Workshop of the World: Essays in People’s History by Raphael Samuel, edited by John Merrick. Verso, 295 pp., £25,

Raphael Samuel (1934–1996) was a leading figure in post-war British historical culture. He was a Marxist/Stalinist-trained intellectual, a founder member of the History Workshop movement and the journal History Workshop, and a powerful advocate for what became known as “history from below”, the study of the social and cultural lives of ordinary people rather than ruling elites.

Samuel was not an orthodox historian by any stretch of the imagination. Anyone studying Samuel’s archive at the Bishopsgate Institute would see that his note-taking and working methods were chaotic at best. According to Florence Sutcliffe-Braithwaite ‘ Each thought or reference to a source was written or pasted onto a single side of a loose sheet of paper. It might be the source itself – an advertisement, a jam-jar label or an extract from a Xerox – it mattered only that it was attributed and sub-headed under a theme. Then the notes were filed in groups. Scholarly prestidigitation allowed the pages to be constantly reshuffled so that new combinations of ideas appeared, presuppositions might be overturned, and surprising connections thereby be generated. All that was needed was reams of rough paper, scissors and a pot of glue, phalanxes of lever-arch files, and a hole-puncher.’[1]

His method and traits were learnt from Beatrice and Sidney Webb, progenitors of Fabian socialism, who developed it in the late 19th century. Samuel would have absorbed not only their note-taking style but a large chunk of their politics. But his work revitalised popular and local history, encouraged collective research methods, and brought working-class memory, oral testimony, and archival recovery into historians’ practice. These are enduring gains. The recovery of workers’ lived experience helps counter the abstractions and elitism of bourgeois historiography.

Before founding the Universities Left Review, Samuel was a member of the British Communist Party. He left two years after Kruschev’s secret speech. He was a very young member of the Communist Party Historians Group. The CPHG arose inside and around the British Communist Party and the wider milieu of Communist and labour politics between the 1930s and 1950s. Its best‑known members—E.P. Thompson, Eric Hobsbawm, Rodney Hilton, Christopher Hill and others—produced influential work that challenged bourgeois and Whig traditions of national history and insisted on the agency of popular classes. The group’s scholarship should be read against the background of the political orientation of the Stalinist bureaucracy—its Popular Front politics, its nationalism and its accommodation to bourgeois forces—which indelibly affected the intellectual formation and institutional constraints faced by historians working within or alongside the Party.

The CPHG did, however, make enduring contributions to socialist historiography. It overturned Whig teleology, insisted that ordinary people make history, and enriched archival and methodological practice. These were advances that Marxists should defend and extend. However, the group’s political roots in a Stalinist‑influenced party had concrete consequences. The Communist Party’s “People’s History” orientation and Popular Front politics tended to domesticate class conflict, subordinating proletarian independence to alliances with liberal or petty‑bourgeois currents. The result was, at times, an apologetic stance toward state bureaucracy and a reluctance to carry the political implications of Marxist analysis into the present.

Raphael Samuel and the Universities Left Review

Samuel was a leading British Marxist historian and a central figure in the post‑war “history from below” movement. He helped found the History Workshop and was associated with the small‑circulation left journals and intellectual networks that emerged in Britain in the 1950s and 60s, among them the Universities and Left Review (ULR). ULR (1957–60) brought together student radicals, young intellectuals and some socialist critics of the university and the Labour Party. It aimed to radicalise university life and cultural debate, critiquing orthodox academic history and promoting popular and labour history.

Samuel’s main collaborator on ULR was Stuart Hall. Hall’s political and intellectual trajectory—from the Universities and Left Review (ULR) and the New Left to Cultural Studies and his later role in Marxism Today was the product of definite class formations, political realignments and the changing social position of layers of the intelligentsia after World War II. Hall’s work cannot be treated as an abstract contribution to theory divorced from the social interests it expresses.

As Paul Bond writes,‘ Hall’s central theme was the repudiation of the class struggle as the axis of social development, as this assumes that the working class is the decisive agent of political change. Instead, he argued for a turn to the cultural sphere. This was not a Marxist appraisal or critique of culture, but the elevation of “culture” as an arena contested by different “agencies”. Longtime Pabloite Tariq Ali wrote that Hall said, “half-joking to friends that his cultural studies project was politics by other means”. That indeed it was: a project that replaced class as the central political factor by race, gender, sexual orientation, nationality and other “sub-cultures” and “identities”, making it impossible, in the end, to address capitalist exploitation. Instead, the struggle had to be conducted in every supposedly “relatively autonomous” sphere. The logic led to garden-variety single-issue, bourgeois-reformist politics, as an article Hall co-authored last year made clear: “Mobilising resistance thus requires alliances of a sort which only a multi-focused political strategy can hope to construct”.[2]

From a historical‑materialist standpoint, the importance of Samuel, Hall and their ULR project lies less in any single programmatic contribution than in the social position they occupied: a layer of petty‑bourgeois intellectuals reacting to the crises of post‑war capitalism and the limitations of established reformist politics. Their cultural interventions—renewed attention to working‑class experience, local history and culture—were progressive in exposing bourgeois narratives and recuperating popular memory. Yet, understood in class terms, this milieu tended to substitute cultural critique for a political orientation to the working class as a revolutionary subject.

Samuel was in the Communist Party at the same time as the founder of People’s History, A.L. Morton. As Ann Talbot brings out in her essay on Christopher Hill, “The Communist Party sponsored a form of ‘People’s History’, which is typified by A.L. Morton’s People’s History of England, in which the class character of earlier rebels, revolutionaries and popular leaders was obscured by regarding them all as representatives of a national revolutionary tradition. This historical approach reflected the nationalism of the bureaucracy, their hostility to internationalism and their attempts to form an unprincipled alliance with the supposedly democratic capitalists against the fascist Axis countries.

