Hay Festival Forum Dallas hosts Nikole Hannah‑Jones: The 1619 Project’s racialist narrative returns to the stage.

On October 17, the Hay Festival Forum in Dallas will host Nikole Hannah-Jones, best known for creating The New York Times’ 1619 Project, for a session titled “Reframing the American Story.” The festival’s promotional material describes a discussion on history, race, education, and national identity, highlighting Hannah-Jones’ role in transforming the conversation about the legacy of slavery in the U.S. The Hay Festival, which positions itself as a global summit of writers, intellectuals, and cultural figures, is giving a leading platform to a narrative widely discredited by scholarly research.

The festival’s presentation omits significant criticism of the 1619 Project’s reinterpretation from prominent historians specialising in the American Revolution and Civil War. Key figures like Gordon Wood, James McPherson, James Oakes, Victoria Bynum, and Sean Wilentz challenged its central assertion that the colonists initiated the Revolution primarily to shield slavery from British abolition efforts. In 2020, the Times subtly revised this claim to refer to “some of” the colonists, yet they did not withdraw the overarching interpretive framework. Despite this controversy, the Board still awarded Hannah-Jones the Pulitzer Prize for commentary.

The core issue is not whether slavery was a central part of American history; it was. Rather, it is about how history is interpreted. The 1619 Project shifts the focus from class conflict to an unchangeable racial divide, portraying “white America” and “Black America’ as forever opposing entities. This perspective diminishes the significance of the two major revolutionary moments, the War of Independence and the Civil War, stripping them of their progressive significance. The Declaration of Independence, once a rallying point for abolitionists like Frederick Douglass and Lincoln, is now seen as hypocritical. The Civil War, which cost the lives of hundreds of thousands of white workers and farmers fighting to end slavery and saw around 180,000 Black soldiers participate, is marginalised. Furthermore, the struggles of the industrial working class, including CIO organising campaigns and large-scale strikes of the 20th century, are scarcely acknowledged.

The political function of racialist historiography

This narrative does not develop in isolation. It reflects the political interests of a privileged upper-middle class, closely tied to the Democratic Party, for whom racial identity serves as a tool for career advancement in academia, media, corporations, and government. Over the last decade, this social segment has heightened racial discourse into a form of cultural capital. This credential grants access to grants, tenure, editorial roles, foundation funding, and corporate diversity positions. The 1619 Project exemplifies this ideological trend. By depicting racism as a permanent trait ingrained in the “national DNA” rather than as a result of specific social and economic conditions, it shifts focus away from capitalism, the root cause of exploitation across all races. It promotes a narrative that normalises division while hiding the material foundations of oppression.

This narrative’s political usefulness becomes evident amid the worsening crisis of American capitalism. Inequality has risen to levels unseen since the Gilded Age, social infrastructure is deteriorating, and the ruling elite is leaning toward authoritarian rule. In this climate, a united working-class movement would threaten the interests of the upper-middle class, which aligns its fortunes with the Democratic Party. Racial essentialism acts as a political tool to prevent such unity by dividing workers into hostile racial groups, fostering suspicion and resentment, and replacing the idea of common exploitation with ongoing cultural conflicts.

The racial essentialism of the 1619 Project is more than just a theoretical mistake; it has tangible political repercussions. By dismissing the revolutionary and democratic essence of the American Revolution and Civil War, it strips the working class of vital historical narratives that highlight their ability to unite and oppose oppression. The American Revolution, with its universalist claims of human equality, and the Civil War, which effectively ended slavery and can be seen as America’s second revolution, stand as some of the most significant examples of mass resistance in history. They demonstrate that ordinary people- farmers, artisans, workers, Black and white- are capable of overthrowing deeply rooted systems of exploitation when they come together around shared material interests.

Removing the progressive elements of these events erodes the working class’s historical memory. As Tom Mackaman and David North noted in their review, attacking these revolutions disarms the populace against fascism, depriving workers of the historical confidence essential to resist authoritarian regimes. When a society is taught that “white America” is inherently racist and that interracial unity is a myth, it becomes less able to see its own collective power.

The project’s author’s political trajectory underscores this function. Hannah‑Jones has repeatedly used the project to intervene in contemporary politics, promoting racial divisions and aligning herself with the Democratic Party’s electoral strategies. Her public interventions consistently frame political developments through the lens of racial antagonism, encouraging the view that racial identity is the primary determinant of social experience and political interest. In doing so, she reinforces the ideological framework through which the upper‑middle class maintains its privileges: a framework that elevates racial discourse while obscuring the class relations that structure American society.

The narrative promoted by the 1619 Project has become a key ideological weapon for a social class aiming to preserve its privileges by dividing the working class along racial lines. Its purpose is not to clarify history but to divert social anger from capitalism and toward a view where race, rather than class, is the main factor. This leads to an outlook that divides and weakens the working class when unity is most needed.

The social context in Dallas

The timing and setting of the Hay Festival Forum reveal important insights. Held amid a period when the working class faces growing inequality, threats to immigrant rights, and a move toward authoritarianism, Dallas symbolises more than just a location; it is a microcosm of America’s social crisis. Workers across Texas, regardless of race- Black, white, or Latino- share common struggles: the same employers, landlords, declining public services, and a political system responsible for decades of social decline. These issues stem not from genetic or racial factors, but from a capitalist system that prioritises private profit over social well-being.

Texas exemplifies this trend, with political leaders implementing policies that benefit corporations at the expense of public education, healthcare, and social services. Immigrant communities face punitive laws and increased militarised policing. Meanwhile, housing prices climb as wages remain stagnant. The rise of authoritarianism through attacks on democratic rights and expanded repression is deeply linked to the growing class conflict. In this context, the ruling class and its ideological supporters actively promote narratives that divide workers and hide the true causes of their oppression.

A portrayal of American history that pits workers against each other based on race offers no benefits. Moreover, it provides the far right with a simple caricature to use in campaigns against public education and historical study. The racialist story from the 1619 Project has already been weaponised by reactionaries trying to ban conversations about racism, thereby bolstering their authoritarian goals. In Texas, where authorities are aggressively censoring school curricula, the 1619 Project has been used as a justification to ban teaching about race, inequality, and oppression’s history. The right-wing attack on education is not about factual history but about distorting the narrative to make it easier for reactionaries to see any talk of racism as ideological. This analysis uncovers the political purpose behind racial essentialism. By framing American history as a moral story of ongoing racial conflict, the 1619 Project neglects the significant influence of class struggle and revolutionary traditions that have shaped the nation. It omits that major American milestones such as ending slavery, expanding democratic rights, and labour victories were achieved through collective effort across all races. This oversight strips the working class of vital historical memory needed to resist authoritarian threats today.

The Hay Festival Forum’s choice to highlight Hannah-Jones now is deliberate. The festival’s social circle, wealthy, professional, and aligned with the Democratic Party, is exactly the group that has adopted racial essentialism as its core ideology. For this group, racial identity serves to distinguish moral values and gain institutional influence. It offers a framework to voice social grievances without questioning the capitalist system that sustains their advantages.

For workers in Dallas, the prevailing story acts as a distraction, shifting focus away from their shared exploitation toward viewing society through the lens of racial identity as the key factor in experiences. It fosters division when unity is most needed. The true “reframing” is not the one promoted by the Times but a return to a materialist view of history, one that acknowledges the revolutionary legacy of the American working class and the importance of uniting workers across racial and national lines in the fight against capitalism.

The historical record and the materialist method

A true rethinking requires returning to a materialist view of history. Slavery was not driven by an inherent racial essence but was a system of class exploitation rooted in capitalism and the global market. It developed alongside major shifts in production, finance, and trade, transforming humans into commodities to satisfy the needs of expanding capitalist wealth. The plantation economy was closely linked to the rise of merchant capital, Atlantic trade, and the emergence of industrial capitalism in Britain and the northern U.S. Understanding slavery means understanding capitalism; dismantling it involves revolutionary change.

Abolishing slavery required a revolutionary struggle, beginning with the War of Independence, which paved the way for abolitionist activism, and then in the Civil War, often called the second American revolution, which dismantled the slave system through mass mobilization and armed conflict. Although the Revolution of 1776 did not end slavery, it laid the ideological and political groundwork for abolitionism. The Declaration of Independence, with its claim that “all men are created equal,” became a tool for leaders like Frederick Douglass, William Lloyd Garrison, and other anti-slavery advocates. The Civil War, largely fueled by enslaved people’s actions and the mobilization of workers and farmers, ended the slave system and established the republic on the principles of free labor. These conflicts were fundamentally class struggles with deep democratic significance, rather than racial conflicts.

The working class needs to reclaim these traditions, not as remnants of the past but as active evidence of ordinary people’s ability to challenge established systems of exploitation. The interracial struggles of the 19th and 20th centuries, ranging from the abolitionist movement to Reconstruction governments, and from the Knights of Labour to the CIO’s organising efforts, show that solidarity across racial boundaries is both possible and necessary. These struggles are not isolated incidents; they reflect the fundamental truth that workers of all races share common interests against the capitalist class.

The movement to end slavery was inherently interracial, with Black and white workers, artisans, intellectuals, and farmers collaboratively opposing the slaveholding system. During Reconstruction, Black and white workers in the South helped establish governments that expanded public education, increased political participation, and challenged former slaveholders’ influence. In the early 20th century’s industrial battles, workers from various backgrounds united in large-scale strikes that challenged the foundations of American capitalism. The CIO’s victories in the steel, auto, and mining industries came from deliberately rejecting racial divisions and advocating industrial unionism: “Black and white, unite and fight.”

These traditions expose the falsity of the racialist narrative advanced by the 1619 Project. They show that the decisive force in American history has never been immutable racial antagonism but the capacity of workers to unite around shared material interests. They reveal that progress has come not from the assertion of racial identity but from the collective struggle against exploitation.

To reclaim these traditions is to reclaim the possibility of revolutionary change today. The working class confronts a capitalist system in profound crisis marked by inequality, authoritarianism, war and social decay. Its strength lies not in racial division but in unity. A materialist understanding of history provides the foundation for such unity. It reveals that the fight against racism is inseparable from the fight against capitalism, and that the emancipation of all oppressed people requires the independent mobilisation of the working class across all racial and national lines.

A warning and a perspective

The Hay Festival Forum’s support for the 1619 Project exemplifies a wider ideological campaign designed to shift social anger away from capitalism and toward racial essentialism. It caters to a privileged elite that fears a unified working-class movement. With inequality surging to historic levels, social infrastructure crumbling, and authoritarian trends becoming more apparent, the ruling class and its allies have a clear motive to promote narratives that divide workers and hide the material roots of oppression. The 1619 Project, which emphasises race as the key and lasting factor in American society, fulfils this role.

Today, the objective is to focus on a materialist view of history that highlights the critical influence of class conflict, rather than simply reframing American history through racial perspectives. This involves understanding slavery as an exploitation system rooted in capitalism’s rise and the expansion of the global market. It also means recognising that abolition was driven by revolutionary struggles first during the War of Independence, which created the foundation for abolitionist ideas, and later during the Civil War, America’s second revolution, which dismantled slavery through mass mobilisation and armed conflict. These historic changes were driven by class forces prevailing in specific contexts, not by race or destiny.

A materialist understanding of history also requires reclaiming the revolutionary traditions that followed. The interracial struggles of the 19th and 20th centuries, from the abolitionist movement to Reconstruction, from the Knights of Labour to the CIO organising drives, demonstrate that solidarity across racial lines is not only possible but essential. These struggles were not anomalies or exceptions to an otherwise racially determined national story. They expressed the fundamental reality that workers, regardless of race, share common interests in opposition to the capitalist class. They show that the greatest advances in American history came when workers acted collectively, not when they were divided.

The racial essentialism advanced by the 1619 Project denies these traditions. It reduces the American Revolution to hypocrisy, the Civil War to a conflict devoid of progressive content, and the labour struggles of the 20th century to footnotes in a narrative of permanent racial division. In doing so, it deprives the working class of the historical memory necessary to confront the dangers of authoritarianism, inequality and war. A population taught that “white America” is irredeemably racist, and that interracial solidarity is a myth, is a population less capable of recognising its own collective strength. It is a population more vulnerable to demoralisation, fragmentation and political manipulation.

The ideological offensive represented by the 1619 Project is therefore not simply a matter of historical interpretation. It is a political intervention aimed at shaping consciousness in a period of intensifying crisis. The upper‑middle‑class layers that promote racial essentialism do so because their own social position depends on the maintenance of capitalist stability. They fear the emergence of a unified working‑class movement that could challenge the institutions through which they exercise influence: academia, media, corporate management and the state. By elevating racial identity to the status of a master category, they seek to redirect social anger away from capitalism and toward a conception of society in which race, not class, is the decisive force.

Only a materialist perspective can counter this. Only such a perspective can give the working class the historical clarity and political confidence needed to confront the dangers of authoritarianism, inequality, and war. It reveals that the fight against racism is inseparable from the fight against capitalism, and that the emancipation of all oppressed people requires the independent mobilisation of the working class across all racial and national lines. It restores the revolutionary traditions that show what workers can achieve when united. Moreover, it exposes the racialist narrative for what it is: an ideological weapon wielded by a privileged social layer to defend a social order that is collapsing under the weight of its own contradictions.

I. WSWS Articles and Analyses on the 1619 Project

  • David North & Eric London, The New York Times’ 1619 Project and the Racialist Falsification of History (WSWS, 2019–2020). A multi‑part series dissecting the project’s historical claims, political function, and methodological flaws.
  • Tom Mackaman & David North, The 1619 Project and the Second American Revolution (WSWS, 2021). A retrospective evaluation of the expanded book edition, A New Origin Story, demonstrating its deepened racial essentialism.
  • Tom Mackaman, A New Origin Story: The 1619 Project’s Racialist Distortion of American History (WSWS, 2021). A detailed review of the book edition, showing how it erases class struggle and revolutionary traditions.
  • Eric London, The New York Times and the Promotion of Racialist Politics (WSWS, 2020). An analysis of the political interests behind the project.
  • Interview Series, WSWS interviews with Gordon Wood, James McPherson, James Oakes, Victoria Bynum, and Sean Wilentz (2019). Essential primary material documenting the scholarly rejection of the project’s foundational claims.

II. Scholarly Works on Slavery, Capitalism, and the American Revolution

Foundational Historians Who Critiqued the 1619 Project

  • Gordon S. Wood, The Radicalism of the American Revolution (Vintage, 1993).
  • Gordon S. Wood, The American Revolution: A History (Modern Library, 2002).
  • James M. McPherson, Battle Cry of Freedom: The Civil War Era (Oxford University Press, 1988).
  • James Oakes, The Ruling Race: Slaveholders in the South (Knopf, 1982).
  • James Oakes, Freedom National: The Destruction of Slavery in the United States (W.W. Norton, 2012).
  • Victoria Bynum, The Free State of Jones (University of North Carolina Press, 2001).
  • Sean Wilentz, No Property in Man: Slavery and Antislavery at the Founding (Harvard University Press, 2018).

These works collectively dismantle the claim that the Revolution was fought to protect slavery and demonstrate the centrality of antislavery politics in the founding and Civil War eras.

III. Marxist and Materialist Historiography

Classic Marxist Works

  • Karl Marx, The Civil War in the United States (1861–1865).
  • Karl Marx & Friedrich Engels, The Communist Manifesto (1848).
  • Leon Trotsky, History of the Russian Revolution (1930–32). (For method: class analysis, revolutionary agency, historical materialism.)

Modern Marxist Historians

  • W.E.B. Du Bois, Black Reconstruction in America (1935). A foundational materialist analysis of the Civil War and Reconstruction, emphasising interracial working‑class struggle.
  • Herbert Aptheker, American Negro Slave Revolts (1943).
  • Eric Foner, Reconstruction: America’s Unfinished Revolution (1988).
  • Robin Blackburn, The Making of New World Slavery (1997).
  • Robin Blackburn, The American Crucible: Slavery, Emancipation and Human Rights (2011).

These works situate slavery within global capitalism and emphasise class struggle as the motor of historical change.

IV. Works on Race, Identity Politics, and the Upper‑Middle Class

  • Adolph Reed Jr., Class Notes: Posing as Politics and Other Thoughts on the American Scene (2000).
  • Walter Benn Michaels, The Trouble with Diversity (2006).
  • Barbara Fields & Karen Fields, Racecraft: The Soul of Inequality in American Life (2012).
  • Cedric Robinson, Black Marxism (1983) is important but often misused; worth engaging critically.

These works critique racial essentialism and identity politics as ideological tools of the professional‑managerial class.

V. Additional Articles and Essays

  • Leslie Harris, I Helped Fact‑Check the 1619 Project. The Times Ignored Me (Politico, 2020).
  • Sean Wilentz, A Matter of Facts (The Atlantic, 2020).
  • Gordon Wood, The New York Times’ 1619 Project Is Wrong (Various interviews, 2019–2020).
  • James Oakes, Why the 1619 Project Is Wrong About Lincoln (WSWS interview, 2019).

VI. Suggested Further Reading

  1. Du Bois, Oakes, McPherson, Wood, Foner
  2. Blackburn, Fields & Fields, Reed, Michaels
  3. WSWS analyses (North, Mackaman, London)
  4. Primary sources: Douglass, Lincoln, abolitionist newspapers, slave narratives

Engines of Memory Capitalism: How eBay, Etsy, and the Auction Houses Pillage the Past

The Marketplace Devours Memory

From the outset, it’s important to clarify that the concern isn’t about historians or scholars buying ‘Historical Memorabilia’ on eBay or at auction. Many committed history professors, archivists, and collectors buy these items because they worry they might otherwise remain hidden in private safes or be discarded. Criticising or reporting a history professor for buying items like strike leaflets or soldiers’ letters is unjustified. Often, they serve as the final guardians in preserving vital historical documents.

However, the very phenomenon of turning the past into a marketplace holds significant historical and political importance. A historian’s need to use eBay to recover working-class history or compete with hedge-fund managers for political papers is not just a neutral cultural shift. It points to a deeper social problem: the ongoing, systematic loss of collective memory.

Visit eBay’s “Historical Memorabilia” section in the evening, and you’ll see a scene that would shock even the most sceptical chroniclers of bourgeois history. The remnants of human efforts- soldiers’ letters, strike pamphlets, migrant records, and working-class materials- are now just thumbnails, countdown timers, and “Buy It Now” options. The past isn’t just commercialised; it’s being extensively exploited.

But eBay represents just the base level of a larger system. Etsy, with its curated sense of nostalgia and boutique “vintage” style, carries out a more refined yet equally harmful process. Above both, the auction houses-Sotheby’s, Christie’s, Bonhams- stand as revered marketplaces where the elite buy the past as an investment.

Together, these platforms create a unified system of memory capitalism: a mechanism in which society’s collective past is appropriated, fragmented, aestheticised, and sold to private individuals. What should be a shared human heritage becomes private property, strengthening class dominance and diminishing working people’s ability to understand their own history. This is intentional, serving as the cultural superstructure of a social system that relies on turning everything, including memory, into a commodity.

