs straight into identity politics and away from revolutionary organisation.

Pip: Weimar, Spain, the Frankfurt School — three different geographies, one recurring mechanism: a leadership that feared the working class more than it feared the right.

Mara: Which brings the argument forward to the present — because the same mechanism operates on the terrain of media, attention, and culture.

Attention, Platforms, and the Limits of Critique

Mara: The question this segment addresses is whether the left's analysis of social media and digital capitalism actually points toward working-class power, or whether it stops short at cultural critique and individual reform.

Pip: Richard Seymour's The Twittering Machine is the anchor text — a book that, the post concedes, gets the diagnosis right and then fumbles the prescription.

Mara: The post credits Seymour with identifying that platforms "are not neutral public spaces; they are capitalist enterprises whose business model is the commodification of human attention and social interaction" — and that dopamine-loop dynamics are "deliberately engineered to maximise engagement at the cost of critical thought."

Pip: Right — and here's the thing: the book ends without a political direction. The implied solutions amount to asking users to be more reflective, which is roughly as effective as asking a factory to self-regulate its emissions.

Mara: The post is pointed about why: Seymour's analytical toolkit leans on Lacanian psychoanalysis and Frankfurt School critical theory rather than classical Marxism, which means the working class appears as a uniform mass of compulsive users rather than as a class whose attention and data are being expropriated by monopoly capital.

Pip: The documentary The Social Dilemma gets the same treatment — technically alarming, structurally toothless, because it discusses mental health and democratic threats "entirely apart from the massive economic and social crisis and the moves toward authoritarianism by the ruling elite."

Mara: The post on Chris Hayes's The Sirens' Call develops this further. Hayes is described as a media voice whose political function is to channel popular anger into "policy reforms, electoralism, and crusades within the bounds of bourgeois democracy" — accurate enough to win credibility, constrained enough to leave capitalist property relations intact.

Pip: And R.F. Kuang's novel Katabasis gets brought in here as a literary counterpoint — the katabasis trope, the descent into the underworld, carries genuine class content when deployed honestly, from Dante mapping feudal contradictions to Zola's miners in Germinal, but the post asks whether Kuang's academic hellscape reaches that depth or stays at the level of individual psychology.

Mara: The thread across all three posts is that critique without a theory of the working class as the agent of transformation reproduces the problem it describes — which is exactly what the pseudo-left's social media presence does at scale.

Pip: From the platforms that commodify attention to the culture that either illuminates or aestheticises the class beneath it.

Music, Fiction, Football, and Class

Mara: The final segment asks how popular culture — music, literature, sport — either expresses class formations or obscures them, and what a materialist reading of those forms actually looks like.

Pip: Paul Weller's oral history Dancing Through the Fire is the anchor, and the post opens with A Town Called Malice as the analytical object — a song where the contradiction of form and content is, as the post puts it, "dialectically significant."

Mara: The post reads the song's upbeat Motown groove against its lyrics of deindustrial decline: "an uplifting groove can broaden appeal — embedding class grievances in popular culture — but can also aestheticise suffering, sedating political urgency."

Pip: So the Modfather is simultaneously a working-class cultural document and a case study in how structural brutality gets absorbed into something you can dance to. Which is either a limitation or a survival strategy, depending on how generous you're feeling.

Mara: Mieko Kawakami's Sisters in Yellow is read through the same lens — her portrayal of precarious labour in 1990s Tokyo, the fragmented shifts and casual work, is described as encoding "labour organised in fragments rather than stable employment," corresponding to the global growth of informal and platform work affecting over 2.1 billion workers worldwide.

Mara: Francesca Peacock's Pure Wit, on Margaret Cavendish, is assessed as a valuable recovery of a neglected seventeenth-century philosopher that nonetheless applies contemporary identity-political categories to a figure whose intellectual freedom was "inseparable from her class privilege" as an aristocratic Royalist — a paradox the post frames as a demonstration of the materialist conception of history itself.

Pip: And Eduardo Galeano's Soccer in Sun and Shadow closes the segment — a book that, with the 2026 World Cup approaching, reads as both a lyrical celebration of the game and a social diagnosis of how "class relations, commerce and power shape football."

Mara: Galeano's own line captures it: "Football has become one of the most profitable businesses in the world, organised not for play but rather to impede it" — and the post argues that combining his humanist impressionism with historical-materialist analysis is what produces revolutionary clarity rather than nostalgia.

Pip: The fight to reclaim sport, fiction, music — the post is explicit that it has to be waged as part of the broader struggle, not as a cultural supplement to it.


Mara: What connects everything across these posts is a single recurring question: whether the left has the political tools to match the scale of the crisis, or whether it keeps reaching for frameworks — cultural, nationalist, reformist — that stop short of the answer.

Pip: The British Marxist historians, the Popular Front in Spain, the Frankfurt School's turn away from the working class, the pseudo-left's social media presence — different eras, same mechanism.

Mara: The next episode will be worth watching for how those threads develop — the crises aren't getting quieter.

Do Androids Dream of Electric Sheep? by Philip K Dick, SF Masterworks 1968

“If you find this world bad, you should see some of the others.”

Philip K Dick

Man will make it his purpose to master his own feelings, to raise his instincts to the heights of consciousness, to make them transparent, to extend the wires of his will into hidden recesses, and thereby to raise himself to a new plane, to create a higher social biologic type, or, if you please, a superman.

Leon Trotsky- Literature and Revolution

Although Philip K. Dick was not a superman, he certainly pushed his physical and mental limits to elevate both his own consciousness and that of his readers. His 1968 novel, ‘Do Androids Dream of Electric Sheep?’, is among the most philosophically ambitious science fiction works of the twentieth century.  disparity.

This novel embodies Dick’s humanist viewpoint, delving into the key question: what truly defines being human amid a heavily dehumanised world? Set in a post-nuclear-war wasteland where most animals are extinct, and much of humanity lives in off-world colonies, the story explores themes of alienation. Rick Deckard, the bounty hunter tasked with hunting androids, focuses more on character development and the desire for genuine emotions in a world that feels largely synthetic and empty.

The novel’s social commentary is powerful. The androids (Nexus-6 models by Rosen Corporation) act as a form of slave labour created to serve, deprived of rights, and hunted when they escape. Dick clearly compares the androids’ lack of “empathy” with the spiritual numbness capitalism causes in humans. The “empathy boxes” and the shared religious practice of “Mercerism,” which is eventually shown to be fake, symbolise a desperate collective longing for genuine human connection in a world driven by commodification.

The way animals are treated is equally important. In the novel, owning a real, living animal serves as a status symbol in a world filled with death, and Deckard’s shame about his electric sheep reflects how capitalism diminishes all relationships, even the most personal, to their exchange value. This embodies a core Marxist idea: the commodity form becomes so embedded in life that the line between real and simulated dissolves completely.

Ridley Scott’s Blade Runner, inspired loosely by Dick’s novel, is renowned for its stunning visuals. Its depiction of a rain-soaked Los Angeles filled with neon ads, off-world colony signs, and deteriorating urban splendour has shaped dystopian sci-fi aesthetics over the years. Roy Batty’s final monologue (“I’ve seen things you people wouldn’t believe…”) remains profoundly impactful.

The film simplifies many of Dick’s social critiques. While it still explores the key existential question about whether replicants are truly human more deeply, it downplays the portrayal of the Tyrell Corporation as a capitalist entity that creates enslaved beings. Elements like the novel’s critique of consumerism, the emotional connection to the electric sheep, and the depiction of a working-class bounty hunter feeling alienated are overshadowed by visual spectacle and personal existential dilemmas. Consequently, the focus becomes more on spectacle, reducing the emphasis on broader social themes.

Carlos Delgado’s review of Denis Villeneuve’s Blade Runner 2049 highlights a key critical insight precisely: “A more rigorous artist might have explored the social and psychological implications of ‘synthetic’ beings that have become sophisticated enough to exhibit human traits. They could at least have drawn parallels between the plight of the replicant ‘slaves’ and our current labouring class. However, aside from a brief scene in a child labour sweatshop, Villeneuve appears uninterested in depicting the conditions faced by workers, whether human or artificial.”[1]

The review comes to a harsh conclusion: “This is bleakness without understanding, the work of artists who perhaps sense an impending social catastrophe but lack the tools to identify its source or to raise awareness or protests.” This effectively captures a common aspect of contemporary dystopian art — an aesthetic of crisis that lacks the intellectual framework to recognise capitalism as the cause or the working class as the agent of change.

Philip K. Dick (1928–1982) was a deeply innovative and reflective mind in postwar American science fiction. Unlike many of his contemporaries, he focused not on technological marvels or space tales, but on exploring what it truly means to be human amid systematic social dehumanisation. He authored 44 novels and over 120 short stories before dying of a stroke at 53. His works have inspired numerous major films. Hollywood’s selective embrace of Dick, adapting his plots but often neglecting his deeper social insights, illustrates how capitalist culture can absorb and neutralise art.

What makes Dick’s novel timeless is that it was written amid significant social upheaval in 1968. That year saw the Tet Offensive, the Prague Spring, the assassinations of MLK and RFK, and a global wave of revolutionary fervour. Through fiction, Dick explores whether the dehumanising logic of capitalist society, treating humans as tools, manufacturing desire via advertising, and reducing all worth to exchange value, ultimately turns people into androids.

This is not a mystical question. It connects directly to Marx’s concept of alienation: the worker who sells their labour power becomes estranged from the product of their labour, from fellow workers, from their own human potential. Dick’s “androids” are capitalism’s ultimate product, beings manufactured for exploitation who, in seeking freedom, are destroyed.

This portrays a society profoundly affected by alienation. Genuine emotions, particularly empathy, are now scarce and highly prized. The central mechanism in the novel is that Nexus-6 androids, created by Rosen Corporation for slave labour in the colonies, are indistinguishable from humans through physical tests. They are only identifiable by their absence of spontaneous empathetic responses. The Voigt-Kampff test, which bounty hunter Rick Deckard employs, identifies replicants by measuring whether they instinctively show concern for others’ suffering.

Dick’s irony lies in the fact that the society which hunts androids for their lack of empathy is itself creating a world where true empathy is absent. People connect through “empathy boxes” to participate in Mercerism, a communal spiritual experience later uncovered as a fake, a televised show. Owning a real animal is a mark of status since many animals are extinct; Deckard’s embarrassment over his electric sheep reflects the shame of someone whose emotional life feels inauthentic. The pervasive influence of commodities has so deeply infiltrated human life that genuine feelings are indistinguishable from their artificial counterparts.

This directly relates to Marx’s theory of alienation in the Economic and Philosophic Manuscripts of 1844, where the worker is separated from the product of their labour, the act of production, other humans, and ultimately their own human potential. Dick’s androids are not external threats to human civilisation; they are the results of it—manufactured beings designed for exploitation and discard. As they escape their circumstances, they expose the deep flaws and corruption within the society that created them.

A recurring theme throughout Dick’s work is how we can know what’s real. What do we make of experiences that go outside everyday reality, like madness, religion or drugs? Such philosophical questions are handled lightly. Dick delights in paradox and has a characteristic dark humour. Though his writing addresses abstract questions, it is emotionally engaging. He often writes sympathetically about ordinary people trapped in situations they cannot control.

Emmanuel Carrère’s semi-biography shows us the roots of all this in Dick’s own life. An introverted and anxious teenager, troubled by the thought of a twin sister who had died in infancy, Dick began a lifelong involvement with psychiatry aged 14. His first marriage (of five) lasted some six months. He worked in a record shop, fascinated by high culture, and dreamed of becoming a ‘serious non-SF writer.

Dick wasn’t politically active, except for a deep-seated and lasting hatred of Richard Nixon. He mingled with bohemian pseudo-left circles and shared their criticism of 1950s American consumerist and suburban culture, as reflected in his SF stories from that period. It appears that FBI agents provided multiple-choice questionnaires for Dick and his socialist wife to indicate their opinions on Russia. They carefully considered the options, taking into account Dick’s background in psychological testing.

Dick’s portrayal of Nixon’s ousting as a major victory against tyranny, seen as the culmination of “reprogrammed variables,” exposes a significant limitation. Watergate was not a break in the capitalist power structure; it was a manipulation within it, essentially a palace coup by rival factions of the ruling class. Agencies like the CIA and FBI were heavily involved. The system that elevated Nixon, including the national security state, the imperial presidency, and the surveillance networks, remained fully intact and has only grown more powerful since. Ultimately, emphasising Nixon as the embodiment of evil helped reinforce confidence in capitalist institutions by framing their self-correction as a form of democratic accountability.

By the early 1960s, during his third marriage, Dick was producing as much science fiction as he could. The income helped pay his bills and motivated him to write more and earn more. He also took medication for a heart murmur and agoraphobia, along with pills to handle side effects. His novels, such as *The Man in the High Castle* and *The Clans of the Alphane Moon*, started to succeed, but his marriage was falling apart. He saw a vision of a large, menacing robot face in the sky. A compassionate priest thought it was Satan, leading him to become a Christian, though his beliefs were quite unorthodox. In 1964, Dick moved to Berkeley and entered his fourth marriage. He wrote *Do Androids Dream of Electric Sheep* in 1966, gaining recognition as a counterculture icon. This stable period ended with the disillusionment of the 1960s, especially after Nixon’s re-election in 1968. By 1970, his fourth wife had left, and his home was often filled with drug casualties.

Philip K Dick and Modern Capitalism

Philip K. Dick’s 1977 Metz speech is a notably compelling document that warrants a thoughtful materialist analysis rather than dismissal. As a highly insightful literary figure of the 20th century, Dick’s keen attention to counterfeit realities, surveillance systems, and the core question “what is real?” is profoundly linked to the social context of American capitalism that influenced him.

The speech’s clearest political insight is also its most straightforward: Dick explicitly states that “a state in which the government knows more about you than you know about yourself… is a state which must be overthrown. It may be a theocracy, a fascist corporate state, a reactionary monopolistic capitalism, or centralistic socialism.” This statement offers a genuine insight. His novels—The Man in the High Castle, Flow My Tears, the Policeman Said, A Scanner Darkly—mirror a deep, visceral horror of authoritarian surveillance, the suppression of individuality by state power, and capitalism’s ongoing falsification of consciousness. These themes are intentional, representing the artistic expression of genuine social contradictions.

His depiction of the “black iron prison”—the oppressive and unavoidable system of control he saw underlying daily American life—aligns closely with the Marxist idea of reification: the process by which capitalism turns human relationships into object-like, alien, and controlling structures that seem natural and everlasting. Dick experienced this, even if he couldn’t articulate it theoretically.

