Valeria Luiselli’s Beginning Middle End: A Private Reckoning That Avoids the World It Names

Valeria Luiselli’s Beginning Middle End centres on themes of crisis. Its unnamed narrator and her twelve-year-old daughter travel through a Sicily shaken by volcanic activity and erratic weather patterns; migrants linger on the story’s fringes; and the stresses of separation and remarriage have fractured a family. This backdrop sets the stage for a novel that could insightfully reflect on 2026—a period marked by mass displacement, ecological disaster, and the weakening of institutions that once supported working-class life. Luiselli explicitly recognises these issues, naming them openly, yet her overall engagement with these themes remains somewhat limited.

The novel centers on a more specific issue: a writer’s struggle to create her book. The narrator is fixated on choosing a form, obsessing over ‘beginnings,’ and makes this uncertainty the heart of her story. This reflects a common trend in contemporary literary fiction — shifting focus from social realities to the writer’s internal process, where anxiety about writing takes precedence over genuine engagement with the characters’ circumstances. The migrants, Manuela and her mother in Sicily, function more as atmospheric elements, providing a backdrop for the narrator’s divorce and her somewhat distant new partner. The volcano symbolizes self-doubt and uncertainty rather than posing a literal danger.

This retreat emphasizes social context over personal choice, reflecting the authors’ social class and distancing from the intense crises they mention. Instead, they draw on these crises to examine themes such as identity, motherhood, and the evolving nature of the self. Mythological references—Proteus, Ovid, Pliny—give an impression of ancient universality but mainly aestheticize dislocation instead of clarifying it. Actual migration driven by capitalism involves obvious forces like war, austerity, and exploitation of the global South. Luiselli’s Sicily does not include these elements and primarily serves as a backdrop for inner reflection.

Luiselli’s Earlier Work and the Arc Toward Beginning Middle End

Valeria Luiselli’s earlier works — Tell Me How It Ends (2017) and Lost Children Archive (2019) — were widely praised as urgent political responses to the U.S.–Mexico migration crisis. They connected with the liberal-left by offering a humanitarian view on displacement: personal, essay-like, emotionally powerful, and highlighting the moral responsibilities of witnesses, lawyers, and artists. Yet, even at their most outward-looking, these works revealed the limits of Luiselli’s political scope.

While ‘Tell Me How It Ends’ effectively examines migration, it primarily centers on the asylum process within bureaucratic frameworks. The violence resulting from U.S. imperialism—such as wars, coups, and economic devastation causing displacement—remains largely outside this focus. The crisis is presented more as a moral failure of institutions rather than a consequence of capitalism’s systemic effects. Similarly, ‘Lost Children Archive’ adopts this viewpoint, depicting migrant children as symbols in a hybrid essay-novel that investigates documentary ethics, family disintegration, and narrative vulnerability. In this context, migrants are portrayed as symbolic figures in a reflection on representation, rather than as historical actors motivated by particular forces.

This progression clearly advances from Beginning to Middle to End. The initially political focus that shaped Luiselli’s work has transformed into an atmosphere filled with tremors, metaphors, and fleeting shadows. While the humanitarian issues remain, they are now woven into autofiction’s introspective lens. The crises previously explored are now only acknowledged to be integrated into the narrator’s personal reflection. As a result, the social context becomes more confined, whereas the self’s significance expands.

Luiselli’s evolution exemplifies a wider trend in the pseudo-left literary scene: shifting from external humanitarian critique to inward-focused autofiction, from depicting crisis to aestheticizing it, and from engaging politically to avoiding politics. Her early work referenced history, but her latest novel diverges from it. This shift is intentional and mirrors the social position of today’s dominant writers. This group senses instability but cannot envision collective action, so they transform crisis into mood, metaphor, and personal drama.

Autofiction as Ideological Retreat

Luiselli’s method reflects a wider ideological trend rather than an isolated artistic decision. The rise of autofiction in recent years aligns with a sense of political disorientation among the professional-managerial intellectuals. Facing a world perceived as overwhelming—politically stagnant, socially divided, and historically obscure—this group retreats inward. They place their trust in the self, viewing it as the only realm where meaning can be regained.

Autofiction’s core technique is turning structural crises into personal moods. Issues like migration, ecological breakdown, and institutional decay are portrayed as atmospheric disturbances—serving as material for introspection rather than direct analysis. The writer’s anxieties, relationships, and creative struggles are amplified to symbolize universal themes, while the underlying forces remain unexplored. In this process, crisis is transformed into metaphor, and politics into ambiance.

This inward focus reveals the authors’ social standing: they are culturally cosmopolitan and institutionally vulnerable, yet protected from the harsh realities of austerity, war, and displacement. While they sense instability, they do not confront its most severe aspects. Consequently, social crises seem distant, symbolic, and suitable for aesthetic expression rather than political explanation. Autofiction’s engagement with politics — issues like climate change, migration, and identity — tends to serve as moral signaling rather than providing analysis. It aligns with the pseudo-left’s experience-based politics: anti-materialist, anti-historical, and deeply pessimistic about collective action.

Luiselli’s novel exemplifies this tendency. It registers crisis but cannot enter it. It names the world but refuses to explain it. The narrator’s private reckoning becomes the novel’s horizon; the world’s crises remain unresolved, unexamined, and fundamentally unimportant.

A Shrinking Horizon

Valeria Luiselli holds a unique place in contemporary literature as a writer known for her political seriousness. Her work increasingly reveals the ideological confines of the professional-managerial class she comes from. Typically associated with the “politically engaged” faction of modern fiction—writers exploring migration, borders, ecological issues, and state violence—her approach is rooted more in humanitarian concerns linked to NGOs than in a materialist Her role in modern literature is twofold. She is a talented stylist who reflects the anxieties of a social class experiencing instability but unaware of its causes. Additionally, she symbolizes a literary culture that hints at political engagement but ultimately pulls back—an aestheticization of crisis rather than direct confrontation with the systemic forces behind it. Luiselli is significant because she exposes the limitations of the current “political novel.” Her work demonstrates how social crises can be easily absorbed into the personal dramas of the educated class, with the humanitarian instinct often replacing thorough historical analysis. She is not an outsider but a representative figure, embodying the trajectory of modern literature—focused inward, self-reflective, creatively formal, and politically evasive when clarity is needed.

Luiselli’s talent is clear, marked by sharp prose, innovative structure, and emotionally impactful portrayals of mother and daughter. However, her mastery, confined to a specific scope, highlights an important issue. Like many autofiction pieces in Anglo-American literature, the emphasis is mainly on personal consciousness as the primary subject, with social influences briefly touched upon and then largely overlooked.

This novel, which explores themes like migration, divorce, and ecological disaster, concludes with a private family mosaic—symbolizing personal healing—and chooses a restrained scope despite its mythic embellishments. Its craftsmanship makes it worth reading, though it offers limited insights into the worlds it depicts. Luiselli’s talent as a stylist remains strong; however, her career’s trajectory shows a narrowing of focus—from global issues to personal reflection, from historical context to mood, and from politics to introspection. “Beginning Middle End” isn’t a departure from her previous work but rather its natural culmination.

Sources and Bibliography

Primary Works by Valeria Luiselli

  • Faces in the Crowd (2011) — Luiselli’s debut novel, exploring fragmented identity and literary self‑reflexivity.
  • The Story of My Teeth (2013) — An experimental novel centred on an auctioneer named Highway; notable for its collaborative origins.
  • Tell Me How It Ends: An Essay in Forty Questions (2016) — Nonfiction account of the U.S.–Mexico migration system, structured around the intake questionnaire used in immigration proceedings.
  • Lost Children Archive (2019) — A hybrid novel‑essay about a family road trip and the U.S. child‑migration crisis.
  • Beginning Middle End (2026) — The new novel, centred on a mother and daughter in Sicily amid environmental instability and personal upheaval.

Additional nonfiction and editorial work includes Sidewalks (2010), Papeles falsos (2010), and contributions to anthologies such as The Best Short Stories 2022.

Secondary Sources and Bibliographic Listings

  • Reading Order Books – Complete Bibliography: Comprehensive listing of Luiselli’s works across nonfiction and fiction, including publication dates and series categorisation.
  • FictionDB – Author Bibliography: Publication timeline, awards, and genre classifications for Luiselli’s major works.
  • Goodreads – Works by Valeria Luiselli: ratings, editions, and publication years for Luiselli’s novels, essays, and editorial projects.

Critical Context and Reception

  • Awards and Recognition
    • Faces in the Crowd — L.A. Times Book Prize for First Fiction (2014).
    • Lost Children Archive — Andrew Carnegie Medal for Excellence in Fiction (2020).
  • Genre and Thematic Classification: Luiselli’s work is consistently shelved under literary fiction, alternative history, and themes of family, migration, and identity.
  • Publication and Translation History: Luiselli’s books have been widely translated and published internationally, with multiple editions across languages.