Memory Capitalism: The Bourgeoisie’s New Frontier

Capitalism has historically been a system built on theft: labour, land, and lives have all been stolen. It is fundamentally an order of expropriation, extracting surplus from workers, taking land from indigenous peoples, and dismantling communities in pursuit of profit. In its later stages, capitalism has expanded its plundering to include stealing the past. This theft isn’t always overt; it often occurs subtly through the market’s mechanisms. Human records- letters, photographs, tools, diaries, records- are removed from their original social contexts and sold into private markets.

The past becomes inventory; memory turns into merchandise. This process, called memory capitalism, operates through three interconnected mechanisms. Historical materials are removed from public institutions, families, and communities and sold on private markets. Archives suffer from austerity, families sell documents to pay bills, local history collections close, and estate clearances sell off decades of working-class items. Instead of remaining in public trust, these items end up on eBay, Etsy, and at auction. The past is uprooted and placed under private control.

Once in the marketplace, items are fragmented, sold separately for profit. Collections are split; union records, soldiers’ letters, inspection reports are broken into multiple listings, dissolving their original context and meaning. This mirrors the fragmentation of labour under capitalism: workers are divided, and so are the records of their struggles.

The value of artefacts is dictated not by their social or historical importance but by scarcity, demand, and buyers’ purchasing power. A strike leaflet becomes a “rare collectable,” a soldier’s letter turns into “WWI ephemera,” a migrant’s ID becomes “vintage paper goods.” Marx’s idea of commodity fetishism is prophetic here: the social relations behind these artefacts appear as intrinsic qualities of the objects themselves.

The experiences of millions are reduced to isolated exchange values. Memory capitalism is the cultural wing of rentier capitalism, with platforms and auction houses generating fees without producing content. They act as landlords of the past: eBay charges transaction fees, Etsy monetises nostalgia through listings and algorithms, auction houses profit from selling manuscripts, letters, and archives, turning history into an asset class for the wealthy.

This isn’t preservation, but extraction. It isn’t curation, but expropriation. It isn’t democratisation, but privatisation. The theft of the past isn’t just metaphorical; it’s an ongoing material process happening daily in digital markets and elite auctions. Without resistance, it will erode the working class’s collective memory- the very foundation for future struggles.

eBay: The Digital Rag‑and‑Bone Shop of History

eBay stands as the largest marketplace ever for historical artefacts, an extensive, chaotic collection of working-class history. Its listings include union history, factory inspection reports, military letters, strike pamphlets, migrant documents, and domestic tools- everyday items that represent labour, struggle, and survival. This platform functions as an informal archive of the dispossessed, created not by professional curators or archivists but by economic hardship.

This “archive” is controlled by the harshest market forces: price, algorithms, and seller insecurity. The platform’s interface erases all distinctions, turning a Civil War muster roll, a suffragette pamphlet, and a novelty mug into the same basic items, each shown as a thumbnail with a “Buy It Now” button. In this way, the past loses its hierarchy, meaning, and context. Human struggle documents are reduced to mere kitsch, interchangeable and devalued. This levelling isn’t accidental; it reflects capitalism’s cultural logic: everything is a commodity, and all commodities are valued equally in the marketplace. The real experiences of workers, soldiers, migrants, and strikers are flattened into the same abstract exchange value as mass-produced junk. The past isn’t preserved; it’s priced.

eBay not only commodifies the past but also breaks it apart. The platform promotes fragmentation because it boosts profits. A collection of documents becomes more lucrative when divided into fifty individual listings. Union records generate more revenue when dispersed among many buyers. A soldier’s letters sell for higher prices when sold separately rather than as a complete correspondence. This approach undermines the integrity of historical materials. Collections lose their internal connections, making patterns of struggle invisible. The capacity to reconstruct experiences of workplaces, units, communities, or movements is compromised. This fragmentation reflects the atomisation of labour under capitalism. Just as workers are separated by workplace, contracts, location, and competition, the traces of their collective struggles are scattered into private ownership. The past, like the present, becomes fragmented.

Most eBay sellers are not professional dealers or collectors; they are individuals attempting to supplement stagnant wages through reselling, often under difficult conditions. People clear out attics, liquidate estates, and sell personal archives because their income doesn’t cover essentials like rent, food, or bills. The so-called “democratisation” of selling on the platform actually highlights economic insecurity. Sellers are not villains; they are victims of a system that compels them to monetise whatever they can. For example, a family sells their grandfather’s strike papers out of necessity, not greed. Similarly, a worker lists their father’s military letters not for profit, but to survive.

However, the outcome is the same: the documentation of working-class life becomes private inventory. The material of collective memory feeds the gig economy, where it is fragmented, repriced, and dispersed. eBay itself produces nothing. It does not create historical value, preserve archives, or safeguard collections. Instead, it extracts fees from every transaction- listing fees, final value fees, promoted listing fees- profitably siphoning money from the circulation of memory. Its interest in historical material extends only to the commissions it earns. Ethical questions about the sale of Holocaust artefacts, slavery records, and indigenous land deeds are addressed only when public outrage threatens the brand. Even then, changes are piecemeal, reactive, and subordinated to profit. The platform’s policies are not moral principles but risk‑management strategies. 

Etsy: The Boutique Sanitiser of History

Etsy specialises in curated nostalgia, a thoughtfully organised marketplace featuring vintage clothing, retro typography, handmade replicas, upcycled materials, and stylised historical motifs. It functions as capitalism’s boutique workshop where memory is sold not as evidence but as a matter of style. The past is stripped of its social context and reassembled as decoration. On Etsy, history is simplified into aesthetic categories like “mid-century,” “industrial,” “boho,” and “Victorian.” These labels capture consumer moods rather than accurately representing historical periods. They reduce complex eras marked by struggle, exploitation, and change into simple colour schemes and design elements. The Industrial Revolution appears as distressed metal lamps; the Victorian era is expressed through lace and sepia tones; the mid-century period, defined by Cold War fears, decolonisation, and labour movements, is reduced to teak furniture and geometric patterns.

Etsy reinterprets history as a mood board rather than a strict archive; it functions as a lifestyle catalogue. The past isn’t examined critically but carefully selected, with violence, conflict, and collective agency removed from the narrative. What remains is a sanitised, aestheticised version of history, free of contradictions, marketed as personal expression. Etsy’s core ideology centres on the “creative entrepreneur”, the small-scale craft seller who turns fragments of history into boutique products. Its marketing champions this archetype: the independent maker, artisan, or small business owner who “rescues’ and reimagines old objects. This portrayal romanticises small-scale production, positioning it as an alternative to mass consumerism.

This ideology is merely a façade. Etsy sellers are deeply embedded in capitalist production systems. They rely on platform fees, branding, algorithmic visibility, and the continuous need to distinguish their products in a saturated market. Their claim of independence is a myth; they experience the same competitive pressures as other small businesses in capitalism.

The micro-narratives crafted by sellers such as ‘rescued from a 1950s factory,” “inspired by suffragette banners,’ or ‘found in an old workshop in Detroit’are not genuine historical stories but marketing strategies. They create a facade of authenticity that justifies higher prices. These stories become part of the product, serving as selling points rather than historical truths. This petty-bourgeois craft ideology behind them plays a political role by concealing the economic forces pushing people into unstable entrepreneurial work. It portrays Etsy as a hub of creativity and independence, but in reality, it profits from sellers through fees, commissions, and algorithmic controls. Etsy isn’t an alternative to capitalism; it is capitalism dressed up in artisan terms.

Etsy’s most harmful role is transforming political activism into aesthetic and commercial objects. Union symbols, protest chants, and radical icons become fashion items. The clenched fist appears on tote bags, the red flag as a design motif, and suffragette colours appear in jewellery, stripping away their political significance. These symbols become commodities, exemplifying capitalism’s tendency to co-opt dissent, absorb radical imagery, dilute its meaning, and resell it as lifestyle choices. As a result, collective struggle shifts to personal taste, and resistance history gets reduced to decorative elements. Etsy doesn’t honour political memory; it sanitises it, turning activism into sentiment, militancy into style, and radical ideas into nostalgic fashion, making history a safe, consumable object that no longer inspires or educates.

Where eBay fragments history through mass resale, Etsy fragments it through stylisation. Historical artefacts are detached from their contexts and reassembled into new aesthetic forms. A factory tool becomes a “rustic décor item.” A union badge becomes “vintage enamel jewellery.” A protest banner becomes “retro textile art.”

The past is repurposed for lifestyle creation, stripping away its social, political, and collective meanings, replacing them with individual consumption. Etsy doesn’t destroy historical artefacts; it transforms them into commodities that barely retain their original significance. This fragmentation of history is as destructive as eBay’s mass atomization, both disconnecting historical material from its context, reducing the past to mere exchange value, and limiting working people’s access to their history. Etsy isn’t just a marketplace for handmade items; it functions as a cultural force of memory capitalism, sanitising, aestheticising, and commodifying the past, turning traces of struggle into lifestyle accessories for the petty bourgeoisie.

Auction Houses: The Aristocracy of Memory Theft

Auction houses embody the peak of memory capitalism, its most aristocratic and sophisticated form. If eBay functions as a marketplace for scattered struggles and Etsy acts as a nostalgic boutique, then Sotheby’s, Christie’s, and Bonhams serve as revered temples where the elite buy the past as an investment. These institutions curate what they label as “important” archives: manuscripts, political papers, rare photographs, and artefacts linked to notable figures or events. Their catalogues establish hierarchies of historical significance, promoting elite narratives while sidelining working-class history. For example, a prime minister’s papers are depicted as globally significant, whereas records from a strike committee rarely appear in such circuits. The documentary traces of power are consecrated, while those of resistance are often ignored, undervalued, or fragmented.

Auction houses do more than sell artefacts; they shape what counts as history. They craft the memory canon based on the preferences of the wealthy, reinforcing the ideological priorities of the ruling class. This includes highlighting politicians, generals, industrialists, and cultural icons while sidelining workers, migrants, ordinary soldiers, and radical movements. 

These houses rely on specialist cataloguers, curators, historians, and archivists who authenticate, contextualise, and market historical items. However, their expertise is not neutral; it acts as a form of class gatekeeping, deciding which artefacts deserve preservation, investment, and attention.

The vocabulary of expertise- terms like “significant provenance,” “important manuscript,” and “major archive” operates as a coded value system that favours elite figures. For example, a letter from a cabinet minister is deemed “significant,” whereas one from a factory worker is considered “of minor interest.” Similarly, a colonial administrator’s diary is “important,” while a migrant labourer’s is labelled “ephemera.” This creates a canon of memory shaped by elite interests. Auction houses do more than reflect class power; they actively produce it, reinforcing the notion that history centres on the powerful and that ordinary people’s material remnants are peripheral, fleeting, or disposable. This gatekeeping is deliberate and structural, forming part of a cultural superstructure that elevates capital while diminishing labour.

Buyers at auction houses are usually wealthy collectors, corporations, or institutions. They acquire historical materials not for study, preservation, or public access, but as an asset class. Manuscripts, letters, and artefacts are kept in private vaults, out of public reach. Memory turns into capital. Auction houses promote this shift, highlighting rarity, exclusivity, and investment value. A manuscript is not seen as a window to the past but as a “unique opportunity,” and a political archive is not for research but as a “major acquisition for the discerning collector.” The past becomes a speculative commodity, history turns into a financial tool, and the documentary record of human experience becomes part of an investment portfolio. This exemplifies memory capitalism: transforming collective inheritance into private wealth.

Auction houses frequently acquire items that rightfully belong in public archives. Underfunded institutions struggle to compete with private collectors, leaving libraries, museums, and local history centres, already damaged by austerity, unable to afford these materials. As a result, collections often end up in private hands, sometimes forever lost. This loss isn’t merely cultural; it’s political, too. When documents from strike committees, mutual aid societies, rank-and-file soldiers, or migrant workers enter private vaults, the working class loses access to essential records for shaping its history. The foundational materials for class awareness are taken out of public reach.

Auction houses don’t just sell artefacts; they remove them from public view, hastening the loss of collective memory and strengthening the ruling class’s control over historical narrative. This illustrates the aristocratic aspect of memory capitalism: those who already hold the present steal the past.

A Socialist Programme for Reclaiming the Past

A socialist outlook starts from a fundamental idea: history belongs to those who created it. Documents like workers’ letters, strikers’ pamphlets, migrants’ records, soldiers’ diaries, and political movement ephemera are not merely personal curiosities or assets to speculate on. Instead, they constitute humanity’s shared heritage. These materials are not for collectors, investors, or digital platforms, but for the working class whose struggles gave rise to them. The market cannot be relied upon to preserve such historical records, as it has no interest in their context, coherence, or collective significance. Protecting the past requires a strategy that directly opposes the principles of memory capitalism.

It calls for substantial public investment in archives and libraries, reversing years of austerity and restoring these institutions responsible for preserving collective memory. It also advocates comprehensive digitisation initiatives to make the documented record of human struggles accessible to everyone, rather than hiding it behind paywalls or auction listings. The approach emphasises democratic control of cultural institutions, shifting power from elite gatekeeping to active participation by workers, scholars, archivists, and communities. Additionally, it supports public ownership of major technology platforms, transforming digital memory infrastructure from profit-driven corporations into publicly accountable utilities. International collaboration is essential to repatriate stolen or dispersed materials, returning archives looted through colonialism, war, or market extraction to their original communities.

None of this can be achieved through appeals to corporate responsibility or charitable acts alone. Instead, it demands the political action of the working class, who must actively work to reclaim their own historical records. Only through collective effort can the past be removed from commercial interests and returned to public guardianship. Memory is inherently political; it is a battleground of class interests. The ruling class recognises this deeply, which is why it invests in auction houses, private collectors, and elite cultural institutions. It also allows public archives to deteriorate and treats the past as private property. Controlling memory means controlling the narrative; controlling the narrative means shaping legitimacy; and shaping legitimacy grants power.

A socialist movement must therefore advocate not only for wages, housing, healthcare, and democratic rights, but also for the right to history: the ability to access, preserve, interpret, and mobilise the documentary record of human experience. Without this, the working class risks political amnesia, lacking the tools to understand its history and shape its future.

The Past Is Not for Sale

eBay, Etsy, and auction houses create a layered system of memory capitalism. They extract, fragment, and profit from the collective past, turning historical artefacts into commodities and reinforcing social inequality. This creates a society where the record of struggle is dispersed, aestheticised, or hidden away. The past becomes just inventory, memory turns into merchandise, and history becomes a speculative asset. To reclaim history is to regain agency; to preserve the documentary record of struggle is to keep alive the chance for future resistance. The past should not be sold to the highest bidder but kept in common, studied collectively, and used to guide the future. The past is not for sale; it is a weapon that belongs to the working class.

Stitching Freedom: Gary Tyler’s 41 Years in Angola and the Class Logic of American “Justice”

 

In “Stitching Freedom: A True Story of Injustice, Defiance, and Hope in Angola Prison,” Gary Tyler, with veteran activist Ellen Bravo, details the 41 years he spent inside Louisiana’s Angola State Penitentiary. Few recent books carry such profound moral significance. Tyler’s account is more than a survival story; it’s a testimony of a man subjected to what amounts to a state-orchestrated burial. At age sixteen, he was falsely accused, convicted by an all-white jury, and sent to one of America’s most infamous prisons. He survived over forty years there, enduring death row, forced labour, brutal institutionalisation, and the callous indifference of government at all levels. His story exemplifies remarkable human dignity but also serves as a political critique of the society responsible for his suffering.

The book is promoted within the usual framework of modern criminal-justice reform, receiving endorsements from figures linked to the foundation-backed “racial justice” circle. Its promotional content highlights themes of resilience, redemption, and increased awareness. However, the reality Tyler describes cannot be confined to this framework. His case was not an anomaly in a functioning system nor simply a tragic result of personal prejudice. Instead, it reflects a product of a capitalist state where courts, police, and prisons operate based on a clear class logic that has, for decades, disciplined, terrorised, and confined the poorest sectors of the working class.

Tyler’s story clearly illustrates this logic’s devastating impact. The 1974 Destrehan frame-up involved police, prosecutors, judges, and elected officials working together. Angola prison, built on former slave plantation land and operated by predominantly Black, impoverished prisoners, symbolises the ongoing link between slavery, convict leasing, and today’s mass incarceration. The courts and governors’ long-term refusal to admit Tyler’s wrongful conviction shows more than bureaucratic delay; it highlights the judiciary’s role in upholding the state’s authority even if it means risking an innocent man’s life.

Understanding Tyler’s account requires acknowledging that the American prison system is not a flawed institution in need of correction but a fundamental element of capitalist control. The bipartisan growth of the carceral state from the reduction of social programs in the 1970s to the 1994 crime bill under Clinton was driven not just by racial bias, but by a societal structure that excludes millions of workers. The focus of the reform movement on racial “caste” as the main explanation masks this class-based origin and shifts political focus toward the Democratic Party, judicial system, and charities the very forces that upheld Tyler’s incarceration.

A frame‑up engineered by the state

The story begins with the events in October 1974 in Destrehan, Louisiana, during a violent white backlash against school desegregation. A bus transporting Black students from Destrehan High School was surrounded by a hostile crowd of white residents, many of whom had been mobilised by reactionary forces opposing federally mandated integration for months. During the chaos, a gunshot was fired. A 13-year-old white boy, Timothy Weber, was shot and died. Within moments, the state’s machinery began looking for someone to blame- not through proper investigation, but through selection. They identified a 16-year-old Black youth, Gary Tyler, as the culprit.

The case details are painfully recognisable to anyone familiar with American history’s injustices. No weapon was found on the bus, and searches of the students and the vehicle yielded nothing. Deputies thoroughly examined the scene, but found nothing. Only afterwards did a pistol appear; police supplied an asset that defence lawyers had long claimed. Witnesses faced pressure, threats, and coaching, with one key witness later recanting entirely, admitting coercion by investigators. Despite this, it was inconsequential. An all-white jury, drawn from a parish where Black residents were deliberately excluded from jury service, convicted Tyler of first-degree murder. Due to Louisiana’s mandatory death penalty law, the sentence was automatic. Consequently, Tyler became the youngest person on death row in the U.S.

Liberal commentary often portrays Tyler’s case as a miscarriage of justice, a tragic deviation from the norm, and a moment when the system “failed.” However, the book and Tyler’s own testimony clarify that nothing went wrong. The police followed their training, the prosecutors pursued the case based on political motives, the judge presided according to legal instructions, and the jury pool was selected based on Louisiana’s racial hierarchy. Each institution functioned precisely as the capitalist state intended.

A rogue deputy or a racist sheriff didn’t carry out the frame-up. It was a coordinated effort by the entire state system, including police, courts, prosecutors, and elected officials, acting to uphold a social order rooted in racial segregation and class hierarchy. Tyler’s false framing wasn’t a system failure; it was the system functioning as intended.

This is the key lesson from Tyler’s story. It’s also the point most often overlooked by the criminal-justice reform movement, which tends to see cases like Tyler’s as rare incidents caused by bias or procedural mistakes. The reform narrative suggests that the system is basically correct, just needing better oversight, more diverse juries, enhanced training, or wiser leadership. Tyler’s case reveals the flaw in that view. The state did not make a mistake; it acted deliberately.