However, this is where the materialist critique becomes crucial. Dick directs his keen perception of a fabricated, alienated reality entirely into an idealist and theological perspective. The answer to the “black iron prison” is not organised revolutionary action by the working class; it is divine reprogramming. The “programmer-reprogrammer” God adjusts variables; chess moves are played against a “dark counter-player”; and liberation is achieved not through collective human effort but via cosmic intervention, experienced mystically by an individual under sodium pentothal.

This is precisely the form that social despair takes in a petty-bourgeois intellectual cut off from the working class. Dick registered the horror of capitalist reality with extraordinary sensitivity. Still, having no connection to the actual social force capable of transforming it, he displaced the solution into metaphysics, Gnosticism, and personal mystical experience. The “orthogonal time” theory is, in a sense, a brilliant literary and philosophical elaboration of the impossibility of imagining social transformation within the framework of isolated individual consciousness.

Dick’s emphasis on simulated or artificial realities, referred to here as a “computer-programmed reality,” demonstrates a keen intuitive grasp of Marx and Engels’ concept of ideology. This process involves the dominant ideas of a given era being presented as inherent, unchangeable, and timeless, reflecting the interests of the ruling class. In Dick’s view, the capitalist system functions as a form of simulation — it portrays its exploitative, historically specific structures as if they are natural aspects of human nature.

However, the Marxist perspective on this insight is entirely different from Dick’s. Marx views the response to false consciousness not as a mystical awakening into a separate realm, but as the development of class consciousness through the concrete struggles of the working class. While Dick describes the “awakening” as a solitary, drug-induced vision, Marx sees it as a social process where the working class becomes aware of its position within the relations of production and collectively works to alter those conditions.

What is Dick’s Enduring Significance

Dick’s work has achieved true artistic significance. It remains relevant because the social realities he predicted—such as the surveillance state, manufactured consent, and the commodification of consciousness—have only grown stronger in 21st-century capitalism. The universe of *A Scanner Darkly, where the government uses addictive products to undermine and control people who act as informants, is now more recognisable in today’s context of social media influence, opioid crises, and widespread surveillance compared to 1977.

The task is to take Dick’s accurate perception of capitalism’s falsified, coercive, and alienating nature and anchor it within the only framework that can both explain and challenge it: Marxist analysis. This approach sees capitalism as a unique historical mode of production that inherently produces these conditions. It views the international working class as the force capable of replacing it with a truly human social order. Dick envisioned a garden world, and Marxism explains how to realise it.

Despite flaws such as an emphasis on individual paranoia over collective social critique, influences from drug culture, and Hollywood adaptations, Philip K. Dick remains a significant literary figure because he genuinely posed questions that capitalism urges all thinkers to consider. What does it mean to be human when humans are treated as commodities? How can we identify genuine emotions in a world overwhelmed by artificial simulation? What defines identity amid widespread alienation? These are practical questions, not mystical ones. Marx approached them from a materialist perspective, whereas Dick addressed them through a restless, troubled artistic sensibility confronting American capitalism at its postwar peak. The aim isn’t just to admire Dick’s dystopias as predictive, but to understand the social forces behind them and develop a political movement to end these conditions.

Notes

Philip K. Dick Speech- Delivered at the Metz Sci-Fi Festival in 1977, http://www.academia.edu/127936472/Original_METZ_SPEECH_1977_transcription_Philip_K_Dick


[1] Denis Villeneuve’s Blade Runner 2049: A dreary future- http://www.wsws.org/en/articles/2017/11/20/blad-n20.html 

Weimar: Life on the Edge of Catastrophe by Katja Hoyer is published by Allen Lane (£30).

“The pauperisation of the petty bourgeoisie, barely concealed by their ties and socks of artificial silk, eroded all official creeds and, above all, the doctrine of democratic parliamentarism… In the highly fevered atmosphere brought about by war, defeat, reparations, inflation, occupation of the Ruhr, crisis, need, and despair, the petty bourgeoisie rose against all the old parties that had cheated it.”

Leon Trotsky- What is National Socialism? (1933)

“The class struggle is a law of social development. For ages, that struggle has been between the poor and the rich, the exploited and the exploiters.”

Jack London: The Iron Heel

“The ‘ordinary German’ who populates Daniel Goldhagen’s book is a vacuous generalisation from which all internal social antagonisms and conflicts have been extracted.”

David North

“They can only maintain their position while they honestly believe that civilisation depends on themselves alone…”

Jack London On Oligarchy

To understand Katja Hoyer’s contributions to recent historiography, we need to consider the broader academic landscape in which they fit. The ‘Ordinary Germans’ historiography is central to her latest book’s introduction. Since the postwar era, this field has been shaped by ongoing tensions between Marxist class analysis and various idealist, culturalist, and nationalist perspectives. The question of ‘ordinary Germans’ extends beyond mere academic debate; it is key to understanding fascism and influences the working class’s readiness or inability to oppose it. Since the 1990s, discussions about ‘ordinary Germans’ have been dominated by three main positions, none of which fully align with a Marxist view. Hoyer’s work synthesises and, in some respects, integrates elements from all three.

The primary perspective linked to Daniel Goldhagen’s 1996 bestseller, Hitler’s Willing Executioners: Ordinary Germans and the Holocaust, is that the Holocaust was carried out by “ordinary Germans” driven by deeply rooted, centuries-old “eliminationist antisemitism” unique to German culture. Goldhagen argued this belief was so ingrained that it could be activated without coercion or specific circumstances; Germans killed Jews simply because they were Germans. David North’s 1997 critique, The Myth of “Ordinary Germans”, points out a key methodological flaw: the idea of “ordinary Germans” is an overly broad, abstract category with no internal differentiation, which makes it scientifically meaningless.

As North observes, questioning whether “ordinary Germans” refers to a factory worker, shopkeeper, lumpenproletarian, Junker landowner, or industrialist reveals that this category ignores class differences within German society, unintentionally reinforcing the Nazi myth of a unified Volk in a distorted way. Goldhagen’s notion of ewige Deutsche (eternal Germans) as enemies of Jews parallels the Nazi ewige Jude (eternal Jew) as enemies of Germans. Both are racial-nationalist abstractions that erase nuanced history and social class distinctions.

Furthermore, as North emphasises, the Goldhagen thesis relies on making the German socialist movement essentially invisible. In a 622-page book about Germans and the Holocaust, there’s not a single mention of Karl Marx, Friedrich Engels, August Bebel, or the Social Democratic Party, which by 1912 was the largest party in the Reichstag, drawing most of its support from the German working class. This omission is intentional; it’s structurally necessary because recognising a large socialist workers’ movement with millions of Germans directly contradicts the idea that all Germans shared a uniform antisemitic worldview.

The second perspective is offered by Götz Aly’s ‘Hitler’s Beneficiaries’ (2005), which suggests that ordinary Germans mainly supported Hitler for economic reasons they gained from the confiscation of Jewish property, a Nazi welfare system funded through expropriation and war spoils. While this outlook is somewhat more materialist than Goldhagen’s, it remains problematic: it portrays the working class as passive recipients of stolen wealth, dismisses acts of resistance, and continues to use the broad category of “Germans” as beneficiaries, oversimplifying the significant class differences in who benefited from the Nazi economy.

The third major perspective most pertinent to Hoyer is the Volksgemeinschaft historiography. Since around the 2000s, this view has been dominant in German academic history and is linked with scholars like Michael Wildt, Frank Bajohr, and the broader ‘Nazi society’ social history movement. This approach examines how the Nazi idea of the national community was actively built, enacted, and accepted by significant segments of German society, rather than merely being imposed from above. It highlights the roles of participation, consent, social pleasures of belonging, and the integration of the Mittelstand (middle classes) and parts of the working class into a racially defined national identity.

Hoyer and the Volksgemeinschaft Turn

Hoyer’s ‘Weimar intentionally challenges the so-called “Weimar syndrome’ the common tendency to interpret the republic solely as a precursor to Nazism. She aims to analyse the republic on its own terms and emphasise the daily lives of ordinary people who did not anticipate the impending catastrophe. She highlights Weimar’s cultural vitality, genuine social reforms, the expansion of women’s rights and sexual freedoms, and the democratic activism of the working class through unions and political parties. A crucial point underlying this is that vulgar retrospective determinism, which views fascism as the inevitable outcome of all developments in Weimar, is indeed poor history. However, Hoyer’s correction veers too far in the opposite direction, a mistake tied directly to the Volksgemeinschaft historiography.

The core issue goes beyond mere emphasis and highlights what is fundamentally missing. When Hoyer and other Volksgemeinschaft historians analyse the daily lives of “ordinary people” during the Weimar Republic or Nazism, they often blur the distinctions among class, the nation, and the people. The German working class, which nearly achieved socialist power during the November Revolution of 1918, consistently supported the SPD and KPD throughout Weimar and maintained underground resistance networks in Berlin, Hamburg, and the Ruhr well after Hitler’s ascent to power.

These workers are frequently portrayed as simply part of the indistinct mass of “Germans” experiencing the republic, depression, and Nazi rise in largely uniform ways. Hoyer’s historiographical approach, though it varies in details from Goldhagen’s, reaches a similar conclusion through a different method: it minimises “the relationship between capitalism and fascism” and depicts “all workers, the petty bourgeoisie, industrialists, and bankers as ‘the Germans.'”

The evidence opposing the dominant narrative is strong but often overlooked in this historiography. Hans-Rainer Sandvoss’s detailed archival research into Berlin workers’ resistance to the Nazi regime, utilising Gestapo files that only became accessible after 1989, revealed that the working class in Berlin and other labour hubs largely remained resistant to Nazi propaganda for several years following Hitler’s rise to power.

A Gestapo report from March 1936 noted that in Berlin one could go days without hearing the Führer salute, except from officials, uniformed personnel, or provincial visitors. The Nazi party regularly encountered challenges in industrial areas such as mining regions, Hamburg’s docks, and factory zones. This is not romanticisation but a reflection of the historical record. Yet, this resistance vanishes completely in a historiography that depicts all Germans as uniformly “ordinary.”

Why does this historiography remain so influential? Its foundation lies in the political and intellectual climate established after the fall of the Soviet Union and the so-called “triumph of capitalism.” Since the 1990s, numerous historians have justified abandoning honest and objective analysis by pointing to the collapse of the Soviet Union and East Germany, as well as the apparent victory of capitalism. In doing so, they have replaced genuine scientific methods with subjective, postmodern ideologies.

Abandoning class as the primary analytical focus is a politically motivated choice, not a neutral one. As David North notes in his critique of Goldhagen, during the postwar period, framing fascism’s class aspects through psychological, cultural, or national-identity lenses was linked to the Cold War objective of undermining Marxism. This also served to hide that fascism was essentially the capitalist ruling class’s response to revolutionary threats from the organised working class. Goldhagen attributes this entirely to German national psychology, while Volksgemeinschaft historians approach it more subtly by highlighting consent, participation, and everyday social integration. This indicates that “the Germans” collectively created fascism, instead of acknowledging that a particular class imposed it on a divided society—one in which millions were coerced, terrorised, and ultimately wiped out.

Focusing on Hoyer, there’s an additional point to consider. Her earlier book, Beyond the Wall (2023), depicts the GDR as a society with significant social achievements and broad support. This mirrors the strategy used for Stalinism: emphasising the daily lives of “ordinary people” to soften, contextualise, and ultimately justify a regime largely defined by bureaucratic dictatorship over the working class. In both Weimar/Nazi Germany and East Germany, highlighting “ordinary experience” aims to diminish political and class divisions and foster sociological empathy.

Leon Trotsky examined Weimar Germany and German fascism not from the standpoint of current social historians, but through his own contemporaneous writings, which remain unmatched in their analytical insight. He saw fascism not as stemming from German national character or broad social trends, but as a tactic used by the capitalist elite to unite the impoverished petty bourgeoisie—including shopkeepers, artisans, clerks, and disillusioned farmers—against the organised working class, especially when bourgeois democracy proved unable to resolve the social crisis.

This perspective is elaborated in his 1933 book, ‘What is National Socialism?’. He describes how the impoverishment of the petty bourgeoisie, barely hidden by their artificial silk ties and socks, undermined all official beliefs, especially democratic parliamentary doctrine. Amid the tense environment created by war, defeat, reparations, inflation, the Ruhr occupation, crisis, need, and despair, the petty bourgeoisie turned against all the old parties that had deceived them.

This analysis focused not on the cultural attitudes of “ordinary Germans” but on the class struggles within a society facing a severe capitalist crisis. Central to the discussion was the question of revolutionary leadership: whether the organised working class would seize power or whether the petty bourgeoisie, with no viable working-class alternative, would be pushed into the arms of a movement supported and financed by large capital interests. The outcome depended on the betrayals by the SPD and the Comintern, rather than on any intrinsic psychological traits of a uniform “German people.”

This framework is consistently rejected by “ordinary Germans’ historiography, from Goldhagen to Götz Aly, the Volksgemeinschaft school, and Katja Hoyer. This rejection is deliberate, as it precisely identifies the actual determinants of the outcome: class struggle, the crisis of revolutionary leadership, and the counterrevolutionary roles of Social Democracy and Stalinism. These lessons remain highly relevant today, with the rise of the AfD in Germany and the pseudo-left channelling working-class opposition into bourgeois safe havens. Rediscovering these truths requires not a softer or more empathetic history.

Katja Hoyer is a historian of German and British background, author of “Blood and Iron: The Rise and Fall of the German Empire” (2021) and, more recently, “Weimar Germany: Democracy on the Brink” (2024). She also wrote “Beyond the Wall” (2023), an alternative perspective on the GDR. Her Weimar book seeks to portray the republic not just as a precursor to Nazi disaster, a “Weimar syndrome” she explicitly aims to go beyond, but as a lively, authentic democratic experiment with notable achievements in culture, social policy, and politics. From a Marxist standpoint, there are serious methodological and political problems with this kind of liberal rehabilitation project.

Like many liberal histories, Hoyer emphasises Weimar’s lively cultural scene—covering the Bauhaus, Expressionism, Brecht, Grosz, cabaret, and sexual liberalism. Although these are important and genuine, highlighting them as the city’s main achievement shifts focus away from the crucial relationship between culture and politics. The innovative cultural output of Weimar arose from a revolutionary crisis in a drastically changed world. Many key figures, including Brecht, understood that this culture was closely linked to the revolutionary struggle. To focus too much on aesthetics risks neglecting Weimar’s political significance.

The Weimar Republic emerged from the German Revolution of November 1918 but was quickly thwarted by Social Democracy. Led by Ebert and Noske, the SPD violently suppressed the revolutionary movement, killed Rosa Luxemburg and Karl Liebknecht, and kept the capitalist institutions and the Junker military hierarchy unchanged. Any explanation of Weimar that ignores this foundational betrayal—the counterrevolutionary actions of Social Democracy—fails to truly account for subsequent events.