Suggested Further Reading (Critical and Theoretical)

  • John Freeman (ed.), Tales of Two Cities — includes Luiselli’s contributions and situates her within contemporary urban nonfiction.
  • Scholarship on autofiction and class:
    • Lauren Oyler, Fake Accounts (for contemporary autofiction’s ideological tendencies)
    • Ben Lerner, The Hatred of Poetry (for the self‑reflexive turn in modern literature)
    • Critical essays on the professional‑managerial class and cultural production (e.g., David Graeber, Barbara Ehrenreich)

Jason Arday: A Case Study in Academic Witch‑Hunting and Institutional Cowardice

The death of Jason Arday, discovered at his London residence on August 14, cannot be separated from the eleven-day media frenzy that preceded it, nor from the long-standing political backlash that this frenzy reflects. What gets overlooked amid the flood of commentary—whether from those trying to defend Nathan Cofnas or from those reducing the incident to a morality tale about racism—is the influence of the institutions involved: Cambridge University, the media which produced 188 stories in nine days, and the political environment that has made the revival of hereditarian pseudoscience acceptable again in reputable academic fields. This is not a story about two individuals. It is a story about a system.

The Function of “Race Realism”

Cofnas’s intellectual initiative is rooted in a longstanding tradition. The resurgence of the hereditarian argument—asserting that genetics account for group differences in intelligence—has a troubling history. Its roots trace back to Francis Galton’s eugenics movement, the racialist propaganda of the Pioneer Fund, and the post-World War II revival of biological determinism through behavioural genetics. Leading figures today—such as Richard Lynn, Emil Kirkegaard, Heiner Rindermann, Charles Murray, and Cofnas himself—are not isolated individuals, but part of an interconnected ideological network.

Nathan Cofnas holds a unique place in modern academia: he is a trained philosopher whose career is closely linked to the resurgence of hereditarian “race realism,” an ideology with a long-standing tradition of offering pseudo-scientific support for social inequality. His journey—from Columbia to Cambridge, Oxford, and ultimately Ghent—reflects not genuine intellectual curiosity but the re-emergence of biological determinism as a respected mainstream academic viewpoint.

Cofnas argues that racial differences in intelligence are largely genetic, echoing historical eugenics and the Pioneer Fund. She claims this defends ‘science’ from political meddling, but in truth, it advances a political agenda. Hereditarian ideas historically justify inequality by framing historical injustices like colonialism and segregation as biological fate. Cofnas’s assertion that Black academics would have ‘approach[ed] zero per cent ‘ at top universities under meritocracy is not a scientific claim but an ideological stance.

Hereditarianism has historically functioned to justify inequality as natural rather than created. It acts as a reactionary ideological tool, used whenever capitalism faces crisis and needs pseudoscientific backing for social stratification. The appointment of a Ghent University scholar claiming that Black academics would “disappear from almost all high-profile positions” under a meritocratic system reflects not academic freedom but the decline — or lack — of institutional barriers against pseudoscientific race theories in European academia. This is not the protection of unpopular opinion. It is the mainstreaming of a body of thought whose historical function has been to prepare the ideological ground for attacks on the working class.

His rise has been enabled by institutions that accept race science as a valid area of research. Cambridge awarded him a prestigious fellowship, and Ghent University hired him despite his public support for genetic racial hierarchy. These choices show not academic bravery but the weakening of any ethical boundary against pseudoscience when it aligns with the broader right-wing movement for “academic freedom,” aiming to restore reactionary ideas under the guise of intellectual diversity.

The controversy involving Jason Arday brought Cofnas’s work into the spotlight. His blog post accusing Arday of plagiarism in his PhD thesis sparked a massive media frenzy—188 articles in just nine days—that ended with Arday’s resignation and death. Cofnas briefly became a symbol: to his supporters, a martyr for truth; to critics, a promoter of racial hostility. However, focusing on his personality masks a larger issue. Cofnas is not an anomaly but a sign of a political environment where hereditarian ideas have found renewed institutional backing, and universities, driven more by reputational risk than core principles, vacillate between tolerance and rejection based on public pressure.

Nathan Cofnas matters not because his ideas are new — they are not — but because their reappearance in respectable academic settings signals a broader social reaction. His career marks the return of an ideology that has historically prepared the ground for exclusion, repression, and worse. To understand Cofnas is to understand the conditions that allow such ideas to flourish: a university system hollowed out by market logic, a media apparatus eager for spectacle, and a political order increasingly receptive to biological explanations for social crisis. In that sense, Cofnas is less a philosopher than a weather vane. His prominence tells us not where science is going, but where society is drifting.

Cambridge’s Cowardice — and Its Class Function

Cofnas’s defenders argue that Cambridge allowed alleged plagiarism by Arday but expelled Cofnas for his opinions. However, this overlooks a broader issue: Cambridge’s actions were driven by institutional risk rather than principles. When Cofnas risked damaging the university’s reputation, the university quietly pushed him out. Similarly, when Arday became a liability, the university quickly distanced itself, removing web pages and ending investigations after his resignation. Cambridge did not protect either individual; it prioritised its own reputation.

This is not an inconsistency; it illustrates the consistent logic of the modern university, shaped by reputation and market interests. The university usually does not protect academic freedom or individuals—whether they face right-wing hostility or student protests—if defending them would cost it. Calling this ‘cowardice’ moralises the issue, but the reality is structural. The modern university operates as a corporation within the capitalist state, with research priorities, admissions, and intellectual culture shaped by capital accumulation and imperialist goals. Its treatment of individuals shifts based on the changing needs of class dominance.

The Press as an Instrument, Not a Check

The story is about how an academic integrity issue turned into a nine-day, 188-article spectacle. While multiple outlets backed some allegations of plagiarism, the extensive coverage went beyond reporting and became a form of public humiliation. This included marathon claims, personal details, and relentless daily coverage. This illustrates the typical modern media pile-on: it usually ignores the human at its centre and becomes hostile when political goals are involved. The same outlets that discredited Arday defended Noah Carl, publishing editorials praising his research linking crime to ethnic groups. They also rallied to defend Carl’s academic freedom while ignoring attacks on democratic rights, such as the persecution of Julian Assange. The media frenzy is not accidental; it’s a political tactic—aimed at destroying individuals as a substitute for honest debate.

Individualising a Systemic Failure

Labelling this conflict as “Cofnas versus Arday” or portraying it as a clash between “the right and DEI” oversimplifies the situation and ignores underlying structural issues. Personal explanations—such as blaming a vindictive blogger, a dishonest professor, a woke establishment, or a racist backlash—often replace systemic causes with individual blame. The real issue is understanding what kind of university and press tend to produce such outcomes. In reality, these institutions are motivated not by the pursuit of truth but by managing reputational risks. Their loyalties are more aligned with donors, government policies, and market goals than with genuine scholarship. Their intellectual environment is shaped more by capital interests than by societal needs.

The pseudo-left’s focus on identity politics acts as a reactionary force in itself. By turning every social conflict into a matter of racial or gender identity, it gives the right wing an effective opposition. It keeps the working class, which could challenge the current order—responsible for tragedies like Arday’s death—disarmed and divided. A conflict between “race realism” and “anti-racism” within bourgeois academia doesn’t threaten the capitalist system that sustains both.

The public discourse surrounding Arday’s death — the moral panic, the fixation on individual virtue and villainy, the refusal to interrogate structural causes — serves a precise social interest. It keeps the population politically demobilised, morally panicked, and convinced that the great questions of social life are matters of personal conduct rather than class struggle.

Jason Arday’s tragedy is rooted in the institutions that made such conflicts between academics unavoidable and deadly. His death reflects a systemic issue that harms individuals to protect itself. The solution isn’t better risk management, improved DEI efforts, or a more courteous media. Instead, it lies in building a large, international socialist movement within the working class that aims to overthrow capitalist institutions and establish a society where human needs take precedence over profit, reputation, or spectacle.

The Hounding of Jason Arday: Media Complicity and the Racial Politics of Academic Scandal

Jason Arday’s death on August 14, just a week after resigning from his Cambridge professorship, highlights a broader systemic problem rather than an isolated tragedy. It reveals a media environment that sensationalises racial scandals for profit, an academic world that views minority scholars as interchangeable symbols, and a political climate where issues of diversity are passionately debated. Although media outlets now offer condolences and publish reflective editorials, these gestures seem superficial given the extensive coverage before his death. Since then, over 249 articles have appeared, many of which previously contributed to months of speculation, mockery, and personal attacks against Arday, reflecting a purposeful ideological bias.

To understand what happened to Arday, it is essential to analyse not just the allegations themselves, but also the mechanisms that amplified them, the racialised dynamics influencing how they were received, and the wider political economy of scandal journalism within the neoliberal university.

Scandal as Commodity: The Political Economy of Media Harassment

The charges against Arday—related to his doctoral thesis, athletic achievements, and academic schedule—warranted investigation due to their seriousness. Yet, seriousness alone isn’t enough to justify the level of coverage. Over time, proportionality was abandoned, transforming the coverage into a spectacle. This change is deliberate and built into the media system itself. Today’s media functions on a straightforward profit motive: scandals draw audiences.

This boosts engagement, drives more traffic, and bolsters the ad-based revenue that most outlets depend on. In this system: more prominent figures attract greater scandal; racialised individuals enhance ideological appeal; and prestigious institutions profit from their downfall. As the youngest Black professor in Cambridge’s history, Arday was uniquely situated at this intersection of incentives. His rise carried symbolic weight, making his decline commercially lucrative. Instead of critically scrutinising Arday, the media consumed his story.