People’s history was an attempt to give some historical foundation to the policies of Popular Front—the subordination of the working class to supposedly progressive sections of the bourgeoisie and the limiting of political action to the defence of bourgeois democracy, which provided a democratic facade to the systematic murder of thousands of genuine revolutionaries, including Trotsky. It was the approach that Christopher Hill was trained in, along with E.P. Thompson, Rodney Hilton and Eric Hobsbawm, who were part of the Marxist Historians Group and came under the influence of Maurice Dobb and Dona Torr.’ [3]

The ULR and similar currents reflected objective social forces: a post‑war expansion of higher education, the growth of a politically conscious intelligentsia, and the fragmentation of the labour movement. These social origins explain both the strengths and limits of the project. Samuel’s cultivation of popular history responded to an objective weakness: official historiography ignored the working class. But the limitations were also objective: petty‑bourgeois layers, detached from a sustained orientation to working‑class organisation, are prone to turning working‑class culture into a form of moral critique rather than mobilising it as the basis for revolutionary political independence.

The lessons of Samuel and the ULR are twofold and complementary. First, recovering working‑class history and culture is necessary: it combats bourgeois erasure, builds pride, and strengthens class identity. Second—and decisive—cultural work must be subordinated to political orientation: it must be used to connect workers to a programmatic, internationalist Marxist perspective and to build rank‑and‑file organisation and a revolutionary party. Without that link, cultural renewal risks becoming an appendage of liberal reformism or of petty‑bourgeois radicalism.

Workshop of the World

Raphael Samuel’s essays, collected in this book, came under the rubric of a “people’s history”. They include material often associated with the idea of Britain as the “workshop of the world”. They do offer rich documentary and cultural evidence about working‑class life, memory and resistance. Samuel’s micro‑histories become instruments for understanding how material conditions, class formation and consciousness interact.

He helped institutionalise a new historical practice—through the History Workshop movement and collections of oral histories and local studies—that shifted attention away from great men and state archives toward popular culture, labour traditions and everyday life. This intervention broke important ground: it democratised history, widened the sources, and made working-class experience visible in ways that conventional academic histories often ignored. Yet, from a classical Marxist and Fourth International standpoint, Samuel’s legacy is both positive and limited.

Samuel’s History Workshop arose in the 1960s and 1970s amid rising labour militancy and intellectual currents that critiqued elitist historiography. He collected oral testimony, household economies, popular ritual, and the souvenirs of everyday life. This expanded the archive, exposed working‑class creative resistance and revealed how consciousness is formed through struggle, culture and community. These contributions are invaluable for socialists building working‑class memory and confidence.

But Samuel’s practice frequently stopped at descriptive recovery. While he emphasised the autonomy and creativity of popular traditions, he often treated culture as an end in itself—celebrating particularisms and local solidarities without always linking them systematically to the political organisation required to overthrow capital. In moments where the transformation of society is the question, empirical cultural history must be integrated with an analysis of capitalist accumulation, state power and the strategy of revolutionary organisation.

Samuel emerged in the same milieu that produced the 1960s New Left and the cultural turn in history. That milieu included significant intellectual currents hostile to classical materialism — strands of the Frankfurt School, post-Marxist and post-structuralist thought.

The domination of this school of thought meant the working class paid a heavy price for this fragmentation of the working-class perspective. Samuel’s work, while recuperative of working-class sources, often stopped short of linking that history to a program for working-class political independence. Samuel’s practical insistence that historians listen to workers, use oral history, and develop local archives advanced the working class’s capacity to know itself. This recuperation of proletarian experience strengthens historical consciousness when it is anchored in a materialist understanding of class relations.

At the same time, Samuel’s culturalism and the New Left milieu into which he was embedded often moved away from a rigorous classical Marxist method. The petty-bourgeois currents of the New Left tended to relativise class as the central subject of history and to prioritise cultural, identity, or therapeutic frameworks over an analysis anchored in production and property relations.

Robert Tressell and the Early Socialists

There are two chapters in the book that I want to pay particular attention to. Robert Tressell (Robert Noonan), author of The Ragged‑Trousered Philanthropists, occupies an important place in the cultural and political formation of British working‑class socialism. His novel gives an unsparing depiction of artisan and factory life, petty‑bourgeois illusions, and the corrosive ethics of capitalist wage relations.

But to situate Tressell historically and theoretically, it is important to locate him within the longer trajectory from the early socialists and utopian currents to the emergence of scientific Marxism and the revolutionary program defended by the Marxists. Socialists like Fourier, Owen, Saint‑Simon, and later various British and French reformers raised vital moral and institutional objections to capitalist misery. They exposed capitalism’s inhumanity and proposed cooperative or communal remedies. Tressell’s literary moralism continues that tradition. His vivid exposé of exploitation aimed to awaken sympathy and spur reform among his readers.

Tressell’s milieu in Edwardian Britain was artisans, small contractors, and a growing industrial proletariat showing both the objective development of capitalist productive forces and the subjective unevenness of working‑class consciousness. Tressell’s novel contributes to shaping consciousness but cannot substitute for organised, political working‑class activity.

                           Origins of People’s History

Samuel’s essay on People’s History is probably one of his finest. Under the guise of the People’s History genre, it reopened questions long suppressed by institutional historiography: ritual, popular politics, communal solidarities, and the cultural forms that sustain working-class life.