The so-called cultural boom of Weimar’s Goldene Zwanziger era was funded through repeated betrayals of the working class. Under pressure from the Comintern, the KPD called off a planned insurrection at a critical moment—an action that led to a catastrophic failure, enabling German capitalism to stabilise temporarily. These “golden” Weimar years were merely a brief, circumstantial pause rather than a genuine democratic achievement.

The collapse of the Weimar Republic was not mainly caused by weak democracy or mass irrationality. Instead, it resulted directly from the Stalinist “social fascism” theory, which falsely labelled the SPD as equivalent to the Nazis and prevented a united working-class front against Hitler. This was compounded by the SPD’s own policies of supporting Hindenburg and collaborating with emergency measures under Brüning and von Papen. Trotsky’s writings from that era, such as What Next? Vital Questions for the German Proletariat and The Struggle Against Fascism in Germany are essential resources, offering profound analysis that forecasted the catastrophe. Nevertheless, there was still time to avert it.

The Social Democratic Party (SPD) stepped in not to lead the revolution, but to suppress and then drown it in blood. Led by Friedrich Ebert and Gustav Noske, the SPD allied with the old imperial military officers to crush the revolutionary movement. They organised the Freikorps, early fascist-style paramilitary groups, to eliminate the revolution’s key leaders. Rosa Luxemburg and Karl Liebknecht, founders of the Communist Party of Germany (KPD), were pursued and killed in January 1919 under the orders of the SPD government. The traditional Junker military aristocracy, judiciary, civil service, major banks, and industrialists — all reactionary forces — remained untouched behind a newly formed democratic facade. This was the original sin. As the Historical and International Foundations of the Socialist Equality Party (Germany) states plainly: “In 1918, the SPD had strangled the proletarian revolution to save the bourgeois order. The result was the Weimar Republic, in which the old forces of reaction continued to live behind a democratic facade.”

The republic experienced continual crises during its short fourteen-year span. In 1923, it faced two major setbacks: the French occupation of the Ruhr and a severe hyperinflation that destroyed the savings of the middle and working classes, causing widespread despair. That year, the KPD, guided by the Comintern, planned a revolutionary uprising but cancelled it at the last moment, which Trotsky later called “a classic demonstration of how it is possible to miss a perfectly exceptional revolutionary situation of world-historic importance.” German capitalism temporarily stabilised thanks to American loans under the Dawes Plan, and the mid-1920s are often seen as the “golden years” of Weimar—brilliant in culture, fragile politically, and economically reliant on foreign capital.

Then came 1929. The Wall Street Crash cut off American credit, the German economy collapsed, and unemployment exploded to over six million, roughly a third of the workforce. The social crisis was catastrophic. The middle classes — small shopkeepers, artisans, farmers, white-collar employees — who had already been ruined by inflation and were now devastated by the depression, were thrown into a desperate search for a way out. Into this vacuum stepped Adolf Hitler and the National Socialist German Workers’ Party (NSDAP), offering an intoxicating brew of nationalist demagogy, antisemitism, and violent scapegoating aimed at the most desperate and disoriented petty-bourgeois layers.

As the crisis deepened, the SPD’s response was to retreat, capitulate, and appeal to the very institutions of the bourgeois state to save it. In 1930, when President Hindenburg appointed the Catholic conservative Heinrich Brüning as chancellor and began governing by emergency decree, bypassing parliament altogether, the SPD tolerated this, refusing to bring down the government. It feared revolution from below more than dictatorship from above. In 1932, the SPD supported the re-election of the arch-reactionary field marshal Paul von Hindenburg as president. This man would eventually appoint Hitler as the supposed “lesser evil” against the Nazis. When von Papen illegally deposed the SPD-led government of Prussia in a July 1932 coup, the SPD lodged a complaint with the Supreme Court rather than mobilising its millions of members to fight back. As the SGP historical document summarises, drawing directly on Trotsky’s analysis, the SPD’s attitude was that the fate of Germany depended “not on the fighting strength of the German proletariat… but on whether the pure spirit of the Weimar Constitution… shall be installed in the presidential palace.”

Even more grotesque was the behaviour of the trade unions. The ADGB (the main trade union federation) actually dissociated itself from the SPD three and a half months before Hitler seized power, hoping to demonstrate its “reliability” to the new order. They marched under the swastika on May 1, 1933. The Nazis rewarded this servility on May 2 by storming union offices, arresting and murdering union leaders, and dissolving the ADGB entirely.

The Communist Party of Germany was founded in direct response to the SPD’s betrayal. It had millions of members and supporters, its own armed Red Front defence organisations, and a working class willing to fight. But under Stalin’s domination of the Communist International, the KPD pursued a line of suicidal ultra-leftism, the theory of “social fascism.” This theory held that Social Democracy and fascism were not opposites but “twins” — that the SPD was itself “social fascist,” and that the main enemy was not Hitler but the SPD. On this basis, the KPD refused any united action with SPD workers against the Nazis. It even made common cause with the Nazis on occasion, supporting a Nazi-initiated referendum in 1931 to bring down the SPD-led Prussian state government. All the while, it consoled its demoralised members with the slogan: “Nach Hitler, kommen wir”  “After Hitler, it’s our turn”  the grotesque fantasy that Hitler’s regime would quickly collapse and the Communist revolution would follow.

The Weimar Republic and the pseudo-lefts: Then and Now

To understand the pseudo-left’s stance towards the Weimar Republic, we first need to identify what truly led to its downfall. The Weimar Republic didn’t perish due to internal contradictions or the overwhelming rise of fascism. Instead, it was dismantled by the organised workers’ movement, specifically by its leadership. This is the key lesson that the pseudo-left today tries hard to conceal.

The SPD, representing the German working class, showed its true colours with its betrayal in November 1918. Instead of leading the revolutionary effort—which aimed to seize state power and expropriate capital—it chose to defend the existing bourgeois order. The party was responsible for the murders of Rosa Luxemburg and Karl Liebknecht, suppressed workers’ councils, and upheld the Junker officer caste and state structure that, fifteen years later, helped facilitate Hitler’s rise. As noted, “the Social Democratic Party… sided with the bourgeois order in 1914 and became the main supporter of the bourgeois state in the Weimar Republic.” In the final years of the Weimar Republic, the SPD backed Brüning’s emergency decrees, which gradually dismantled democratic rights and undermined the working class, thereby paving the way for Hitler rather than resisting him.

The devastating role of Stalinism followed. The KPD, controlled by Stalin through the Comintern, dismissed Trotsky’s urgent plea for a united front of Communist and Social Democratic workers against the Nazis. Instead, it adopted the destructive “social fascism” thesis, claiming that the SPD was equivalent to fascism and that there was no real difference between bourgeois democracy and fascist dictatorship. This was not just a tactical error but a politically damaging disorientation that froze the German working class, separated Communist workers from Social Democratic workers, and at times even led the KPD to collaborate with the Nazis against the SPD, such as in the 1931 Prussian referendum. Hitler’s rise to power in January 1933 occurred without organised resistance from the German working class, despite the SPD and KPD each having millions of members and their own armed units. This catastrophe proved Trotsky’s view that the Communist International was no longer a revolutionary force and that the Fourth International needed to be established.

The Frankfurt School

This reveals the connection to the modern pseudo-left. The Frankfurt School—comprising Horkheimer, Adorno, Marcuse, and Benjamin—originated directly from the confusion following Germany’s defeat. Notably, “Horkheimer and Adorno do not mention [the role of Social Democracy and Stalinism] once and avoid discussing Stalinism in all their other works.” This silence was intentional. The Frankfurt School crafted a comprehensive theoretical framework—covering Critical Theory, the Dialectic of Enlightenment, and the theory of the “authoritarian personality”—which attributed fascism to mass psychology, the irrationality of the masses, and the failures of the “Enlightenment,” largely ignoring the political betrayals by the SPD and the Comintern.

Why is this important? By framing the crisis of revolutionary leadership as the main explanation, the Frankfurt School adopted a different political stance: moving away from building a revolutionary Marxist party rooted in the working class, and instead emphasising cultural criticism, identity politics, and pressure on bourgeois institutions. This shift lies at the heart of the modern pseudo-left, as David North details in ‘The Frankfurt School, Postmodernism, and the Politics of the Pseudo-Left.’ The Frankfurt School’s move away from viewing the working class as the revolutionary agent—to focusing on the “critical intellectual” and later prioritising racial, gender, and cultural issues—set the stage for all that now claims to be ‘left,’ but fails to challenge capitalism.

The Contemporary Pseudo-Left

The contrast between the 1930s and today is more than superficial; it’s structural. With the neo-fascist Alternative for Germany (AfD) now Germany’s second-largest party, pseudo-left groups like Marx 21, the SAV, and RIO are, in a modified form, repeating the political crimes that facilitated Hitler’s rise. Marx 21, influenced by Tony Cliff’s International Socialist Tendency, cynically invokes Trotsky’s “revolver-poison” analogy to justify demanding that the bourgeois state ban the AfD, directly contradicting Trotsky’s actual stance. Trotsky opposed the SPD’s reliance on the Weimar state and police to fight fascism, understanding that the state was not neutral but filled with reactionary elements. History confirmed this: it was Hindenburg, the Reichswehr, big business, and the judiciary—all institutions the SPD appealed to for protection—that implemented Hitler’s appointment. Germany’s domestic intelligence agency (the Office for the Protection of the Constitution) was, until recently, led by fascist Hans-Georg Maassen, who secretly met with AfD representatives. Calling on this agency to defend democracy from fascism is the twenty-first-century equivalent of the SPD crying “Help! Intervene!” to the Weimar state.

The SAV, descended from the British Militant Tendency, tends to praise the trade union bureaucracy as a defender against the right and envisions a Left Party–SPD–Green coalition as a “democratic alternative” to the AfD. Yet, as Germany’s ruling coalition, the SPD and Greens have carried out the AfD’s refugee deportation policies, approved the largest war budget since WWII, and frequently collaborated with the AfD to normalise its presence in parliament. At the same time, trade unions have agreed to austerity measures with the government and corporations. The SAV’s approach isn’t aimed at “pushing them left” but at aligning working-class frustration with the very forces responsible for it.

RIO, associated with the Morenoite Trotskyist Fraction-Fourth International, claims to support a “united front” and “anti-capitalism from below.” In reality, it partners with the SPD, Greens, trade unions, and Fridays for Future. This strategy conflicts with Trotsky’s original concept of the united front, which was meant to awaken workers from Social Democratic stagnation and rally them around a revolutionary program. Conversely, RIO’s “front” seems designed to align workers with bourgeois parties, often employing radical rhetoric.

What unites these trends, both historically and socially, is their class origin. The Frankfurt School consisted of segments of the bourgeois intelligentsia that had forsaken the working class. Currently, the pseudo-left champions privileged middle-class groups—such as academics, NGO workers, and trade union bureaucrats—who benefit from the current system enough to be wary of a genuine socialist revolution. Their emphasis on identity politics, state intervention, and parliamentary tactics reflects their social standing. Just as the KPD’s “social fascism” idea was driven more by the needs of Moscow’s bureaucracy than the interests of German workers, today’s pseudo-left ideology mirrors the interests of a social class with a very different relationship to capital than that of the working class.

Why Does a Marxist historiography Matter Today

The fall of the Weimar Republic was not due to democracy being fragile, mass irrationality, or fascism being an inevitable historical force. Instead, it collapsed because the organised workers’ movement was led by parties — one reformist, one Stalinist — that, for their own class-based reasons, refused to unite the working class in a revolutionary fight against capitalism. The key takeaway is not “defend liberal democracy” or “vote for the lesser evil,” but that capitalism’s crises lead to fascism.

Only revolutionary working-class mobilisation under genuine Marxist leadership can prevent this. This is the core task of the Fourth International — both then and now. In short, Hoyer’s attempt to portray Weimar as a democratic success is ultimately a liberal ideological exercise. It aims to extract lessons about defending “liberal democracy” against modern populism, rather than the true historical lesson that, without a revolutionary Marxist party leading the working class to power, capitalism’s crises breed fascism. Trotsky’s lesson remains highly relevant today.

Radicals: The Working Classes and the Making of Modern Britain-Geoff Andrews, Yale University Press, 2026

Geoff Andrews’ new book, Radicals: The Working Classes and the Making of Modern Britain, explores the history of popular radicalism in Britain from the late 1700s to today. Anyone familiar with British history knows that Britain has one of the richest and most debated working-class histories in the world. Studying this history seriously involves recognising a key tension: the ongoing conflict between the authentic revolutionary impulses of the working class and the official leaders’ efforts to suppress, control, or direct these energies.

Andrews is a British academic historian associated with the Open University who has written sympathetically about Eurocommunism, most notably his work on the Communist Party of Great Britain (CPGB) and the Italian Communist Party (PCI), and on what he broadly frames as the history of “radical” political movements. His intellectual project is fundamentally one of rehabilitation: rescuing Eurocommunism from historical disgrace and presenting it as a sophisticated, relevant tradition for contemporary left politics. From the standpoint of revolutionary Marxism, this project must be examined critically, because Eurocommunism is not a chapter in the history of socialist advance; it is a chapter in the history of Stalinist betrayal and class capitulation.

Eurocommunism arose in the 1970s, mainly through the Italian PCI led by Enrico Berlinguer, the Spanish PCE under Santiago Carrillo, and the ‘Euro’ faction of the CPGB, whose voice was represented by the magazine Marxism Today (for a time edited by Martin Jacques). Its core idea was to abandon the revolutionary overthrow of capitalism and instead pursue a “parliamentary road to socialism” working within bourgeois institutions, forming alliances with social democracy and Christian Democracy, and framing this approach as a sophisticated “renewal” of Marxism adapted to Western contexts.

Eurocommunism was not an accidental deviation; it was deeply rooted in what Trotsky recognised as early as 1938. He noted the dual dependence of Stalinist parties: on Moscow’s subsidies and on the super-profits generated by their own imperialist activities, funnelled through trade union and social-democratic bureaucracies. As the Soviet connection became problematic, these national Communist parties increasingly integrated into their respective bourgeois states. The Italian PCI’s “Historic Compromise” with the Christian Democrats under Berlinguer exemplifies this trend: even as the working class was shifting leftward in the early 1970s, the PCI actively demobilised it and aligned it with bourgeois stability.

The CPGB’s Euros, including figures like Jacques and historian Eric Hobsbawm, served the interests of British capitalism. During the early 1970s, when the working class mobilised, leading to the fall of the Heath government through the miners’ strike and the election of a Labour government, it was the Communist Party that limited every protest to trade union action and parliamentary Labour efforts, refusing to advocate for an independent socialist vision. When Thatcher rose to power and Labour surrendered, the Euros blamed the working class for its “decline” rather than addressing the political issues involved.