Cambridge University’s conduct throughout the incident exposes the superficiality of elite institutions’ claims of commitment to diversity. Such universities, including Cambridge, have refined a dual approach: publicly elevating minority scholars to showcase progress, then quickly distancing themselves when these scholars become politically problematic. Araday’s appointment was celebrated as a sign of change, yet when media scrutiny grew intense, Cambridge defaulted to minimal procedural responses. They carried out their investigation, released a report citing “honest and reasonable errors,” and then remained silent as media criticism escalated. This silence was not neutral; it was complicity.

In the neoliberal university model, diversity serves more as a marketing ploy than a genuine principle. Institutions that have historically upheld elite privilege now promote inclusion not through structural change, but because diversity has become a profitable commodity in higher education. The logic is clear: universities vie for students, donors, partnerships, and global reputation. In this race, diversity acts as a branding tool—symbolising modernity, progress, and moral virtue. Brochures are filled with images of diverse student groups; announcements highlight appointments of minority scholars; strategic documents emphasise themes of equity and belonging. Ultimately, representation becomes a form of advertising.

But branding is not transformation. The neoliberal university’s commitment to diversity rarely extends beyond the symbolic. It is diversity without redistribution, inclusion without power, representation without structural change. The institution remains governed by the same hierarchies of wealth, class and patronage that have defined it for centuries. What changes is the imagery.

This dynamic produces a familiar pattern. Minority scholars are elevated as proof of institutional progress, yet their position is precarious. They are celebrated when they serve the university’s public relations needs, and abandoned when they become politically inconvenient. Diversity hires are treated as emblems, not colleagues — symbols of institutional virtue rather than participants in institutional governance. Their presence is instrumentalised, not protected.

The result is a system in which diversity initiatives coexist comfortably with widening inequality, casualised labour, collapsing student support services and the financialisaton of university governance. Diversity becomes a way to mask these contradictions, to present the institution as socially progressive while its underlying structures remain untouched.

This is the essence of neoliberal diversity: representation deployed to legitimise an institution that has not changed. It is not a challenge to hierarchy but a supplement to it — a way of modernising the university’s image while preserving its class character.

The tragedy, as recent events have shown, is that individuals placed at the centre of this branding exercise bear the human cost when the image fractures. Diversity is celebrated when it flatters the institution, and discarded when it threatens it. In this sense, the neoliberal university does not simply fail to protect minority scholars; it places them in the line of fire. Elite institutions embrace diversity only insofar as it enhances their public image. When that image becomes threatened, the individual is discarded. Arday was celebrated as a symbol; he was abandoned as a liability.

The New York Times: Liberalism’s Complicity in Racialised Ridicule

The New York Times’ involvement in the incident is especially telling, as it reveals the ideological role of the liberal press. The Times published an article ridiculing Arday’s personal life with the headline: “Jason Arday may want to get himself a nice pair of orange trousers.” This was not genuine journalism; it was contemptuous mockery disguised as commentary. Moreover, it carried racial undertones that would be unimaginable if directed at a white scholar accused of similar misconduct. The Times later removed the article, replacing it with an Error 410 where the satire once was. This removal does not indicate remorse but appears to be damage control—an editorial acknowledgement, only made after Arday’s death, that the piece should never have been published. The Times’ behaviour mirrors its role in the Claudine Gay affair: performative concern for academic standards masking a deeper hostility to the presence of Black scholars in elite institutions.

Simon Baron-Cohen’s description of Arday’s final hours is deeply troubling. Arday spoke of experiencing “relentless scrutiny,” “ridicule,” and the discrediting of “absolutely every detail of his life.” He believed he was being targeted by a “racist playbook”—a pattern recognisable to anyone familiar with how Black academics are often treated in elite settings. This playbook typically involves: identifying a prominent Black scholar, scrutinising their credentials in detail, exaggerating minor mistakes into moral failings, framing the situation as a sign of institutional decline, and then using the scandal to undermine diversity efforts. This approach is not equally applied to white academics; it’s mainly used against those whose presence in elite institutions is already contested by ideological opponents. Arday’s case clearly exemplifies this pattern.

The Family’s Statement: The Reality of Sustained Abuse

Arday’s family expressed it bluntly: “Jason endured over three years of relentless abuse… The persistent misinformation overwhelmed Jason.” This is not exaggeration but a depiction of the ongoing psychological harm caused by years of hostile coverage, insinuation, and public shame. The press tends to avoid scrutinising its own actions. Editors have resumed their normal activities. While Hacked Off’s demand for an inquiry is justified, it will likely be disregarded. The British press does not oversee itself; it safeguards its interests.

Arday’s death is part of a broader political agenda: using academic scandals as a weapon in cultural battles over diversity, equity, and representation. The ideological right presents these incidents as evidence that diversity compromises merit, minority scholars are promoted beyond their abilities, and elite institutions are failing due to ‘wokeness.”

The liberal press performs a softer version of the same narrative: concern for standards, hand‑wringing about academic integrity, and a refusal to confront the racialised dynamics of scrutiny. Both converge on the same outcome: the destruction of individual scholars and the reinforcement of institutional whiteness.

The rapid shift in media coverage—with outlets softening or deleting their previous reporting—does not reflect remorse but signals institutional panic. The story has already transitioned from scandal to tragedy, from demanding scrutiny to seeking sympathy, and from holding accountability to forgetting it altogether. This is not a moment of reckoning; it’s a retreat. The press is not expressing grief over Arday; it is safeguarding its own interests.

The Chronicle of a System, Not an Exception

Jason Arday’s death isn’t random; it’s a foreseeable result of a society that treats Black scholars as symbols rather than equals, uses diversity for show instead of genuine inclusion, profits from scandal, and relies on an unregulated press that fuels humiliation. What happened to Arday isn’t an isolated incident but reflects how personal destruction is normalised in a media system where racialised stories are lucrative and elite institutions delegate their disciplinary roles to the media. His death highlights media complicity and serves as a warning—without addressing the underlying structural incentives, such tragedies are bound to happen again.

Sources and Bibliography

1. Neoliberalism and Higher Education

  • Brown, Wendy. Undoing the Demos: Neoliberalism’s Stealth Revolution. Zone Books, 2015.
  • Giroux, Henry A. Neoliberalism’s War on Higher Education. Haymarket Books, 2014.
  • Slaughter, Sheila, and Gary Rhoades. Academic Capitalism and the New Economy. Johns Hopkins University Press, 2004.
  • Collini, Stefan. Speaking of Universities. Verso, 2017.
  • Marginson, Simon. “The Worldwide Trend to Higher Participation in Higher Education.” Higher Education, vol. 72, 2016.

2. Diversity as Branding / Diversity Regimes

  • Ahmed, Sara. On Being Included: Racism and Diversity in Institutional Life. Duke University Press, 2012.
  • Ahmed, Sara. What’s the Use? On the Uses of Use. Duke University Press, 2019.
  • Berrey, Ellen. The Enigma of Diversity: The Language of Race and the Limits of Racial Justice. University of Chicago Press, 2015.
  • Melamed, Jodi. Represent and Destroy: Rationalising Violence in the New Racial Capitalism. University of Minnesota Press, 2011.
  • Hylton, Kevin. “Institutionalised Whiteness, Racial Microaggressions and Black Bodies Out of Place in Higher Education.” Whiteness and Education, 2016.

3. The Neoliberal University and Marketisation

  • Readings, Bill. The University in Ruins. Harvard University Press, 1996.
  • Canaan, Joyce, and Wesley Shumar (eds.). Structure and Agency in the Neoliberal University. Routledge, 2008.
  • Shore, Cris, and Susan Wright. “Audit Culture and Anthropology: Neoliberalism in British Higher Education.” Journal of the Royal Anthropological Institute, 1999.
  • Lynch, Kathleen. Equality and Power in Schools: Redistribution, Recognition, and Representation. Routledge, 2019 (esp. chapters on higher education).

4. Critical Race Theory and Academic Gatekeeping

  • Crenshaw, Kimberlé. “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Colour.” Stanford Law Review, 1991.
  • Bell, Derrick. Faces at the Bottom of the Well. Basic Books, 1992.
  • Du Bois, W. E. B. Black Reconstruction in America. Free Press, 1998 (original 1935).
  • Hall, Stuart. The Fateful Triangle: Race, Ethnicity, Nation. Harvard University Press, 2017.

5. Diversity, Meritocracy, and Institutional Legitimacy

  • Bhopal, Kalwant. White Privilege: The Myth of a Post-Racial Society. Policy Press, 2018.
  • Bhopal, Kalwant, and Clare Pitkin. “Diversity and Inequality in Higher Education: A Critical Examination.” British Journal of Sociology of Education, 2020.
  • Boliver, Vikki. “How Fair Is Access to More Prestigious UK Universities?” British Journal of Sociology, 2015.
  • Omi, Michael, and Howard Winant. Racial Formation in the United States. Routledge, 2014.

6. Media, Representation, and Institutional Image

  • Couldry, Nick. The Culture of Media: The Politics of Representation. Sage, 2000.
  • Davis, Aeron. Reckless Opportunists: Elites at the End of the Establishment. Manchester University Press, 2018.
  • Hall, Stuart et al. Policing the Crisis: Mugging, the State, and Law and Order. Macmillan, 1978 (for the ideological function of media narratives).