People’s history—often called “history from below” was not merely a literary genre but a social product rooted in class relations. From the standpoint of the materialist conception of history, historical consciousness arises out of concrete social practice: collective labour, struggle, deprivation and organisation produce memories, traditions and forms of political culture. As Plekhanov stressed in tracing the emergence of the theory of class struggle, ideas about history flow from changes in property relations and social development; historians who ignore class obscure the motor forces of social change.

In Britain, after World War II and especially from the late 1960s, Raphael Samuel and the History Workshop movement institutionalised the turn to popular and cultural history. They emphasised archives of everyday life, oral history and collective memory, seeking to make the working class visible within historical narrative. This cultural recovery reflected real social processes: the postwar restructuring of capitalism, renewed political radicalism among students and workers, and a crisis in the authority of traditional elites.

There is a progressive side to the genre in that, correctly applied, it undermines the bourgeois monopoly on the past, restores agency to workers and oppressed groups, and supplies documentary armour for organising—stories of strikes, self‑organisation and mutual aid that can inspire present struggles. Recovering these experiences helps politicise layers of working people by showing that social change was made by ordinary people, not by abstract “great men.”

However, when detached from a dialectical, class‑struggle method, people’s history can become an end in itself: localist nostalgia, culturalism, or therapeutic memorialising that fails to connect the past to present class relations and the necessity of a revolutionary program.

Raphael Samuel’s Theatres of Memory, 1994

Samuel did not write many books but concentrated on essay writing. He only wrote one sole-authored book in his lifetime, Theatres of Memory (1994). A second volume of Theatres of Memory, titled Island Stories: Unravelling Britain, was published in 1998, after his death.

As Samuel McIlhagga points out, ‘It is perhaps a unique feature of British intellectual culture that its greatest Marxists have more often been essayists than authors of lengthy theoretical treatises. The self-contained responses to a specific political or historical problem, or the witty corrective to dominant orthodoxies, are well suited to a nation whose intellectual elite are as closed and coherent as Britain’s. When E. P. Thompson wrote “The Peculiarities of the English,” his breathless polemic seeking to correct a dismissive attitude to the radicalism of his country’s history found in the work of the Marxist writers Perry Anderson and Tom Nairn, he was pitting himself against two thinkers whom he knew personally and who edited a journal to which he, too, had contributed.[4]

Samuel’s was a new orientation which drew on Marxist themes of class, labour, and social conflict. Still, he combined them with a broad culturalist sensibility and an emphasis on the historian as activist-organiser. From the standpoint of classical Marxism, this combination has both strengths and weaknesses. It should be pointed out that Samuel was not a classical Marxist.

Raphael Samuel’s Theatres of Memory (1994, ed. with Paul Thompson) was a foundational intervention in the study of popular memory, oral history and the politics of historical representation. Samuel recasts history as a living, contested cultural terrain: memory is staged, rehearsed and institutionalised in festivals, museums, songs, local traditions and archives. There are similarities and major differences between Samuel’s work and E.P. Thompson’s. Thompson (The Making of the English Working Class) developed a class-formation method that treated class as a historical process: classes are made through concrete struggles, economic relations and political experience, not by sociological labels or algebraic categories. Thompson insisted on grounding consciousness in workers’ material conditions and lived struggles.

Samuel, on the other hand, followed a culturalist tradition, i.e., history-from-below, collective memory, institutions, everyday life, shifting attention to the cultural forms, practices, and repositories through which people experience, narrate, and reproduce social life — oral tradition, rituals, popular politics, festivals, literary tastes, and memory.

These two contending historiographical approaches clashed in 1979. According to Florence Sutcliffe-Braithwaite, “The 1979 History Workshop staged a rehashing of what was already one of the most vituperative disputes on the New Left, between E.P. Thompson and the advocates of ‘theory’. Thompson ripped into the other speakers, Stuart Hall and Richard Johnson. The atmosphere, as Sophie Scott-Brown describes in her excellent 2017 biography of Samuel, was already bad. The Ruskin student collective organising the conference wasn’t keen on the theoretical preoccupations of many academics in the History Workshop editorial collective; some members had already suggested forming a breakaway workshop to get back to the study of labour history. After Thompson’s blow-up, the final plenary session was quietly cancelled. Samuel, who probably took this decision, was essentially a Thompsonian: he defended a focus on ‘real life experience’ and empirical work, which he suggested could ‘do more for our theoretical understanding of ideology and consciousness than any number of further “interpellations” on the theme of “relative autonomy”. (A dig at Althusserians.) Samuel pointed out that, like ‘any other intellectual artefact’, theory isn’t timeless but ‘has its material and ideological conditions of existence’. But he wasn’t entirely a sceptic, arguing that good history required a ‘theoretically informed’ understanding of language, and that socialism required a serious analysis of ‘bourgeois ideology’.[5]

The dispute between E.P. Thompson and Stuart Hall was not merely an academic quarrel about sources or style. It expresses two antagonistic tendencies in the British left: Thompson’s historical‑materialist, class‑formation method, which locates class consciousness in concrete economic relations, struggles and political experience, and Hall’s culturalist turn, which relocates political explanation in culture, identity and “articulations” of meaning.

Contemporary relevance

Samuel’s method of reconstructing working-class experience: oral histories, rank-and-file reportage, and cultural memory are weapons against ideological amnesia. Culture can strengthen class identity, but without a program that explains how capital reproduces itself, and without organisation to transform class interests into political power, cultural mobilisation risks becoming either reformist co‑optation or nostalgic particularism. The dialectic here is crucial: cultural consciousness both expresses and shapes class struggle, but it is itself transformed by objective changes in production and by political leadership.