The incidents in Des Moines are best understood within the larger social context of the 1970s, which included an economic crisis, the reduction of social programs, a political reaction against civil rights, and the ruling class’s efforts to control the most vulnerable workers. The violent white mobs forming around the bus were not sudden acts of hatred but rather a manifestation of a political strategy aimed at channelling class frustration into racial hostility. The police and courts did not act to defend the Black students; their primary concern was maintaining the existing social order.

Tyler’s wrongful framing was just one example of the broader class-based bias in American “justice.” This system has led to mass incarceration, ruined lives, and community fear for decades. Facing Tyler’s case honestly reveals that the capitalist state cannot be made humane through reform alone. It must be understood deeply, fully exposed, and ultimately replaced.

Angola: the plantation reborn

Tyler was sent to Angola, the largest maximum-security prison in the United States, situated on 18,000 acres of former slave plantations. This is not just a metaphor; it’s a tangible reality. After the Civil War, the land transitioned through the convict-leasing system into the hands of the state. Prisoners continue to work its fields, guarded by armed guards on horseback, often earning just pennies an hour. The Thirteenth Amendment abolished slavery “except as a punishment for crime,” and the Southern elite exploited that exception to rebuild a forced labour system after Reconstruction was suppressed. Angola exemplifies that exception turned into reality.

Tyler’s account of his early years, initially on death row and later in the general population, is one of the most compelling parts of the book. He depicts a world filled with violence, random punishments, and intentional humiliation. He portrays a prison system that viewed inmates as expendable labour, and a state government primarily controlled by the Democratic Party for much of the century that kept Angola functioning like a modern plantation.

The book’s emotional core centres on Tyler’s quilting and his leadership of the prison drama club. These chapters are truly moving, showing how individuals branded as beyond redemption craft beauty and forge bonds in environments meant to break both. However, they also highlight a potential issue: the so-called “redemption narrative” popular with the American media and prison authorities. Angola has long leveraged its prisoner rodeo and craft fair as tourist draws. The liberal press often celebrates stories of artistic achievement, spiritual awakening, and personal development- narratives that suggest the system offers a route to grace.

Tyler’s resilience is real. But it was achieved against the institution, not because of it. It should not be enlisted to make the institution more palatable. To its credit, the book largely resists this. Tyler presents his survival as collective, dependent on solidarity with fellow prisoners, his family, and the defence campaign outside. That collective element is the book’s most important contribution.

Four decades of judicial cruelty

For forty years, courts and the executive branch maintained Tyler’s imprisonment despite growing evidence that his trial was unjust. Federal judges recognised significant flaws in the process but upheld the conviction. Louisiana’s pardon board repeatedly recommended clemency, yet successive governors declined to act. Ultimately, no branch of government was willing to admit that the state had wrongly accused and imprisoned a child.

Tyler’s release came only through a narrow legal opening created by the Supreme Court’s rulings in Miller v. Alabama (2012) and Montgomery v. Louisiana (2016), which held that mandatory life without parole for juveniles was unconstitutional and that this applied retroactively. Prosecutors then offered a deal: plead guilty to manslaughter, accept a 21‑year sentence, and walk free on time already served.

The terms were an obscenity. To leave prison, an innocent man had to accept guilt for a killing the state could never honestly prove he committed. The plea protected the state from ever having to admit the frame‑up. Tyler’s acceptance was entirely understandable for a man who had already lost 41 years. The state’s conduct was not.

This episode exposes the true nature of the American judiciary. It is not a neutral arbiter. It is not a guardian of rights. It is an instrument of class rule. Its function is to protect the interests of the capitalist class, not to deliver justice to the working class.

Race, class, and the limits of reform

The book’s political framework follows the contemporary criminal‑justice reform movement. Its villains are racism and an unjust system. Its remedy is greater awareness, advocacy, and reform. The endorsements it carries, including one from Michelle Alexander, author of The New Jim Crow, reflect this outlook.

Racism saturated every stage of Tyler’s persecution. No serious reader can doubt that. But to treat race as the fundamental category explaining mass incarceration obscures more than it reveals. The United States imprisons millions of people of every race, overwhelmingly drawn from the poorest sections of the working class. Louisiana, one of the most impoverished states in the country, has long had one of the highest incarceration rates in the world. The prison system serves to warehouse a population that capitalism has no use for, and to terrorise the working class as a whole.

The last half‑century bears this out. Tyler’s ordeal spanned administrations of both big‑business parties, in Baton Rouge and in Washington. The great expansion of the prison population was a bipartisan project, driven forward by Democrats as eagerly as Republicans, including the 1994 crime bill championed by the Clinton administration. The reform movement’s insistence on racial “caste” as the primary explanatory category obscures the class foundations of the carceral state.

This is not an academic dispute. It is a political one. A perspective that looks to the Democratic Party, the courts, or corporate philanthropy to dismantle the prison system is a perspective of illusions. It disarms the working class.

The book gestures toward a further point but does not fully develop it. The movement that kept Tyler’s case alive in the 1970s was a mass movement drawing in workers and youth across racial lines. It was rooted in working‑class solidarity. Its decline is inseparable from the rise of identity politics and the NGO‑isation of social struggle. The book’s most hopeful pages record that solidarity. The lesson is not that the right advocates can reform the system. It is that the working class, united across all divisions, is the only social force capable of abolishing the conditions that produced Angola.

The capitalist state cannot be reformed.

Tyler emerges from Stitching Freedom as a man of remarkable dignity without bitterness, without self‑pity, devoted to the young people he now works with and to those he left behind in Angola. His capacity to retain his humanity under conditions designed to annihilate it is extraordinary. But treating his story primarily as one of personal resilience misses its political significance. Tyler’s 41 years in Angola are not simply a story about hope. They are evidence.

They are evidence that the American state the same state that framed a 16‑year‑old in 1974  is the state that today fills its prisons, militarises its police, and executes its prisoners. They show that the institutions that condemned Tyler are not malfunctioning bureaucracies in need of reform, but instruments of class rule. They are evidence that the courts, police, and prisons do not occasionally “fail.” They function exactly as designed.

The book’s narrative, even when filtered through the reformist framework of its co‑author and publisher, cannot conceal this truth. Tyler’s case spanned Democratic and Republican administrations, conservative and liberal governors, “tough on crime” crusaders and self‑styled progressives. Each upheld the conviction. Each refused to intervene. Every one of them defended the prerogatives of the state over the life of an innocent man. The bipartisan character of Tyler’s persecution is not incidental. It is the essential fact.

The American prison system is not a neutral institution corrupted by racism or distorted by bad policy. It is a pillar of capitalist rule. Its function is to discipline, warehouse, and terrorise the poorest layers of the working class  Black, white, immigrant, and native‑born. The racial dimension of Tyler’s case was real and decisive, but it operated within a broader class logic. Louisiana’s prison population, like that of the United States as a whole, is drawn overwhelmingly from those whom capitalism has no use for. The criminal‑justice reform movement’s insistence on treating mass incarceration primarily as a racial “caste” system obscures this reality. It directs political energy toward the Democratic Party, the courts, and philanthropic foundations, precisely the forces that sustained Tyler’s imprisonment.

Tyler’s story also exposes the ideological function of the “redemption narrative,” the liberal trope in which a prisoner’s artistic or spiritual transformation becomes proof that the system offers a path to grace. Angola’s rodeo, craft fair, and media‑friendly displays of inmate creativity are not celebrations of humanity; they are public‑relations operations designed to sanitise an institution built on forced labour and brutality. Tyler’s quilting and theatre work were acts of resistance, not evidence of the prison’s benevolence. His survival was collective, rooted in solidarity with fellow prisoners, his family, and the mass movement that fought for his release in the 1970s.

That movement, drawing workers and youth across racial lines, was the most hopeful force in Tyler’s story. Its decline, and the rise of the NGO‑dominated reform apparatus that replaced it, is inseparable from the broader political degeneration of American liberalism. The working class is the only social force capable of abolishing the conditions that produced Angola. No amount of advocacy, litigation, or philanthropic funding can transform the capitalist state into an instrument of justice.

Tyler’s 41 years in Angola are therefore not simply a historical tragedy. They are a warning. They demonstrate what the state is willing to do, and continues to do, to those it deems expendable. They reveal the class foundations of American “justice.” And they expose the bankruptcy of reformist illusions. The capitalist state cannot be stitched into something better. It must be replaced.

Post Script

The Workers League and the Gary Tyler Case

Any serious account of the Gary Tyler case must acknowledge the role the Workers League, the predecessor of the Socialist Equality Party, played in transforming what could have remained a local injustice into a national and international political question. While Stitching Freedom does not explore this history, reflecting the book’s reformist framework, the record shows that the Workers League intervened at a decisive moment, providing the political clarity and organisational initiative that the liberal milieu surrounding the case could not.

The Workers League recognised immediately that Tyler’s frame‑up was not an isolated act of racism but a class question. The organisation’s analysis, published in the Bulletin throughout the mid‑1970s, insisted that the events in Destrehan were inseparable from the broader offensive of the American ruling class: the dismantling of social programmes, the assault on busing and school desegregation, and the growing use of police repression to contain the poorest layers of the working class. The Workers League rejected the liberal narrative that the case was a “miscarriage of justice” caused by prejudice or procedural failure. It insisted that the capitalist state had functioned exactly as designed.

This perspective shaped the organisation’s intervention. The Workers League did not treat Tyler as a passive victim in need of charity. It fought to mobilise workers and youth across racial lines, emphasising that defending democratic rights is inseparable from the struggle against capitalism. The organisation’s members distributed tens of thousands of leaflets, held meetings in factories and schools. They linked Tyler’s case to the growing anger over police violence, unemployment, and the destruction of public education. They insisted that the fight for Tyler’s freedom required a political break with the Democratic Party, the very party that controlled Louisiana’s government and upheld Tyler’s conviction.

This was not a rhetorical point. The Workers League exposed the role of Democratic officials, judges, and prosecutors in sustaining the frame‑up. It warned that the liberal organisations dominating the defence campaign  the NAACP, local clergy, and various civil‑rights groups  were subordinating the movement to the Democratic Party and narrowing it to appeals for “fairness” and “due process.” The Workers League argued that this perspective would inevitably lead to defeat because it accepted the legitimacy of the very institutions responsible for Tyler’s persecution.

The organisation’s intervention helped galvanise a broader movement. The mass demonstration of 2,000 people in New Orleans in 1976, mentioned briefly in Stitching Freedom, did not arise spontaneously. It resulted from months of agitation, much of it carried out by Workers League members who insisted that Tyler’s case was not a “Black issue” but a working‑class issue. Their insistence on class unity stood in stark contrast to the identity‑based politics that would later dominate the criminal‑justice reform milieu.

The Workers League’s role in the Tyler case is significant not only for what it achieved but for what it revealed. It demonstrated that the defence of democratic rights cannot be entrusted to liberal organisations tied to the capitalist state. It showed that only a working-class movement, armed with a Marxist understanding of the state and independent of both big-business parties, can confront the machinery of repression.

Tyler’s story, as told in Stitching Freedom, is one of extraordinary personal resilience. But the political lesson of his case, illuminated by the Workers League’s intervention, is that the fight against injustice cannot be waged within the framework of reform. It requires a revolutionary struggle against the capitalist state itself.

Destroy AI? Luddism Dressed as Socialism

Tribune’s recent call to “destroy” artificial intelligence reveals a concerning trend. It reflects growing pessimism among parts of the modern left, which views technological progress not as a tool for human emancipation but as a threat to be feared, opposed, and ultimately eliminated. Although Matthew Cole’s article employs radical language, it ultimately channels valid concerns into a reactionary dead end. It highlights genuine social and environmental issues like the carbon emissions from data centres, the extraction of minerals in the Global South, the concentration of computation in American monopolies, and the British government’s tendency to give land and water to tech oligarchs. It blames not the capitalist elite responsible, but the productive forces themselves.[1]

This is not socialism; it is despair- a despair that Marx examined over 150 years ago. In Capital, Marx scrutinised the Luddite movement and emphasised a key point: workers should distinguish between machinery itself and how capital uses it. Machines are not inherently neutral or oppressive; they become tools of exploitation only if controlled by capital. Cole reverses this, viewing AI as inherently destructive, as if the technology alone causes social problems rather than the capitalist system governing its development and application. This mistake leads him to connect struggles from the Luddites to the Writers Guild of America, implying machine-breaking and modern trade unionism share the same strategy. They do not. The Luddites were defeated, but the machines remained. What improved workers’ conditions was not smashing the looms, but the rise of organised labour capable of negotiating over the wealth these machines created. To revive Luddism is to reject the very history that gave birth to the socialist movement.

Cole’s claim that AI differs from railways, electrification, or industrialisation because it offers no tangible benefit is simply inaccurate. Historically, major infrastructure projects under capitalism have involved bloodshed: railways were built through colonial conquest, with slave-grown cotton, and during famines in India. Electrification benefited monopolies and increased factory exploitation. Industrialisation destroyed artisanal trades and displaced communities. However, the socialist movement never called for dismantling railways or banning electricity; instead, it aimed to socialise these systems. The true enemy is capitalism, not the productive forces.

Cole’s dismissal of AI’s usefulness overlooks the facts. Even within capitalism, machine learning is already employed in protein structure prediction, medical diagnostics, weather forecasts, climate models, materials science, and drug development- significant applications that represent technological progress with substantial benefits for humanity. However, these are often used for profit, surveillance, or military purposes. In a socialist system, such technologies could reduce working hours, eliminate monotonous labour, and enable more rational production planning. The real contradiction isn’t the technology itself but private ownership of the means of production and the existence of competing nation-states.

Cole’s evidentiary claims fall apart under close examination. He references a small MIT preprint to argue that AI is “retarding our brains,” but this study, with only 54 participants, cannot support broad civilizational claims. He also blames AI for falling OECD PISA scores, even though the tests were conducted before ChatGPT was available. The OECD links the score decline to pandemic-related school closures, a consequence of the ruling class’s negligent response to COVID-19, which kept workers employed while children lost years of education. His claims about carbon emissions are inconsistent: he states that the “global data cloud” emits more carbon than aviation but cites figures far below aviation’s actual footprint. While data centres do contribute to environmental harm, addressing this issue requires careful analysis rather than rhetorical exaggeration.

When Cole discusses strategy, his political class character becomes evident. He endorses anarchist sabotage, such as arson attacks on Tesla facilities and tactics like data poisoning and misinformation traps. Historically, the Marxist movement opposes such reckless actions, as they replace mass struggle with individual acts, risk provoking state repression, and leave ownership structures unchallenged. These acts also demonstrate disdain for the working class. Cole then suggests a state-led approach to dismantle data infrastructure, but given that the Labour government is influenced by finance capital and U.S. tech giants, expecting it to dismantle its own infrastructure is unrealistic. His notion of “digital sovereignty” overlooks the global nature of technology resources, from Brazil and Colombia to Kazakhstan and Taiwan’s manufacturing. No single nation can “decompute” a worldwide system; only the international working class can seize control of these productive forces.

Workers involved in building data centres, mining cobalt, labelling training data, assembling GPUs, and dismantling e-waste are not foes of technology; they are its creators. The socialist vision is not about destroying, but about expropriating: bringing tech giants like OpenAI, Anthropic, Amazon, Microsoft, and Palantir under public ownership and democratic workers’ control. Only through this can decisions about energy, water, land, and automation serve social needs instead of private profits. Like previous technological leaps, the potential of AI must be freed from capitalist ownership, not destroyed.

Cole’s article highlights a common pattern among the academic middle class: blaming social problems on productive forces instead of capitalist relations. It offers workers nostalgia instead of actionable strategies, advocates sabotage over organisation, and induces moral panic rather than critical analysis. This approach is not socialism; it is a retreat. It adopts a politics that attributes alienation to the machine rather than to the capitalist owner. Moreover, it fears the future instead of trying to control it.

The reality is that artificial intelligence, much like previous major technological advances, embodies a contradictory force. In a capitalist system, it often amplifies exploitation, reduces jobs, and supports warfare. Conversely, in a socialist framework, it can shorten working hours, remove monotonous tasks, and enhance human freedom. The core contradiction does not lie in the technology itself but in the social relationships that regulate its use. To eliminate AI is also to eliminate the chance of using it as a tool for human emancipation.

The socialist movement has consistently believed that the productive forces developed under capitalism, such as railways, electricity, industrial machinery, and computing, should be seized rather than destroyed. The goal is to advance modernity, not retreat from it. The working class must take control of these technologies to build a society centred on human needs rather than private profit. Cole’s call to “destroy AI” is therefore not a radical departure from capitalism but a surrender to it. It adopts the capitalist view that technology is inherently oppressive and that workers are powerless against it. It provides no plan for workers, no strategy for expropriation, and no vision of a socialist future. It only spreads fear.

WSWS Articles on Artificial Intelligence (AI)

A curated list with summaries

1. “The class issues in artificial intelligence”

A foundational WSWS analysis arguing that AI is not an autonomous threat but a product of capitalist social relations. It emphasises that the danger lies in private ownership, militarisation, and exploitation — not in the technology itself.

2. “Artificial intelligence and the future of work”

Examines how corporations use automation and machine learning to intensify exploitation, cut jobs, and suppress wages. Argues that AI could shorten the working day under socialism but is weaponised under capitalism.

3. “The militarisation of AI: US imperialism’s new frontier”

Discusses Pentagon and NATO investment in autonomous weapons, battlefield analytics, and surveillance systems. Frames AI as a central component of the drive toward world war.

4. “Tech layoffs and the restructuring of the global workforce”

Analyses mass layoffs at Google, Amazon, Meta, and Microsoft, linking them to automation, shareholder pressure, and the broader crisis of capitalism.

5. “The environmental cost of data centres: capitalism’s irrationality”

Explores water usage, energy consumption, and land grabs associated with hyperscale data centres. Argues that these problems stem from anarchic capitalist competition, not from computing itself.

6. “AI, surveillance, and the police state”

Covers the use of machine learning in predictive policing, biometric surveillance, and border control. Shows how governments deploy AI to suppress dissent and monitor populations.

7. “The Writers Guild strike and the question of AI”

Analyses Hollywood’s labour struggle, arguing that the WGA’s concerns about AI reflect broader contradictions between creative labour and corporate control of technology.

8. “ChatGPT and the crisis of bourgeois ideology”

A theoretical piece exploring how large language models expose the intellectual bankruptcy of academia and the media, while also revealing the enormous potential of automated knowledge systems.

9. “The global semiconductor supply chain and the drive to war”

Examines TSMC, Nvidia, ASML, and US–China rivalry. Shows how AI hardware is inseparable from imperialist conflict.

10. “Artificial intelligence and education: A capitalist catastrophe”

Discusses the use of AI in schools, testing regimes, and ed‑tech platforms. Argues that the crisis in education stems from austerity and privatisation, not from AI tools.

11. “The myth of ‘ethical AI’: Capitalism cannot be regulated”

Critiques liberal calls for AI regulation, arguing that no ethical framework can restrain profit-driven corporations or imperialist states.

12. “Automation, productivity, and the socialist reorganisation of society”

A programmatic article explaining how AI and robotics could eliminate drudgery, shorten the working day, and enable planned production — but only under workers’ control.