Andrews’ scholarly work, including his arguments in 2026 Radicals, fits within a broader academic-left project to dignify the Eurocommunist tradition retrospectively. The typical move is to emphasise Eurocommunism’s criticisms of Soviet repression, its embrace of democratic rights, and its engagement with “new social movements” and to present this as a progressive legacy relevant to today’s politics. This framing is deeply misleading for several reasons.

Initially, the Eurocommunists’ critiques of Soviet repression were more strategic than principled. Their main aim was to make these parties more palatable to mainstream bourgeois politics. Those Euros who opposed the Soviet invasion of Afghanistan had previously been steadfast Stalinists decades earlier. Their claims to democratic values were driven by opportunism rather than genuine belief.

Second, the “new social movements” promoted by the Eurocommunists, such as identity politics, feminism disconnected from class analysis, and environmentalism as a replacement for socialist politics, were actually the tools used to fragment independent working-class politics. These movements scattered opposition to capitalism into various single-issue campaigns, each manageable within bourgeois democratic frameworks. What Andrews may see as a broadening of radicalism was, in fact, a narrowing and abandonment of the aim of socialist transformation in favour of managing capitalism more humanely.

Third, and crucially, the concept of the “parliamentary road to socialism” promoted by Eurocommunism has been discredited by history. The PCI’s “Historic Compromise” did not lead to socialism but resulted in austerity, which ultimately reinforced Italian capitalism. The CPGB’s Euro sector undermined Britain’s only political tradition capable of challenging Thatcherism with a socialist alternative, and it also contributed to the Labour Party’s shift towards Blair. Italy’s successor party, the Communist Refoundation (Rifondazione Comunista), tried to revitalize left politics within the same framework, but by joining the Prodi government in 2006, it became fully integrated into bourgeois politics, as noted by WSWS, and adopted the very austerity and military policies it initially opposed.

Academic work that rehabilitates this tradition, despite its nuanced discussion of internal debates and sympathy for the genuine idealism of individual participants, serves an ideological role today. It portrays the dead ends of the pseudo-left as viable options. Andrew’s apology for pseudo-left politics permeates the rest of the book. Britain’s ruling class, uniquely positioned atop the world’s first imperialist power, was able to cultivate within the workers’ movement an “aristocracy of labour,” a privileged layer of trade union leaders and reformist politicians who “preached the virtues of class collaboration and implacable hostility to Marxism and revolution.” This was not incidental to British working-class history; it was its defining structural feature, and it ultimately determined the character of the Labour Party itself: a bourgeois workers’ party, resting on mass working-class organisations but committed to the defence of capitalism.

However, this history also includes explosive revolutionary episodes that directly contradict the idea of British workers as inherently moderate and inclined toward parliamentary methods. In Britain, the Chartist movement emerged as the first mass working-class political movement in history. Over a decade, as Trotsky explained, it encapsulated the full spectrum of proletarian struggle, from parliamentary petitions to armed insurrection. The Newport Rising of 1839, where about 10,000 armed workers marched on Newport, represents the most significant revolutionary challenge to British rule in the 19th century and demonstrates the genuine revolutionary potential of the British working class when reformist politics did not bind it.

One of the most important books in this rich history is Robert Tressell’s The Ragged Trousered Philanthropists. It is considered one of the most significant works of socialist literature in English and deserves a thorough and enthusiastic review. Robert Tressell, whose real name was Robert Noonan (1870–1911), was an Irish-born house painter and sign-writer. He spent his last years in Hastings, on England’s south coast, working in the construction industry under challenging conditions of poverty and instability. From 1906 to 1910, he wrote The Ragged Trousered Philanthropists, creating a manuscript of over 250,000 words in his free time, often after long, physically exhausting work shifts, by candlelight and in longhand. He died of tuberculosis in Liverpool in 1911 at age 40 while on his way to Canada, not knowing whether his book would be published. It was finally published in 1914 in a heavily abridged form, with the full original edition only appearing in 1955.

This biographical detail functions as a concise political statement. Tressell was a worker with a keen socialist perspective, a deep understanding of his class, and exceptional literary talent. However, the capitalist social system he sharply critiqued ultimately frustrated and destroyed him before his work could reach a broader audience. The book acts both as a critique of that system and a tribute to the working class’s capacity to think, analyse, and resist. It holds a special place in my own political growth, as it was the first book my father gave me.

The book functions on two levels at once. Primarily, it is a detailed, realistic novel about working-class life, one of the most precise and unsentimental depictions of manual labour, poverty, workplace dynamics, and the daily hardships of wage labour in English literature. Tressell writes from experience. He is familiar with the smell of paint, the heaviness of a ladder, the petty abuses of supervisors, and the anxiety of seasonal unemployment. He understands how poverty damages relationships, erodes dignity, and fosters the servility that allows for continued exploitation. The “philanthropists” referenced are the workers themselves, who, through passivity, deference, and acceptance of the current system, “philanthropically” give their surplus value to their employers.

On a different level, the book serves as an extensive exercise in socialist education. Owen’s well-known “Great Money Trick” chapter, where he demonstrates, using bread pieces as raw materials along with wages and commodities, how the capitalist system operates, how surplus value is created, and why workers remain in poverty under capitalism, is among the most brilliant examples of popular Marxist explanation ever written. Tressell transforms Marx’s theory of surplus value, as detailed in Capital, into a political economy that is so vivid and tangible that it has educated countless workers about the core mechanism of their exploitation.

What makes The Ragged Trousered Philanthropists truly remarkable and different from sentimental or patronising portrayals of the working class is its complete refusal to romanticise or idealise its characters. Owen’s colleagues are not noble victims waiting for salvation. Throughout most of the book, they serve as obstacles to socialist awareness, eagerly echoing the ruling class’s prejudices. They ridicule Owen’s socialism, vote Tory or Liberal, and are wary of anyone questioning the current system.

Tressell’s honesty here isn’t pessimism but a serious political stance. He recognises that working-class consciousness isn’t naturally revolutionary; that ideology is a tangible force; and that capitalist society systematically shapes workers’ ideas to reflect the ruling class. The main role of socialists is to engage in patient, persistent work of political education and persuasion. Owen isn’t a messianic figure who suddenly awakens his class with one speech. Instead, he debates, faces rejection, debates again, and endures the frustration of seeing men vote against their own interests. Yet, he never gives up.

This passage distils the core issue of revolutionary leadership into a literary form, reflecting a perennial challenge faced by the working-class movement from the Chartists onward. The working class holds both the social power and the objective interest to revolutionise society. Yet it has historically lacked a political party and a program to elevate its profile and unify its efforts globally. Owen, depicted as a socialist advocate in a small town, cannot solve this challenge alone, and the novel candidly acknowledges this limitation.

From a revolutionary Marxist perspective, the book also has genuine limitations that merit honest examination, not to diminish its value, but to understand it accurately. Tressell wrote during the era of the Second International, before the pivotal events of 1914 (when most socialist parties supported their ruling classes during the imperialist war and the International was betrayed) and 1917 (the Bolshevik Revolution). His socialist views, like those of many progressive workers in Edwardian Britain, combined Marxist economic analysis with the ethical socialism of the Independent Labour Party, a form of socialism driven by moral outrage at capitalism’s injustices as much as by scientific understanding of its mechanics. Owen comprehends exploitation with notable clarity; however, his vision of the alternative, the “socialist” society to replace capitalism, remains somewhat vague, more an ethical aspiration than a detailed plan.

More importantly, the novel’s politics do not engage with questions about the state, revolutionary power, or the international aspects of the class struggle. Owen tries to persuade his fellow workers through argument. Still, the essential issues of how the working class can seize and wield power, which political party and program are necessary for this, are largely unexamined. This isn’t a critique of Tressell personally,

 these questions were only definitively answered through the experience of the Russian Revolution and the formation of the Communist International. However, reading the book in isolation can lead to a reformist view: the belief that the working class merely needs education in socialism and that this education will automatically lead to socialist transformation.

The history of the twentieth century, including the British labour movement that Tressell so accurately portrayed, shows that merely educating workers, fostering class consciousness, and forming strong organisations are not enough. Leadership betrayals have often undermined these efforts in 1926, 1945, and many other instances. What is missing in Tressell’s political universe is the Leninist idea of a revolutionary party: a disciplined, internationalist organisation based on Marxist principles, capable of providing the working class with the leadership suited to each era.

None of these limitations diminishes the book’s significance. The Ragged Trousered Philanthropists has remained in print for over a century. Generations of British workers have read it as a revelation, recognising their own lives, exploitation, daily frustrations, and humiliations, all expressed with pinpoint accuracy. It has been handed down from worker to worker, from parent to child, like truly essential books are. During the 1984-85 strike, the Miners’ Union recommended it. Shop stewards have referenced it, and workers encountering socialist ideas for the first time have discovered a connection between their personal experiences and Marxist theory.

This is the book’s deepest achievement: it demonstrates that socialist consciousness is not an abstraction imported from outside the working class by intellectuals, but something that emerges from the working class’s own experience when that experience is honestly confronted and honestly named. Tressell wrote it not as a middle-class observer of people with low incomes but as a worker who was himself one of the “philanthropists”— who endured the same conditions, performed the same labour, and drew from that experience not resignation but revolutionary conviction.

The General Strike 1926

Geoff Andrews’ book aligns with an important political milestone, the 100th anniversary of the 1926 General Strike, marked on May 4, 2026. This centenary has led to many commemorative articles, scholarly works, trade union events, and retrospectives. Interpreting the 1926 General Strike is more than just an academic matter; it is highly relevant to current politics. The way we view its failure today impacts the policy ideas we craft for the working class.

One of Andrews’ chapter titles, “The General Strike and the Condition of England,” hints at his interpretive approach. The “Condition of England” is a long-standing literary and social genre that traces back to writers such as Orwell, D.H. Lawrence, and ultimately to Carlyle and Disraeli. It involves examining what defines England, its core values, current problems, and potential for renewal. By framing the General Strike within this tradition, Andrews likely views it as a reflection of the development of a distinct English national identity and culture, rather than merely an event in the broader international class struggle.

This is a politically meaningful choice that accomplishes several things. It tends to domesticate the strike by minimising its international aspects, such as the Russian Revolution, the Comintern, and the Trotsky-Stalin conflict. Instead, it frames it as a mainly British event centred on British people and traditions. The focus is on the elements of cultural identity, community, solidarity, and moral courage that were genuinely present in the strike—rather than on the political and ideological issues that influenced its outcome. Additionally, it paves the way for nostalgic labour movement politics that view 1926 as a golden era of working-class community and culture—something to mourn and perhaps imitate in spirit, rather than analyse as a defeat with specific causes.

Considering Andrews’ Eurocommunist intellectual background, his portrayal of the Communist Party’s role is probably quite problematic. The CPGB features prominently in the 1926 commemorative mythology as heroic organisers and agitators, many of whom were, at the grassroots level, truly heroic. However, Andrews is unlikely to subject the Comintern’s political lines, such as the Anglo-Russian Committee policy, the subordination of the CPGB to the TUC lefts, and the “All Power to the General Council” slogan, to the rigorous Trotskyist critique it requires. This type of critique is exactly what the mainstream of British labour history, influenced by Stalinist and social-democratic assumptions, has avoided for a century.

Andrews’ connection of the General Strike with the “Condition of England” also subtly prompts us to consider what England might look like a century later. This highlights the book’s relevance to today’s political implications. Currently, the “condition of England” is marked by a deep social crisis: the collapse of the National Health Service, widespread poverty and reliance on food banks, deteriorating infrastructure, an unprecedented housing crisis, and a Labour government led by Keir Starmer enforcing harsh austerity while backing imperialist conflicts. Instead of resisting, trade unions act as tools of corporate management, suppressing any struggles that challenge the existing order.

The key question about Andrews’ framework is: what does he mean by “radicals”? This term is not neutral or straightforward; it reflects a political choice with significant consequences. Andrews’ academic-left background often treats “radicalism” as a broad concept that blurs the important line between reform and revolution. This view groups together Chartists demanding votes, trade unionists advocating shorter hours, Fabians promoting municipal socialism, suffragettes, Eurocommunists, and current identity-politics activists as part of a single progressive tradition of popular radicalism. In this perspective, the working class is seen as representing a democratic, rights-based politics aiming for inclusion and reform within the existing system, rather than its revolutionary overthrow.

This perspective is deeply rooted in British labour historiography, particularly connected to E.P. Thompson’s The Making of the English Working Class (1963). While Thompson’s work is a major scholarly achievement with enduring impact, it also presents some limitations. He emphasised the cultural formation of working-class identity, highlighting experience and agency, and championed “history from below” as a useful counterpoint to the mechanistic economism common in traditional Stalinist historiography.

However, his framework often limited working-class consciousness to a specifically national and English cultural context, highlighting links to pre-industrial radical groups such as the Levellers, the Diggers, and Nonconformist religion. It also tended to underestimate the crucial role of a revolutionary international socialist party as the essential vehicle for advancing working-class consciousness to address the epoch’s demands.

Andrews, influenced by the Eurocommunist academic tradition, is likely to push this idea further, drawing on the history of British popular radicalism to advocate for a diverse, broadly defined left politics that goes beyond traditional class-based party structures. Essentially, this echoes the argument that Marxism Today made in the 1980s: the old labour movement has been replaced, and “radicalism” now needs to include a variety of social movements. The future, therefore, lies in coalitions rather than in a revolutionary working-class party.

The general strike symbolises one of the many betrayals Andrews’ books discusses, highlighting how various Labour governments—those of 1945, 1964-70, 1974-79, and 1997-2010—have repeatedly let down working-class hopes. Each government, initially propelled by genuine working-class optimism, ultimately implemented austerity, suppressed strikes, prosecuted imperialist wars, and weakened workers’ political influence. While the welfare reforms under Attlee were notable, they also aimed to stabilise British capitalism after WWII. They were partly funded by Marshall Plan aid, which was linked to Cold War politics. Socialist figures within Labour, such as Tony Benn, acted as safety valves, channelling socialist ideas into the party and preventing the emergence of an independent revolutionary movement.

Choosing chapters for a 241-page book that covers extensive history is always challenging. However, this review must consider the chapter titled “Making History from Below.” The reader understandably needs to understand what the title promises and what it cannot deliver.

The term “history from below” holds significant respect in leftist academic circles. It emphasises uncovering working-class experiences hidden by history and asserts that ordinary people — rather than kings, parliaments, or great individuals — are the true shapers of history. When applied well, this approach has led to meaningful historical insights. However, “history from below” as a method and political stance is not identical to Marxism, and confusing the two has deeply affected how the working-class past is interpreted and the political lessons derived from it.