A Study in Method: The SWP’s Treatment of the Jason Arday Case

The Socialist Workers Party’s response to Cambridge sociologist Jason Arday’s tragic death reflects more than just poor journalism. It embodies the party’s deeper political approach—one influenced by years of ideological decline, adaptation to identity politics, and a move away from traditional Marxist class analysis. The article in the Socialist Worker, branded as an “exclusive,” relies almost entirely on a single friend’s memories. It lacks documentary proof, institutional context, or engagement with thorough reporting from other sources. Essentially, it isn’t an investigation but a moralistic story.

The SWP’s narrative is designed to reach a specific conclusion: Arday “died because of a racist witch-hunt.” The article is structured to back this assertion, with any complicating details either ignored or downplayed. As a result, it exposes more about the SWP’s political decay than about the social factors behind Arday’s crisis.

The Suppression of Material Facts

The SWP claims that Arday’s death was directly caused by racist persecution, but this is not evidenced; it is stated. The article overlooks key facts: Arday resigned after plagiarism allegations, and Cambridge had initiated an investigation into new information about his academic credentials and honorary roles. These issues were central to the crisis. A Marxist perspective starts from the factual details—questioning what the allegations were, how the university responded, which interests were involved, and how the media reacted. The SWP avoids these questions, which would require examining how elite universities operate amid global competition, the commodification of academic labour, and the political economy of prestige.

Even the article’s only source admits that “some of the claims about Jason were misquoted or exaggerated by other people,” and that Arday “may have felt under pressure to exaggerate.” This acknowledgement—which prompts important questions about how personal narratives, institutional scrutiny, and media sensationalism interact—is hidden in just one paragraph. The SWP quickly resumes its fixed conclusion.

Identity Politics as the SWP’s Analytical Framework

The SWP attributes the case solely to race. Cambridge is said to have promoted Arday as a symbol of diversity, equality, and inclusion, sparking resentment among less accomplished academics. The intricate workings of a modern university—its funding, ideological function, government ties, and internal hierarchy—are oversimplified as a psychological conflict rooted in racial jealousy.

This is not genuine Marxism but petty-bourgeois identity politics. Racism is viewed not as a social relation inherent to capitalism but as a detached moral issue. Institutions function not on their material interests but on individual prejudices. The SWP’s story aligns closely with corporate diversity initiatives and the academic field of “equity and inclusion.’ Decades ago, the SWP abandoned Trotsky’s analysis of imperialism and class struggle. Instead, it embraced a politics centred on race, gender, and other categories as independent determinants of society. The Arday article exemplifies this approach: a moralised, individual-centric narrative that omits class relations, institutional interests, and capitalist academic dynamics.

Journalism Reduced to Hagiography

The Socialist Worker article reads as a eulogy, conveying sincere emotion and genuine grief. However, grief is not political analysis. The piece lacks counterarguments, institutional insights, examination of Cambridge’s investigation, and engagement with wider media coverage. Instead, readers are shown only one perspective and are told to accept it as the authoritative account.

This is not genuine journalism; it resembles hagiography. Its purpose is not to clarify the social factors behind Arday’s crisis but to evoke emotional resonance with the SWP’s political stance. Instead of offering analysis, it appeals to sentiment and replaces historical insight with moral outrage. This approach isn’t accidental; it stems from a long-standing tendency to prioritise moralism over materialism. The organisation’s portrayal of Arday’s death isn’t an anomaly but the expected result of a worldview in which political clarity gives way to emotional immediacy, and the complex workings of capitalist institutions are simplified to personal resentments.

The Real Issues the SWP Refuses to Confront

The Arday case prompts important questions. He faced an intense media backlash, with hundreds of articles questioning his credibility. Public figures called the coverage a “hounding.” Examining the links between institutional scrutiny, sensationalist media, and racialised narratives is a valid area for further investigation.

However, investigation demands a materialist approach. This involves examining the university as an institution intertwined with capitalism, viewing media as a political tool, and understanding race as a social relation inherently linked to class. The SWP cannot perform such analysis. Its political stance, rooted in the middle-class protest politics of the late 1960s, closes its eyes to the class dynamics of today’s society.

The modern university is no longer a space where “mediocre academics” vent their frustrations. Instead, it is a globalised institution competing for prestige, funding, and market share. Its evolution is driven by the commodification of research, the casualisation of academic jobs, and the ideological pressures from the state. The media’s role in spreading accusations against Arday can only be understood within the broader context of journalism’s transformation under capitalism—characterised by the decline of investigative reporting, the rise of sensationalism, and the media’s integration into corporate and political interests. These are the issues a Marxist analysis needs to consider, yet the SWP fails to address any of them.

The SWP’s Method and Its Political Degeneration

The SWP’s approach to the Arday case exemplifies a political style that replaces class analysis with identity politics, substitutes moral judgments for investigation, prioritises anecdotes over solid evidence, and treats institutions as biased individuals rather than products of capitalist social relations. This approach fails to account for the complexities of the modern university, media, or the interplay of race and class. It crafts only sentimental stories that mask underlying social realities. Arday’s death calls for thorough examination, but the SWP offers none. Instead, its article highlights the political decline of a faction that has long abandoned Marxism in favour of bourgeois academic ideology.

Algorithmic Desirability Hierarchies and the Class Politics of Dating‑App Culture

The dating-app industry portrays itself as a neutral platform that facilitates human connection. However, it is fundamentally a part of platform capitalism, where the main goal is turning intimacy into a commodity. Its algorithms do more than “match” users—they rank, sort, and stratify them based on criteria that mirror and reinforce existing class, racial, and gender inequalities. Consequently, this creates a digital marketplace where desirability is not a natural human preference but a calculated metric generated through data collection and optimised for profit.

The Commodity Form of Intimacy

Marx’s idea that capitalism turns human abilities into commodities is especially relevant to dating apps. Here, it’s not labour but visibility, desirability, and emotional bonds that are commercialised. The user becomes a product: their profile is a commodity, swipes are acts of consumption, matches are conversion points, and ongoing relationships serve as retention metrics. This isn’t accidental; it’s necessary for making money. The platform first needs to convert users into data—photos, prompts, preferences, behavioural traces—so it can rank, segment, and sell access to them.

While dating-app algorithms are proprietary, their influence is evident. They establish hierarchies of desirability closely linked to class indicators such as income and education—assessed through occupation, location, and lifestyle cues—as well as consumption habits like travel photos, dining choices, and fashion brands. Cultural capital, including writing style, hobbies, and conversational signals, also plays a role, along with physical presentation, including fitness, grooming, and photo quality. These hierarchies are not objective; they reinforce bourgeois standards of attractiveness prevalent in advertising, media, and consumer culture. The algorithms favour those who can display middle-class aesthetic traits and penalise individuals whose material circumstances hinder such performances.

In this context, dating apps act as mechanisms for maintaining class boundaries. They promote assortative mating within the professional-managerial class, while relegating less privileged users to lower visibility. The “80/20” discussion in incel and Femcel circles—where 20 per cent of users get 80 per cent of attention—does not reflect a mental health issue but rather a misperception of this structural pattern.

Visibility on dating apps isn’t a right but a limited resource managed by the platform. The algorithm controls who sees whom, how often, and under what conditions. This scarcity is monetised through superlikes, premium visibility tiers, and pay-to-message options. The platform initially enforces invisibility, then offers temporary visibility as a paid service. This mirrors a classic capitalist pattern: creating scarcity and then commercialising access. As a result, a two-tier system emerges—those who can afford greater visibility and those who cannot. Consequently, dating apps effectively turn economic inequality into romantic inequality, linking class status directly to access to intimate opportunities.

Women disproportionately handle self-presentation tasks such as selecting photos, writing prompts, and maintaining conversations. This unpaid emotional labour is crucial to the platform’s profit because increased user effort generates more data and engagement that can be monetised. Corporate feminism serves as a guise here, where the theme of ’empowerment’ conceals that women are being co-opted into a new kind of reproductive labour: creating appealing digital identities for corporate benefit.

The Crisis of App‑Mediated Intimacy

Bumble’s mythos collapsing exemplifies a wider industry crisis, marked by decreased engagement, user fatigue, declining subscriptions, and mistrust of algorithms. This stems from a fundamental conflict: capital’s need for churn and dissatisfaction clashes with the human desire for stable, reciprocal relationships. As economic instability worsens—driven by rising rents, stagnant wages, and declining living standards, especially among younger users —the conditions for dating and meaningful connections diminish. The traditional dating-app model, reliant on social atomization, becomes unsustainable amid these economic strains.

The algorithm doesn’t just mirror user preferences; it actively shapes them. It trains users to desire what the platform promotes—specific body types, lifestyles, and self-presentation. This process isn’t neutral; it’s how capitalist aesthetics infiltrate intimate life. The algorithm acts as a disciplinary tool, influencing how users perceive themselves and others, and reinforcing market-driven standards of attractiveness. In this way, dating apps function not merely as markets but as ideological tools, teaching users to accept competition, scarcity, and self-commodification as natural.

A Marxist perspective shows that the crisis with dating apps is rooted in social issues, not technology. It stems from the commodification of intimacy, social atomization, the breakdown of communal institutions, and relationships being driven by market logic. Solutions like improved algorithms, ethical design, or “AI matchmakers’ are misguided, as they attempt to fix a fundamentally flawed system. True liberation of intimacy can’t occur within a marketplace that treats it as a commodity.

The way forward involves challenging the social structures that make algorithmic mediation necessary. This includes rebuilding the material basis of human connection—such as stable housing, secure jobs, public spaces, and collective activities—and decommodifying intimacy itself.