[1] https://tribunemag.co.uk/2026/09/destroy-ai

Earl Spencer’s Swan Song: The Aristocrat as Historian of His Own Class

Swan Song is a memoir that presents a moral story of truth versus power through a feud within Britain’s aristocracy. Charles Spencer, the 9th Earl Spencer, has dedicated twenty years to shaping his image as a “popular historian.” His books on subjects such as Blenheim, Prince Rupert, the regicides of Charles I, and the White Ship disaster are marketed as accessible history. However, they primarily function as aristocratic self-promotions, portraying history as a form of class autobiography. His newest book, Swan Song: Diana, My Sister, published by Michael Joseph on September 22, represents the culmination of this approach. Released to mark the 30th anniversary of Diana’s death and translated into twelve languages, it seeks not only to honour his sister’s memory but also to reinforce the Spencer family’s place in the national myth.

The media have focused on the book’s assertions about the House of Windsor. Spencer claims that Prince Charles, before the wedding, admitted he did not love Diana; that she tried to cancel the engagement after finding a bracelet meant for Camilla; and that Charles appeared “giddily elated” after Diana’s death. He recalls a phone call where Charles allegedly said the family would “soon forget her” when Spencer protested William and Harry walking behind the coffin. Buckingham Palace’s response was formal: it does not comment on books, but the King said he understood how grief could affect reason and memory. These are the subtle hostilities among Britain’s elite, an aristocratic tone expressing disdain for one’s own kind.

The truth of these phone calls isn’t the main focus; instead, the emphasis is on the approach. Spencer presents a view of history where the Spencer family, especially Diana, embody progress, humanity, and truth. They are contrasted with the Windsors, “the Establishment,” and “a barbaric press.” This is more a morality play than a historical account. The memoir is based on the idea that private conflicts within Britain’s hereditary elite form the core of national history, with society shown only as tear-stained crowds supporting a feud among the ruling class.

This approach is intentional, rooted in a tradition of aristocratic historiography. Herbert Butterfield, in 1931, identified the “Whig interpretation of history” as a method that evaluates the past using present standards, portraying history as a progression toward enlightened liberty. It highlights heroes who advanced the nation and villains who opposed it, often flattering victors while hiding the social forces that shaped events. The term ‘Spencer’ is nearly literal here; the Spencers of Althorp were prominent Whig families of the 18th and 19th centuries. John Charles Spencer, Viscount Althorp, helped pass the 1832 Great Reform Act, extending suffrage to connect the industrial bourgeoisie with the landed aristocracy while excluding the working class that pushed for reform. Whiggism typically involved reform from above by enlightened elites, avoiding any fundamental change.

Swan Song situates Diana within that traditional narrative. As the publisher states, Spencer depicts her as an advocate for the marginalised, loyal to her sons, and isolated as her marriage shattered under media pressure. She is portrayed as a progressive force within a rigid institution, an aristocrat who brought humanity to the Crown. This myth gained traction in the week following her death in 1997. Tony Blair’s New Labour government embraced it wholeheartedly. Blair’s term “the People’s Princess” served a strategic political purpose: it redirected public discontent from the Thatcher-Major era into sentimental attachment to a royal figure, helping the monarchy recover after losing public trust. However, New Labour then intensified social inequalities that had fuelled that dissatisfaction.

Spencer does not challenge this myth; instead, he aims to be acknowledged as its proper guardian. He says he writes to preserve his personal memories rather than spread “untruths” repeated over time, and to represent his sister positively, as he did in his 1997 eulogy. The Whig aristocrat once more takes on the role of the nation’s moral guide.

The memoir reads like a family saga: nannies, boarding schools, divorces, a bracelet, and a phone call. Spencer even suggests that his father had a romantic link with young Princess Elizabeth, supposedly cut short by Lord Mountbatten. The entrenched bloodlines of Britain’s hereditary elite are presented as history’s natural focus. Spencer does not question the purpose of the monarchy, which stands at the top of an unelected state structure, a holder of reserve powers, and a symbol of social hierarchy, all funded by the public. He also overlooks what the aristocracy signifies in a nation where millions depend on food banks, yet estates like Althorp stay within a single family by birthright. For a Whig historian, these are not questions; the only concern is which aristocrats acted decently.

The same perspective shapes Spencer’s critique of the press. The tabloid chase after Diana was intense and degrading. However, the Murdoch and Mirror media outlets were not outsiders opposing the aristocracy; instead, they were key parts of the ruling class, benefiting from and supporting the monarchy as a commercial show. Spencer’s claim that Piers Morgan was behind the covert gym photos of Diana quickly fell apart. Morgan proved that the Sunday Mirror published these photos in 1993, nearly two years before Morgan took over the Daily Mirror. Spencer apologised, and Penguin promised to update future editions. Despite this, Morgan is still pursuing legal action, seeking damages from the King’s Trust. A fitting ending: a former tabloid editor suing an earl, with the money going to a royal charity.

The response to Swan Song has been predictable. Royalist media support the King, while liberal outlets criticise the book as indulgent and vindictive. Both sides accept that the personal grievances of the Spencers and Windsors are of national concern. For ordinary people, however, the message differs: Spencer’s Whig history argues for reforming aristocratic behaviour. The goal isn’t to choose between the House of Spencer and the House of Windsor, but to eliminate the social structure that keeps both in power.

A Whig in More Than One Sense

Herbert Butterfield’s 1931 critique of the “Whig interpretation of history” pointed out a method that evaluates the past using present-day standards, portraying history as a progression toward enlightened liberty. Its heroes are those who allegedly advanced the nation, while villains are those who opposed them. This approach favours victors and hides the social forces that actually influenced events. With Spencer, the name is almost literal. The Spencers of Althorp belonged to the prominent Whig families of the 18th and 19th centuries. John Charles Spencer, Viscount Althorp, played a key role in passing the Great Reform Act of 1832, a law that expanded the vote just enough to connect the industrial bourgeoisie with the landowning aristocracy, while excluding the working class that demanded reform. Whiggism consistently favoured reform from above, carried out by enlightened elites, resulting in little real change.

Swan Song positions Diana within a traditional framework. The publisher states that Spencer depicts her as a champion of the marginalised, committed to her sons, and desperately lonely as her marriage unravelled under media pressure. She emerges as a modernising influence within the stubborn aristocratic institution, the noble who humanised the Crown. This narrative emerged in the week after she died in 1997. Tony Blair’s New Labour embraced it wholeheartedly. Blair’s term “the People’s Princess” served a strategic political purpose: it redirected public dissatisfaction from the Thatcher-Major era into sentimental sympathy for a royal family member, helping the monarchy recover from disrepute. Subsequently, New Labour further entrenched the social inequalities that fuelled that discontent.

Spencer doesn’t challenge this myth; instead, he seeks recognition as its legitimate guardian. He states that his writing is intended to preserve his personal memories rather than to perpetuate “untruths” that persist through time, and to represent his sister in the “openly positive way” he did during his 1997 eulogy. Once more, the Whig aristocrat adopts the role of the nation’s moral authority.

History Without Classes

As previously mentioned, the book’s historical narrative revolves around a family saga. These stories are more than details; they form the heart of Spencer’s view of history. He emphasises the rival bloodlines within Britain’s aristocratic elite, viewing private family conflicts as the main factor shaping the nation’s progress. The wider society is depicted merely as tearful crowds at Westminster Abbey, acting as emotional backing for the internal conflicts among the ruling class.

His book examines history without social context. Spencer does not inquire about the purpose of the monarchy. It isn’t merely scenic background for aristocratic feelings; it represents the top of an unelected government structure, holding reserve powers and symbolising social hierarchy, all funded heavily by the public. The Crown remains vital to the constitutional framework: the armed forces pledge allegiance, governments derive authority from it, and its powers can be used in emergencies. However, in Swan Song, the monarchy is depicted as a dysfunctional family whose emotional flaws explain its public function. Spencer’s account simplifies a centuries-old class institution into a melodramatic tale of emotional woundedness.

He also overlooks what the aristocracy truly symbolises in a nation where millions depend on food banks, child poverty is on the rise, and estates like Althorp are owned by a single family by birthright. The Spencer estate isn’t just a scenic setting for televised funerals; it exemplifies Britain’s persistent system of hereditary wealth, landownership, and privilege. The aristocracy still owns large areas of land, protected by trusts, tax breaks, and political influence. However, for Spencer, the only relevant question is which aristocrats behaved decently. He ignores the underlying role of his own class- their historical function, economic power, and political influence. This reflects a form of Whig history: reform from the top, virtue shown by enlightened elites, and the belief that the ruling class naturally leads national progress.

Spencer’s critique of the press is rooted in the same perspective. The tabloids’ obsession with Diana was intense, degrading, and often harsh. However, the Murdoch and Mirror outlets were not outsiders attacking the aristocracy; they were part of the same ruling elite. These tabloids gained financially from the monarchy as a public spectacle, turning royal lives into commodities that boosted sales and advertising income. Their relationship with the Crown was mutually beneficial: they heightened the monarchy’s mystique, sensationalised its crises, and helped sustain its cultural importance. Spencer’s depiction of the press as a barbaric external enemy hides this truth. It’s a convenient narrative that portrays Diana and, by extension, the Spencer family as victims of a predatory media, rather than acknowledging their role in a system of elite power that reinforces itself.

His assertion that Piers Morgan was responsible for publishing secret gym photos of Diana fell apart within days. Morgan showed that the Sunday Mirror published the images in 1993, nearly two years before he was editor of the Daily Mirror. Spencer apologised; Penguin promised to update later editions. However, Morgan continues to pursue legal action and seeks damages from the King’s Trust. The situation paints a near-perfect picture: a former tabloid editor suing an earl, with the proceeds going to a royal charity. It offers a small-scale view of Britain’s elite: a loop of aristocrats, media magnates, and royal institutions, each defending their interests while publicly claiming to uphold truth, decency, or history.

In Swan Song, Spencer focuses not on history itself but on urging moral judgment among the elite. His story prompts readers to pick sides between the House of Spencer and the House of Windsor, emphasising a choice between different aristocratic lineages. It presumes that the private conflicts of hereditary families matter nationally, treating the emotional lives of the ruling class as valid subjects of historical study. Moreover, it encourages the public to rally behind one elite faction over another, as if the country’s future hinges on which aristocrats show greater kindness. However, for working people, the message differs: simply attributing human qualities to the monarchy won’t make it more humane, nor will better manners redeem the aristocracy. Spencer’s Whig history acts as a sentimental defence of a social order that remains inherently unequal. The real goal is not to pick between competing aristocratic houses but to abolish the system that upholds them both.

A Feud Within the Elite

The reception of Swan Song has been predictably divided. The royalist media supports the King, viewing Spencer’s memoir as an unwelcome interruption to the monarchy’s carefully controlled emotional narrative. Their reviews often sound paternalistic: they see Spencer as a grieving brother misled by sentiment, while the King is praised for his stoic restraint. The underlying message is that the monarchy must stay above conflict, safeguard its dignity, and hide internal disputes from public view. Even challenges from within the aristocracy are seen as threats to the institution’s stability.

The liberal press has adopted the opposite stance, yet they reach the same conclusion. The Guardian called the book a heated exercise in settling scores, while the Telegraph labelled it a tribute to Spencer’s ego. These critiques are accurate but superficial, focusing on Spencer’s personality rather than the social role of his narrative. They see the memoir as a matter of taste, decorum, or emotional control failure, not as a political statement. Both sides accept the core premise: that the private issues of the Spencers and Windsors are nationally significant, that Britain’s aristocratic emotional lives warrant public scrutiny, and that the political landscape should remain centred on a ruling class whose authority is neither elected nor accountable.

This consensus itself reveals a lot. It shows how the monarchy remains the ideological core of British national identity, despite increasing social upheaval. The media’s focus on Spencer’s memoir, whether sympathetic or critical, strengthens the notion that the nation’s future depends on the actions, morals, and internal struggles of aristocratic families. This acts as a kind of political deflection. Meanwhile, the underlying realities of class hierarchy, inequality, and state power are hidden behind a narrative that turns history into a series of personal conflicts among the elite.

For working people, the lesson differs. Thirty years after Diana’s death, the cult surrounding her continues to serve the same purpose as in 1997. It depicts the monarchy as capable of becoming kinder, more modern, and more “of the people,” as long as the right personalities are in power. Diana symbolises a reformed aristocracy: compassionate, emotionally open, and sensitive to suffering, in contrast to the allegedly cold and detached Windsors. This myth was politically advantageous for New Labour, which used it to redirect popular discontent into sentimental support for the royal family. Today, it remains relevant by offering a vision of moral renewal within an institution inherently resistant to change.

Spencer’s memoir aims to revive and reaffirm that myth. His Whig history advocates a better-behaved aristocracy that maintains its privileges while adopting a more compassionate public stance. It envisions a national life in which the ruling class continues to govern, but with greater sensitivity and emotional intelligence. The political purpose of this narrative is clear: it intends to uphold the monarchy and aristocracy by portraying them as capable of self-improvement from within. The message implies that the issue lies not with the institutions themselves, but with the individuals who currently fill them.

This familiar strategy has recurred throughout British history, where the ruling class tends to respond to legitimacy crises with moral rather than structural reforms. The 1832 Great Reform Act, driven by Spencer’s ancestor, expanded voting rights just enough to align the industrial bourgeoisie with the landed aristocracy while still excluding the working class. It represented reform from above, aimed at maintaining the existing social order. Likewise, Spencer’s memoir continues this tradition by advocating emotional reforms such as a kinder monarchy and a more empathetic aristocracy as alternatives to genuine political change.

The challenge for the working class is not to choose between the House of Spencer and the House of Windsor, nor to rely on either’s moral reform. The monarchy represents the peak of a social system founded on inequality, respect, and inherited privileges. It is not merely a collection of colourful figures; it embodies a class whose wealth and power stem from centuries of landownership, exploitation, and political control. Media focus on their personal issues distracts from Britain’s real social problems, where millions face rising costs, failing public services, and growing insecurity.

Abolishing the monarchy and aristocracy isn’t simply a matter of cultural preference or republican loyalty. It’s an essential move to dismantle a social system that centralises power in unelected bodies, hides wealth through hereditary privilege, and uses national myths to mask class divisions. Spencer’s memoir, despite its emotional appeal, advocates for maintaining this social order. It encourages the public to sympathise with one faction of the elite over another, to believe in the moral integrity of aristocrats, and to accept the monarchy as an enduring part of national identity.

Academic‑Style Articles, Reviews & Critical Sources

1. Media and Cultural Analyses of Swan Song

These sources offer critical commentary on Spencer’s memoir, its claims, and its reception, helping situa the book within contemporary debates about monarchy, memory, and elite self‑representation.

  • LBC – “All the claims from Charles Spencer’s Diana book, Swan Song” A detailed summary of Spencer’s allegations, including the claim that Charles was “giddily elated” after Diana’s death and the dispute over funeral arrangements.
  • Yahoo News UK – “Swan Song by Charles Spencer review: Revenge dish is even better aged 30 years” A critical review highlighting the book’s “plum pudding of revelations,” its score‑settling tone, and Spencer’s recounting of aristocratic anecdotes such as his father’s alleged romance with Princess Elizabeth.
  • The Telegraph – “Charles Spencer’s book isn’t about Diana. It’s a monument to his ego” A strongly negative review arguing that the memoir is primarily self‑aggrandising, with extensive discussion of Spencer’s attacks on King Charles and the book’s broader tone.
  • HELLO! – “Charles Spencer apologises to Piers Morgan over inaccuracy in Princess Diana memoir” Documents Spencer’s apology to Piers Morgan and outlines the legal dispute over claims regarding covert photographs of Diana. Useful for analysing the book’s factual reliability and the politics of royal journalism.
  • Yahoo News UK – “Unpacking the Drama Between King Charles and Princess Diana’s Brother Over ‘Swan Song’” Provides context for Spencer’s long‑standing conflict with King Charles and situates the memoir within the broader history of Diana’s marriage, media treatment, and posthumous mythmaking.
  • Taylor Tailored – “Swan Song By Charles Spencer Explained: Diana, King Charles And The Legal Fallout” A long-form interpretive essay examining Spencer’s stated motivations, the tension between memory and verifiable history, and the book’s position within the politics of royal narrative control.
  • UnHerd – “Aposhcalypse Now: Charles Spencer has forgotten what duty means” A cultural‑political critique situating Spencer within the decadence of Britain’s ruling class and interrogating his invocation of “duty” as a historical and moral category.

📖 Scholarly Context: Historiography, Memory, and Elite Narrative

While not directly about Spencer, the following academic source is relevant for framing his memoir within broader debates about narrative construction, meaning, and the tension between personal memory and historical method:

  • Robert Champigny, “The ‘Swan’ and the Question of Pure Poetry,” L’Esprit Créateur. Although focused on poetic semantics, Champigny’s analysis of how meaning is constructed through tension between prosaic context and aesthetic form provides a useful theoretical lens for understanding Spencer’s memoir as a literary artefact shaped by selective memory and emotional narrative.

📚 Annotated Bibliography (Academic Format)

Primary Source

Spencer, Charles. Swan Song: Diana, My Sister. Penguin Michael Joseph / Penguin Press, 2026. Spencer’s tenth book and first full-length memoir about his relationship with Diana. The text blends personal recollection with political grievance, offering a subjective account of Diana’s life, death, and treatment by the monarchy and press. The book’s reliance on unverifiable private conversations has generated controversy and legal challenges.

Secondary Sources: Reviews & Commentary

Mata, William. “All the claims from Charles Spencer’s Diana book, Swan Song.” LBC, 21 Sept. 2026. Summarises Spencer’s major allegations and the Palace’s response, framing the memoir as a catalyst for renewed royal controversy.

McDonagh, Melanie. “Swan Song by Charles Spencer review: Revenge dish is even better aged 30 years.” Yahoo News UK, 22 Sept. 2026. A critical review emphasising the memoir’s score‑settling tone and its reliance on aristocratic anecdote.

Singh, Anita. “Charles Spencer’s book isn’t about Diana. It’s a monument to his ego.” The Telegraph, 21 Sept. 2026. Argues that Spencer’s memoir is primarily self‑serving, with extensive criticism of its portrayal of King Charles.

Dye, Eleanor. “Charles Spencer apologises to Piers Morgan over inaccuracy in Princess Diana memoir.” HELLO!, 22 Sept. 2026. Documents the factual dispute between Spencer and Morgan, highlighting issues of credibility and historical accuracy.

Bujnosek, Bailey. “Unpacking the Drama Between King Charles and Princess Diana’s Brother Over ‘Swan Song’.” Yahoo News UK, 18 Sept. 2026. Provides historical context for Spencer’s grievances and the Palace’s rare public response.

Taylor Tailored Editorial Team. “Swan Song By Charles Spencer Explained: Diana, King Charles And The Legal Fallout.” A long-form interpretive analysis of Spencer’s motivations, the memoir’s evidentiary limits, and its political implications.

Harrington, Mary. “Aposhcalypse Now.” UnHerd. A cultural critique situating Spencer within the decadence of Britain’s post‑imperial aristocracy and interrogating his invocation of “duty.”

Theoretical / Historiographical Context

Champigny, Robert. “The ‘Swan’ and the Question of Pure Poetry.” L’Esprit Créateur, Vol. I, No. 3. Explores the tension between prosaic meaning and aesthetic form, a useful theoretical analogue for analysing Spencer’s memoir as a selective, emotionally charged narrative rather than a historical reconstruction.