Andrews, rooted in the intellectual tradition from the Communist Party Historians Group through E.P. Thompson and into the post-Eurocommunist cultural studies environment, inherits both genuine achievements and notable political distortions of that lineage. Recognising the origins of this tradition is vital for evaluating its true potential and limitations. The group’s potential and limitations were perhaps best illustrated in the works of E.P. Thompson and his “Culturalist Turn.”

When E.P. Thompson distanced himself from the CPGB following the Soviet invasion of Hungary in 1956, he did not shift toward Trotskyism or the Fourth International, the only movements that had actively defended true Marxism against Stalinist distortions. Instead, he gravitated toward what is now called culturalism—a form of historical analysis that emphasises experience, consciousness, and culture as the main frameworks for understanding class, often neglecting the foundational economic and social factors that Marxism considers essential. Thompson’s The Making of the English Working Class (1963) is the paradigmatic text. It is a masterwork of historical research, recovering with extraordinary vividness the texture of working-class life and struggle in the late eighteenth and early nineteenth centuries. But its famous opening declaration — that class is not a “structure” or a “category” but a “historical relationship” that “happens” in human experience — represents a decisive retreat from Marxist materialism. By locating class primarily in experience and consciousness rather than in the objective relations of production, Thompson opened the door to a kind of historical voluntarism: the working class “makes itself” through its own cultural activity, independent of the structural determinations of capitalist production. This is not Marxism — it is a form of idealism dressed in the language of social history.

The political implications were profound. If class is seen mainly as a cultural and experiential category, then questions about leadership — such as the role of the revolutionary party, political programs, or the conscious steering of the class struggle — tend to be overlooked. “History from below” then becomes a celebration of working-class experience and agency, but without analysing whether that experience is geared towards seizing power or is being undermined and betrayed by reformist leaders. This creates a detailed portrait of the class in struggle. Yet, it ignores the crucial question: why has the British working class, despite its militancy and bravery, suffered consecutive defeats throughout history?

Stuart Hall

The line of influence from Thompson to Andrews includes Stuart Hall and the 1980s Marxism Today environment. To be direct, Cultural Studies, with Hall as a key figure, aimed to shift social criticism away from class and toward other social structures, supporting identity politics. Hall was the main theorist behind the CPGB’s move toward Eurocommunism, explicitly stepping away from class-based politics in favour of a framework of “new social movements’ that considered race, gender, sexuality, and cultural identity as equally important and independent from class struggle. His idea of “Thatcherism” as a cultural-ideological phenomenon rather than a class offensive was hugely influential—and confusing—because it shifted leftist theoretical efforts toward the cultural superstructure just as the bourgeoisie was mounting a deliberate attack on the material base of working-class organisations.

Andrews is deeply engaged with this entire development. His “history from below” project reflects this tradition, featuring a genuine humanist sympathy for workers alongside a shift in focus from Marxist economic theory to cultural analysis. It celebrates working-class agency but remains silent on revolutionary leadership. While it seeks to recover suppressed voices and experiences, it implicitly views social progress as expanding democratic participation within capitalism, rather than overthrowing it.

The fundamental theoretical issue with “history from below” as Andrews applies it is the disconnect between agency and programme. While working people do indeed shape history—such as the Chartists, the miners of 1926, wartime factory shop stewards, and Labour voters in 1945—they were all active agents wielding significant collective power. However, an agency without a clear programme does not lead to liberation; instead, it represents energy that can be directed in various ways, including in support of the status quo. The history of the British working class is fundamentally a record of vast collective agency that has been repeatedly diverted by their leadership, which claimed to represent them, into reformist, nationalist, and class-collaborationist paths.

The “History from below’ approach often romanticises this agency while sidestepping the tough question of why it consistently failed to effect revolutionary societal change. Answering this requires more than cultural analysis; it demands a rigorous Marxist examination of the political organisations—such as the trade union bureaucracy, the Labour Party, and the CPGB that serve as intermediaries between working-class energy and historical results.

These organisations systematically hinder the development of a revolutionary path. This type of analysis is precisely what the traditions Andrews relies on tend to avoid, because it involves confronting the record of Stalinism and social democracy not as misguided but as well-meaning allies, but as agents that systematically subordinate the working class politically.

Andrews’ Making History from Below belongs to a tradition that has made genuine contributions to the recovery of working-class history, but whose political limitations are built into its foundations. It inherits from the CPGB Historians Group the subordination of history to a nationalist Popular Front politics; from E.P. Thompson the culturalist displacement of Marxist materialism; and from Stuart Hall and the Eurocommunist dissolution, the final abandonment of class as the primary category of social analysis. The result is a history that gives working people a dignified presence in the past while offering them no coherent political direction for the present.

George Orwell and the Working Class

The association of George Orwell with “the working class” in Geoff Andrews’s book quickly reveals insight. Orwell exemplifies, in many respects, the ideal patron saint for the politics that Andrews advocates: the Eurocommunist and post-Stalinist academic left that aims to uphold a progressive, anti-authoritarian, morally upright tradition. However, it carefully avoids the revolutionary implications of a truly Marxist view of the working class. This group frequently cites Orwell because he embodies genuine contradictions: he wrote powerfully and sincerely about working-class poverty, opposed Stalinism from a leftist perspective, and despised bourgeois hypocrisy. His political journey ultimately culminated in anti-communism, collaboration with British imperial propaganda, and the equating of socialism with totalitarianism. This ambiguity makes him a complex figure. Any honest assessment of George Orwell must start with what is truly valuable and enduring in his work.

The significance of Orwell’s Homage to Catalonia cannot be overstated. At a time when virtually the entire liberal and left-wing intelligentsia of Britain and the West was either duped by or complicit with the Stalinist smear campaign, which claimed that Trotskyists and the POUM were agents of fascism and Franco’s “fifth column”, Orwell had the intellectual honesty and personal courage to tell the truth about what he had witnessed in Barcelona. He saw the Stalinist suppression of the revolutionary workers’ movement firsthand. He was shot through the throat by a fascist sniper and nearly killed by Stalinist secret police. And he wrote about it all with a clarity and precision that earned him the furious hatred of the worldwide Stalinist apparatus and virtual ostracism in British literary circles.

His earlier social writing, Down and Out in Paris and London (1933) and The Road to Wigan Pier (1937), contains genuine and powerful documentation of working-class poverty and conditions. These books were written from the inside, or as close to the inside as a man of Orwell’s background could get: he actually lived as a tramp, washed dishes in Paris kitchens, descended into coal mines in Lancashire and Yorkshire. The Road to Wigan Pier in particular, with its unflinching account of unemployment, malnutrition, overcrowding, and the daily indignities of working-class life in 1930s industrial England, remains a document of lasting value.

By the mid-1940s, Orwell increasingly adopted an anti-Communist stance. Intense pressures characterised this period: the temporary post-war stabilisation of capitalism, the Stalinist bloc’s dominance over the left, and the Cold War’s division of the world into two blocs. These factors compelled socialist and radical thinkers to take sides. Many who had once supported Stalinism, viewing the Soviet bureaucracy as true socialism, now rejected socialism altogether. Similarly, former opponents of Stalin in the U.S., such as Max Shachtman and James Burnham, shifted to the anti-Communist side. Orwell found himself caught up in this shift.

Orwell’s 1946 article, “Second Thoughts on James Burnham,” sharply criticises the political stance it discusses. In the piece, Orwell concurs with Burnham’s reactionary view that Stalin did not “betray” the Russian Revolution but rather expanded it along its original trajectory—arguing that Stalinism was an inevitable result of Leninism and Bolshevism. Walsh notes that this view was “the basis of one of the great lies of the 20th century.” Orwell also misrepresented Trotsky’s analysis, reducing it to the notion that “things would have been different if Trotsky had remained in power”—a straw man he dismisses while labelling Trotskyists as “ultra-left sects.” By the time Orwell wrote 1984, he openly identified his main goal as critiquing “communism.”

And then there is the list. In 1949, a year before his death, Orwell handed over a list of about 130 prominent individuals he believed to be sympathetic to the Stalinist regime to the British Foreign Office’s Information Research Department, a secret anti-Soviet propaganda group. As Fred Mazelis’ WSWS analysis highlights, this was not simply due to personal fear or selfish motives. Orwell genuinely believed he was combating totalitarianism. However, in doing so, he adopted the stance that the Cold War required: that opposing Stalinism meant aligning with British imperialism and viewing bourgeois democracy as the “lesser evil.”

The comparison with Trotsky offers valuable insight and clarity. When the US House Committee on Un-American Activities invited Trotsky to testify in 1939, he intended to use the opportunity to promote his revolutionary ideas, not to give anti-communist witch-hunters a list of names. The invitation was rescinded when they realised this. The distinction is more than just personal character; it highlights two fundamentally different political outlooks: Trotsky’s belief that fighting Stalinism must go hand in hand with opposing imperialism and striving for authentic socialism, versus Orwell’s growing view that capitalism, even if flawed, was the last safeguard of civilisation against totalitarianism.

Orwell’s trajectory was fundamentally limited by a structural political challenge that appeared throughout his career. Notably, his identification with the working class was driven more by emotion and sentiment than by firm scientific conviction. He associated with centrist groups such as the Independent Labour Party (ILP) in Britain and the POUM in Spain—both of which promoted “left unity’ influenced by Stalinism and criticised Trotsky’s severe condemnation of Stalinism as “sectarian.” These organisations, characterised by their centrism and political ambiguity, left the working class vulnerable when the Stalinist regime moved to crush the Spanish revolution.

This gap between Orwell’s moral passion and his lack of a comprehensive program is precisely what makes him appealing to Andrews’ political tradition. The Eurocommunist and post-Stalinist left share this limitation: they are strong in moral outrage and cultural awareness but have systematically moved away from the Marxist goals of socialist revolution, worker empowerment, and the formation of a revolutionary international party. Orwell’s brand of socialism—characterised as ethical, English, empirical, sceptical of abstract “theory,” and ultimately leading to a form of despairing anti-totalitarianism that aligned with Cold War interests—served as the literary blueprint that Marxism Today later sought to theorise.

Orwell has been claimed by virtually every political tendency since his death, reflecting his political contradictions. The anti-Communist right claims him as a Cold Warrior who exposed the totalitarian nature of socialism. Liberals claim him as a defender of democratic values and free speech. The social-democratic left claims him as a working-class champion with a conscience. Even sections of the left that should know better treat 1984 and Animal Farm as politically neutral warnings about the abuse of power applicable to any regime, which is precisely how Orwell’s own political degeneration made possible the appropriation of these works by the forces of anticommunism.

Andrews’ framework examines Orwell and the working class, seeking to revive the earlier, more radical Orwell: the documentary writer focused on poverty, the veteran of the Spanish Civil War, the anticolonial advocate, and someone who worked in mines and hop fields. This rendition of Orwell is what the British labour movement has traditionally admired and is crucial for understanding working-class experiences and consciousness. This material is highly valuable.

Andrews’ interpretation preserves Orwell’s political ambiguities and his moral seriousness but avoids addressing the failed policies that led him from ‘Homage to Catalonia’ to the Foreign Office. This approach risks supporting a politics rooted in moral witness and social conscience, which may not provide the revolutionary change the working class requires. Orwell is portrayed as a patron saint of ethical socialism, diverse labour movement culture, and politics grounded in decency and solidarity. While this aligns with the Orwell tradition promoted by Andrews, it also distances Orwell from the revolutionary significance of his most profound work.

Andrew concludes the book with an unusual and somewhat unsettling epilogue. Only when you grasp its significance does something unsavoury become apparent. An epilogue typically appears after the main story ends, signalling that the narrative of the British working class—through the labour movement, trade unions, mining communities, industrial towns, cooperatives, and socialist groups—has come to an end. What Andrews offers is essentially a farewell, a memorial, and a post-mortem. A Marxist must seriously ask: whose conclusion is this, and what political purpose does it serve?

Andrews confronts an undeniable and devastating material reality. The deindustrialisation of Britain, intensified violently under Thatcher from 1979 and maintained by subsequent governments, dismantled the material foundation of working-class communities at an unprecedented scale in the twentieth century. The statistics are clear: at the start of the 1984–85 strike, there were 170 coal pits with over 181,000 employees. Two decades later, only 15 pits remained, with around 6,500 workers. Entire communities—Durham, Lancashire, South Yorkshire, South Wales, and the Midlands coalfields—were not just economically decimated but socially wiped out. In former mining areas, drug addiction affected one in three households. Young people fled, families fell apart, and the NUM was reduced to a shadow of its former self. Trade union membership plummeted from over 11 million in 1984 to less than 7 million, with fewer than 19% of private-sector workers unionised.

This is the material reality of “unmaking”, and it is a ruling-class achievement, carried out deliberately, with a specific political objective. As the WSWS analysis makes clear, Thatcher’s assault was not primarily about economic “modernisation.” It was a conscious class war offensive, prepared for years in advance through the Ridley Plan, aimed at destroying the organised capacity of the working class to resist the globalisation-driven restructuring of capital. The miners were targeted first and most ferociously precisely because they had brought down a Conservative government in 1974 and represented the most militant concentration of working-class power in Britain.

This is where the core limitation of Andrews’ method proves crucial. The “unmaking” he laments was not an unavoidable historical process, a natural force, or an inevitable outcome of technological progress. Instead, it was a political loss—one that involved deliberate actions by the very organisations that professed to represent the working class.

The 1984–85 miners’ strike marked a turning point from traditional industrial Britain to the deindustrialised wasteland that Andrews criticises. It was not lost due to a lack of courage, solidarity, or determination, as the miners demonstrated all three during a year-long fight characterised by extreme hardship, police brutality, financial pressure, and legal attacks. The defeat occurred because the TUC and Labour Party leadership, rather than supporting the strike, deliberately isolated and betrayed it. As detailed by Marsden and Hyland, the TUC opposed coordinated action; dockworkers’ strikes were quickly ended by their leaders, and the miners’ strike was sabotaged, without which no pit could operate, and scabbing would have failed. Neil Kinnock, Labour leader, was a well-known opponent of the strike. The TUC General Council, whose predecessors had betrayed the 1926 General Strike, played a similar role in undermining Thatcher in 1984–85.

This explanation for the “unmaking” clarifies that it was not due to capitalism’s relentless technological progress. Instead, it was a political defeat caused by a class-collaborationist bureaucracy that had long since ceased to defend the working class. As the WSWS analysis states, this bureaucracy effectively became “a police force on behalf of management.” The trade union bureaucracy and Labour Party didn’t just fail to stop deindustrialisation — they actively facilitated it, paving the way for capital’s aggressive assault on all fronts.