From the standpoint of classical Marxism, Raphael Samuel’s recovery of popular memory is an essential resource—but it must be subordinated to a revolutionary program. Marxist historiography does not merely collect fragments of working‑class life; it explains how those fragments arise from class relations and how they can be mobilised for socialist transformation. This rejects both bourgeois culturalism, which divorces culture from economics, and reformist populism, which equates cultural recognition with systemic change.


[1] Ladders last a long time-www.lrb.co.uk/the-paper/v46/n10/florence-sutcliffe-braithwaite/ladders-last-a-long-time

[2] Cultural theorist Stuart Hall (1932-2014): A political career dedicated to opposing Marxism-www.wsws.org/en/articles/2014/03/05/hall-m05.html

[3] “These the times … this the man”: an appraisal of historian Christopher Hill-www.wsws.org/en/articles/2003/03/hill-m25.html

[4] Why Raphael Samuel Matters-https://jacobin.com/2024/05/raphael-samuel-workshop-of-the-world

[5] Ladders last a long time-www.lrb.co.uk/the-paper/v46/n10/florence-sutcliffe-braithwaite/ladders-last-a-long-time 

Repetition by Vigdis Hjorth, translated by Charlotte Barslund, Verso £10.99, 144 pages

Once a writer is born into a family, the family is finished.” Czeslaw Milosz

“The relationship between mother and son and mother and daughter is different, because the mother is a mirror in which the daughter sees her future self and the daughter is a mirror in which the mother sees her lost self.”

Is Mother Dead

“What do we do with our despair if our lives are too small to contain it?”

 Long Live the Post Horn!

“The relationship of a work of art to reality is uninteresting; the work’s relationship to the truth is crucial; the true value of the work doesn’t lie in its relationship to a so-called reality, but in its effect on the observer.”

― Vigdis Hjorth, Is Mother Dead

Vigdis Hjorth occupies a prominent place among contemporary Scandinavian writers. Her novels examine family conflict, memory, gender and legal institutions through psychologically acute, often fractured stories. Hjorth is extremely well known in her native Norway and throughout Scandinavia. She began writing in the early 1980s. She started writing children’s books and moved on to fiction for adults. She is a prodigious writer with some forty books under her belt. It is a safe bet that if more of her books were translated into English, she would be a far bigger writer. All her English books have been translated by the excellent Charlotte Barslund. Four of her books in English are variations on a story of family rupture and estrangement, with more or less the same cast of characters.

To understand Hjorth and the broader landscape of Scandinavian fiction, the reader must study the political-historical context of Hjorth’s work and examine the social functions performed by literature in a petty‑bourgeois milieu. Hjorth’s fiction often explores the fractures of bourgeois family life, individual trauma and the legal and cultural institutions that sustain property and social standing. On a deeper level, her work shows how “personal” suffering is shaped by class relations—inheritance disputes, cultural capital, gendered social labour, and the moral vocabulary that deflects systemic critique into private pathology.

While you would be hard pushed to describe Hjorth as a left-wing writer, her novels do make an ideal entry point for politicising cultural debate. Her focus on family law, inheritance, trauma and testimony intersects with current social conflicts over housing, social care, gender violence, and access to justice. She reveals how “private” disputes often reproduce material inequalities and legitimise social hierarchies.

Hjorth’s fiction is heavily influenced by other Scandinavian fiction, which also often depicts welfare infrastructures, gender norms and small‑property relations that appear “progressive” yet conceal new forms of commodification, household debt and petty‑bourgeois aspirations. Hjorth, like other Scandinavian writers, both male and female, frequently recycles sets of ideological strategies that hide class antagonisms while channelling popular grievances into non‑class answers.

Perhaps the master of this genre is Soren Kierkegaard, whom Hjorth greatly admires. Kierkegaard is a crucial figure in the genealogy of modern bourgeois ideology: his subjectivism and rejection of reason helped lay philosophical groundwork for existentialism, postmodernism and the anti-scientific tendencies of contemporary ideology. Kierkegaard’s turning away from reason anticipated the modern cult of subjectivity, the delegitimisation of science, and the promotion of personal mysticism as an alternative to collective political solutions. Hjorth has to be very careful not to get too close to him; her writing will take on a very reactionary turn.

In her latest book, Repetition Hjorth goes over familiar ground. As Elaine Blair points out in her critical review, “Hjorth has been returning to this material for more than two decades, offering different perspectives on the constellation of prodigal daughter, ambivalent siblings, convention-bound mother, and tyrannical father. Her novels have spanned different periods of time, some focusing on a limited period of months or years, others pulling back to tell the whole story. It’s as if she’s asking: Where is the story? What is the best way to tell it? In a sense, Hjorth’s narrators did not experience the crucial events of their lives in chronological order. An ordered timeline is true to the abusive father’s perspective (he alone knew what happened and when) but not to that of the daughter, whose experience of abuse, with its repressed and resurfaced memories, defies the schema of linear time. The abuse was happening to her, then it hadn’t happened to her, then it had happened to her, a long time ago.”[1]

Vigdis Hjorth’s novel Repetition, although only 144 pages, is a psychologically acute, formally inventive exploration of memory, trauma and personal alienation. The reader needs to understand it as part of the broader social and historical fabric, and not to study it not only as individual psychology but as a social product whose form and themes are shaped by class relations and institutions.

Hjorth’s Repetition locates trauma and interpersonal breakdown inside the family, legal procedures and therapeutic institutions. Far from being purely personal failures, these institutions appear in the novel as mediators that translate social distress into individual pathology. This depiction is symptomatic of the wider neoliberal transformation of social life in Norway and globally. Under neoliberalism, governments and employers have shifted costs and responsibilities onto households and individuals. In Norway, this has taken the form of tightened welfare provision, market pressures on municipal services and an expansion of private providers alongside public services. Internationally, the same logic prevails: health, social and legal services are re‑organised to be “efficient” for budgets and profitable for providers. At the same time, the working class and small proprietors pick up the bill.