The Cromwells as a “Dynasty”: A Family History That Cannot See the Revolution: A review of The House of Cromwell: Power, Family and the Making of Modern Britain by Miranda Malins (William Collins, 2026)

The English Revolution still causes significant unease among the British establishment nearly four centuries later. The monarchy abolished in 1649 was quickly restored, the republic removed from history, and Oliver Cromwell’s image flattened into a mere caricature of a killjoy who “cancelled Christmas.” The most transformative decade in English history has been domesticated, diminished, and pushed to the sidelines of national memory.

Notably, a new major history of the Cromwells portrays them not as agents of social upheaval but as a “dynasty”: a family like the Tudors or Stuarts, driven by marriage, ambition, and inheritance. This framing is more than a narrative choice; it signals a broader ideological shift in current historiography, moving away from class, revolution, and social struggle toward a focus on the personal, domestic, and genealogical.

Miranda Malins, trustee of the Cromwell Association and author of two historical novels about Cromwell’s daughters, has embarked on a truly ambitious project. The House of Cromwell: Power, Family and the Making of Modern Britain explores the family lineage over two centuries, connecting Thomas Cromwell, Henry VIII’s chief minister, with his distant relative Oliver, and tracing their family from a Putney brewhouse to the heights of political influence and back. The research is extensive; Diarmaid MacCulloch, a leading biographer of Thomas Cromwell, has praised the book warmly. Its focus on the family’s women, a group often overlooked by historians, will attract many readers and undoubtedly add depth to the biography.

The book’s core idea, highlighted in its subtitle and throughout its promotion, is that “family mattered above all else,” emphasising that understanding the Cromwells requires understanding their family. However, this premise needs to be challenged. While family ties certainly influenced Thomas, Oliver, and others, genealogy alone cannot fully explain their historical importance. Instead, their significance stems from their roles in the revolutionary changes in English society. Viewing the Crawleys as a “dynasty” swaps cause and effect: their family connections gained historical importance because they were linked to the emergence of a new social class, not because the family held inherent political power.

The irony of the Putney connection highlights the core issue. Putney, Thomas Cromwell’s birthplace, was also the site of the 1647 Putney Debates. During these debates, ordinary soldiers and Leveller leaders challenged army leaders Oliver Cromwell and his son-in-law Henry Ireton about the nation’s future. Colonel Thomas Rainsborough declared that “the poorest he that is in England hath a life to live, as the greatest he,” which Ireton countered by arguing that political rights depend on “a permanent fixed interest in this kingdom,” meaning property. In that church on the Thames, the revolution’s class conflicts were revealed. Whatever the Ireton–Cromwell marriage’s other implications, it was fundamentally a political alliance of the propertied class versus the common people who fought.

Viewing Ireton mainly as a son-in-law, rather than as the leading theorist challenging bourgeois property, reduces the revolution to mere family drama. It shifts the focus from sovereignty, representation, and property to domestic stability. The Cromwells did not transform Britain solely through family ties; rather, their family connections gained historical significance because they were linked to the rise of a new social order.

Malins’s framing faces a key problem. While a connection exists between Thomas Cromwell and Oliver Cromwell, it is not a direct family line. Instead, it reflects broader shifts in property relations such as the dissolution of monasteries, the rise of the gentry and merchant classes, the expansion of capitalist agriculture, the assertion of parliamentary authority, and the revolutionary end of feudal absolutism. Reducing this history to a story about a “house” or “dynasty” misses the very processes that made the Cromwells historically significant.

Putney: The Forgotten Battleground of Class

The connection to Putney carries a poignant, revealing irony. Although Putney was Thomas Cromwell’s birthplace, it also witnessed one of England’s most remarkable political clashes. In the autumn of 1647, at St Mary’s parish church by the Thames, ordinary soldiers of the New Model Army and their Leveller leaders faced off against the army’s elite, including Oliver Cromwell and his son-in-law Henry Ireton, as they debated the country’s future constitution. The Putney Debates were not typical family discussions; they exposed the revolution’s profound social conflicts, with those who fought for Parliament questioning whether victory would serve them or the propertied classes leading them.

Colonel Thomas Rainsborough’s statement that “the poorest he that is in England hath a life to live, as the greatest he” stands as one of the most radical expressions of democratic ideals in English history. This was not simply rhetorical; it reflected the hopes of thousands of soldiers, artisans, apprentices, and small producers who believed that toppling the king would bring about a change in political rights. They called for a voice in the nation proportional to their sacrifices. They insisted that political power must be based on the consent of everyone living under the government, not just landowners.

Ireton’s response was just as definitive. He asserted that political rights should be based on a lasting stake in the country, namely, property. Allowing those without land to vote would threaten the social order’s core, risking “anarchy,” “confusion,” and the downfall of the propertied classes. According to Ireton, the revolution wasn’t a push for democracy but rather a safeguard for property against the threat of popular sovereignty.

In that church, the revolution’s sharp class conflicts were exposed. The Levellers expressed the era’s most progressive democratic hopes. At the same time, the grandees defended their own interests: gentry, merchants, and rising landlords whose ascent had been driven by social changes Thomas Cromwell had initiated a century earlier. Beyond its political implications, the Ireton–Cromwell marriage symbolised an alliance between the revolution’s propertied class and the ruling elite, against the common people who had fought the battles.

The framing of The House of Cromwell is fundamentally misleading because it portrays Ireton mainly as a son-in-law rather than as the key theorist defending bourgeois property against the Levellers. This reverses cause and effect, reducing the revolution to a domestic story. It shifts focus from the battles over sovereignty, representation, and class power to family continuity. The Cromwells did not transform Britain simply through family ties; rather, their family bonds gained significance because they were linked to the emergence of a new social class.

Viewing the Cromwells as a “dynasty” misses the core point. Dynasties only matter when political power is passed down through hereditary succession. The Cromwells were significant because they disrupted this inheritance, not because of family ties. Oliver Cromwell’s authority stemmed from the organised strength of the New Model Army, a force made up mainly of men with no lasting vested interest in the kingdom. His power arose from a revolutionary upheaval, not from inheritance or lineage.

The Putney Debates highlight the folly of viewing the Cromwells as a family on par with the Tudors or Stuarts; unlike the hereditary rule of the Tudors and Stuarts, the Cromwells governed out of revolutionary necessity. Oliver’s refusal of the crown in 1657 and the Protectorate’s quick collapse after his son Richard’s brief rule show that the Cromwells were not a dynasty, but a temporary manifestation of class struggle that couldn’t be stabilised through hereditary succession. Once the immediate revolutionary threat was over, the bourgeoisie preferred restoring a monarchy they could control rather than risking a mobilised army and a politicised population.

Reducing this process to a “house” or “dynasty” story obscures the forces that made the Cromwells historically important. It shifts the focus from revolutionary change in English society to family drama, replacing class analysis with genealogy, political conflict with domestic stories, and revolutionary ruptures with familial ties.

The Putney Debates highlight that the English Revolution was not merely a family story. It centred on political power, property rights, and the rights of common people. Grasping the Cromwells is essential to understanding the revolution itself. Viewing them as a dynasty, however, risks obscuring the broader revolutionary significance.

Thomas Cromwell and the Transformation of Property

Thomas Cromwell’s career clearly exemplifies this. The dissolution of the monasteries, which he carried out with a harshness that even some of his peers found shocking, represented the largest transfer of land in English history before the Revolution. It was more than an administrative change or Tudor state-building; it caused social upheaval. In less than ten years, nearly a quarter of England’s land shifted from church ownership to secular control. The winners were not the traditional feudal aristocracy but the emerging gentry, merchants, lawyers, and city investors, who bought monastic lands cheaply and turned them into successful agricultural and commercial ventures.

This redistribution of land established the social class that would dominate English politics for the next century: landlords, commercial farmers, and London trading interests. It hastened the decline of feudal tenures, promoted market-focused agriculture, and strengthened the class whose interests would later influence Parliament and the New Model Army. Essentially, the dissolution served as the beginning of the bourgeois revolution. It transformed the economic landscape, eroded the foundations of the old order, and empowered the groups poised to challenge royal absolutism in the 1640s.

Understanding Thomas Cromwell’s importance involves grasping the shift in property relations. His policies not only enriched select families but also reshaped England’s class dynamics. The new landowners- many minor gentry or driven urban figures- became the foundation of the parliamentary movement a century later. They pushed for limits on royal power, opposed arbitrary taxes, invested in trade, and adopted the Puritan ethic, blending religious discipline with economic reason. Their perspective, formed through property ownership and market competition, laid the groundwork for the ideology behind the English Revolution.

The link between Thomas and Oliver is genuine, but it lies in this shift in property relations, not in family lineage. Their connection is rooted in the social changes Thomas helped shape, and Oliver later embodied. Thomas Cromwell helped shape the developing bourgeois order, while Oliver Cromwell led it militarily and politically during a revolutionary upheaval. Thus, their bond is based on history, not ancestry.

Viewing the Cromwells as a “dynasty” misses their true significance. Dynasties are relevant when power is passed down hereditarily. However, the Cromwells were significant because they disrupted traditional hereditary rule. Thomas Cromwell advanced through talent, ambition, and the opportunities of a transforming economy. At the same time, Oliver Cromwell gained power by mobilising a revolutionary army mostly composed of those who benefited from the dissolution. Their importance lies in breaking from established lineage, not in family succession.

The dissolution of the monasteries established the social class that would later oppose the monarchy; the New Model Army was the means by which that opposition was expressed. Tracing a family line between Thomas and Oliver misses the core issue. The true division lies in the development of capitalist property relations, the rise of the gentry and merchant classes, and the revolutionary end of feudal absolutism. It is a class line, not a familial one.

The framing of The House of Cromwell is flawed because it emphasises family continuity, which obscures the social forces behind the Cromwells’ historical importance. Thomas Cromwell was influential because he altered the economic base of English society. At the same time, Oliver Cromwell was significant for leading the political and military efforts that finalised these changes; seeing them as merely a “dynasty” risks obscuring the revolutionary aspects of their contributions.

The Revolution as Bourgeois Breakthrough

Marx and Engels viewed the English Revolution as the first major bourgeois revolution of the modern era, serving as the prototype for 1789. It marked the moment when emerging capitalist forces challenged and dismantled the declining feudal absolutist structures. They saw the execution of Charles I not as a religious or personal act but as a political expression of a deep shift in property relations. This revolution laid the foundation for capitalist growth, the creation of a national market, and the rise to dominance of the propertied middle classes. Ultimately, it was the crucial break that signalled the beginning of modern Britain.

Christopher Hill, a leading Marxist historian of that era, expanded this analysis by illustrating how Cromwell’s Puritanism reflected the worldview of the emerging middle class. More than just a religious sentiment, Puritanism was the ideological lens through which the gentry, merchants, and commercial farmers viewed their role in a transforming society. Its focus on discipline, thrift, hard work, and moral self-assessment echoed the developing capitalist values. Hill argued that Cromwell’s speeches, correspondence, and actions reflected this perspective. He was not a mere mystic but a political figure representing a class whose goals included dismantling feudal privileges and establishing a state to safeguard property and maintain social order.

However, Hill emphasised that the revolution unleashed forces far beyond the ruling elites’ intentions. The Levellers pushed for political democracy, while Gerrard Winstanley’s Diggers promoted communal land ownership. The Fifth Monarchists envisioned a millenarian societal transformation. These movements were not mere fringe ideas but reflected the hopes of the common people who drove the revolution. They suggested, though perhaps only briefly, that dismantling the monarchy could bring about a deeper societal overhaul.

Cromwell responded firmly. He quelled the Leveller uprisings, notably at Burford in 1649, where soldiers demanding democratic rights were killed by their commanders. He also dismantled Winstanley’s Digger communes, which sought to cultivate common land in violation of property laws. He also enforced discipline within the New Model Army to prevent it from becoming a tool for social upheaval. These measures were consistent with his character; they stemmed from the nature of the class Cromwell represented- a class that aimed to abolish feudalism but also feared the revolutionary masses it had fueled.

Any fair assessment of Cromwell’s influence must include Ireland. The massacres at Drogheda and Wexford, along with the large-scale confiscation of Irish lands that ensued, established the long-lasting foundations of British colonial dominance. The same revolution that facilitated capitalist growth domestically also ensured the subjugation of Ireland. This wasn’t driven by personal cruelty or virtue but by the logic of a class whose expansion depended on forcibly integrating Ireland into a new imperial framework. The violence seen in Ireland encapsulates the colonial aspect of the bourgeois revolution.

In his 1925 work ‘Where Is Britain Going?’, Leon Trotsky advised Labour Party leaders to study Cromwell instead of the Fabians. He believed Cromwell understood that major historical issues are resolved through the organised power of a revolutionary class, not parliamentary tricks. Trotsky did not seek to idolise the Lord Protector, whose revolution ultimately favoured property owners, but argued that the British working class should embrace the revolutionary legacy its rulers have tried to erase. After their own revolution, the bourgeoisie spent centuries hiding its violent and upheaval-filled origins rooted in class struggle. Reclaiming the essence of the English Revolution means understanding the real Cromwell- not as a dynastic figure, but as a complex symbol of a class whose victory changed the world.

The Ideological Function of “Dynasty” History

The ongoing burial signifies a shift in how historians study and understand history. Recent decades have seen a move away from focusing solely on class struggles towards exploring personal, domestic, and identity-related aspects. This has led to detailed research that sheds light on private lives, highlights marginalised voices, and deepens our grasp of everyday experiences. However, this approach also serves an ideological purpose. By framing major social conflicts as stories of individual psychology and family drama, it downplays the role of structural forces, making revolution appear as mere costume melodrama scenes of personal and household conflicts set against a vague political background. Consequently, the English Revolution is viewed less as a fight over sovereignty, property, and class, and more as a struggle of temperaments and domestic affairs.

The comparison between Malins’s book and Hilary Mantel’s Wolf Hall is quite insightful. Mantel, an exceptional novelist, vividly captures Thomas Cromwell’s inner world with deep psychological nuance. However, a historian must explain facts that a novelist dramatises. Mantel’s Cromwell is engaging because he is a fictional creation, a consciousness brought to life through imagination. Conversely, Malins’s Cromwells are depicted as historical figures whose importance rests on their family continuity. This shifts the historical novel’s techniques into the realm of historical analysis. The Cromwells are portrayed as characters in a multi-generational saga rather than active participants in a revolutionary process.

The idea that the Cromwells formed a “dynasty” akin to the Tudors or Stuarts warrants careful examination. Dynasties rely on hereditary succession, passing political power through bloodlines. However, Cromwell’s period in control was characterised by the collapse of hereditary legitimacy. Oliver Cromwell’s refusal of the crown in 1657 was not just an oddity; it recognised that his authority could not be secured through monarchical traditions. His power rested on the New Model Army, the revolutionary upheaval that dismantled the old order, and the temporary alignment of class forces that enabled his leadership. It was not founded on bloodline.

The swift fall of the Protectorate under his son Richard clearly illustrates this point. Although Richard Cromwell inherited the bloodline, he lacked the political support. He lacked the army’s confidence, the backing of the property-owning classes, and the authority that came from his father’s leadership in the revolutionary victory. His downfall was not a sign of a failing dynasty; it revealed that no dynasty had been established. The Protectorate was not a hereditary government but an unstable Bonapartist-like regime, teetering between the army, the wealthy classes, and the subdued radicals. It was a regime born from revolution rather than inheritance.

After the Protectorate fell, the bourgeoisie faced a dilemma. They could try to maintain the revolutionary army as a political force, risking the Leveller traditions, democratic unrest, and potential social chaos. Alternatively, they could restore a monarchy stripped of its absolutist powers, one they could control through Parliament, property laws, and financial influence. They chose the latter option. The 1688 settlement delivered exactly what they sought: a constitutional monarchy that protected property rights, ensured political stability, and prevented the army from acting as an independent revolutionary force.

Calling the Cromwells a “dynasty” misreads the revolution’s entire course. It imposes a familial continuity narrative on a process marked by rupture, conflict, and class struggle. It treats the Protectorate as just another form of monarchy, rather than a transitional regime emerging from revolutionary needs. This obscures how the bourgeoisie, after employing the army to dismantle the old order, quickly moved to neutralise it when its revolutionary promise became dangerous.

The shift towards family-centred history is not without political implications. By emphasising domestic life, emotional connections, and lineage, it diverts focus from the structural forces driving historical change. It prompts readers to view the past as a series of personal dramas rather than the result of social contradictions. This framing makes revolutions seem accidental, chance-dependent, and ultimately subordinate to family dynamics. For example, in the case of the Cromwells, it recasts a revolutionary upheaval into a story about generations- precisely the kind of narrative that allows the English Revolution to be remembered without fully understanding its complexities.

Family History Is Not Class History

None of these points diminishes the importance of recovering the stories of the Cromwell women or other lesser-known family members. Such details can deepen our understanding of the era, highlight the nuances of daily life, and help correct enduring historical biases. The domestic sphere mattered to the revolution; it shaped the experiences, restrictions, and opportunities of those involved. However, it should be viewed as part of the larger historical process, not a replacement for it. Family mattered to the Cromwells, as it did to everyone. What truly made their story significant to history was something else entirely.

Malins’s framing is problematic not because it focuses on the Cromwells’ private lives, but because it makes those lives the story’s central focus. This approach risks echoing a wider trend in modern history writing: moving away from discussions of class, revolution, and structural forces that influence change. Instead of portraying the English Revolution as a conflict over sovereignty, property, and national destiny, it becomes a tale of family ties, marriage, and domestic loyalty. The Cromwells are cast as family figures rather than as representatives of a class whose victory transformed the world.

This change reflects a broader cultural trend. In an era when political disputes are often seen as personal issues, social crises are viewed through individual identity and life stories, and class struggle is considered outdated, it’s natural for historians to focus more on personal and domestic aspects. However, this distorts the picture. Major social conflicts are reduced to notions of individual psychology. Revolution becomes melodramatic, and structural change becomes mere backdrop. The political becomes personal and thus depoliticised.

The Cromwells show the limits of this approach. Their importance isn’t rooted in marriages or household affairs but in the transformative events that elevated them. Thomas Cromwell played a key role in orchestrating the largest transfer of land in England before the 1600s. Oliver Cromwell led the army that toppled the monarchy, paving the way for capitalist growth. Their family ties were secondary to these larger forces and did not drive them. Viewing them as a “dynasty” distorts the true relationship between societal forces and individual lives.

The fall of Richard Cromwell’s Protectorate clearly disproves the idea of a hereditary ruling house. If the Cromwells had truly been a dynastic family, Richard’s succession would have stabilised the government. Instead, it revealed its instability. The Protectorate was not a hereditary monarchy but a delicate Bonapartist balance maintained only by the temporary alignment of class interests following the revolution. When that balance unravelled, the regime collapsed. The bourgeoisie, wary of the army and opposed to radical plebeian movements, reinstated a monarchy they could control. The 1688 settlement finalised this shift: establishing a constitutional order that protected property, stabilised the state, and suppressed revolutionary ideals.