Andrews, operating within the intellectual tradition of the CPGB Historians Group, the Thompsonian New Left and the post-Eurocommunist Cultural Studies milieu, cannot say this plainly. To do so would require confronting the entire tradition within which his work is embedded — the tradition of seeking to reform and pressure the trade union and Labour bureaucracy from the left, rather than recognising these institutions as obstacles to working-class interests that must be overcome through the building of independent revolutionary leadership.

Stuart Hall and the Ideological Preparation for “Unmaking”

What makes Andrews’ project especially insidious from a Marxist standpoint is not merely that it mourns the destruction of working-class communities, but that it does so through a theoretical framework that actively contributed to making that destruction politically irresistible. The WSWS analysis of Stuart Hall is essential here. Hall, whose Marxism Today milieu was Andrews’ primary intellectual formation, responded to Thatcherism not by strengthening Marxist class analysis but by systematically dissolving it. His concept of “Thatcherism” as a cultural-ideological formation, his argument that Labour could no longer rely on traditional trade-union methods of struggle, his elevation of race, gender and cultural identity over class as the primary axes of social analysis — all of this constituted, as Paul Bond’s WSWS analysis demonstrates, an intellectual justification for the political adaptation to Thatcherism that New Labour subsequently carried out in practice.

Eric Hobsbawm’s contemporaneous essay “The Forward March of Labour Halted” — celebrated across the same milieu — performed the identical function: attributing the crisis of the labour movement to the decline of the working class itself rather than to the betrayals of its leadership, and thereby providing theoretical cover for Labour’s rightward lurch under Kinnock and then Blair. When the working class’s defeats are attributed to its own obsolescence rather than to political betrayal, the conclusion that follows is not the building of revolutionary leadership but adaptation to the new bourgeois order — exactly the course New Labour took, with the enthusiastic support of Marxism Today.

Andrews’ “unmaking” thesis sits directly within this ideological lineage. By framing deindustrialisation as the dissolution of the working class as such — as the end of a particular historical formation — rather than as a political defeat that must be understood, reversed and overcome, it reproduces the essential move of Hobsbawm and Hall: transforming a crisis of leadership into a crisis of class. The working class is not unmade. It is defeated. These are not the same thing, and the difference is everything.

The ideological basis for “unmaking” these also draws on André Gorz’s influence. In his 1980 book, *Farewell to the Working Class*, Gorz argued that the proletariat as a revolutionary agent had been replaced by automation and the post-industrial economy. A Marxist views Gorz’s argument as a typical sign of petty-bourgeois political demoralisation amid working-class setbacks, not as a scientific analysis but as an ideological reflex. By claiming the working class is now a thing of the past, Gorz and his followers avoided the challenging task of forming a revolutionary party, opting instead for lifestyle politics, green utopianism, and post-class social movements. Even if Andrews doesn’t explicitly reference Gorz, the “unmaking” framework serves a similar ideological purpose.

The Marxist view begins with a fundamentally different premise. Although the demolition of pit villages, steel towns, and shipyard communities caused significant human hardship, it did not eliminate the working class. Instead, it reconfigured and reshaped it. Now, new groups such as logistics workers, healthcare staff, retail employees, transport workers, public sector employees, and gig economy workers have emerged. For instance, Amazon warehouse employees, NHS nurses, Deliveroo couriers, and call-centre workers are still subject to capitalist exploitation; they embody the contemporary working class. They remain linked by the same core class relations as miners and steelworkers, but operate under new conditions that require different strategies for struggle and organisation.

The core change was not the dismantling of the working class itself, but rather the collapse of the institutional structures that traditionally organised them. These included trade unions, which acted as protective entities, and the Labour Party, which served as a symbolic voice for workers. The process was mainly driven by trade unions and Labour bureaucracies, which had long betrayed significant working-class struggles since 1926. Thatcher’s role was to deliver the final blow to these already weakened organisations, which had become hollow shells from within.

The task of this analysis is not about mourning but about constructing: forming rank-and-file committees and a revolutionary internationalist party that can truly represent the working class against both employers and bureaucratic structures that claim to speak for it. This is the lesson of 1926, 1984–85, and every major working-class defeat in British history. It is the lesson that Andrews’ “unmaking” framework, despite its genuine sympathy for working people, consistently inhibits readers from understanding.

The British Marxist historians by Harvey J. Kaye, Zero Books, 2021

Harvey J. Kaye’s The British Marxist Historians, published in 1984, 1995, and 2021, remains the definitive scholarly overview of the CPHG tradition. It covers figures like Raphael Samuel, Maurice Dobb, Rodney Hilton, Christopher Hill, E.P. Thompson, Eric Hobsbawm, and, to some extent, George Rudé and others. This work is a thorough and rigorous piece of intellectual history that deserves recognition for its quality. Nevertheless, it also exhibits certain blind spots tied to its political stance, and a Marxist critique should honestly acknowledge both its strengths and limitations.

A careful reader would first want to know what Kaye Gets Right. His true contribution is to show the coherence of the British Marxist historians as a group: they not only shared an organisation, the CPHG, established in 1946, but also a common set of intellectual issues, methodological stances, and political motivations. These elements led to a distinctive and impactful body of historical scholarship. Kaye rightly highlights their collective challenge to bourgeois historiography, especially the Whig tradition, which assumed class conflict was incidental rather than fundamental to British social history, as a significant intellectual achievement.

Kaye clearly emphasizes their core methodological perspective: a materialist approach to history that focuses on class relations and economic structures. However, what sets them apart from simple economic determinism is their emphasis on the agency of historical actors, acknowledging that workers and peasants are active participants in history rather than merely passive recipients of structural forces. E.P. Thompson’s remark in the preface to The Making of the English Working Class that class is not just a structure or category but something that happens exemplifies this attempt to integrate structure and agency. Kaye correctly identifies this as the central theme guiding much of the group’s most impactful work.

His treatment of Rodney Hilton’s work on medieval peasantry is especially insightful, showing how Hilton used a rigorous Marxist framework to analyse feudal class structures and peasant uprisings in English medieval history. This approach engages productively with continental debates over the shift from feudalism to capitalism. The discussion about that transition, involving Dobb versus Sweezy, along with subsequent contributions by Hilton, Hill, and others, stands as one of the most important intellectual exchanges in 20th-century Marxist historiography. Kaye presents this debate clearly and fairly.

However, this is the point where Kaye’s account falls short. Despite his sympathy and scholarly effort, Kaye fails to fully address the key political context that influenced the tradition: the Communist Party Historians Group was created, educated, and ideologically limited by British Stalinism and the Comintern’s Popular Front policies. This is not just a minor detail; it is the crucial political backdrop that accounts for both their accomplishments and the inherent structural constraints of their work.

Kaye recognises that these historians were members of the Communist Party and views 1956 as a pivotal moment. However, he considers Stalinism mainly as a political atmosphere that influenced their work, which they partly escaped through their scholarship, rather than as a coherent political agenda that left identifiable distortions in their historical narratives. Ann Talbot offers a more pointed critique of Christopher Hill: she notes that the CPHG historians developed their approach within what she correctly calls “People’s History,” a nationalist historiography that “obscured the class nature of earlier rebels, revolutionaries, and popular leaders by viewing them all as part of a national revolutionary tradition.” This, as Talbot argues, directly reflected “the nationalism of the bureaucracy, their hostility to internationalism, and their efforts to form an unprincipled alliance with the supposedly democratic capitalists against the fascist Axis powers.”

This Popular Front framework, promoting socialism within a single nation and prioritising cross-class national alliances over the working class’s internationalism, was intentionally designed rather than accidental. Launched by the Comintern in 1935, it was a strategic approach grounded in a nationalist ‘people’s history,’ exemplified by the CPHG. By framing the history of the English Revolution as a uniquely English revolutionary tradition connecting ‘freeborn Englishmen’ from Winstanley to the Chartists and the Labour movement, it aimed to legitimise Popular Front politics. This approach sought to cultivate a sense of a progressive national tradition capable of uniting different classes toward shared democratic goals.

When evaluated against that standard, British Marxist historians form a significant yet highly compromised tradition. The political context of Popular Front nationalism often limited their ability to make authentic scholarly contributions. They tended to avoid the crucial political issues of the twentieth century, such as the Moscow Trials, the nature of Stalinism, and the Fourth International—particularly at times when these questions were unavoidable. After 1956, their shift toward empiricism, culturalism, and postmodern pluralism reflected an ongoing theoretical and political deadlock. This impasse stemmed from breaking away from capitalism’s subordination but never developing a revolutionary program capable of transcending it.

Kaye surprisingly does not dedicate a full chapter to A.L. Morton in his book, despite Morton being the founder of the CPHG (1903–1987), author of A People’s History of England (1938), and a key figure in establishing the Communist Party Historians Group. This group, formed in Britain in the late 1940s, included notable scholars like Christopher Hill, E.P. Thompson, Eric Hobsbawm, Rodney Hilton, Maurice Dobb, and Dona Torr, and produced some of the most influential historical works of the twentieth century. However, a fair assessment of their legacy must acknowledge the contradiction that these historians operated within and under Stalinist political regimes.

Recognising this tradition’s achievements is vital. Challenging the dominant “Whig interpretation of history,” which sees Britain as a land of peaceful, gradual progress and organic class harmony, Communist Party historians emphasised that British history was primarily shaped by class struggle and genuine revolutions. This marked a major advancement in historical scholarship. Christopher Hill identified the mid-seventeenth-century crisis as a true bourgeois revolution, not merely a constitutional misunderstanding. Likewise, E.P. Thompson’s The Making of the English Working Class gave voice to ordinary workers, saving them from condescension and obscurity. These contributions are valuable and continue to deserve recognition.

Ann Talbot explains the Communist Party attracted “minds of the very highest intellectual calibre’ because the traditional institutions of church and state had lost their grip on young intellectuals’ imagination. At the same time, “the Soviet Union seemed to embody all that was new, modern and progressive.” These individuals were not foolish or mere careerists; they were talented people drawn to Marxism during a period of profound social crisis. They found at the party a link to the influential intellectual legacy of Marx and Engels, even if it was somewhat distorted.

However, a rigorous analysis must avoid evasion. Morton’s People’s History of England exemplifies the political distortion that Stalinism brought into this historical tradition. As Talbot directly states: “The Communist Party sponsored a form of ‘People’s History,’ exemplified by A.L. Morton’s People’s History of England, where the class nature of past rebels, revolutionaries, and popular leaders was concealed by viewing them all as part of a national revolutionary tradition.”

This nationalist framing was driven by more than just an intellectual stance. It reflected the historiography of Popular Front politics, the Stalinist approach of the 1930s and 1940s, which placed the working class under the influence of seemingly progressive sections of the bourgeoisie under the guise of anti-fascism. By creating a continuous, fundamentally national tradition of popular resistance—stretching from Wat Tyler and John Ball to the Levellers and Chartism—Morton and the Group provided a usable historical mythos for a politics that had already forsaken internationalism and the independent mobilisation of workers. The Popular Front needed a history that enabled the “people” to unite across class divisions against a shared national foe; Morton’s history fulfilled this need.

This critique extends beyond superficial comments to address fundamental methodological issues. The tendency to blur class distinctions, prioritise national over global concerns, and trivialise past revolutionary efforts as a vague “people’s legacy’ all originate from the Stalinist bureaucracy’s opposition to Trotsky’s doctrine of permanent revolution and international worker solidarity. In this context, ‘people’s history’ serves as the historical analogue to the Moscow Trials, providing a supposed “democratic’ facade for the systematic betrayal and execution of genuine revolutionaries. Talbot insightfully characterises the group’s approach to Marxism as ‘Jesuitical,’ highlighting their ability to compartmentalise—embracing a scientific Marxist perspective while being limited by Stalinist constraints, akin to Jesuit scientists operating within the boundaries set by the Church, but not beyond.

A key aspect often overlooked in the book is Dona Torr’s significance. She truly deserves to be rescued from historical neglect. Dona Torr (1883–1956) occupies a unique and sometimes defining role within the Communist Party Historians Group. Unlike more prolific writers such as Hill or Thompson, she is regarded as the intellectual maternal figure of the tradition—someone who profoundly shaped its viewpoints, methods, and political stance. Acknowledging her contributions is essential for a comprehensive understanding of the Group’s achievements and the notable limitations they faced.

Torr belonged to an earlier generation than the younger historians she mentored. Born in 1883, she was shaped by the pre-war socialist movement and became a founding member of the Communist Party of Great Britain in 1920. A dedicated scholar with excellent language skills, she spent many years as a translator and editor at the Marx-Engels-Lenin Institute in Moscow. There, she produced English editions of Marx and Engels’s selected correspondence and other texts, thereby forging a direct institutional link to the Stalinist leadership. Her role was not that of a peripheral ally but of someone whose academic work was closely integrated into the bureaucracy’s effort to shape and control the Marxist canon.

Her most notable historical contribution was *Tom Mann and His Times* (Volume 1, 1956), a biography of the famous syndicalist and labour organiser published shortly before her death. Only one volume was completed, which is somewhat symbolic of its unfinished nature. Nevertheless, her influence on the Historians Group was more prominent through her role as a teacher, mentor, and political guide to emerging scholars than through her publications.

Ann Talbot’s analysis of Christopher Hill explicitly highlights Torr, along with Maurice Dobb, as the key figure who transmitted the Stalinist political perspective to the Group. Hill, Thompson, Hilton, and Hobsbawm all “came under the influence of Maurice Dobb and Dona Torr.”

This framing is both precise and significant. Torr was not merely an experienced scholar sharing craft knowledge; she served as the conduit through which a politically skewed interpretation of Marxist historiography was passed on to the next generation.

What did this specifically mean? The main distortion was the subordination of internationalist class analysis to a nationalist “people’s history” framework. Torr’s intellectual background, shaped by her years in the Stalinist cultural sector and her involvement in Popular Front politics, inclined her to adopt this framework rather than a true Marxist approach.

The “people’s history” perspective, evident in Morton’s book and throughout the Group, obscures the class nature of historical figures by positioning them within a continuous national tradition of popular struggle. Even the Tom Mann biography illustrates this bias: Mann was a true working-class leader of international significance, but focusing solely on his story within the British radical tradition overlooks the internationalist elements of his politics and his ties to the syndicalist movement.

Hobsbawm: The Most Revealing Case

Kaye shows great respect for Hobsbawm and considering the vastness and productivity of his scholarly work, that respect is well justified. However, Hobsbawm was more than just a historian who was a member of the Communist Party. His Stalinism was not just an incidental aspect of his life; it fundamentally shaped his political conclusions.

Eric Hobsbawm (1917–2012) was the most internationally recognised member of the Communist Party Historians Group and, from a Marxist viewpoint, its most influential and politically insightful figure. His lengthy career, numerous publications, sustained membership in the Communist Party until 1991, and later role in guiding the British Labour Party’s ideological transition toward Blairism make him more than just a prominent nineteenth-century historian. Hobsbawm exemplifies the strong connections between Stalinist politics, historical distortion, and the ongoing suppression of revolutionary consciousness within the working class.