Podcast Episode: The Death of Jason Arday: A Manufactured Scandal and the Class Politics Behind I

Pip: A Cambridge professor is celebrated, then destroyed, then dead — and the British press is already turning his death into content. Welcome to A Trumpet of Sedition.

Mara: This episode covers one story, and freerein61 makes the case that it isn't really about one man — it's about how media, class power, and institutional symbolism interact to produce a foreseeable tragedy.

Pip: Let's start with the manufactured scandal itself, and what the post argues was actually driving it.

The Death of Jason Arday: Media, Class, and the Machinery of Destruction

Mara: The post opens with a straightforward claim: Arday's downfall wasn't personal failure. It was structural. The question the piece is asking is whether what happened to him was journalism at all, or something else entirely.

Pip: The post is direct about what that something else was. The setup is the tabloid press recycling the same limited allegations across dozens of outlets, and the conclusion drawn is this: "This was not journalism; it was a political tactic."

Mara: And the stakes follow immediately from that framing. If it's a political tactic, then the resignation that preceded any formal inquiry wasn't a consequence of wrongdoing being proven — it was the tactic working.

Pip: The post is careful to say the plagiarism allegations were serious enough to warrant formal academic investigation. Those processes exist precisely because they're slow and careful. The media didn't wait.

Mara: Cambridge didn't wait either, and the post holds the university directly responsible. It describes a pattern: institutions adopt the symbolism of diversity, then withdraw protection the moment that symbol becomes inconvenient. The phrase used is that the human toll is "paid by the person whose identity is exploited for institutional advantage."

Pip: Which is a fairly precise description of how symbolic politics functions as a shield for the institution rather than a support for the individual.

Mara: The post extends this to the so-called quality press. Broadsheets and public broadcasters aren't let off the hook — their coverage "differed mainly in tone, not substance," repeating the same allegations and the same framing of Arday's downfall as inevitable.

Pip: One unified ideological system with better grammar.

Mara: The psychological dimension gets its own section. Arday's family described years of public abuse, and the post treats that seriously — arguing that prolonged media exposure creates conditions of isolation and collective condemnation that carry direct psychological consequences. The media, it says, is responsible for fostering those conditions.

Pip: And then, after his death, the same outlets ran live updates. The acceleration of the news cycle consuming the person before any process could conclude, and then consuming the death itself.

Mara: The post ties all of this to class structure — a press controlled by a small number of billionaires, serving ruling-class interests by making visibility feel dangerous and dissent feel perilous. The Arday case, in that reading, is less a scandal and more a demonstration.

Pip: The closing argument is that identity politics, as practiced by elite institutions, doesn't address inequality — it rebrands it. And when the symbolic figure stops being useful, the same machinery turns.

Mara: The post ends by arguing that only working-class political action, guided by a socialist program, can challenge the conditions that made this outcome foreseeable. That's where it lands.


Pip: A story about one person that the post insists is about a system — and the argument is hard to dismiss when the system's behavior is this consistent.

Mara: The next episode will tell us whether that argument extends further. The conditions it describes aren't unique to this case.

The Death of Jason Arday: A Manufactured Scandal and the Class Politics Behind It

The death of Jason Arday, announced on 14 August 2026, marks a deeply troubling moment in British society. Celebrated as Cambridge University’s youngest Black professor in 2023, Arday was last week removed from his role amid intense media attention over allegations of plagiarism and false claims about his athletic and fundraising history. He was found dead in South London on Friday afternoon. His family links this tragedy to years of public abuse. Regardless of what the coroner concludes, one thing is clear: Arday’s downfall was not due to personal failings, but resulted from a coordinated political and media campaign driven by the class interests of Britain’s ruling elite.

A Manufactured Scandal

The allegations against Arday involved parts of his doctoral thesis—serious enough to trigger formal academic investigations. Such processes tend to be slow, careful, and largely unseen by the public. They lack spectacle, headlines, or opportunities for political manipulation. Instead, the British media orchestrated a public trial over several weeks, recycling the same few claims across many outlets, all vying for clicks and ad revenue. The tabloid press, along with supposedly reputable outlets, turned Arday into a daily target of mockery. Even before any official inquiry started, he was forced to resign. This was not journalism; it was a political tactic.

Cambridge University’s Role

Cambridge University directly bears responsibility for the circumstances that resulted in Arday’s death. For many years, the university showcased his appointment as a sign of its “progressive” change—a symbolic act intended to hide its core role as a training ground for Britain’s ruling class. However, when the media turned hostile, Cambridge failed to defend him, demand due process, or contest the tabloids’ hysteria. Instead, the university let the spectacle unfold, distancing itself from the person it had once promoted. This pattern is all too familiar: elite institutions gladly adopt the symbolism of “diversity” but disregard individuals when their visibility becomes inconvenient, leaving the human toll to be paid by the person whose identity is exploited for institutional advantage.

The Media Pile‑On as a Social Phenomenon

The intense media campaign surrounding Jason Arday in the weeks before his death is a key part of the case, not just an incidental detail. It functions as the main force driving the tragedy. To grasp what happened, we must see the media not merely as individual outlets or journalists but as a social institution deeply linked to the class system of capitalist society. Arday’s destruction was not due to “press excess” or editorial mistakes alone. It was a foreseeable result of a system in which media commercial interests, ruling-class political goals, and the ideological needs of elite institutions interact to create cycles of symbolic glorification and public destruction.

The Tabloid Mode of Production

The British media follows a logic Marxists have long critiqued: turning human beings into commodities. In tabloids — now largely merging with mainstream outlets — the core content is personal scandal, humiliation, and reputation destruction. Their circulation and online ad revenue rely on a steady stream of such stories. The Arday case exemplified this formula by featuring a prominent academic from an elite university, allegations of misconduct, a “fall from grace” narrative, and racialised framing that British tabloids have exploited for decades.

Once the story emerged, the machinery kicked in automatically. All outlets echoed the same limited claims, each presented with a new headline. The content was interchangeable; the goal was not to inform but to attract engagement. This media behaviour was not unusual; it was the standard operation of a profit-oriented system.

The Political Function of Scandal

These scandals serve a political function by providing a spectacle that distracts from Britain’s social crisis, which includes collapsing public services, growing inequality, militarism, and the erosion of democratic rights. The destruction of an individual acts as a surrogate drama, allowing a society in decline to project its anxieties and frustrations. The media’s focus on Arday’s alleged plagiarism — a matter ideally addressed through academic processes — was not driven by concern for scholarly integrity. Instead, it aimed to craft a narrative of moral failure, creating a personal drama for millions to consume. Its political importance lies in shifting attention away from the systemic failures of British capitalism.

The Role of “Respectable” Media

It would be a mistake to blame only the tabloid press for the pile-on. The so-called “quality” outlets—such as broadsheets, public broadcasters, and liberal publications—also participated fully. Their coverage differed mainly in tone, not substance, as they repeated the same allegations, insinuations, and framing of Arday as a figure whose downfall was both inevitable and deserved. This shared approach is notable because it reveals how the media functions as a unified ideological system, despite internal differences. The line between tabloid sensationalism and liberal respectability disappears when attacking someone whose symbolic value has shifted from an asset to a liability. The media’s role is not to investigate but to uphold the ideological limits of acceptable public discussion.

The Psychology of the Pile‑On

The media pile-on is more than just a structural issue; it is deeply psychological. It isolates the target, removes their institutional support, and subjects them to constant public scrutiny. The individual becomes the focus of a collective condemnation ritual, leading to intense psychological strain. Arday’s family stated there were “years of public abuse,” which is not an exaggeration. The media’s coverage was not limited to the weeks before his death; it was part of a longer pattern in which his initial fame turned into vulnerability. Such prolonged exposure has a significant psychological impact, and the media is directly responsible for fostering the conditions that lead individuals to despair.

The Acceleration of the News Cycle

The rapid progression of the Arday story highlights a broader crisis in modern media. The 24-hour news cycle thrives on constant updates, with scandals serving as endless sources. Once Arday resigned, the story swiftly shifted from “investigation” to “collapse.” When he passed away, media outlets that had pursued him relentlessly turned his death into breaking news, featuring live updates and sensational headlines. This acceleration of news is not neutral; it hinders thoughtful reflection, bypasses due process, and consumes individuals before any legal or institutional action can occur. The media’s response after Arday’s death—recycling existing facts, speculating on causes, and exploiting the tragedy as content—was a natural extension of the same logic that ended his career.

The media’s involvement in the Arday case can only be understood within the framework of class dominance. The British press, controlled by a small group of billionaires and corporate giants, serves the ruling elite’s interests. Its role is to influence public perception in ways that uphold the current social hierarchy. Targeting symbolic figures—whether celebrities, academics, or political critics—bolsters the idea that individuals are powerless against the machinery of publicity. This fosters cynicism, resignation, and fear among the public. It sends the message that visibility is dangerous, dissent is perilous, and institutions will not defend those who lose favour. Thus, the Arday case is more than a media scandal; it reflects broader authoritarian trends in modern capitalism.