The burial of the past has never been complete. Those studying the English Revolution need to go beyond family histories and domestic accounts. They should consult Marx and Engels, who recognised its global importance; Christopher Hill, who identified its radical currents; the Leveller pamphlets, expressing the democratic hopes of ordinary people; and Trotsky, who argued that the revolutionary tradition belongs to the working class, not the bourgeoisie. While Malins’s book offers useful details, it doesn’t explain the revolution itself or the forces that made figures like Cromwell significant. To understand that, we must focus on the transformation of property, class, and political power, the real foundation of modern Britain.

Academic Articles and Bibliography

I. Foundational Marxist and Social-Historical Interpretations

Christopher Hill

Hill remains indispensable for any serious analysis of Cromwell, the English Revolution, and the radical movements it unleashed.

  • Hill, Christopher. God’s Englishman: Oliver Cromwell and the English Revolution. London: Penguin, 1970. A classic Marxist interpretation of Cromwell as representative of the rising bourgeoisie; essential for understanding the class dynamics behind Puritan ideology.
  • Hill, Christopher. The World Turned Upside Down: Radical Ideas During the English Revolution. London: Penguin, 1972. A definitive study of Levellers, Diggers, and Fifth Monarchists; it shows how popular radicalism exceeded the grandees’ intentions.
  • Hill, Christopher. “The English Revolution 1640.” Past & Present 1955. A seminal article establishing the bourgeois revolution thesis in English historiography.
  • Hill, Christopher. “Puritanism and Revolution.” The Economic History Review 1958. Connects Puritan ideology to emerging capitalist social relations.

Marx and Engels

  • Marx, Karl. The Eighteenth Brumaire of Louis Bonaparte. Not about England directly, but foundational for understanding Bonapartism and class balancing — crucial for interpreting the Protectorate.
  • Marx, Karl & Engels, Friedrich. Selected Correspondence. Contains remarks on Cromwell and the English bourgeois revolution.

II. Radical Movements and the Levellers

Leveller Studies

  • Woolrych, Austin. “The Levellers and the English Revolution.” The Historical Journal 1974. A balanced but rigorous account of Leveller ideology and its challenge to property-based political rights.
  • Manning, Brian. The English People and the English Revolution. London: Heinemann, 1976. A Marxist social history emphasising plebeian agency.
  • Reid, John. “The Putney Debates: Popular Sovereignty and Property.” History Workshop Journal 1985. Excellent analysis of Rainsborough vs Ireton; directly relevant to the Putney section.

Primary Sources

  • The Clarke Papers, ed. C.H. Firth. Essential primary source collection for the Putney Debates and Army Council discussions.

III. Cromwell, the Protectorate, and State Formation

Cromwell Studies

  • Coward, Barry. The Cromwellian Protectorate. Manchester University Press, 2002. A modern scholarly account of the Protectorate’s political instability and class contradictions.
  • Durston, Christopher. “The Fall of the Cromwellian Protectorate.” English Historical Review 1992. Shows why Richard Cromwell’s failure was structural, not personal — supports your anti‑dynastic argument.
  • Smith, David. Oliver Cromwell: Politics and Religion in the English Revolution. Cambridge University Press, 1991. A nuanced political biography.

Bonapartism and Class Balancing

  • Kishlansky, Mark. “The Army and the Levellers.” Past & Present, 1979. Analyses Cromwell’s suppression of radicalism within the army.
  • Underdown, David. Pride’s Purge. Oxford University Press, 1971. Classic study of the political crisis that produced the Rump Parliament.

IV. Ireland, Empire, and Colonial Violence

Ireland under Cromwell

  • Lenihan, Pádraig. Confederate Catholics at War, 1641–49. Manchester University Press, 2001. Contextualises the Irish campaigns within broader colonial dynamics.
  • Barnard, Toby. “Cromwellian Ireland: Land and Society.” Irish Historical Studies 1980. Key article on land confiscation and settler colonialism.
  • Murphy, Elaine. Ireland and the Cromwellian Conquest. Routledge, 2010. Modern scholarly synthesis of the massacres, land seizures, and colonial restructuring.

V. Historiography, Revisionism, and the Turn to the Domestic

Revisionist and Post‑Revisionist Debates

  • Russell, Conrad. The Causes of the English Civil War. Oxford University Press, 1990. A revisionist critique of class-based interpretations; useful as a foil to Hill.
  • Morrill, John. “The Religious Context of the English Civil War.” Transactions of the Royal Historical Society, 1984. Emphasises religious motivations over class — relevant to a critique of depoliticised narratives.

History and the Domestic Turn

  • Fletcher, Anthony. Gender, Sex and Subordination in England 1500–1800. Yale University Press, 1995. Foundational for the turn toward domestic and gender history.
  • Sharpe, J.A. “The History of the Family and the English Revolution.” Social History 1992. Directly addresses the historiographical shift you critique.

VI. Trotsky and Revolutionary Strategy

  • Trotsky, Leon. Where Is Britain Going? (1925). Essential for your argument: Cromwell as a model of revolutionary decisiveness, contrasted with Labour’s parliamentary cretinism.
  • Trotsky, Leon. History of the Russian Revolution. Not about England, but foundational for understanding class forces, dual power, and revolutionary leadership — concepts applicable to Cromwell’s era.

VII. Suggested Further Reading for Workers and Students

  • Hill, Christopher. The Experience of Defeat. On the radical memory of the revolution.
  • Winstanley, Gerrard. The Law of Freedom. Primary source of Digger communism.
  • The Leveller Tracts, ed. Don Wolfe. Comprehensive collection of Leveller pamphlets.

From the Far Side of the Moon to the $1,199 Checkout: Apple Sells the Heavens Back to the Working Class.

In April, when the Orion capsule orbited the far side of the Moon, humanity experienced a remarkable milestone in science and technology. For the first time in over fifty years, humans personally saw Earth rise above the lunar horizon. The Artemis II astronauts reached for a device to capture this historic moment not a specialised tool or custom aerospace equipment, but a consumer device: the iPhone 17 Pro Max.

NASA’s choice to include the device on Orion was deliberate. It involved a thorough, multistep safety review: turning off all radios, studying glass-shatter physics, testing the titanium frame in a vacuum, and confirming the phone wouldn’t interfere with navigation systems. The device was simplified to just recording images and securely placed inside the astronauts’ suits. Its use remained strictly controlled.

The images of Earth with auroras at both poles, the stark lunar far side, and astronauts seen through Orion’s cabin windows reflect decades of scientific progress and the work of thousands of engineers, technicians, and workers across continents. They represent a collective societal achievement. Within days, Apple’s leadership seized the opportunity. Then CEO Tim Cook and marketing chief Greg Joswiak posted congratulatory messages on social media, turning a scientific milestone into a branding opportunity. Apple repurposed the iconic Earthrise images over the Moon for the “Shot on iPhone” campaign. Apple transformed what was originally a testament to human collaborative effort into a marketing tool.

Five months later, the reason for this excitement became evident. On September 9, 2026, Apple introduced the iPhone 18 Pro and iPhone 18 Pro Max. As expected, the main highlight was the camera. Apple showcased a new 48MP main sensor with a variable aperture, along with the A20 Pro chip and a vapour chamber cooling system that it claimed delivered the highest sustained performance ever in an iPhone. Prices increased accordingly: the iPhone 18 Pro now starts at $1,199, marking a $100 rise from the previous year. Bloomberg reported that the foldable version would surpass $2,000.

The comparison reveals an important insight. A device built through global labour exploitation marks humanity’s return to the Moon. A highly profitable corporation then claims the rights to these images. Several months later, it sells a newer version of the same device to the working class at an even higher cost. Both the Moon, the Earth, and scientific progress are turned into commodities to be bought and sold.

The Commodification of Scientific Achievement

The Artemis II mission is a true testament to human ingenuity, illustrating the combined efforts of scientists, engineers, and workers whose collective labour has enabled humans to return near the Moon. Each part of the Orion spacecraft, along with every line of code, instrument, and sensor, reflects decades of scientific research, social experience, and technical improvements. It stands as a victory not of individual talent or corporate progress but of society’s collaborative effort.

Under capitalism, even the greatest scientific breakthroughs are driven by private profit. When Artemis II orbited behind the Moon, a moment meant for all humanity, a major corporation quickly claimed it. The astronauts reached for a consumer device, the iPhone 17 Pro Max, to record the view. This was not a showcase of Apple’s engineering but a carefully controlled use of a consumer gadget in a scientific mission, after NASA turned off its radios, tested its materials, and limited what it could do.

Apple quickly seized the achievement, with executives flooding social media with congratulatory posts. They turned a major scientific milestone into a market spectacle. The iconic images of Earth rising over the lunar horizon, shaped by decades of scientific effort and thousands of workers, were repurposed as advertising content. What was once human heritage became a marketing tool.

This reflects the core of commodity fetishism. The social labour involved miners extracting rare earth metals under harsh conditions, assembly line workers in China and India working in large factories, and engineers creating sensors and firmware is obscured. Instead, we see the illusion of a self-sufficient technological marvel, attributed to corporate brilliance rather than collective effort. The iPhone appears as a standalone technological wonder, with its capabilities seeming to arise from Apple’s executives’ ingenuity rather than from the work of millions.

Images from Artemis II, taken by workers risking their lives, are used to justify a $1,199 price. The working class is asked to pay increasing prices for products they help create. The same workers who assemble these devices can’t afford them. Millions worldwide face rising living costs, stagnant wages, and shrinking social services, yet they are told the latest gadget made through their own exploited labour is essential for modern life.

The iPhone’s presence on Orion symbolises how capitalism warps scientific progress, turning it from a collective human achievement into a source of profit. The Moon becomes a setting for advertising, with scientists’ and astronauts’ work serving marketing purposes. Private firms commandeer society’s accomplishments and sell them back to workers at high prices. Artemis II shows what humanity can achieve through shared scientific efforts. However, under capitalism, even space becomes a commodity. The Moon landing is exploited for corporate branding, and innovations born from collective labour are used for private wealth. Workers face the stark truth that technologies they develop, such as lunar-based Earth imaging, are owned and monetised by the capitalist elite.

The Global Labour Chain Behind the iPhone

Every iPhone results from a complex, global network of exploited labour. Behind its sleek design, a social process spans continents, connecting miners, factory workers, engineers, and logistics staff in a capitalist production system. The minerals used in its components, such as cobalt, lithium, nickel, copper, and rare earth elements, are mined under brutal conditions in Africa and Latin America. Workers often operate in dangerous environments without proper safety gear, risking exposure to toxic dust, tunnel collapses, and exploitative subcontractors. Child labour remains widespread in parts of the cobalt supply chain. The raw materials of what is called the “most advanced consumer device in history” are tainted with the sweat and blood of some of the world’s poorest populations.

Materials are then shipped to East Asia, where workers produce chips and components under intense supervision and pressure. Semiconductor plants in Taiwan, South Korea, and China operate with military-like discipline. Workers endure long hours, repetitive tasks, and constant oversight. Even minor procedural mistakes can ruin millions of dollars worth of wafers, leading management to enforce strict behavioural rules to maintain productivity. The socalled “miracle” of the Aseries chip, praised by Apple as a symbol of innovation, is actually the result of disciplined labour, years of scientific expertise, and the exploitation of thousands of skilled workers whose efforts often go unnoticed.

Devices are assembled in largescale factories in China, India, and Vietnam, where hundreds of thousands of workers operate continuously. The conditions are severe: crowded dormitories, strict security, long overtime hours, and wages barely enough for basic needs. Workers have repeatedly protested through walkouts, strikes, and uprisings. The 2022 rebellion at Foxconn’s Zhengzhou plant, the world’s largest iPhone factory, highlighted the harsh realities behind Apple’s sleek image. Workers protested unsafe environments, withheld wages, and opposed strict COVID lockdowns. Footage showed clashes with security, workers fleeing on foot, and criticism of management. This uprising uncovered deep social tensions involved in producing Apple’s flagship product.

However, these workers do not benefit directly from the value they generate. Instead, it flows upward to Apple’s shareholders, executives, and investors. Apple boasts trillions of dollars in market value. Its executives earn multimillion-dollar compensation packages. Shareholders receive large dividends. The company retains substantial cash reserves, conducts extensive stock buybacks, and earns rental income through its App Store and subscription services. The labour of millions is concentrated into profits for a small elite.

Meanwhile, those who make the devices cannot afford them. Miners who extract cobalt cannot buy an iPhone, nor can assembly workers who solder components or logistics staff who ship devices globally. Even in the US and Britain, millions face rising living costs, stagnant wages, and worsening social services. They are required to pay $1,199 or $2,000 for the foldable version of products created through their own exploited labour.

This core contradiction of capitalism highlights that the working class creates society’s wealth but cannot enjoy its benefits. The iPhone exemplifies this starkly: hailed as a technological achievement, yet its production relies on exploiting workers worldwide. Promoted as a tool to boost creativity, it is, in reality, built on suppressing workers’ rights. While admired for its innovative design, it depends on harsh mineral extraction and the strict labour of factory workers.

Apple’s marketing conceals this reality. The corporation presents the iPhone as a self-contained technological miracle, the product of visionary leadership and corporate genius. Commodity fetishism reaches its highest expression: the social labour embodied in the device is erased, replaced by the illusion of autonomous technological creation. The iPhone appears as a thing with its own inherent value, detached from the labour that produced it.

The working class faces this contradiction firsthand: they produce the device but must give up an increasing part of their wages to buy it. They generate the wealth, yet the capitalist class takes it. The iPhone is more than a consumer product; it symbolises the global exploitation capitalism relies on and highlights the need for a socialist restructuring of production, where workers reap the benefits.

Artemis II and the Militarisation of Space

The Artemis program reflects capitalism’s contradictions. Washington presents it as a strategic rivalry with China, aiming to dominate cislunar space, access lunar resources, and expand military influence beyond Earth orbit. This isn’t solely scientific exploration; it continues imperialist competition into space. The same motives behind tariffs, sanctions, and semiconductor battles fuel the lunar race.

Private contractors build the rockets, capsules, and systems used in Artemis, profiting enormously from government contracts. Boeing, Lockheed Martin, Northrop Grumman, and SpaceX all stand to gain. The scientific labour of thousands is subordinated to corporate profit interests and the geopolitical aims of American imperialism. The iPhone embodies these same relations. It is a consumer device built through exploited labour, marketed through spectacle, and sold at inflated prices. Its presence aboard Artemis II is symbolic: the commodification of scientific achievement, the subordination of exploration to profit, and the transformation of collective labour into private property.

Leadership Change Without Strategic Change

Apple’s new CEO, John Ternus, led the iPhone 18 Pro launch amid typical corporate applause. The tech media noted it as his “first appearance” at the flagship store, implying his personality mattered, though it doesn’t affect the core social and economic forces shaping Apple. In truth, this leadership change changes nothing. Apple’s core focus remains unchanged: maximising profits by commodifying technology, increasing exploitation across its global supply chains, and expanding rent-seeking practices that keep consumers more tightly integrated into its ecosystem.

The corporation’s strategy is shaped not by its executives’ personal preferences but by its nature as a large capitalist enterprise. Apple must prioritise maximising shareholder value, diversifying revenue sources, and boosting profit margins. This necessity is unavoidable, as it stems from the fundamental principles of capitalism, which place all human endeavours scientific, cultural, and technological under the goal of accumulating private wealth.

Apple continues to focus on increasing revenue per device. The starting price of $1,199 for the iPhone 18 Pro reflects a sustained trend, not an anomaly. Each year, Apple tends to raise prices, make repairs more difficult, and restrict features with proprietary hardware. The company’s marketing often portrays each new release as revolutionary, even when updates are minor. This strategy seems aimed more at fostering artificial scarcity and dependency than at genuine innovation. As a result, the working class feels pressured to buy increasingly expensive devices to stay connected and participate in modern society.

In addition to rising hardware prices, Apple has increased its focus on subscription-based revenue. Services like iCloud+, Apple Music, Apple TV+, Apple Arcade, and AppleCare are becoming an increasingly significant part of the company’s income. These subscriptions are not meant to offer essential services but are intended to generate steady, recurring fees that flow from consumers to shareholders. This approach exemplifies rentier capitalism: earning income not from manufacturing or production, but through ownership and control of digital assets.

Apple’s integration of “AI” features aims to enhance its ecosystem. These features are promoted as advances in productivity, creativity, and convenience but primarily serve to generate revenue. AI-driven photo editing, writing tools, and device optimisation are linked to hardware upgrades and subscription plans. Although Apple claims these features represent the future of computing, their main purpose is to justify price hikes and keep users within their closed ecosystem. The narrative of innovation conceals a core economic strategy: turning routine digital activities into a continuous income source.

Apple utilises cultural spectacle to justify rising prices. Its marketing, from “Shot on iPhone” to keynote events, fosters an image of exclusivity and desirability. Featuring an iPhone on Artemis II becomes a marketing tactic, linking the device to scientific and exploratory achievements. The company rebrands collective accomplishments as proof of its technological dominance. This spectacle masks the underlying exploitation in manufacturing and normalises the increasing costs of engaging with Apple’s ecosystem.

What Technology Could Be Under Socialism

The technological capacities on display a pocket-sized device capable of recording the Earth setting behind the Moon demonstrate with striking clarity what humanity can achieve when scientific knowledge accumulates across generations. The iPhone’s ability to function, even in a tightly constrained and safety modified form, aboard a spacecraft orbiting the Moon is not a testament to Apple’s corporate genius but to society’s collective labour. It reflects centuries of scientific inquiry, decades of engineering refinement, and the coordinated labour of tens of thousands of workers across multiple continents. The problem is not the technology itself. It is the social system in which the technology is developed, deployed, and ultimately commodified.

Under a rational, socialist organisation of production, the immense scientific and technical capacities embodied in devices like the iPhone would be liberated from the profit system. Advances in optics, sensors, and computing would be planned democratically to meet human needs, not to maximise quarterly earnings. Space exploration would be international, cooperative, and nonmilitarized, guided by the principle that humanity’s expansion beyond Earth must serve peaceful and scientific purposes. Devices would be designed for durability, accessibility, and universal benefit, not planned obsolescence or rent extraction through subscription services. The fruits of scientific labour would belong to all humanity, not to shareholders. The Moon and the technologies that reach it would be treated as common heritage, not as marketing material for a trillion-dollar corporation.

The contrast is stark. Capitalism turns collective achievement into private property. Socialism would turn private property back into collective achievement. The images taken aboard Artemis II point to what is possible. They show the Earth as a fragile sphere suspended in darkness, a reminder of humanity’s shared fate. They show the Moon as a world that belongs to all people, not to corporations or nations. They show human labour’s capacity to transcend boundaries, overcome immense technical challenges, and reach new horizons. They reveal the potential of a society organised around cooperation rather than competition, around human need rather than private profit.

But under capitalism, even these images are commodified. They become advertisements for a $1,199 device. They become instruments of profit extraction. The scientific achievement of returning human beings to the Moon becomes a backdrop for corporate branding. The labour of astronauts, engineers, and scientists becomes raw material for marketing campaigns. The heavens themselves the Moon, the Earth, the vast expanse of space are transformed into commodities.