An honest evaluation of Hobsbawm starts with his dealings with the Socialist Labour League and Gerry Healy. The clash between the SLL and Hobsbawm was a key political debate in the postwar history of the British left, with stakes that turned on whether the working class would rise from the 1956 Stalinist crisis with a revolutionary Marxist leadership, or whether that energy would be reintegrated into the existing bourgeois political system. Hobsbawm and Healy clearly exemplify the two main opposing sides of this debate.

The Hungarian Revolution of October 1956 and Khrushchev’s “secret speech” at the 20th Congress of the CPSU earlier that year created the most significant crisis British Stalinism had ever encountered. When Soviet tanks crushed the Hungarian workers’ uprising—organised around authentic workers’ councils reminiscent of the October 1917 soviets—thousands of CPGB members faced political upheaval. Among them were leading figures from the Communist Party Historians Group. The pressing questions raised by 1956 were: What is the meaning of Stalinism? Where did it originate? And what should be the future course?

The response to these questions was not merely academic; it determined whether one aimed to rebuild the revolutionary movement on true Marxist principles or drifted into liberal, nationalist, or reformist politics cloaked in terms like “humanism” and “democratic socialism.” As detailed in the document “The Historical and International Foundations of the Socialist Equality Party (Britain),” Gerry Healy’s faction, “The Club,” which operated within the Labour Party, was uniquely equipped for this moment.

It was the only political group in Britain capable of explaining why Stalinism evolved as it did, because it was the sole tendency that defended Trotsky’s critique of the Soviet state’s degeneration against both Stalinists and Pabloite revisionists within the Fourth International. Healy himself had been expelled from the CPGB in 1937 for questioning the Moscow Trials and spent the subsequent two decades developing a small but theoretically grounded Trotskyist cadre, fighting on two fronts: against the Stalinist bureaucracy and against the Pabloite tendency within the Fourth International that sought to liquidate independent Trotskyist organisations into the mass Stalinist parties.

In 1956, Healy and The Club acted with remarkable energy. They issued pamphlets, distributed copies of Trotsky’s “The Revolution Betrayed,” and Healy personally travelled across the country, meeting dissident CPGB members and urging them to seek a full account of Stalin’s crimes and to study the true history of the Soviet Union. When Peter Fryer, the Daily Worker correspondent whose reports from Hungary had been censored and suppressed by the party, distanced himself from the CPGB, Healy arranged for the publication of his “Hungarian Tragedy” as a widely circulated pamphlet. During the special CPGB congress in April 1957, The Club published a daily bulletin. The Labour Review was reintroduced in January 1957 to foster deeper discussion on the Stalinist crisis and the future of socialism. According to the SEP’s Historical Foundations, Healy’s group was “the only tendency to make any gains from the crisis in British Stalinism.”

The clash between the Trotskyist movement and dissident CP intellectuals, including members of the Historians Group, crystallised during the Wortley Hall Conference in April 1957, organised by the Socialist Forum. This significant event united a wide range of the British left to debate the implications of 1956 and future directions. David North’s political biography of Cliff Slaughter offers an in-depth account of the proceedings and their revelations.

Barbara Slaughter, who was present with Cliff Slaughter, remembered Healy’s speech: “Healy stated that ‘This is the moment to read books. It’s the time to uncover the true history of the Russian Revolution.’ There was no theatrics; he was very composed and self-assured… It seemed he had been waiting for a situation like this for decades.” The Newsletter quoted him as saying: “This is the season for reading books, not burning them. Let’s avoid pre-labelling. Let’s discard demagogy. Don’t elevate anyone to a ‘pedestal.’ Read and explore all perspectives.”

The reaction from the CP Historians Group environment was revealing. John Saville, a leading member of the Historians Group and a close associate of E.P. Thompson, advocated for an essentially nationalist response to the crisis. He argued it was essential to “stop talking hot air and develop a body of Marxist ideas that genuinely resonate with the British working class. This required studying our own workers’ movement and its history, about which there was far too little knowledge.” The SLL’s Newsletter responded sharply: “the real issue facing the socialist movement in 1957 was not a lack of knowledge about events in Manchester or Liverpool in the 1820s, but what had occurred within the Russian Communist Party in the 1920s.”

This exchange highlights the core political divide. The CP Historians Group tradition—represented by Saville’s ideas and, in different contexts, in Thompson’s *New Reasoner* and eventually the *New Left Review*—aimed to address the crisis of Stalinism by focusing on specifically British working-class traditions. This approach intentionally disconnected contemporary socialist politics from the broader revolutionary heritage of Bolshevism and the Left Opposition. E.P. Thompson, who collaborated with Saville in the *New Reasoner*, went further, writing in the *Newsletter* that “positions and attitudes which are labelled ‘Trotskyist’ tend toward the petrification and perpetuation of sectarian division.” As North notes, he remained “a bitter opponent of Trotskyism.”

Hobsbawm’s Position at the Crossroads

Where did Hobsbawm position himself in this context? Unlike Thompson, Hill, and Saville, Hobsbawm did not resign from the Communist Party after the Hungarian repression. He remained—not due to naïve loyalty to socialist ideals, but because, as Ann Talbot’s analysis of his autobiography highlights, he held a deep, considered political belief in the Stalinist structure as a social-order tool rather than an agent of revolution. His admission—that he had “the instincts of a Tory communist “and his joy at Militant’s later expulsion from the Labour Party are not anomalies but consistent signs of a coherent political identity formed during the Popular Front era and never relinquished.

This means that Hobsbawm occupied a position even further removed from the SLL than the Thompson-Saville milieu. While Thompson and the New Left at least formally broke with the CPGB and attempted to construct a “humanist” Marxism outside it, however inadequate and anti-Trotskyist that project remained, Hobsbawm remained openly inside the party. His political function, as both Talbot and North demonstrate, was to provide the Stalinist apparatus with a scholarly and prestigious intellectual face precisely at the moment when it was most vulnerable to the challenge from the Trotskyist left.

The SLL’s Labour Review identified this tendency with precision. The relaunched journal described what kind of Marxist movement it intended to build: “Not a coterie of well-meaning university Dons and writers who have something to say on every subject except the class struggle taking place under their noses; not a party paying lip-service to Marxism but in fact dominated by whichever faction happens to be in control in Moscow.” This formulation — the “university Dons and writers” who could say everything except what mattered about the class struggle is a direct political characterization of the Historians Group milieu, including Hobsbawm.

Cliff Slaughter, himself a former CP member who had joined the Trotskyist movement precisely through the Wortley Hall confrontation, became the SLL’s primary theoretical voice in this polemic. His essay “The ‘New Left’ and the Working Class,” published in Labour Review, identified the core problem of the emerging New Left with clarity: their “effort to direct Marxism away from its concentration on the class struggle as the driving force of history.” He wrote: “It is around the concept of class that the drift from Marxism is concentrated, despite the lip-service paid to Marxism. There is not a scrap of Marxism in any approach to class which does not have class conflict at its core.”

This was a direct theoretical challenge to the historiographical tradition of which Hobsbawm was the most prominent representative. E.P. Thompson’s Making of the English Working Class — which would appear in 1963 — was already being gestured at in the New Reasoner discussions: the idea that working-class consciousness was formed primarily through cultural and national experience, through the “peculiarities of the English,” rather than through the international dynamics of the class struggle. Slaughter recognised this for what it was: not an enrichment of Marxism but its dissolution into a form of left nationalism, leaving the working class politically disarmed.

The second most important critique of the politics of Hobsbawm came from David North’s landmark essay “Leon Trotsky and the Fate of Socialism in the Twentieth Century: A Reply to Professor Eric Hobsbawm” North begins his reply saying, “In the course of his long professional career as a historian, he has written many valuable scholarly works. The volumes he devoted to the French Revolution and the development of capitalism in the nineteenth century were thoughtful and sensitive studies.” Hobsbawm’s great “Age of…” tetralogy — The Age of Revolution (1962), The Age of Capital (1975), The Age of Empire (1987), and The Age of Extremes (1994)  brought a genuinely sweeping Marxist-influenced analysis of modern world history to a mass readership. His work on banditry, pre-industrial popular protest, the invention of tradition, and nationalism contained real scholarly insights. For whole generations of students, his books provided an entry point into serious historical thinking about capitalism, class, and social transformation.”

These accomplishments merit recognition. However, as North’s direct response to Hobsbawm clarifies, they cannot be separated from or used to justify the deep and ultimately politically harmful distortions of his ideas and public role. Hobsbawm himself admitted that, as a member of the Communist Party of Great Britain, he intentionally avoided writing about the Russian Revolution and the twentieth century because “the political line of his party would have prevented him from being entirely truthful.” As David North directly states in his reply: “Why he chose to remain a member of a party that would have forced him to tell lies is a question he has never convincingly answered.”

This confession is more damning than any external criticism. It is Hobsbawm who wrote brilliantly about the French Revolutionary and Napoleonic era, the formation of the labour movement, and the age of capital, and who then, when it came to the central historical questions of his own lifetime, imposed a Stalinist political censorship on his own mind. The same pattern identified by Ann Talbot in the Group as a whole, the “Jesuitical partition” of the intellect, the pursuit of historical science up to the precise point where the bureaucracy drew its line, is openly acknowledged by its most eminent member.

What this means concretely is that in a historian who lived through the Russian Revolution, the rise of fascism, the Moscow Trials, the Hitler-Stalin pact, the Second World War, the Cold War, the Hungarian Revolution of 1956, and the collapse of the USSR, the most important half of the historical record was either falsified or suppressed in the service of Stalinist politics. And when Hobsbawm finally did write about the twentieth century at length, in The Age of Extremes and in his essay collection On History, the result was precisely what David North’s reply demolishes in forensic detail.

North identifies this as a form of “ultra-deterministic, super-objectivist and fatalistic” historical method that is entirely alien to genuine Marxism. The exposure is incisive. Hobsbawm’s argument runs as follows: the Russian Revolution was, like a natural catastrophe, essentially “uncontrollable”; Lenin’s aims and intentions were “irrelevant” to what the revolution ultimately became; the USSR’s future course was “more or less prescribed” by 1921; and therefore “the rest is speculation.” The Left Opposition, Trotsky’s analysis, the political struggle within the Communist Party during the 1920s — all of this can be set aside. In a 300-page book centrally concerned with the place of the October Revolution in twentieth-century history, Trotsky’s name appears precisely once.

North’s reply is devastating on the methodological point. He writes that Hobsbawm’s position amounts to “starting, and ending, with ‘who won.'” But as North explains, historical materialism does not reduce history to a record of accomplished facts. It examines the contradictory and conflicting elements within the historical process — including the alternatives that were defeated. The struggle of the Left Opposition against the Stalinist bureaucracy “happened.” The murder of thousands of genuine Bolsheviks in the Moscow Trials “happened.” Trotsky’s analysis of the bureaucratic degeneration of the workers’ state “happened.” To exclude these from the historical record because, since Stalin won, there was no point in examining the defeated alternatives is not historical realism — it is apologetics.

The political implication is explicit: if the Stalinist dictatorship was the only plausible outcome of October 1917, then the entire Bolshevik seizure of power becomes historically indefensible. Hobsbawm, North argues, provides “not only an apology for Stalin — ‘objective conditions made him do it’ — but also vindicates the classical liberal bourgeois democratic argument against revolution as an instrument of social change.” By stripping revolutionary parties of any meaningful historical agency, by reducing them to passive vehicles of “uncontrollable” objective forces, Hobsbawm arrives at a historical philosophy that, whatever its intended register, tells the working class: do not attempt to consciously transform society, because history will do with your revolution what it will, and the outcome may be monstrous. This is not Marxism. It is its negation dressed in Marxist language.

Thompson’s Anti-Theoretical Turn

E.P. Thompson presents a different but related problem. Kaye is perceptive about the extraordinary qualities of The Making of the English Working Class — its recovery of artisan radicalism, its insistence on workers as self-making historical agents, its humanist challenge to a certain kind of structuralist Marxism. But Thompson’s later trajectory — culminating in The Poverty of Theory (1978), his polemic against Althusserian structuralism — represents not a deepening of Marxism but a retreat from it. Thompson’s rejection of theory, his empiricist elevation of “historical experience” as the final arbiter against theoretical “models,” was politically connected to his rejection of the revolutionary party and of the ICFI’s insistence on theoretical and political continuity. The attack on Althusser was conducted, whatever Thompson’s intentions, in terms that could equally be used against any systematic Marxist theory, including Trotsky’s. Kaye generally agrees with Thompson’s anti-Althusserian stance and discusses the controversy mainly from Thompson’s perspective. However, the ICFI contends that Thompson’s empiricism—his focus on specific English historical experiences rather than “continental” theoretical ideas—mirrored the nationalist bias evident in post-1956 New Left culture. The “English revolutionary tradition” that Thompson sought to defend ultimately aligned with the British national-state framework rather than a global socialist-revolutionary outlook.

Raphael Samuel and Populism

Raphael Samuel was a somewhat younger figure in this milieu, a student Communist and one of the most energetic organisers of History Workshop, which grew out of the Ruskin College adult education tradition in the 1960s. Samuel became the driving force behind History Workshop Journal (founded in 1976), which sought to democratise historical inquiry, recover the histories of ordinary workers, women, and people with low incomes, and challenge the elitism of academic historiography. His posthumous Theatres of Memory (1994–1998) is his most ambitious intellectual legacy.

Kaye’s account largely ends before Samuel’s most characteristic later work, but the trajectory is instructive. As we discussed previously, Samuel moved from the serious history-from-below of his early research toward an increasingly postmodern celebration of “popular memory,” “theatres of memory,” and the democratic plurality of historical consciousness. Theatres of Memory (1994) represents a Samuel who has essentially dissolved the Marxist analytical framework into a cultural-democratic pluralism that could coexist — as it in fact did — with a sympathetic account of British heritage culture. The class analysis that gave History Workshop Journal its initial power became increasingly optional, then marginal, then absent.

This trajectory from Marxist historiography through cultural studies to postmodern pluralism reflects a deliberate shift tied to a specific political movement. After breaking away from Stalinism in 1956 without adopting Trotskyism, this movement lacked a clear theory of the state, imperialism, or revolutionary strategy. Without these core ideas, the focus on history-from-below naturally evolved into a popular academic trend—populism—that valorised ordinary people’s experiences while leaving the exploitative capitalist system unchallenged in analysis.

Raphael Samuel warrants special attention because his career exemplifies both the authentic energies and the significant political boundaries of the CPHG environment. His initial focus on recovering the history of artisans and the working class — including coal miners from Headington Quarry, navvies, and workshop artisans — represented earnest history from below. Additionally, his vigorous efforts to establish the History Workshop as a truly participatory organisation were impressive.