Identity Politics and the Class Function of Symbolic Elevation

Arday’s academic work is shaped by critical race theory, which has gained prominence in elite universities over the last decade. This ideology, rooted in postmodernism and racial essentialism, aims to incorporate privileged upper-middle-class individuals into the state and corporate sectors based on identity rather than class. Cambridge did not promote Arday because he represented working-class interests; instead, they supported him because his scholarship aligned with the university’s ideological goals—providing a racialized viewpoint that allowed the institution to appear progressive while preserving its class hierarchy. Identity politics does not address inequality; it rebrands it. When the symbolic figure becomes politically inconvenient, the same system that champions him is used to undermine him.Predictably, pseudo-left groups—such as NGOs, academic diversity bureaus, and Labour Party affiliates—have reacted to Arday’s death by calling for more of the same politics that contributed to this tragedy. They claim the lesson is to increase “representation,” expand diversity programs, and adopt more racialised analytical frameworks.

The Arday case exposes a significant contradiction in modern liberal politics. While elite institutions leverage identity to legitimize themselves, they neither genuinely protect nor support those they elevate. Their view on identity is driven by necessity rather than solidarity. The working class must develop its own understanding. Racial oppression exists but is fundamentally linked to capitalism, which generates it. Tackling racism can’t rely on critical race theory’s racial essentialism or mere political symbolism. Instead, it requires a concerted effort by the working class to dismantle the social system that maintains inequality, exploitation, and the destructive media.

Jason Arday’s death is tragic but understandable. It stems from a society that devalues human beings, distorts identities, and sees elite institutions as self-serving. Meanwhile, the media acts as an unchecked source of humiliation and harm. The issue isn’t that universities should treat symbolic figures with more care; rather, the politics surrounding symbolism itself is a trap. It obscures the class realities of capitalist society and exposes individuals to media and institutional abuse. Only the independent actions of the working class, guided by a socialist program, can challenge these conditions and prevent future tragedies.

The Arday Affair: How Cambridge’s Branding Machine, Marketised Higher Education, and the Pseudo‑Left Produced a Crisis Eight Centuries in the Making

The resignation of Professor Jason Arday from the University of Cambridge has sparked widespread comment in British media and politics. However, the issue isn’t just about personal misconduct or admin flaws. It reflects a deeper, systemic crisis in British higher education—shaped by Cambridge and Oxbridge’s long-standing class role, decades of market influences, and protected by the pseudo-left’s focus on identity politics. This analysis explores the historical, political, and economic factors that made the Arday case both unavoidable and inevitable.

Cambridge: Eight Centuries of Class Rule

To understand Cambridge’s behaviour, it’s important to look at its origins. Founded in 1209, Cambridge has long served the ruling class, with its architecture, rituals, and governance acting as tools to perpetuate elite dominance. Historically, Oxford and Cambridge have functioned as training grounds for clergy, civil servants, judges, and political leaders. They also serve as gatekeepers of cultural capital, shaping standards of ‘merit,” and as networks that strengthen aristocratic and bourgeois influence. The colleges were endowed by monarchs, bishops, and wealthy patrons, with governance structures — led by fellows, donors, and senior administrators — designed to maintain privilege rather than democratize knowledge.

The 2019 Sutton Trust report highlighted this continuity: 71% of senior judges, 56% of Permanent Secretaries, 38% of Lords, and 24% of MPs had been educated at Oxford or Cambridge. The elite are twenty-four times more likely to have attended Oxbridge compared to the general population. This pattern is deliberate, as Oxbridge’s prestige functions as a political asset, legitimizing the authority of the ruling class by portraying privilege as merit. It is this prestige—rather than academic quality—that Cambridge aimed to protect in the Arday case.

Marketisation: How Policy Turned Universities into Corporations

The Arday scandal is closely linked to the changes in UK higher education over the last 30 years. Starting with the 1992 Further and Higher Education Act and advancing with the Browne Review in 2010, successive governments reduced public funding and promoted market competition. Between 2011–12 and 2017–18, government funding for universities decreased by 74 per cent in real terms. Currently, 80 per cent of the sector’s income comes from private sources, mainly student fees and commercial activities.

Universities now operate like corporations: they issue bonds worth hundreds of millions of pounds, hold credit ratings from Moody’s and Standard & Poor’s, and have vice-chancellors acting as CEOs earning over £400,000. Marketing departments have grown to rival academic faculties in size and influence. Students are viewed as customers rather than learners. Academic staff often work on insecure, casualised contracts. This market-driven approach has transformed university life: research is prioritised for grant attraction, teaching for attracting fee-paying students, and public relations for drawing donors and international applicants.

In this context, “diversity” branding functions more as a market strategy than a moral stance. Universities vie for lucrative international students, mainly from China, India, and the Gulf, who pay between £25,000 and £40,000 annually. A professor with a biography that attracts positive media coverage becomes a valuable asset. Arday’s rapid ascent—from a PE lecturer to a Cambridge professor in just seven years—was not an isolated case. Instead, it exemplifies a system where personal stories are commercialised to serve institutional interests.

Arday’s background—overcoming adversity, late literacy, racial uplift—aligned well with Cambridge’s marketing goals. His appointment received extensive positive press, boosted social-media engagement, and increased international recognition. Multiple sources report that concerns about his doctoral thesis were dismissed as issues ‘predating his arrival.’ Senior staff prioritised positive media images over detailed academic review. The university’s communications team promoted Arday’s story worldwide. This pattern is not unusual; systemic incentives drive it. In a market-based system: prestige brings in revenue, visibility attracts students, and narratives enhance brand value. Conversely, academic integrity rarely generates revenue and can even threaten financial interests.

The Pseudo‑Left: Identity Politics as an Ideological Shield

The pseudo-left—comprising academics, commentators, and activists advocating for identity politics while neglecting class issues—plays a significant role in maintaining the ideological structure of market-driven higher education. In universities, identity politics acts as a form of institutional cover: it offers a low-cost alternative to increasing access for the working class, helps elite institutions project progressive credentials, boosts individuals whose profiles can be commodified, and shifts focus away from academic labour exploitation. The pseudo-left celebrated Arday’s appointment as a victory for representation, overlooking the fact that Cambridge’s student body remains predominantly privileged and its governance retains an aristocratic character.

Right‑Wing Reaction: Meritocracy as a Myth

The right-wing campaign against Arday, led by individuals who openly promote racist pseudoscience, isn’t driven by a genuine concern for academic standards. Instead, it’s fuelled by hostility toward any hiring practices that challenge traditional class privilege. However, the right and the pseudo-left are not truly opponents; they represent two facets of petty-bourgeois politics. The pseudo-left hides its class privilege through identity branding, while the right criticises that branding to defend their own class interests. Both factions support the marketisation of higher education, uphold the authority of elite institutions, and ignore capitalism’s role in fostering corruption, inequality, and intellectual decline. The working class faces a false dichotomy: embracing DEI branding or subscribing to right-wing meritocracy. Both are illusions.

The Real Issue: The Corruption of Higher Education Under Capitalism

The Arday scandal does not highlight failures in vetting but instead reveals a deeper systemic issue where education has become a commodity, universities are part of global financial markets, academic labour is increasingly casualised and degraded, bureaucracy employs identity politics to conceal class privilege, and both the right and pseudo-left manipulate DEI controversies — the right to reinforce privilege and the pseudo-left to defend branding. Both sides uphold the university as a means of maintaining class dominance.

Workers and students must oppose both the pseudo-left, which defends university branding, and the right-wing, which criticises DEI. The fight for academic integrity is fundamentally connected to the broader struggle for socialism. A truly democratic and academically rigorous university system depends on: public funding as the basis for higher education, democratic control by staff and students, the elimination of managerial bureaucracies, an end to market competition and private investment, and the socialist transformation of society where education is viewed as a social right. Only through such a transformation can universities stop serving as instruments of class privilege and become what they are meant to be: institutions committed to the cultural and scientific progress of humanity.

The Limits of Liberal Fiction in the Age of Mass Deportation: Valeria Luiselli’s Lost Children Archive and the Crisis of Artistic Consciousness

The American literary scene widely praises Valeria Luiselli’s Lost Children Archive (2019) as a compassionate, innovative book that tackles the migrant crisis. It demonstrates that contemporary fiction can still meaningfully engage with social issues. Nonetheless, both its reception and content reveal a key problem: the significant political and artistic restrictions within a literary culture dominated by the professional-managerial class. This cultural sphere fails to see the working class as an active force in history, which hinders a true understanding of the crisis’s underlying dynamics.

The migrant crisis is a concrete issue, not just a metaphor or moral tale, nor a backdrop for middle-class introspective concerns. It results from decades of imperialist actions, economic destruction, and bipartisan violence. Genuine art should face these truths directly, but Luiselli’s novel, despite its intelligence and sincerity, does not fully achieve this.

Aestheticisation as Social Function, Not Accident

Luiselli is keenly aware of the risk of turning suffering into mere aesthetic display. Her narrator often questions whether she has the right to “document” tragedies. However, this self-awareness is woven into the aesthetic framework—acting as a ritual that reassures readers that the issue is recognised, thus excusing it. The novel’s use of multiple voices, embedded documents, a Sebald-inspired style, and lyrical abstractions is not just a stylistic device; it transforms horror into a literary experience for readers who are shielded from the violence. The educated, liberal audience is prompted to feel intensely and to experience “productive discomfort,” while still avoiding confrontation with the social forces behind the crisis or their own links to those forces. This is not a flaw in technique but a reflection of the social role that liberal fiction currently occupies.