Hjorth’s portrayal of family collapse, court proceedings, and therapy mirrors these transformations: families are expected to absorb economic and emotional strains; the law is increasingly an instrument for adjudicating private disputes in ways that reproduce social inequality; therapy becomes a form of individualised management that treats symptoms rather than social causes.

Why do Hjorth’s novels matter, and what can we learn from them? They are important now because they dramatise the individual consequences of social atomization under neoliberalism: privatised suffering, judicial and therapeutic institutions that individualise social injury, and cultural narratives that valorise personal authenticity over collective remedy.

 Notes

 A closer look at Kierkegaard-Tom Carter-www.wsws.org/en/articles/2006/04/kier-a17.html

Søren Kierkegaard: A Biography, by Joachim Garff, translated by Bruce H. Kirmmse. 867 pages, Princeton University Press, http://www.wsws.org/en/articles/2006/04/kier-a17.ht


[1] Where Is the Story? Vigdis Hjorth repeats herself-harpers.org 

Nazism, Fascism and the Working Class. Tim Mason Ed. Jane Caplan. Cambridge and New York: Cambridge University Press, 1995.

“ A regime whose leadership was increasingly entrapped in economic and political contradictions largely of its own making and that sought escape or resolution or maintenance of its distinctive identity through a series of sudden lurches in policy and ever more explosive risk-taking.”

Tim Mason

“In the meantime, the first characteristic of a really revolutionary party is to be able to look reality in the face.”

― Leon Trotsky, Fascism: What It Is and How to Fight It

“Fascism, as I recall from many discussions in Berlin in the 1960s, was not just an epoch which ended in 1945, but was also something which the Christian Democrats and the right wing of the Social Democrats were then trying to reinstate in a less barbaric form,”

Tim Mason.

Donald Trump’s address to Congress Tuesday night was not so much a speech from a president but the rantings of an aspiring Führer, though with somewhat less decorum than an address by Hitler before the German Reichstag. It was vicious, violent and depraved, plumbing the depths of cultural and political degradation in the United States.

Joseph Kishore

The opening quote from Tim Mason could be very easily applied to the current fascist regime in the White House. David North’s article Trump, the Epstein files and the putrefaction of the American oligarchy led me to Tim Mason.[1]

I want to say that I discovered Mason’s work through years of study, but that would be a lie. As is usually the case, I found Mason’s work through the Marxist writer David North. North’s antennae for excellent historians is second to none. So when North calls Mason a “Brilliant historian”, I felt the need to examine his work, which led me to this book.

Tim Mason is one of the most important Marxist historians of German fascism. His work situates the rise of Nazism not in the realm of individual pathology or cultural uniqueness, as is common in modern-day historiography, but as a historically specific response by sections of the ruling class to the interaction between an acute capitalist crisis and a powerful, independent working‑class movement. Mason did his best to apply the classical materialist conception of history. He believed that political forms and ideologies were rooted in concrete class relations.

The main importance of this book is that fascism in Germany emerged from a conjuncture in which capitalist elites faced an existential threat. The economic dislocation of the late Weimar years (the Great Depression, mass unemployment), combined with the extraordinary militancy and organisation of the working class, created a situation in which portions of the bourgeoisie concluded that ordinary parliamentary rule and social‑democratic collaboration could not guarantee the defence of their property and privileges. In this context, reactionary, extra‑parliamentary means—mobilising mass petty‑bourgeois resentment, paramilitaries and nationalist ideology—were adopted to smash the labour movement and restore capitalist rule.

In the introduction to this book, Jane Caplan explains that academics and writers have argued that Mason underplays the role of ideology, culture and contingency; others say he gives too much causal weight to the working class as a stimulus for fascism, suggesting a more active role of conservative elites and mass petty‑bourgeois currents. These debates are not abstractions: they affect how readers orient tactually. If fascism is seen primarily as a crisis response to working‑class strength, the strategic implication is the urgency of political leadership and unity in the labour movement to preclude the ruling class’s resort to authoritarian rule.

Again, Mason’s examination of the rise of Nazi Germany would not look out of place with today’s fascist regime in America. He writes, “The only ‘solution’ open to this regime of the structural tensions and crises produced by dictatorship and rearmament was more dictatorship and more rearmament, then expansion, then war and terror, then plunder and enslavement. The stark, ever-present alternative was collapse and chaos, and so all solutions were temporary, hectic, hand-to-mouth affairs, increasingly barbaric improvisations around a brutal theme. … A war for the plunder of manpower and materials lay square in the dreadful logic of German economic development under National Socialist rule. [Nazism, Fascism, and the Working Class (Cambridge, 1995), p.51]

Tim Mason and Daniel Goldhagen: two poles in the historiography of Nazism

One of Mason’s admirable characteristics was his ability not to back down in an academic fight. One of the tragedies of his way-too-short life was that he was unable to take on Daniel Goldhagen and his right-wing historiography of “Hitler’s Willing Executioners”. The debate between the interpretations advanced by Tim Mason and Daniel Goldhagen would not simply have been an academic quarrel about sources and method. They would have reflected deeper theoretical and political divergences over how to explain the rise of fascism, the social roots of mass political crimes, and the relationship between ideology and material interests.

Daniel Goldhagen’s bestseller argued that a uniquely German, popular “eliminationist” anti‑Semitism made ordinary Germans willing perpetrators of the Holocaust. Goldhagen’s thesis reduces complex historical processes to an abstract identity — “the German” — stripping out class antagonisms, the decisive role of political institutions, and the contingency of mass politics. From a Marxist standpoint, this is an example of vulgar abstraction: it substitutes a quasi‑cultural essentialism for a scientific inquiry into social forces and interests.