The story of the iPhone aboard Artemis II is not a trivial anecdote. It is a microcosm of the entire capitalist system. Corporations appropriate scientific achievement. Collective labour becomes private profit. The working class is asked to purchase the products of its own exploitation. The technologies that enable exploration of the Moon, the devices that capture images of the Earth, and the scientific achievements that expand human knowledge are all subordinated to the profit interests of a tiny minority.

The return to the Moon should be a moment of global unity, a demonstration of humanity’s capacity for cooperation and scientific progress. Instead, it becomes a marketing opportunity for Apple and a geopolitical manoeuvre for American imperialism. Artemis II is framed not as a scientific mission but as part of a strategic competition with China, an extension of great-power rivalry into cislunar space. Private contractors build the rockets, capsules, and systems used in the mission, profiting enormously from government contracts. The scientific labour of thousands is subordinated to corporate profit interests and the geopolitical aims of the American ruling class.

The working class must draw the necessary conclusions. The technologies that enable exploration of the Moon, the devices that capture images of the Earth, and the scientific achievements that expand human knowledge must be liberated from the profit system. They must be placed under democratic, socialist control. Only then can scientific progress serve humanity as a whole rather than the narrow interests of shareholders and imperialist governments.

The Moon belongs to all of humanity. So too should the fruits of the labour that took us there. The images captured aboard Artemis II reveal not only the beauty of the Earth and the Moon but the potential of human labour when freed from the constraints of capitalism. They point toward a future in which scientific achievement is no longer commodified, technology serves human need, and the heavens are explored not for profit or geopolitical advantage but to advance knowledge and enrich human life.

The task before the working class is clear: to overthrow the capitalist system that commodifies the heavens and to build a socialist society in which the full potential of human ingenuity can be realised. Only then will the Moon, the Earth, and the technologies that connect them truly belong to all.

Further Reading

1. Commodity Fetishism & Technology

Fuchs, C. (2014). “Digital Labour and Karl Marx.” Routledge. A foundational text in Marxist digital labour theory. Fuchs analyses how consumer technologies embody hidden labour relations and argues that digital commodities intensify fetishism by obscuring global labour chains.

Graham, M. & Anwar, M. (2019). “The global gig economy: Towards a planetary labour market?” First Monday, 24(4). Explores how digital commodities rely on dispersed labour networks. Useful for framing the iPhone as a planetary commodity.

Mosco, V. (2016). “The Paywall: The Business of Scholarship in the Digital Age.” Digital Journalism, 4(1). Discusses how digital infrastructures become rentextraction mechanisms directly relevant to Apple’s subscription strategy.

2. Global Supply Chains & Electronics Labour

Chan, J. (2013). “A suicide survivor: The life of a Chinese worker.” New Technology, Work and Employment, 28(2). A detailed ethnographic study of Foxconn labour conditions. Essential for grounding your section on the Zhengzhou uprising.

Pun, N. & Chan, J. (2012). “Global Capital, the State, and Chinese Workers: The Foxconn Experience.” Modern China, 38(4). Examines Foxconn’s labour regime, militarised management, and the structural exploitation behind electronics assembly.

Smith, J. (2016). “Imperialism in the Twenty-First Century: Globalisation, SuperExploitation, and Capitalism’s Final Crisis.” Monthly Review Press. Not an article but widely cited in journals; provides the theoretical basis for analysing global labour arbitrage in electronics.

3. Space Exploration, Imperialism & Geopolitics

Siddiqi, A. (2015). “The Red Rocket’s Glare: Spaceflight and the Soviet Imagination.” Cambridge University Press. Shows how space exploration has historically been embedded in state power and geopolitical rivalry.

JohnsonFrey, S. (2020). “Militarisation of Cislunar Space.” Astropolitics, 18(3). Explores how US space policy increasingly frames the Moon as a strategic domain directly relevant to your Artemis II analysis.

Gorman, A. (2009). “The archaeology of space exploration.” Journal of Social Archaeology, 9(1). Argues that space artefacts (including images) become cultural commodities, a perfect academic parallel to your “heavens as commodity” argument.

4. Science & Technology Studies (STS) Perspectives

Winner, L. (1980). “Do Artefacts Have Politics?” Daedalus, 109(1). A classic argument that technologies embody political relations, foundational for your claim that the iPhone reflects capitalist social relations.

Edwards, P. (2010). “A Vast Machine: Computer Models, Climate Data, and the Politics of Knowledge.” MIT Press. Shows how scientific infrastructures are shaped by political economy, useful for framing NASA’s technological systems.

Suchman, L. (2007). “Human-Machine Reconfigurations.” Cambridge University Press. Explores how human labour and machines coproduce meaning, relevant to your analysis of astronauts using consumer devices.

Academic Bibliography

Marxist Theory & Political Economy

  • Marx, K. (1867) Capital: Volume I. Hamburg: Otto Meissner Verlag.
  • Marx, K. (1859) A Contribution to the Critique of Political Economy. Berlin: Franz Duncker.
  • Lenin, V.I. (1916) Imperialism: The Highest Stage of Capitalism. Petrograd: Zhizn i Znanie.
  • Smith, J. (2016) Imperialism in the Twenty-First Century. New York: Monthly Review Press.
  • Fuchs, C. (2014) Digital Labour and Karl Marx. London: Routledge.

Global Labour Chains & Electronics

  • Chan, J. (2013) ‘A suicide survivor: The life of a Chinese worker’, New Technology, Work and Employment, 28(2), pp. 84–96.
  • Pun, N. & Chan, J. (2012) ‘Global Capital, the State, and Chinese Workers: The Foxconn Experience’, Modern China, 38(4), pp. 383–408.
  • Graham, M. & Anwar, M. (2019) ‘The global gig economy: Towards a planetary labour market?’, First Monday, 24(4).

Space Exploration, Imperialism & Geopolitics

  • Siddiqi, A. (2015) The Red Rocket’s Glare. Cambridge: Cambridge University Press.
  • JohnsonFrey, S. (2020) ‘Militarisation of Cislunar Space’, Astropolitics, 18(3), pp. 210–230.
  • Gorman, A. (2009) ‘The archaeology of space exploration’, Journal of Social Archaeology, 9(1), pp. 85–109.

Science & Technology Studies

  • Winner, L. (1980) ‘Do Artefacts Have Politics?’, Daedalus, 109(1), pp. 121–136.
  • Edwards, P. (2010) A Vast Machine. Cambridge, MA: MIT Press.
  • Suchman, L. (2007) HumanMachine Reconfigurations. Cambridge: Cambridge University Press.

Capitalism, Technology & Culture

  • Mosco, V. (2016) ‘The Paywall: The Business of Scholarship in the Digital Age’, Digital Journalism, 4(1), pp. 1–18.
  • Srnicek, N. (2017) Platform Capitalism. Cambridge: Polity Press.

Brainstare: A premise that points toward the class struggle, and an author who looks away

Joseph Suglia’s Brainstare comes at a time when surveillance is no longer just a metaphor but a real aspect of daily life for millions. Warehouse workers are controlled by algorithms that monitor their “time off task” to the second. Office employees are watched by “bossware” that records keystrokes and screenshots. Delivery drivers are assessed by cameras that analyse their posture, gaze, and facial expressions. Meanwhile, tech giants pour billions into brain-computer interfaces, even though their commercial uses are still unclear. The trend is clear: capital aims not only to control workers’ time but also to access their very person.

In this context, Brainstare’s core premise has significant dramatic impact. It depicts a corporation creating a program that lets employers access employees’ memories, the last sanctuary of privacy; the inner life becomes corporate property. The central dramatic question is straightforward: who gains from this technology, and why? Which social groups would embrace it? Which would oppose it? And what contradictions within capitalist production lead to the emergence of such a system?

These are not unknowns. The urge to deplete the worker completely stems from the focus on profitability and management’s desire to detect and suppress dissent. A memory scanner is the dream of every union-busting consultancy in the U.S. It represents the natural evolution of the modern workplace, where surveillance is embedded into the system used to deepen exploitation and quell resistance.

Suglia’s framing, “Some welcome this technology. Others resist.”  subtly avoids the real issue. Who exactly resists? Is it lone individuals, heroically standing apart? Or is it the working class, whose collective interests directly oppose the corporations using the device? This distinction is crucial. The lone rebel, common in American pop culture, threatens nothing. In contrast, the organised working class, acting independently of corporations and political parties, is the only true force capable of resisting capitalist expansion.

Suglia’s broader output raises doubts about his readiness to face this reality. His critiques of modern novelists, despite their strengths in syntax, focus more on taste than on deeper issues. The social mechanisms that produce poor art, such as the culture industry, literature commodification, and intellectual decline, remain largely unaddressed. Instead, the emphasis is on the lone genius, the solitary aesthete, or misunderstood creator. This perspective peaks in Suglia’s self-image: he claims Brainstare as “the greatest film ever made” and himself as “the Greatest Author in the World.” Whether deliberate provocation or marketing, these claims conflict with a view that requires understanding class.

The irony intensifies when examining the film’s structure. Suglia presents Brainstorm as the first full-length feature to utilise artificial intelligence as an artistic tool. While new technology in art isn’t inherently reactionary, cinema itself was once revolutionary; studios now exploit generative AI to threaten the jobs of actors, writers, animators, and visual effects artists. These are the very workers whose 2023 strikes centred on this peril. A film that explores corporate exploitation of workers’ inner lives, made with technology built on artists’ unpaid labour, prompts questions its creator seems reluctant to confront.

None of this diminishes the power of the core image. Workers punished for slow scan rates or missed quotas will see truth in the spectacle of a boss invading their memories. Art that reflects, even in part, the growing oppression of work life is better than the constant influx of superhero movies and self-focused domestic stories. However, recognition does not mean understanding. Classic dystopian works  Orwell, Zamyatin, even Huxley grasped something fundamental about the social relationships they portrayed. They knew that surveillance supports the ruling power and that domination is a political, not a psychological, condition.

Working people today already understand that bosses try to influence their thoughts. They need works that explain how these conditions develop and how to challenge them, not solely relying on individual brilliance, but through collective action by the working class. Brainstorming hints at this understanding. Whether Suglia recognises this is another question.

Books by Joseph Suglia available on Amazon

1. Watch Out: The Final Version (2022)

  • Format: Paperback & Kindle
  • Description: Revised and expanded third edition of Suglia’s cult novel about Jonathan Barrows, a man who “falls in love with himselfliterally.”
  • Print length: 225 pages

2. Table 41 (2018 / 2019)

  • Format: Kindle & Paperback
  • Description: A metafictional novel in which the reader becomes the main character, moving through the “world of words” Suglia constructs.
  • Print length: 296 pages

3. Brainstare (2024 / 2025)

  • Listed by Amazon as one of Suglia’s “most important works.”
  • Appears on his Amazon Author Page, though the search results did not show a direct product listing.

4. Years of Rage (forthcoming complete edition)

  • Not yet available for purchase, but Amazon lists it as an upcoming release on Suglia’s Author Page.

The Levellers Dissolved? Gary De Krey and the Revisionist Erasure of England’s Revolutionary Vanguard

The English Revolution is a crucial turning point in world history, marking the collapse of the old order- monarchy, divine right, and feudal hierarchy- at the hands of a rising bourgeoisie and the plebeian masses it mobilised. Within ten years, the king was defeated, tried, and executed; the House of Lords was abolished; and the structures of absolutism were dismantled. The political forms of absolutism were broken, and with them the claim that a divinely sanctioned hierarchy stood above the will of the people. At the forefront of this upheaval were the Levellers, the most articulate and politically aware force of plebeian radicalism in the 1640s.

Gary De Krey’s Following the Levellers, Volume One is the latest attempt to dissolve this radical edge. It is a carefully written, academically respectable, and thoroughly revisionist effort to minimise the Levellers’ significance, shrink their organisational coherence, and reduce their political challenge to a sectarian ripple in the religious culture of London’s out‑parishes. It is a book that must be read critically and, for readers of A Trumpet of Sedition, polemically.

The Revisionist Project: Erasing the Revolution

De Krey’s work belongs to a historiographical trend that has dominated the academy for forty years: the revisionist counter‑offensive against the Marxist interpretation of the English Revolution. Beginning in the 1970s, Conrad Russell, John Morrill, and Mark Kishlansky launched a sustained attack on the idea that the civil war had social causes, class dynamics, or revolutionary content. They portrayed it as an accident, a misunderstanding, a crisis of multiple kingdoms. Ordinary people were reduced to spectators. Radicalism was dismissed as marginal. The Levellers were downgraded to pamphleteers with a loose following.

This intellectual change did not happen in isolation. It aligned with the Thatcher-Reagan campaigns against the working class, the fall of Stalinism, and the declaration of “the end of history.” The idea that ordinary people could shape history through collective action became not only outdated but also embarrassing. Revisionism became the ideological stance of a bourgeoisie that no longer wanted to acknowledge that it had earned its power through revolution. De Krey is not an uncritical revisionist; he is meticulous, nuanced, and detail-oriented. However, his main claims, such as the absence of a movement, early faction, significant organisation, or a role in 1649, align with the same perspective. They aim to undermine the Levellers.

De Krey’s Four Minimising Claims

De Krey’s book presents four claims aimed at minimising the Levellers’ historical significance: that they were not a true movement but a mere sectarian “response,” that they did not form as a distinct faction before October 1647, that they lacked extensive organisation, and that the 1649 Army mutinies were not Leveller-influenced. All these claims are incorrect and, more critically, politically motivated. De Krey argues that the Levellers were not a political movement but simply a “response” from churches such as Baptists, Independents, and separatists. This approach exemplifies the oldest revisionist tactic: reducing political radicalism to religious culture, thereby stripping it of its social significance.

Positioning ‘sects’ against ‘movement’ implies viewing the religious form as its core essence. Indeed, sects served as organisational tools for working-class mobilisation. They did not generate Leveller politics; rather, they enabled artisans, apprentices, and small traders to organise independently of traditional authorities like parishes, bishops, and guilds. Limiting the Levellers to sectarianism disregards the political awareness of these common people. It suggests the most vibrant commercial city in Europe only fostered religious dissent, overlooking its political radicalism. Such a view fails to recognise that the English Revolution was propelled both from the grassroots and from the leadership.

De Krey’s assertion that the Levellers only appeared as a distinct group after October 1647 seems overly precise, aimed at downplaying their early cohesion. While it’s true that “Leveller” was a hostile term and alliances shifted, the core ideas of Leveller politics existed well before the label was used. For instance, Overton and Walwyn’s July 1646 Remonstrance of Many Thousand Citizens criticised the Lords, championed popular sovereignty, and called for major reforms. Similarly, the March 1647 Large Petition proposed law reforms, religious freedom, and the abolition of monopolies. Lilburne’s pamphlets consistently emphasised that authority stems from the consent of the governed.

October 1647 was not the birth of the Levellers. It was the moment when their programme collided openly with the class interests of Cromwell and Ireton. It was the moment when the grandees could no longer contain the rank-and-file’s radicalism.

De Krey’s claim that the Levellers lacked significant organisation is clearly contradicted by ample evidence. Subscription-funded treasurers and weekly meetings at the Whalebone tavern organised petitioning efforts across London and the provinces. Women’s mobilisation campaigns led by Katherine Chidley and Elizabeth Lilburn, the sea-green ribbon as a political symbol, and the large funeral procession for Robert Lockyer all attest to this. None of these actions happened by chance. In reality, the Levellers built a movement that resembled a modern political organisation, though not a party in the sense of coordination, discipline, and political awareness. To deny this is not merely a mistake; it reflects an ideological position.

De Krey’s main controversial assertion is that the Army mutinies in spring 1649 were not driven by Leveller ideals. This claim is a clear example of blatant revisionism. The mutineers explicitly referenced the Agreement of the People, linking their radicalism directly to Leveller activism from the 1647 Agitator movement. “To separate the soldiers’ material demands from the political programme… is precisely to repeat the operation the grandees themselves performed.” Cromwell and Fairfax realised well that the mutinies had political motives. That awareness led them to respond with harsh violence, exemplified by the execution of three soldiers in Burford churchyard. The Commonwealth, having executed the king and abolished the monarchy, immediately turned its guns on the plebeian forces that had pushed hardest for the revolution. That is the significance of Burford. It was the moment when the bourgeois revolution revealed its class limits.

The Levellers and the Class Limits of the Revolution

A critical defence of the Levellers does not mean idealising them. They were not socialists; they supported small property owners and excluded servants and charity recipients from voting. In their April 1649 Manifesto, they explicitly denied intentions to “level men’s estates.” These boundaries were real, but they do not lessen their importance. Instead, they highlight the bourgeois revolution’s structural limits. The Levellers were the most progressive democratic force to emerge from 1640s social conditions. They pushed the revolution to its furthest point and were suppressed when they threatened to exceed those limits.

The Putney Debates remain astonishing documents. Colonel Rainsborough declared that “the poorest he that is in England hath a life to live as the greatest he.” Ireton replied that political power must rest on those with “a permanent fixed interest” in property. Here the class limits of the bourgeois revolution were stated openly by its own leaders. The Levellers mattered because they revealed the contradiction at the heart of the revolution: the bourgeoisie needed the plebeian masses to defeat the king, but feared their democratic aspirations. The Levellers were the political expression of those aspirations.

Why De Krey’s Book Matters and Why It Must Be Opposed

De Krey’s book is not simply an academic monograph. It is part of a political struggle over historical memory. The Levellers represent a tradition of plebeian radicalism that the modern bourgeoisie would prefer to forget. They remind us that democracy was not granted from above but fought for from below. They remind us that the ruling class has always mobilised the masses when convenient and repressed them when necessary.

The fight over the Levellers is not an antiquarian quarrel. Indeed. It is a fight over whether ordinary people can make history. It is a fight over whether democratic rights can coexist with vast concentrations of wealth. It is a fight over whether the state serves the few or the many. In Britain today, where protest is criminalised, inequality is rampant, and democratic rights are under assault, the Levellers’ questions return with renewed urgency. Their defeat revealed that democratic aspirations cannot be realised within the framework of bourgeois society. Their struggle is part of the modern working class’s heritage.

De Krey, But Read Him Against Himself

De Krey’s ‘Following the Levellers’ offers valuable insights for those interested in a detailed overview of the London neighbourhoods, congregations, and petitioning efforts that sparked Leveller activism—however, anyone aiming to grasp the true meaning of the Levellers and their continuing relevance should approach it critically. Consult De Krey for his detailed account and archival reconstruction, but compare his work with Hill, Manning, and especially the Levellers’ own writings, which remain among the most inspiring political texts in English.

“The Return of Weimar”: Socialist Worker invokes the 1930s to chain workers to Labour and the union bureaucracy

Introduction: The far right and the crisis of world capitalism

Across Europe and Britain, the far right is gaining strength. This isn’t a fleeting anomaly or the work of individual demagogues; it reflects a deepening crisis in global capitalism. Years of austerity, stagnant wages, failing public services, and a cost-of-living crisis have pushed millions into desperation. Privatisation, deregulation, and the systematic dismantling of welfare systems have torn the social fabric. Workers face rising rents, unaffordable energy bills, and collapsing essential services, even as corporations post record profits and governments claim there is “no money” for social needs.