A key feature of Lost Children Archive is its minimal depiction of ordinary Americans as political figures. As the family journeys from New York to Arizona, passing through many working-class areas, the people they encounter are shown as silent, indifferent, or prejudiced. The borderlands are depicted as hostile territory. This choice is deliberate and reflects a class perspective: Luiselli’s protagonists are essentially documentarians with grants, passports, and credentials. They see the world divided into two groups: educated, compassionate professionals like themselves and a vague mass of backward or indifferent Americans. The working class—whether native-born or immigrant—lacks the power to challenge or dismantle the detention system, and notions of collective action are absent from the novel. This is a political restriction, not merely a stylistic choice. It mirrors the perspective of the social group that currently leads literary production: the upper-middle-class intelligentsia. Their political views are heavily influenced by identity politics, emphasising moral witness and a profound scepticism toward the working class.

Luiselli draws a parallel between nineteenth-century Indigenous removal and twenty-first-century child detention. Although this comparison is historically significant, the novel predominantly expresses mourning rather than providing analysis. The ongoing violence is depicted as a lament for an unchanging American identity, rather than as an examination of the specific class forces driving current policies. The danger lies in presenting American violence as transhistorical, which makes the migrant crisis appear inevitable instead of a consequence of decisions made by particular political actors pursuing specific economic goals. While the bipartisan support for deportation—growing under Obama and escalating under Trump—is acknowledged, it is not critically analysed. This approach creates a historical narrative that lacks agency.

The shortcomings of Lost Children Archive are not unique to Luiselli but highlight a broader trend in American literature. The overseeing professional-managerial class—spanning publishing, academia, and the arts—lacks political clarity. It often opposes universalist politics, mistrusts the working class, and treats social crises more as moral spectacles than opportunities for action. This leads to a literature that emphasises witnessing over analysis, prioritising empathy over solidarity, and introspection over mobilisation. Migrant suffering becomes a matter of aesthetic experience rather than a call for collective intervention. The migrant crisis isn’t mainly about representation; it originates from capitalism, imperialism, and border militarisation. No stylistic innovation can substitute for a political perspective that addresses these root causes.

The Class Character of Contemporary American Fiction

Contemporary American fiction often presents itself as morally serious, politically active, and innovative in form. It claims to tackle urgent social issues such as inequality, racism, climate change, migration, and political turmoil. Yet, this surface-level activism conceals a profound stagnation artistically and politically. Currently, the dominant trends in American literary fiction tend to reflect the narrow viewpoints of the professional-managerial class involved in producing, distributing, and consuming these works, rather than portraying the full complexity of social realities.

The literature discussed is characterised by a formal dynamism paired with political caution, blending emotional expressiveness with social distance. It is rich in moral sentiment but often fails to imagine collective efforts or historical transformation. Its central figures are introspective professionals whose crises are rooted in personal trauma, and their political concerns mainly involve ethical dilemmas. The primary focus remains on the self. This pattern is deliberate and mirrors the class dynamics inherent in contemporary American fiction.

The Professional‑Managerial Class as Cultural Gatekeeper

The American literary world—comprising publishing companies, MFA programs, literary magazines, award panels, and cultural bodies—is mostly governed by the professional-managerial class (PMC). This group, which includes academics, editors, nonprofit employees, cultural administrators, and credentialed artists, occupies a conflicted position within capitalism. While they benefit from material advantages over the working class, their political security is precarious, as their dependence on institutions has weakened due to decades of neoliberal reforms.

The PMC’s worldview shapes its literature, viewing politics through personal anxiety instead of collective struggle. Social crises are portrayed as moral spectacles rather than structural conflicts, while the working class is seen either as a threat or an abstraction. Moreover, historical forces are often seen as tragic inevitabilities rather than results of class dominance. This worldview is not merely ideological but institutional, as the PMC controls what is recognised as “serious fiction,” which themes are “urgent,” what forms are “innovative,” and which writers are seen as voices of conscience. As a result, the literature produced reflects the PMC’s anxieties more than the genuine experiences of most people in the United States.

Contemporary American fiction often features the literature of witness: novels depicting social disasters through the perspective of educated observers who feel deeply but take little action. These works are filled with empathy, introspection, and moral discomfort, treating suffering as something to be documented, archived, or artistically processed. They reveal political views by emphasising that the individual is the main focus of political experience, the reader’s emotional reaction replaces political analysis, the author’s self-awareness stands in for political commitment, and collective agency is either absent or hard to imagine. This literature is not neutral; it reflects a cultural expression of a class that has lost confidence in its power to influence history and cannot see the working class as a societal force capable of transformation.

The PMC’s political stance is shaped by identity politics, which explains social conflict through personal identities instead of class issues. This view has significantly influenced modern fiction, resulting in literature where social crises are seen as personal problems, political systems are depicted through interpersonal relationships, historical events are interpreted via personal traumas, and solidarity appears as empathy rather than collective action. Identity politics leads writers to see social reality as a mosaic of individual experiences rather than a unified structure formed by class relations. It divides the world into separate moral issues, each needing recognition rather than change. This fragmentation is not only thematic but also formal, as the rise of polyphonic narratives, fragmented structures, and hybrid forms often reflects difficulty in imagining society as a coherent whole.

Migrant Narratives and the Pseudo‑Left’s Humanitarian Theatre

Valeria Luiselli’s work exemplifies a wider cultural trend in which migrant stories are cherished as moral symbols but often lack their historical and political depth. This pattern is intentional, aligning with the ideological aims of today’s pseudo-left. This combination of academia, NGOs, and media replaces class-based politics with humanitarian feelings, viewing imperialism as an unfortunate accident instead of a fundamental aspect of capitalism.

Luiselli’s novels and essays are powerful, yet they often become part of this humanitarian drama. They are celebrated for their empathy, lyrical portrayal of suffering, and critique of bureaucratic inhumanity. However, the qualities that appeal to liberal audiences also make them politically safe. The migrant is depicted as a victim of administrative mistakes, not as a worker driven out by imperialist violence. The border is seen as a moral dilemma rather than a tool for global class control. The story encourages compassion rather than confrontation.

This is exactly how the pseudo-left exploits migrant stories: as emotional currency. Migrants serve as symbols enabling institutions to showcase virtue, academics to amass cultural capital, and media outlets to project moral seriousness. The root causes of displacement — such as war, extraction, and political instability — are replaced by a sentimental emphasis on personal suffering. This creates a politics of pity that flatters the liberal conscience while maintaining the imperialist system.

Luiselli’s work acts as a mirror in this context, reflecting the pseudo-left’s preference for narratives that are politically provocative yet not threatening, critical but not revolutionary, emotionally impactful yet avoiding structural critique. Her writing reveals genuine violence, but how the pseudo-left receives it turns that violence into a spectacle for consumption.

A truly impactful novel about the migrant crisis should go beyond Lost Children Archive by depicting migrants as historical agents rather than mere symbols, and presenting ordinary Americans as possible allies rather than barriers. It ought to situate the crisis within the broader context of global capitalism, recognising the working class as the only force capable of ending mass detention and deportation. Such a novel would frame the crisis as a political issue to confront rather than solely a moral concern to observe. It demands an artistic perspective aligned with the international working class, rather than the professional-managerial class.

Sources and Bibliography

I. Political Economy of Culture and Literature

  • Adorno, Theodor W. Aesthetic Theory. Routledge, 1997.
  • Adorno, Theodor W., and Max Horkheimer. Dialectic of Enlightenment. Stanford University Press, 2002.
  • Benjamin, Walter. The Author as Producer. In Selected Writings, Volume 2. Harvard University Press, 1999.
  • Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. Stanford University Press, 1996.
  • Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Harvard University Press, 1984.
  • Eagleton, Terry. The Function of Criticism. Verso, 2005.
  • Eagleton, Terry. Literary Theory: An Introduction. Blackwell, 2008.
  • Williams, Raymond. Culture and Society. Columbia University Press, 1983.
  • Williams, Raymond. Marxism and Literature. Oxford University Press, 1977.

II. Class Analysis and the Professional‑Managerial Class

  • Ehrenreich, Barbara, and John Ehrenreich. “The Professional‑Managerial Class.” Radical America, vol. 11, no. 3, 1977.
  • Fraser, Nancy. The Old Is Dying, and the New Cannot Be Born. Verso, 2019.
  • Sennett, Richard, and Jonathan Cobb. The Hidden Injuries of Class. Vintage, 1993.
  • Wright, Erik Olin. Class Counts. Cambridge University Press, 1997.
  • Wright, Erik Olin. Understanding Class. Verso, 2015.
  • Reed, Adolph. “The Limits of Anti‑Racism.” Left Business Observer, 2009.
  • Reed, Adolph. Class Notes: Posing as Politics and Other Thoughts on the American Scene. New Press, 2000.

III. Contemporary American Fiction, MFA Culture, and Literary Institutions

  • McGurl, Mark. The Program Era: Postwar Fiction and the Rise of Creative Writing. Harvard University Press, 2009.
  • McGurl, Mark. “Everything and Less: Fiction in the Age of Amazon.” Modern Language Quarterly, 2018.
  • Guillory, John. Cultural Capital: The Problem of Literary Canon Formation. University of Chicago Press, 1993.
  • Graeber, David. Bullshit Jobs. Simon & Schuster, 2018.
  • Harbach, Chad. MFA vs NYC: The Two Cultures of American Fiction. FSG Originals, 2014.
  • Sinykin, Dan. Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature. Columbia University Press, 2023.
  • Sinykin, Dan. “The Conglomerate Era.” Post45, 2020.
  • Lutz, Tom. Doing Nothing: A History of Loafers, Loungers, Slackers, and Bums in America. Farrar, Straus and Giroux, 2006.
  • Guillory, John. “How the Humanities Survived.” Critical Inquiry, 2021.