As North writes, “The works that attract the greatest attention are precisely those which leave unchallenged, or actually reinforce, the basest prejudices and misconceptions. Daniel Goldhagen’s immensely successful and thoroughly deplorable Hitler’s Willing Executioners: Ordinary Germans and the Holocaust falls within this category. The principal theme of Goldhagen’s book is easily summarised. The cause of the Holocaust is to be found in the mindset and beliefs of the Germans. A vast national collective, the German people, motivated by a uniquely German anti-Semitic ideology, carried out a Germanic enterprise, the Holocaust. The systematic killing of Jews became a national pastime, in which all Germans who were given the opportunity gladly and enthusiastically participated.”[2]

Mason places the rise of Nazism firmly in the context of the global economic collapse after 1929. The Great Depression produced mass unemployment, wage cuts, and sharp volatility in employment and social standards. For millions of workers, this was not an abstract crisis but a concrete experience of dispossession: sudden loss of work, decline in living standards, and acute fear for the future.

As the Marxist economist Nick Beams writes, “The Nazi movement was handed the reins of power by the German ruling elites because there was no other party capable of carrying through the destruction of the organised working class and socialist movement. They certainly hoped that they might be able to curb some of the Nazi “excesses”. But at every stage, the costs were too high. There was always the danger that any conflict with the Nazis would ignite a movement from below, so that in the end the “excesses” were an acceptable price to pay. Within the thinking of the Nazi leadership, racism and the drive to exterminate the Jews may have taken priority over all other issues. But that does not settle the question. By pointing to the primacy of economics, Marxism does not, in the final analysis, maintain that behind every political leader’s decisions there is an economic motivation that ideology is used to conceal. It means that economic interests—the material interests of the ruling classes—determine the broad sweep of politics. And there is no question that the destruction of the socialist and workers’ movement, a necessary precondition for the Holocaust, and the war aimed at the conquest and colonisation of the Soviet Union, out of which it arose, were both determined by the “class interests of big German capital.”[3]

Mason, like Beams, emphasises that the German working class was not monolithic. He explains why the Nazis seduced some sections of the working class. The Nazi party included “socialism” in its name as a strategic, populist tactic to attract working-class support by redefining the term to mean national and racial unity rather than class struggle. According to historical analysis, this “socialism” was a deliberate deception, as Hitler rejected Marxist ideology, purged the party’s anti-capitalist wing, and quickly dismantled worker organisations upon seizing power.

Deindustrialisation in some sectors, the growth of precarious employment, the displacement of skilled artisans, and the erosion of stable trade‑union frameworks produced a fragmented class with differing material interests and levels of political organisation. This social differentiation made it easier for reactionary appeals—national renewal, order, and protection against “foreign” competition or communist upheaval—to resonate with particular strata (skilled workers facing downward mobility, the unemployed mass of casual labourers, and workers in small towns reliant on conservative employers).

Mason highlights the role of employers, the state and conservative elites in channelling working‑class discontent toward fascism. Sections of big business and the conservative state apparatus actively sought a political force capable of smashing independent labour organisations and breaking left‑wing resistance. By presenting Nazism as a bulwark against Bolshevism and economic chaos, the ruling class offered a political instrument that promised restoration of order and protection for property—even if at the price of authoritarianism.

A decisive political factor in Mason’s account is the bankruptcy of the Social Democratic and Communist parties. The SPD had become integrated into the bourgeois democratic apparatus and was unable or unwilling to generalise working‑class struggles into a political challenge to capitalist rule. The KPD, following Comintern directives, pursued an “ultra‑left” line that labelled social democrats as “social‑fascists,” refusing a united front against the Nazi threat. Mason shows how this dual failure—reformist accommodation on the one hand, sectarian isolation on the other—left the working class without a coherent mass leadership to resist fascist encroachment. This echoes Trotsky’s warning that fascism triumphs where revolutionary organisations fail politically.

Mason does not ignore ideology: nationalist myths, anti‑parliamentary resentments, fear of social breakdown, and conservative cultural values mediated workers’ interpretation of their material distress. But for Mason, these subjective factors do not arise from the “spontaneity” of mind; they derive from real material insecurities and the absence of an alternative political program. The petty‑bourgeois layers and strata within the working class, pushed by crisis into reactionary horizons, were particularly vulnerable to promises of national revival and social ordering.

In Mason’s dialectical account, fascist support among workers results from the interaction of objective capitalist crisis, social differentiation within the working class, active intervention by capitalist elites, and fatal political errors by the mass parties. The result was a shift of parts of the working class into alignment—tactical, sometimes coerced—with a movement whose program was unmistakably counter‑working‑class.

Shortly before his death, Mason became acutely aware of the growth of postmodern tendencies in academic historiography. He was enough of a Marxist to understand that this was a grave threat to Marxist historiography. Mason argued that Marxism rests on philosophical materialism and the dialectical method: thought reflects an objective world whose development can be studied and whose laws (including class relations and the dynamics of capitalism) can be grasped and acted upon. Against this, postmodernism declares an “incredulity toward metanarratives” and relativises truth, undermining the possibility of a coherent, class‑based theory of social change.

In a paper at the end of this book, Mason writes, “I was bemused and depressed by the scholasticism of much methodological left-wing writing,” he explained in one exemplary passage; “…militancy congests into clamorous categories, producing works which might be the offspring of a proud union between a prayer wheel and a sausage-machine” (207-8).