Simultaneously, all major imperialist nations are rearming and gearing up for conflict. Countries like the U.S., Britain, Germany, France, and Japan are involved in a worldwide race for markets, resources, and strategic control. The tensions between NATO and Russia, increased militarisation in the Indo-Pacific, and the rise of proxy wars signal a new phase in the disintegration of the post-Cold War global order. The ruling class is preparing for conflicts that could surpass the tragedies of the last century. Militarism is not an anomaly but a natural outcome of ongoing capitalist crises.

The ruling class offers no progressive solutions to the crisis. Reversing austerity, increasing wages, or ending militarism would require actions contrary to profit interests. Instead, they turn to reactionary measures. The far right is cultivated as a political tool to shift social anger away from capitalism and onto migrants, minorities, and the impoverished. This pattern of capitalist failure shows that, during crises, the ruling class tends to adopt authoritarian solutions. Fascist movements are not spontaneous acts of hate but are intentionally shaped and promoted by parts of the state, media, and corporate elite.

In this context, the Socialist Workers Party (SWP) has rediscovered the Weimar Republic. Socialist Workers warns that “history is repeating itself,” that fascism is again at the gates, and that only a broad coalition of Labour MPs, union leaders, clergy, and “celebrities” can stop it. Invoking Weimar is not an attempt to clarify the present crisis but to obscure it. The SWP’s historical analogy is politically motivated: it seeks to channel growing anger behind the Labour Party and the trade‑union bureaucracy under the banner of Stand Up To Racism (SUTR).

The SWP’s story is straightforward: fascism is the biggest threat, Labour is the lesser threat, and criticising the party or unions “divides the movement.” Workers are urged to prioritise their struggles over political institutions. This approach was what hampered the German working class in the early 1930s, as the SPD claimed the capitalist state would prevent fascism, rejected revolutionary efforts, and called for allegiance to bourgeois democracy. Ultimately, this led to disaster.

The SWP reuses this approach with a new appearance. It portrays Labour politicians who have adopted anti-immigrant rhetoric, implemented austerity, and supported imperialist wars as defenders of democracy. It also highlights union leaders who have often undermined strikes and enforced deals below inflation as advocates of anti-racism. Additionally, it advocates for a cross-class alliance that places workers under the influence of the same forces that create the social conditions enabling the far right to flourish.

This is not a lesson from Weimar; in fact, it is quite the opposite. The true lesson of the 1930s is that defeating fascism requires the working class to act independently, based on a socialist and internationalist agenda. This cannot be achieved through alliances with the political establishment but must come from breaking away from it.

The historical Weimar Republic: A deeper historiographical analysis

To grasp the current crisis, it is essential to explore what transpired in Germany from 1918 to 1933. The Weimar Republic did not emerge as a stable democracy; it resulted from a revolutionary upheaval that destabilised German society. In November 1918, after four years of brutal war, the German working class and soldiers revolted against the Kaiser and the military leadership. Mutinies in the navy quickly spread to industrial cities. Workers’ and soldiers’ councils arose nationwide, mirroring the soviets of the Russian Revolution. The old imperial regime collapsed almost instantly. Germany was on the verge of socialism.

For a short period, the working class held the lead, with councils managing factories, garrisons, and local governments. The monarchy was dismantled, and Germany had the chance to follow the Bolsheviks’ example in 1917. However, the revolution was compromised from within.

The Social Democratic Party (SPD), which supported the war in 1914 and was a key part of the imperial state, quickly moved to quash the revolutionary movement. Friedrich Ebert, the SPD leader, feared the working class more than the remnants of the Kaiser’s regime. In November 1918, he secretly negotiated the Ebert-Groener Pact with General Wilhelm Groener, where the army agreed to protect the new government from workers’ councils, and the SPD committed to maintaining the capitalist system. This pact ensured the old military and bureaucratic elites remained in power and effectively suppressed the revolution.

The SPD relied on the Freikorps, right-wing paramilitary groups made up mainly of demobilised soldiers, to suppress revolutionary uprisings. In January 1919, Rosa Luxemburg and Karl Liebknecht, leaders of the Spartacus League and key figures in the revolution, were targeted and murdered by Freikorps officers operating under SPD orders. Their killing was a strategic political move, aimed at removing revolutionary leadership and restoring bourgeois stability.

This fundamental crime shaped Weimar’s history. The SPD emerged as the main supporter of bourgeois dominance, defending the capitalist state, military, judiciary, and police institutions still largely opposed to democracy and sympathetic to the far right. The republic rested on a delicate compromise: the working class received limited political rights, while the bourgeoisie kept its economic and institutional power intact.

The Weimar Republic faced significant structural weaknesses. Historians like Detlev Peukert, Hans Mommsen, and Richard J. Evans have highlighted that the military remained unreformed, monarchists dominated the judiciary, and industrialists continued to hold substantial influence over economic policy. The SPD aimed to keep the working class within bourgeois democratic boundaries and prevent challenges to capitalist property rights.

The SPD and the suppression of the German Revolution

The Social Democratic Party (SPD), which supported World War I in 1914, quickly acted to suppress revolutionary efforts. Friedrich Ebert, the SPD leader, was more concerned about the working class than the imperial remnants. In November 1918, he secretly negotiated the Ebert-Groener Pact with General Wilhelm Groener, where the army promised to protect the new government from worker councils, and the SPD committed to maintaining the capitalist system.

This alliance influenced the entire Weimar era. The SPD relied on the Freikorps, right-wing paramilitary groups made up mainly of demobilised soldiers, to suppress revolutionary uprisings. In January 1919, Rosa Luxemburg and Karl Liebknecht, leaders of the Spartacus League and icons of the revolutionary movement, were killed by Freikorps officers acting under SPD orders. Their assassination was a targeted political move, aiming to eliminate the revolutionary leadership and reestablish bourgeois stability.

This fundamental crime influenced Weimar’s entire history. The SPD emerged as the main supporter of bourgeois dominance. It upheld the capitalist state, the military, the judiciary, and law enforcement all institutions still resistant to democracy and aligned with the far right. The republic rested on a delicate balance: the working class received limited political rights, but the bourgeoisie’s economic and institutional strength remained unchanged.

Structural weaknesses of the Weimar Republic

Historians have highlighted the Weimar Republic’s structural weaknesses. The republic’s foundations were shaky, with an unreformed army led by monarchists and a judiciary dominated by nationalists who often gave lenient sentences to right-wing extremists while targeting left-wing militants. Industrialists held significant sway over economic policies, actively working to weaken democratic institutions.

The SPD’s role was to contain the working class within the framework of bourgeois democracy. It suppressed strikes, defended private property, and insisted that any challenge to capitalism would “endanger the republic.” In reality, the republic was endangered precisely because capitalism remained intact.

The 1929 Great Depression disrupted this delicate balance. Industrial output nearly halved, and unemployment rose to six million. The parliamentary system collapsed under the strain. Starting in 1930, Germany was governed by a presidential, increasingly authoritarian approach that sidelined the Reichstag and paved the way for Hitler’s appointment.

The rise of the Nazis

The Nazis’ rise wasn’t simply due to “hate,” “rhetoric,” or Hitler’s charisma, as often highlighted in liberal narratives. Instead, these explanations overlook the deeper social and political dynamics that enabled fascism’s ascent. The real cause was the collapse of the capitalist system, which pushed the ruling class to support a movement designed to suppress the working class. Fascism was a deliberate political tool of the bourgeoisie, emerging directly from a period of severe crisis, rather than an irrational outburst.

By 1930, the Weimar Republic was collapsing under the weight of the Great Depression. Industrial output nearly halved, and unemployment reached six million. Working-class areas suffered from hunger, homelessness, and despair. The parliamentary system disintegrated as governments increasingly governed by presidential decree, sidestepping the Reichstag and weakening democratic standards. The ruling elite feared the crisis could radicalise workers and rekindle the revolutionary spirit of 1918–19.

In this context, the Nazis rose as a powerful force, supported by top industrialists like Fritz Thyssen and Ruhr magnates who aimed to suppress the labour movement and restore profits. The judiciary turned a blind eye to Nazi violence, penalising fascist thugs with easy sentences while targeting Communists and left-wing activists. The army viewed the Nazis as potential allies against Marxism. Ultimately, President Paul von Hindenburg, a reactionary aristocrat backed by the SPD as the “lesser evil,” appointed Hitler as chancellor on January 30, 1933. The key factor that enabled this disaster was the working class’s political paralysis, caused by its own leadership.

The Social Democratic Party (SPD), having betrayed the 1918–19 revolution, dedicated the Weimar era to defending the bourgeois state. It argued that institutions like the courts, police, and army patrols filled with monarchists and nationalists would safeguard democracy. The party condemned revolutionary movements as “extremism,” suppressed strikes, and endorsed austerity policies that harmed workers. In 1932, it supported Hindenburg’s bid for president, claiming he could stop Hitler. However, Hindenburg was actually laying the groundwork for Hitler’s rise to power.

On the opposite side was the Communist Party (KPD), which, under Stalinist influence, followed the harmful “Third Period’ policy of the Comintern. The KPD labelled social democracy as “social fascism,” equating it with Nazism. They condemned SPD workers as adversaries, rejected any form of united front, and believed that a Nazi win would ‘speed up the revolution.” This sectarian approach fractured the working class just when unity mattered most.

Leon Trotsky, writing from exile, repeatedly warned that the SPD and KPD were steering the working class toward catastrophe. He emphasised that only a united front where workers’ organisations collaborated against fascism and criticised openly could prevent Hitler’s rise. His warnings went unheeded. The SPD persisted with bourgeois legality, while the KPD adhered to Stalinist dogma. This dynamic left the working class paralysed between these two poles.

The tragedy of Weimar was not due to a weak proletariat. In fact, the German working class was among the most powerful and well organised in Europe, with millions in trade unions, mass parties, and cultural groups. It proved its revolutionary potential in 1918–19 and again in 1923. However, what it lacked was strong revolutionary leadership to unify its efforts and steer them toward overthrowing capitalism.

The SPD’s “lesser evil” strategy and the defence of bourgeois democracy

During the Weimar era, the SPD’s strategy focused on defending bourgeois democracy against the far right. It believed that the capitalist state, such as the courts, police, and military, would contain fascism. The party rejected any pursuit of socialism, labelling revolutionary efforts as “extremism,” and viewed the working class not as agents of societal change but as a threat to “stability.” This outlook stemmed from the SPD’s betrayal of the 1918–19 revolution, turning it into the main defender of the capitalist system.

During the 1920s, the SPD formed coalition governments with bourgeois parties, claiming these alliances were essential to “defend democracy.’ In reality, however, they prioritised protecting German capitalist interests. The SPD-led administrations carried out austerity measures, suppressed strikes, and maintained the power of the army and judiciary, institutions still largely controlled by monarchists and nationalists. Their primary goal was to prevent any independent mobilisation of the working class that could jeopardise capitalist property rights.

When the Great Depression began in 1929, the SPD’s stance grew more reactionary. Chancellor Heinrich Brüning, ruling by presidential decree, implemented harsh cuts to wages, social benefits, and public expenditure. Instead of rallying workers against these measures, the SPD backed Brüning’s decrees, claiming that opposition could threaten the republic. In truth, the republic was already faltering under the strain of the capitalist crisis, and the SPD’s support for austerity worsened millions of people’s suffering.

In 1932, the SPD’s “lesser evil” strategy culminated as they supported Paul von Hindenburg for president, opposing Hitler. Hindenburg, an aristocratic reactionary who disliked democracy and favoured restoring authoritarian rule, was urged by the SPD to vote for him to “stop fascism.” Shortly after, Hindenburg appointed Hitler as chancellor.

This was no accident. It resulted logically from the SPD’s approach: defending bourgeois democracy at all costs, even if it meant empowering those who would eventually destroy it. By aligning the working class with the capitalist state, the SPD caused political paralysis among workers during crucial moments. Trotsky summarised the SPD’s impact when he stated: “The policy of the Social Democracy is the chief obstacle in the path of the German proletariat.”  What Next? Vital Questions for the German Proletariat (1932). The SPD’s tactic of viewing the lesser evil ultimately led to disaster.

If the SPD limited the working class’s actions from the right, the Communist Party of Germany (KPD) did so from the left. Led by Stalin, the KPD followed the Comintern’s “Third Period” doctrine, claiming social democracy was “social fascism” essentially the same as Nazism. This approach was not just wrong; it proved disastrous.

The KPD labelled SPD workers as fascists and refused to collaborate with them. It organised separate unions, protests, and electoral efforts, viewing the SPD as the main enemy, not the Nazis. In some cases, KPD members even tactically cooperated with Nazi forces against the SPD, believing that a Nazi victory would ‘speed up the revolution.’ This sectarian approach tore the working class apart when unity was most needed. The KPD’s stance of not cooperating with SPD workers, while still allowing criticism, left the working class divided and confused in the face of fascism.

The SWP’s misuse of Weimar: Popular front politics in new clothes

The SWP claims to oppose Trotsky’s ideas but actually practices what he warned against. Stand Up To Racism (SUTR) is not a unified front; it’s a broad alliance across classes, where the interests of workers are often subordinate to sections of the political establishment. While the SWP uses radical language, its underlying strategy mirrors that of the SPD in Weimar Germany, promoting the “lesser evil” by defending bourgeois democracy and aligning workers with forces responsible for its decline. SUTR’s platform includes Labour MPs whose government has ramped up attacks on migrants and asylum seekers, adopted anti-immigrant rhetoric to outflank the far right, enforced austerity and wage cuts, and supported NATO’s military interventions abroad.

These policies are not accidental; they are central to Labour’s identity as a party that supports British imperialism. However, SUTR portrays these politicians as defenders of democracy and opponents of racism. The SWP claims that workers should join a “broad movement” with them against the far right. Similarly, union leaders are presented as champions of anti-racism, despite their repeated actions to sabotage strikes, impose deals below inflation, and suppress rank-and-file dissent. Their main role has been to limit and demobilise workers’ struggles rather than combat racism or fascism. Nonetheless, SUTR considers them essential allies, fostering the false impression that the union bureaucracy truly represents the working class.

The SWP clearly states that if the far right is considered the main threat, workers should avoid criticising Labour, challenging union leaders, or pushing for an independent political agenda. Instead, they should support any establishment figure condemning racism. This mirrors the SPD’s “lesser evil” approach, updated for today. The SPD argued that workers had to defend bourgeois democracy by backing “progressive” bourgeois politicians. This led to political paralysis among workers and ultimately facilitated Hitler’s rise.

The SWP still uses this approach today. It insists that workers should subordinate their struggles to Labour and the unions, even though these institutions are directly accountable for the social conditions that enable the far right to flourish. This tactic politically disarms the working class precisely when an independent response is most desperately needed.

The far right’s growth isn’t due to a lack of anti-racist slogans but because it can position itself as opposing a political establishment that has caused only misery. The SWP’s populist strategies hide this truth. Each time a Labour government reduces public services and funds wars abroad, it gives the far right an advantage. Labour’s adoption of anti-immigrant language also boosts the far right’s story. When Labour blames migrants for social breakdown, it creates a political space that benefits fascist movements.

Each time union leaders cancel strikes, endorse betrayals, or suppress worker dissent, the far right expands influence. Workers recognise that the official labour movement fails to address their hardships. The union bureaucracy’s cooperation with employers and the government opens a space for reactionary forces to position themselves as “anti-establishment.”

By portraying Labour and the union bureaucracy as allies in the fight against fascism, the SWP hides their own role in creating the conditions where the far right flourishes. It directs opposition into a dead-end that initially caused the crisis. Instead of holding Labour and the unions accountable as tools of capitalist power, it protects them from critique and urges loyalty to their leadership. This leads to political paralysis. Workers are told that breaking away from Labour or the unions “divides the movement” and benefits the far right. In truth, workers’ submission to these institutions allows the far right to expand.

Lessons of Weimar for today

The lesson from Weimar is not that workers should unite with “progressive” bourgeois forces. Instead, fascism can be overcome only through the working class’s independent political mobilisation around an international socialist agenda. Workers must definitively abandon Labour and the pro-capitalist trade unions, as these organisations are incapable of reform and serve as tools of the capitalist state.

Workers should establish rank-and-file committees at every workplace, independent of union bureaucrats, to coordinate struggles across industries and borders. The fight against fascism is a global effort. Workers in Britain must unite with their comrades across Europe and the world, no matter their nationality, religion, or immigration status. Above all, the working class requires revolutionary leadership. The tragedy in Germany was not the lack of a combative working class but the absence of a party capable of leading it.

The Socialist Equality Party and the International Committee of the Fourth International (ICFI) embody the ongoing tradition of Marxism. They are the only groups that truly understand the lessons of Weimar: fascism emerges from capitalist crises, the working class must maintain political independence, and only a revolutionary party can lead the fight for socialism. The SWP’s concern about Weimar is not a call to action but a surrender. The true battle against fascism starts with building the SEP and the ICFI.

Primary Sources:

Trotsky’s Writings on Germany and Fascism

Trotsky, Leon. What Next? Vital Questions for the German Proletariat. 1932. Trotsky, Leon. The Only Road. 1932. Trotsky, Leon. For a Workers’ United Front Against Fascism. 1931. Trotsky, Leon. The Struggle Against Fascism in Germany. Pathfinder Press edition. Trotsky, Leon. The Third International After Lenin. 1928. Trotsky, Leon. The German Revolution and the Bureaucracy. 

Secondary Sources: Weimar Republic, SPD, KPD, and the Rise of Nazism

Broué, Pierre. The German Revolution, 1917–1923. Brill, 2005. Evans, Richard J. The Coming of the Third Reich. Penguin, 2003. Evans, Richard J. The Third Reich in Power. Penguin, 2005. Peukert, Detlev. The Weimar Republic: The Crisis of Classical Modernity. Hill and Wang, 1992. Mommsen, Hans. The Rise and Fall of Weimar Democracy. UNC Press, 1996. Kolb, Eberhard. The Weimar Republic. Routledge, 2004. Fischer, Conan. The Rise of National Socialism and the Working Classes. Berg, 1995. Weber, Hermann. The Rise and Fall of the Communist Party of Germany. Pluto Press, 2017. Kershaw, Ian. Hitler: Hubris (1998) and Hitler: Nemesis (2000). Bessel, Richard. Political Violence and the Rise of Nazism. Yale University Press, 1984. Carsten, F. L. The Rise of Fascism. University of California Press, 1967. Haffner, Sebastian. Failure of a Revolution: Germany 1918–1919. Winkler, Heinrich August. Weimar 1918–1933: The Illusion of Normalcy. Oxford University Press.

These works provide the historical foundation for this article.

North, David. The Frankfurt School, Postmodernism and the Politics of the Pseudo‑Left. Mehring Books. North, David. The Russian Revolution and the Unfinished Twentieth Century. Mehring Books. David Walsh, Chris Marsden. Articles on Labour, the unions, and pseudo‑left politics (WSWS). Barry Grey, Thomas Scripps. WSWS coverage of British politics, Labour, and the trade‑union bureaucracy. International Committee of the Fourth International (ICFI). WSWS analyses on fascism, imperialism, and the crisis of capitalism.

Supplementary Sources (Use Critically)

Harman, Chris. The Lost Revolution: Germany 1918–1923. Bookmarks. Cliff, Tony. Trotsky: Fighting the Rising Stalinist Bureaucracy. Bookmarks.