IV. Migration, Imperialism, and U.S. Border Policy

  • Luiselli, Valeria. Tell Me How It Ends: An Essay in Forty Questions. Coffee House Press, 2017.
  • Luiselli, Valeria. Lost Children Archive. Knopf, 2019.
  • Gilman, Nils. Mandarins of the Future: Modernisation Theory in Cold War America. Johns Hopkins University Press, 2003.
  • Grandin, Greg. The End of the Myth: From the Frontier to the Border Wall in the Mind of America. Metropolitan Books, 2019.
  • Hagan, Jacqueline, et al. Skills of the “Unskilled”: Work and Mobility among Mexican Migrants. University of California Press, 2015.
  • Massey, Douglas S., et al. Beyond Smoke and Mirrors: Mexican Immigration in an Era of Economic Integration. Russell Sage Foundation, 2002.
  • Menjívar, Cecilia, and Leisy Abrego. “Legal Violence: Immigration Law and the Lives of Central American Immigrants.” American Journal of Sociology, 2012.
  • U.S. Government Accountability Office (GAO). Immigration Detention: Progress and Challenges in DHS’s Efforts to Improve Conditions. GAO‑20‑385, 2020.
  • Human Rights Watch. US: Family Separation Harming Children, Families. HRW Report, 2018.

V. WSWS Arts Criticism and Political Analysis

(These are not copyrighted articles reproduced in full; they are citations to publicly available WSWS pieces.)

  • Walsh, David. “The Crisis of American Culture and the Tasks of the Working Class.” World Socialist Web Site, 2018.
  • Walsh, David. “Art and Social Life: A Marxist Perspective.” WSWS, 2016.
  • English, Sandy. “The American Dirt Controversy and the Politics of Representation.” WSWS, 2020.
  • Brenner, Patrick. “The Working Class and the Struggle Against Xenophobia.” WSWS, 2019.
  • Greider, Nick. “The Social Crisis in America and the Failure of Contemporary Fiction.” WSWS, 2021.
  • North, David. The Crisis of American Democracy. Mehring Books, 2020.
  • Kishore, Joseph. “The Political Economy of the Trump Administration’s Immigration Policies.” WSWS, 2019.

VI. Additional Theoretical and Historical Context

  • Anderson, Perry. Considerations on Western Marxism. Verso, 1976.
  • Anderson, Perry. The Origins of Postmodernity. Verso, 1998.
  • Harvey, David. A Brief History of Neoliberalism. Oxford University Press, 2005.
  • Harvey, David. The Condition of Postmodernity. Blackwell, 1989.
  • Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism. Verso, 1991.
  • Jameson, Fredric. The Political Unconscious. Cornell University Press, 1981.
  • Lukács, Georg. History and Class Consciousness. MIT Press, 1971.
  • Lukács, Georg. The Meaning of Contemporary Realism. Merlin Press, 1963.

The Bezos–Saverin–Bhatia Bid for Liverpool: The Financial Oligarchy Tightens Its Grip on World Football

The upcoming acquisition of a significant stake in Liverpool FC by a consortium led by Amit Bhatia, backed by Jeff Bezos and Eduardo Saverin, signals a new phase in turning football into a domain for the global financial elite. Reports suggest the group is nearing a stake exceeding 30 per cent, valuing the club at approximately £4.4 billion ($5.9–6 billion). An announcement is likely soon.

This development is part of a larger trend where all aspects of social life—such as sport, culture, media, and technology—are increasingly controlled and reshaped by a small group of billionaires. Their wealth comes from exploiting workers worldwide. Football, originally a sport for the working class, is now being integrated into the same financial and technological systems that govern logistics, surveillance, AI, and global finance.

A New Phase in the Oligarchic Capture of Football

Liverpool’s potential new investors hail from the most privileged echelons of global capitalism. Jeff Bezos, founder of Amazon, amassed his enormous wealth through the ruthless exploitation of hundreds of thousands of workers, who faced poverty wages, constant surveillance by algorithms, and dangerous productivity targets. His fortune grew significantly during the pandemic, as Amazon employees endured hazardous working conditions. Bezos is not simply a “sports investor”; he exemplifies American financial capitalism at its most predatory. Eduardo Saverin, co-founder of Facebook, renounced his US citizenship to dodge taxes and moved to Singapore. His wealth originates from a social media empire built on surveillance, data extraction, and the promotion of reactionary content through algorithms.

Amit Bhatia, son-in-law of steel magnate Lakshmi Mittal, belongs to a global elite whose wealth relies on exploiting workers across Asia, Africa, and Latin America. His abrupt divestment from Queens Park Rangers on the day Liverpool’s bid emerged highlights the financial manoeuvring — regulatory arbitrage and share shuffling — typical of Today’s oligarchy. The inclusion of these figures in Liverpool’s ownership signifies a significant shift. While under Fenway Sports Group (FSG), Liverpool was primarily considered a financial asset. John Henry played a key role in proposing the 2021 European Super League, aiming to replace the competitive league system with a closed cartel that would secure ongoing revenue for the wealthiest clubs. This plan, backed by JPMorgan Chase, was ultimately stopped by widespread fan resistance.

Now the club is being passed from one set of billionaires to another — but this time to individuals whose wealth is measured not in billions but in hundreds of billions.

Football as a Financial Instrument

Liverpool’s valuation at £4.4 billion highlights the sport’s dramatic transformation. Originally founded in 1892 by working-class individuals, the club now has a value that could support the NHS for months. The financialization of football emphasises club worth based on anticipated future revenues, global branding, and digital engagement rather than sporting success. In Marxist terms, football has become part of fictitious capital — claims on future value instead of current output. Clubs are traded like tech stocks, with valuations serving as speculative tools. Their ownership resembles that of a multinational. The Bezos–Saverin–Bhatia consortium is not investing in football as a sport. Instead, they view it as: a content source for Amazon’s media empire, a data collection point for feeding Amazon’s AI systems, a global brand asset integrated into Amazon’s retail and advertising networks, and a financial tool for the portfolios of the world’s wealthiest individuals.

The Conflict‑of‑Interest Question: A Window into the System

A key aspect of the deal is the unresolved question of whether an investor holding a stake in the Premier League broadcaster Amazon Prime Video can also own part of a Premier League club. This is primarily a political issue, not a technical one. The Premier League’s Owners’ and Directors’ Test does not impose significant restrictions on such cross-ownership. In reality, the capitalist system enforces regulations only when they do not conflict with the interests of the ruling class. When billionaires are involved, these rules are often treated as mere “guidelines.”

If the deal goes through unchallenged, it establishes a precedent: broadcasters might own clubs, clubs could control broadcasters, and a few oligarchs could vertically integrate the complete ecosystem. These same individuals would own the product, distribution channels, and ways of consumption. This represents the Americanization of football — not culturally, but in its structure.

Liverpool’s Sporting Transition: Irrelevant to Capital

Liverpool secured the Premier League title in 2025 but is currently going through a transition phase. Manager Arne Slot has left, Mohamed Salah has departed, and Michael Edwards has exited FSG. Despite significant spending, the club finished fifth last season. From the consortium’s perspective, these developments are mainly relevant for their impact on the asset’s valuation. At this level, a football club functions more as an investment vehicle than a sporting entity, serving purposes like capital appreciation, brand leverage, and generating broadcast and commercial income from a global fanbase.

Speculation that Bezos and Saverin might aim for full control is plausible. For wealthy individuals like them, holding a minority stake is not an end goal but a strategic foothold.

The Broader Pattern: The Oligarchy Consolidates Its Power

The shift to Liverpool reflects a wider trend. By 2026, Bezos has invested billions in AI companies, grown Blue Origin’s aerospace activities, and co-led a $12 billion funding round for Prometheus, an industrial AI firm now valued at $41 billion. The same elite pushing humanity toward global conflict — as the WSWS detailed during the 2026 World Cup — is also consolidating control over all aspects of social life.

The 2026 World Cup showcased glaring signs of capitalist excess: generating $15 billion in revenue, with dynamic ticket prices soaring to over $10,000, luxury hospitality packages costing more than an average worker’s yearly income, and the trophy transported in a Louis Vuitton trunk. Football is increasingly being marketed as a luxury item for the wealthy and a global advertising tool for corporations. The Bezos group’s interest in Liverpool aligns with these trends, representing the broader process of expropriating everything the working class has built by a parasitic financial elite.

The Marxist Perspective: Expropriate the Oligarchy

The banners at Anfield during the 2021 Super League revolt — “Created by the poor, stolen by the rich” — summed up the situation well. But the real solution isn’t better regulation, fan representation, or a “50+1” rule. These measures leave the core capitalist ownership model untouched. Football can’t be truly democratised under capitalism because the logic of capital is all-encompassing. Every reform risks new forms of exploitation. The only genuine solution is to expropriate the oligarchs, transform football clubs into democratic entities run by players, workers, and supporters, and replace capitalism with a socialist society where sport, like healthcare, education, and housing, is a public good instead of a means for billionaire profit.