A final word in this review should be a brief examination of the History Workshop movement, in which Mason played a central part. The movement revitalised social history by centring subaltern experience, oral history and labour culture. Its recuperation of working-class traditions corrected elite-centred historiography and helped politicise a generation of researchers and activists. The movement’s democratic ethos—valorising rank-and-file memory and grassroots initiative—is an important corrective to bureaucratic or sectarian historiography.

Yet the History Workshop often veered toward empiricism and culturalism, sometimes treating political outcomes as emergent properties of cultural forms rather than outcomes of class struggle mediated by organisational and programmatic relations. From a Marxist-Leninist and Trotskyist standpoint, culture must be read as an expression of class relations, and cultural analysis must be subordinated to—indeed, dialectically united with—analysis of the economic base, party politics, and international dynamics. Plekhanov’s insistence that theory must be the instrument for developing proletarian self-consciousness remains a guide: historical research must illuminate the pathways by which objective material processes generate class-political possibilities, and how conscious organisation can raise class forces to realise them (Plekhanov on dialectical materialism).

To summarise, Mason’s contribution to an understanding of Fascism is important because it rejects simplistic monocausal accounts and insists on analysing real social layers and interests rather than treating “the working class” as a single, undifferentiated actor. This is a genuinely historical-materialist starting point: social consciousness is rooted in concrete material conditions and the class.

Studying Mason and the History Workshop is not an academic pastime divorced from politics. In the present era of capitalism’s intensified crisis, mass poverty and the decay of reformist leaderships, recovering the social history of working-class organisation provides tactical lessons. One thing is clear: Mason would have had a field day examining the rise of fascism in the United States. His contribution to a Marxist understanding of Fascism is solely missed.


[1] www.wsws.org/en/articles/2026/02/11/xobm-f11.html

[2] The Myth of “Ordinary Germans”: A Review of Daniel Goldhagen’s Hitler’s Willing Executioners-www.wsws.org/en/special/library/russian-revolution-unfinished-twentieth-century/15.html

[3] Marxism and the Holocaust-www.wsws.org/en/articles/2010/05/adde-m15.html

Football Writing Festival: Arsenal Special at the British Library

(This is a summary of the conversation between journalist Henry Winter and the author Nick Hornby. A full transcript and recording of the whole festival can be made available on request.)

Date Time: 2026-03-28 11:31:38

 Location: British Library

 Interviewee: Nick Hornby

Author Nick Hornby reflects on Arsenal fandom, football culture, and how Fever Pitch reframed football writing through human relationships and identity. Interviewer Henry Winter explores changes in stadium culture, player activism, commercialisation, and the global nature of club allegiance.

Introduction

1. Nick Hornby: Celebrated writer best known for Fever Pitch, he discusses how Arsenal became a constant in his life, the human dynamics behind football fandom, the evolution of fan culture from the 1970s to the Premier League era, and the tension between entertainment and trophies. He also touches on player activism, racism in sport, and the universality of his book across clubs and cultures.

2. Henry Winter: Football journalist and panel host guiding the conversation through Arsenal history, modern football media (including podcasts), stadium atmosphere changes, economics of fandom, player-community engagement, and comparisons of past versus present football quality. He frames questions that draw Hornby’s reflections on identity, culture, and the modern game.

 Key Points

1. Fever Pitch positioned football fandom as a lens on human relationships, offering a universal narrative beyond club rivalries.

2. Arsenal served as a lifelong constant for Hornby, providing reliability and identity amid personal change.

3. Stadium culture has shifted from volatile standing terraces to safer, commodified experiences, altering crowd dynamics and accessibility.

4. Modern players increasingly engage in activism and community work, reflecting a conscientious generational change.

5. Globalization of football detaches local identity from strictly local players; commitment to the shirt matters more than nationality.

6. Racism persists across leagues, but club cultures (including Arsenal’s) can mitigate its impact through values and leadership.

7. The entertainment-versus-trophies debate remains central to fandom; Hornby values both, noting how modern football quality and scheduling affect careers.

8. Football’s unscripted drama complements Hornby’s scripted literary world, highlighting sport’s unique emotional appeal.

Insights

1. Nick Hornby

   – Framed Fever Pitch as a human-interest narrative that helped non-fans (including women) understand male identity and fandom.

   – Arsenal provided a reliable anchor through life, distinguishing the club’s enduring presence from transient childhood pursuits.

   – Experienced and observed the 1970s/80s terrace culture, including volatility, policing, and the social dynamics of crowds.

   – Believes modern players have responsibilities to communities and appreciates the rise of athlete activism while cautioning against overhyping.

   – Argues that commitment to the shirt matters more than nationality; globalization can still produce deep fan-player bonds.

   – Acknowledges racism’s persistence and the importance of club values in confronting it.

   – Balances appreciation for entertainment with the desire for trophies; reflects on modern football’s intensity and player longevity.

2. Henry Winter

   – Highlights the evolution of football media (podcasts) and the breadth of Arsenal storytelling.

   – Discusses changes in stadium experience, pricing, and atmosphere, and the impact on younger fans’ access.

   – Probes player activism, community work, and club-led initiatives, positioning Arsenal as exemplary in engagement.

   – Raises the issue of social media-driven player followings and how star departures affect club visibility.

   – Frames debates about Premier League quality, scheduling, and their effect on player careers and performance.

 Chapters

 1. Henry Winter: What triggered Fever Pitch—love of Arsenal, a relationship, a particular game?

 Nick Hornby: The book emerged from defense mechanisms and a desire to explore human relationships through football; Arsenal was a constant that anchored his life and identity.

 Henry Winter: Notes the human-interest angle and how the book blended numbers/sport with personal dynamics.