Samuel gradually shifted from Marxist political economy to celebrating popular culture, memory, and “unofficial knowledge,” ultimately merging class analysis into a form of general populism. ‘Theatres of Memory,’ which focuses on heritage, nostalgia, and the use of the past in modern British culture, exemplifies this development at its most advanced and problematic stage. While the analysis of popular memory and heritage is engaging, it lacks a theoretical framework for the state, imperialism, or revolutionary strategies. This approach aligns more with cultural studies than Marxism. Additionally, Samuel’s later work shows a nostalgic attempt to rehabilitate his own Communist past—not by embracing Trotskyism or confronting Stalinism, but by recalling a sense of working-class culture and solidarity.

Maurice Dobb and the Debate on the Transition to Capitalism

The debate over the shift from feudalism to capitalism, centred on Maurice Dobb’s Studies in the Development of Capitalism (1946) and Paul Sweezy’s critical reply in Science & Society  (1950), is among the most important theoretical disputes in twentieth-century Marxist history. It tackles the key questions of how and why capitalism arose — issues that are not just historical but essential for understanding social change, class struggle, and the essence of capitalism. To analyse this thoroughly, one must place it within the larger political and intellectual framework from which it originated.

Maurice Dobb (1900–1976), a Cambridge economist and longtime Communist Party member, was a key figure in shaping the CP Historians Group’s theoretical foundations, alongside Dona Torr. His book, *Studies in the Development of Capitalism*, was an ambitious effort to trace, from a Marxist perspective, the extensive historical process by which European feudalism gave way to capitalism. While it remains a significant work despite some flaws, it demonstrates a serious engagement with Marx’s political economy and the specific social changes involved.

Dobb argued that capitalism primarily arose from the internal contradictions and class conflicts within feudalism, rather than from trade expansion and merchant capitalism as earlier theories proposed. He highlighted that the key cause was the crisis of feudal production relations. Under feudalism, surplus extraction from peasants depended on economic coercion—lords wielded their monopoly on violence and legal authority to impose rent, services, and dues. This system was inefficient and prone to crises as lords increased exploitation to maintain revenue amid demographic and economic challenges, and peasant resistance grew, eventually rendering the system unsustainable. The decline of serfdom, especially in Western Europe, then opened the path for a new mode of production based on wage labour.

According to Dobb, the key social change was the rise of a class of petty commodity producers—including artisans, yeomen farmers, and small manufacturers—who broke free from feudal dependence and eventually formed the foundation of a capitalist class. Capitalism emerged from within the feudal economy, gradually evolving as small producers expanded and combined to become wage-earner employers. This explanation is primarily endogenous, meaning capitalism developed from the internal dynamics of feudal class relations rather than from external influences such as trade or commerce.

Sweezy’s Challenge: The Role of Trade and Merchant Capital

Paul Sweezy’s 1950 response in Science & Society, subsequently collected in the symposium volume The Transition from Feudalism to Capitalism (1954) alongside replies by Dobb and contributions from Rodney Hilton, Kohachiro Takahashi, Christopher Hill, and others, mounted a challenge that exposed real tensions within Dobb’s framework while ultimately pointing in a less satisfactory theoretical direction.

Sweezy contended that Dobb’s endogenous explanation underestimated the extent to which external influences shaped the decline of feudalism. He referenced Henri Pirenne’s argument that the resurgence of long-distance trade from the eleventh century was key in dissolving feudal ties. The rise of a monetary economy, the increase of towns as commercial hubs outside the feudal structure, and the growth of merchant capital all created external pressures that unsettled the feudal order — pulling peasants and lords into market dynamics that gradually weakened serfdom and personal dependence.

According to Sweezy, the period between the end of feudalism and the rise of capitalism featured a unique “pre-capitalist commodity production” phase. This stage was neither fully feudal nor entirely capitalist, but dominated by merchant capital and characterised by market-oriented production without widespread wage labour. He viewed this as a vital transitional period that Dobb’s model had overlooked.

The key point is this: if you trace the origins of capitalism mainly to the growth of trade and merchant capital, you inadvertently shift your focus from labour exploitation in production to circulation and exchange. As Beams demonstrates through his examination of Marx’s critique of Proudhon, Marx clearly argued that modern monopoly and competition emerge from the fundamental forces of capitalist production, rather than from an inherent market logic.

Merchant capital penetrating a feudal economy can weaken and destabilise existing relationships without necessarily leading to capitalism. As Marx explained in *Capital*, “The commercial capital, when it holds a dominant position, is everywhere an obstacle to the real capitalist mode of production.” It may act as a force for exploitation without creating the distinct social relations of capitalism, such as widespread wage labour and the constant pressure to innovate in production methods.

The Wider Debate: Hilton, Takahashi, Hill, and the Brenner Thesis

The Science & Society discussion expanded into a wider international debate, with several members of the CP Historians Group participating. Rodney Hilton, the group’s expert in medieval history, strongly endorsed Dobb’s focus on internal class struggle and peasant resistance as the main forces behind the decline of feudalism. His later research on the Peasants’ Revolt of 1381 and medieval English agrarian society provided detailed historical support for the idea that feudal contradictions arose internally. Hilton emphasised that peasant efforts, such as reducing rents and services, expanding common rights, and gaining personal freedom, were crucial to this process. Serfdom was a decisive historical force in its own right, not a mere symptom of larger structural processes.

Kohachiro Takahashi’s contribution added a comparative perspective, suggesting that Japan’s experience—where merchant capital integrated into a feudal society yet yielded outcomes distinct from those of Western European capitalism—supported Dobb’s argument that the nature of agrarian class relations, rather than trade alone, was the key factor. This comparative approach laid the groundwork for a significant later development in the discussion: Robert Brenner’s research in the 1970s.

Brenner’s intervention, known as the “Brenner Debate,” was sparked by his 1976 article in Past and Present and served both as a development and critique of the Dobb framework. Brenner argued, counter to Sweezy-influenced “commercialisation” explanations and demographic determinist views like those of Michael Postan, that the primary factors influencing different historical trajectories—such as capitalism in England, refeudalisation in Eastern Europe, and ongoing peasant proprietorship in France—were not trade expansion or demographic pressures.

Instead, he focused on the specific nature of agrarian class relations: land ownership, the power dynamics between lords and peasants, and the types of surplus extraction these relations enabled. England’s unique path to agrarian capitalism was shaped by landlord control of land, tenant vulnerability to market forces, and the development of large, consolidated farms using wage labour, the outcomes of medieval class struggles.

Brenner’s work sharpened and extended Dobb’s internalist emphasis while also revealing the implicit political tensions. His insistence on the specificity of class relations countered any mechanistic or teleological reading of the transition — any suggestion that capitalism was simply the “natural” outcome of expanded trade or demographic recovery. But it also raised uncomfortable questions for the CP Historians Group tradition: if capitalism’s origins were so deeply rooted in specific and contingent agrarian class relations, what became of the seamless progressive national narrative — from Peasants’ Revolt to Levellers to Chartism that underpinned the “people’s history” framework?

Any honest evaluation of this debate must consider the political environment in which Dobb operated. Like others in the Group, Dobb was politically shaped by the Communist Party and the Stalinist apparatus. His book, *Studies in the Development of Capitalism*, was published in 1946 — the same year the Cold War began to solidify, and the Popular Front alliance during the war was breaking down into open inter-imperialist rivalry. Ann Talbot’s analysis for WSWS of the CP Historians Group highlights the core distortion that Stalinist politics introduced into their historiography: the substitution of an internationalist class analysis with a nationalist “people’s history” approach, and the masking of the class nature of historical struggles behind a persistent national revolutionary narrative.

Dobb’s work faces criticism, though more subtly than Morton’s explicitly nationalist people’s History. His focus on the small producer, the yeoman farmer, the craftsman, and the emerging petty bourgeoisie implies a political stance: it sees the progressive social force not in the revolutionary workforce but in a “middle” layer between the feudal aristocracy and the rising proletariat. This aligns with Popular Front policies, which aimed to forge cross-class alliances around a “progressive” petty bourgeoisie against the “reactionary” landlord class, instead of promoting working-class independence from both.

Rodney Hilton: The Group’s Medieval Specialist

Rodney Hilton (1916–2002) was the leading expert in medieval English history within the Communist Party Historians Group. His work consistently reflected the group’s strong methodological principles while also highlighting the political limitations faced by its members. At the University of Birmingham, where he taught from 1946 until retirement, his research focused on medieval agrarian society, peasant movements, and the evolving feudal class struggles—primarily in England.

Hilton’s key publications include A Medieval Society: The West Midlands at the End of the Thirteenth Century (1966), Bond Men Made Free: Medieval Peasant Movements and the English Rising of 1381 (1973), The English Peasantry in the Later Middle Ages (1975), and Class Conflict and the Crisis of Feudalism (1985). Throughout his work, Hilton maintained a consistent focus: showing that medieval peasants were not merely passive victims of feudal oppression but active agents in history, whose resistance, organisation, and quest for freedom were central to dismantling the feudal system from within.

The Peasants and the Class Struggle

Hilton’s main contribution was to challenge traditional medieval historiography by emphasising that class struggle is key to understanding medieval society. His analysis of the 1381 English Rising—the Peasants’ Revolt led by Wat Tyler and John Ball—showed that medieval peasants possessed a sophisticated political awareness, clear demands, and the ability to act collectively. Ball’s well-known statement — “When Adam delved and Eve span, who was then the gentleman?” — reflected Hilton’s view of a genuinely egalitarian ideology rooted in the material realities of feudal exploitation, rather than merely religious or millenarian ideas.

Hilton and the Transition Debate

Hilton’s contribution to the Dobb-Sweezy debate, through his essay in the Science & Society symposium and his later work, strongly aligned with Dobb’s focus on class struggle as the key factor in overcoming feudalism. While Sweezy emphasised the external influence of merchant capital and trade, Hilton argued that the internal dynamics of the feudal relationship between lords and peasants—such as disputes over rents, labour obligations, and villeinage conditions—were crucial to explaining the collapse of feudalism and the rise of capitalism.

This was more than a methodological choice; it was a solid historical argument. Hilton’s in-depth understanding of the English medieval countryside demonstrated, through empirical evidence, that the decline of feudalism in the 14th and 15th centuries was directly linked to increasing peasant resistance, their capacity to leverage demographic crises to better their conditions, and ultimately the end of serfdom. This was driven not by a broad expansion of trade but by the particular balance of class forces within the English countryside.

Simultaneously, the same limitation we discussed earlier regarding Dobb applies here: Hilton’s analysis mainly focused on the English context, specifically the dynamics of the English manor and village community. The broader international framework — linking English agrarian change to the wider European and global context of primitive accumulation, colonial exploitation, and the Atlantic slave trade — was never fully incorporated into his work. This reflects a common limitation of the entire Group: their adherence to a national perspective, shaped by the Popular Front politics that Dona Torr and Maurice Dobb had passed on to the next generation, which even limited their most thorough scholarship.

1956 and Hilton’s Response

Unlike Thompson and Hill, Hilton remained in the Communist Party after 1956. This is a significant biographical fact. His response to the Hungarian Revolution and Khrushchev’s secret speech was to stay, which, in this crucial respect, placed him closer to Hobsbawm than to Thompson. He did not experience 1956 as a decisive political rupture requiring a reconsideration of the fundamental framework. This is consistent with the character of his historical work: Hilton was among the Group’s most consistently “orthodox” members in his political affiliations, less inclined towards the cultural and humanist departures that characterised Thompson’s trajectory, and thus less subject to the kind of crisis of conscience that forced some of the Group’s intellectuals to confront their relationship to Stalinism more directly.

This is a significant biographical detail. The historian who remained in the party after the Hungarian workers’ uprising was suppressed made a political decision, perhaps not fully conscious or articulated, but real, that maintaining organisational continuity with the Stalinist system takes precedence over the political clarity that honest engagement with those events would demand. In Hilton’s case, this decision did not lead to obvious distortions in his medieval scholarship, which was removed from the immediate political debates of 1956. However, it implied that the political context in which he worked — and which influenced the “people’s history” tradition he helped develop — was never subjected to the critical examination required by a true break from Stalinism.

Kaye’s conclusion highlights the importance of the Group’s legacy—such as “history from below,’ recovering class formation, and emphasising the working class as a historical agent—which remain vital for revitalising the socialist left. He views their work as a tool to counteract both postmodernist doubts about historical agency and Thatcherite claims of ‘the end of socialism.” There is real value in defending historical materialism against postmodern ideas that dissolve class analysis. The same fundamental limitation as the tradition he champions: it. The text is situated within a social-democratic and Popular Front political context. The group’s focus on “history from below” is not aimed at creating an independent revolutionary party for the working class. Instead, it serves as cultural and intellectual backing for left-wing activities within bourgeois democratic institutions — primarily, the Democratic Party in the American setting where Kaye operates. The radical democratic tradition, drawn from Thompson, Hill, and others, is used by Kaye to justify progressive-patriotic politics, similar to Sanders’ approach of “reclaiming the American tradition.” The ICFI sees this as a means of subordinating workers to the ruling class.

The Communist Party Historians Group produced genuine intellectual achievements against the dominant tide of conservative and liberal academic historiography. Their insistence on class, on revolution, on the agency of ordinary people was real and valuable. But their political formation within Stalinism imposed an indelible nationalist distortion on their work, prevented serious engagement with the history of the Fourth International and the fight against the Moscow Trials, and ultimately left them without the theoretical and political resources to develop beyond populism and culturalism when the Stalinist framework itself collapsed.

Kaye’s British Marxist Historians is a valuable survey and remains a useful starting point for anyone studying this tradition. But it cannot provide what a genuinely Marxist assessment requires: an evaluation of the CPHG tradition against the standard of the political continuity of Marxism, not merely its intellectual achievements. That standard is provided by the Fourth International and its history by the fight of the Left Opposition against Stalinist falsification, by the defence of the October Revolution against both Stalinist bureaucratism and bourgeois reaction, and by the sustained theoretical work of the ICFI.

Notes

“These are the times … this is the man”: an appraisal of historian Christopher Hill- www.wsws.org/en/articles/2003/03/hill-m25.html

The Historians’ Group of the Communist Party-Eric Hobsbawm-www.versobooks.com/en-gb/blogs/news/the-historians-group-of-the-communist-party.

The New Left Must Look to the Working Class Gerry Healy Labour Review Oct- Nov 1959

An Unreasonable Reasoner Editorial Labour Review Vol 3 No 2 March April 1958

Leon Trotsky and the Fate of Socialism in the 20th Century: A Reply to Professor Eric Hobsbawm, by David North, 3 January 1998.