 2. Henry Winter: How did your relationship dynamic manifest in your love for a constant like a football team?

 – Nick Hornby: Arsenal provided reliability; unlike childhood hobbies, football offered a lifelong path, connecting personal identity to a crowd and community.

 3. Henry Winter: Did you end up playing yourself?

 – Nick Hornby: Implies limited personal play; emphasizes spectating and the social aspects of being in crowds.

 4. Henry Winter: Did you send your old teacher a copy of the book?

 – Nick Hornby: Reflects on searching for companionship and crowd belonging; conversations at matches were often impersonal yet communal.

 5. Henry Winter: Is it about the crest on the front rather than the name on the back—are you Arsenal or football?

 – Nick Hornby: The intensity of feeling drew him in; the club’s symbolism mattered deeply regardless of individual players.

 6. Henry Winter: Did you analyze crowd behaviors and policing at the time?

 – Nick Hornby: Recalls chairman’s notes, policing issues, and a “jail cell” in the North Bank; shares anecdotes about being confined with opposition fans.

 7. Henry Winter: Liveliest away ground experiences?

– Nick Hornby: Suggests volatility at certain grounds; highlights the 70s/80s away-day culture and mates’ behavior.

 8. Henry Winter: Younger fans (18–24) are priced out—how has your and your son’s experience changed? Is standing safer now?

 – Nick Hornby: It’s safer; standing itself isn’t the issue—culture and context matter; modern stadiums changed dynamics from late 80s onward.

 9. Henry Winter: Thoughts on Arsenal’s stadium design, murals, and concourses?

 – Nick Hornby: Praises heritage elements but criticizes overpriced concourses; contrasts early days with fewer ads/amenities.

10. Henry Winter: Do kids follow players more than clubs? Impact of stars like Salah leaving?

 – Nick Hornby: Acknowledges player-driven social media dynamics; stresses instilling commitment to the shirt over star transience.

11. Henry Winter: Athlete activists—do you like this conscientious generation?

– Nick Hornby: Appreciates player engagement in community; supports responsibility of wealthy young players while avoiding overstatement.

12. Henry Winter: What’s it like meeting idols you grew up watching?

– Nick Hornby: Initially uncomfortable transitioning from fan to peer at signings; later accepted it; notes Fever Pitch’s cross-club resonance, even among foreign players seeking to understand English fan culture.

13. Henry Winter: Did Fever Pitch contribute to broader understanding of fandom?

 – Nick Hornby: Yes; aimed to articulate a universal fan-club relationship, avoiding tribal derision; helped non-fans understand male identity and passion.

14. Henry Winter: Trophies or entertainment—what matters more?

 – Nick Hornby: Values both; engages with debates on Premier League quality, scheduling, and the physical demands on modern players.

15. Henry Winter: No winter break, increased Champions League games—impact on careers?

– Nick Hornby: Improved pitches, boots, and nutrition help, but heavier schedules may shorten peak years; luck and care influence longevity.

16. Henry Winter: Young talent like “Max”—should he go to the World Cup?

 – Nick Hornby: World Cups aren’t for work experience; recognizes special talent but urges caution; balances club and national priorities.

17. Henry Winter: Arsenal title vs. England World Cup—which matters more?

 – Nick Hornby: Expresses hope and pragmatism; suggests World Cup ambitions face strong competition; leans toward club success while acknowledging national dreams.

18. Henry Winter: Comparing the Oscars to football awards—what’s better?

Nick Hornby: Celebrates the privilege of witnessing Arsenal regularly; sport provides unique, immersive joy akin to live arts.

19. Henry Winter: Do you appreciate football’s unscripted nature more as a writer?

Nick Hornby: Football’s unpredictability complements his scripted work; while “you couldn’t script that” is cliché, sport’s drama remains compelling.

20. Henry Winter: Thoughts on racism in sport and “black Arsenal” histories?

Nick Hornby: Racism persists across leagues; club culture can help; emphasizes that prejudice follows players and must be confronted systemically.

21. Audience Q: Any new superstitions like sugar mice or lint bunnies to influence results?

Nick Hornby: Jokes about trying new rituals; notes annual disappointment; remains open to playful superstitions.

22. Audience Q: When did you start supporting Arsenal, and how do you view fewer English players now?

Nick Hornby: Early attachment formed when squads were more English; argues proximity isn’t nationality—what matters is players’ commitment to the club and its values, not where they’re from.

Next Arrangements

– Tighten broad questions with specifics (seasons, matches, policies) to elicit concrete anecdotes and sharper contrasts between eras.

– Add targeted follow-ups on complex topics (e.g., “Which Arsenal initiative most impressed you and why?” “What stadium change most altered fan behavior?”) to deepen analysis and avoid generalities.

– Balance nostalgia with present-day detail using evidence-based comparisons (e.g., “1989 at Highbury versus a 2024 Emirates match—what single difference most changes the fan experience?”) for clear, informative takeaways.

In Defence of Gerry Healy – Caleb T. Maupin -Independently published Paperback – 15 April 2025 81 Pages.

On the surface of things, Caleb Maupin and Gerry Healy represent historically two very different political tendencies. Still, a serious study of both would reveal similar class tendencies. Despite Maupin and Healy occupying very different places in the history of the left, they share a common dynamic: both exhibited expressions of petty-bourgeois accommodation to capitalism and both substituted nationalist or sectarian shortcuts for the independent mobilisation of the international working class.

A Marxist myself, it does loathe me to mention both in the same breath, but the contrast is important. Healy was a historically prominent Trotskyist who, in practice, degenerated; Maupin is a contemporary promoter of “patriotic” or national-populist socialism. Both in the end show the objective danger posed by petty-bourgeois radicalism and political opportunism in periods of capitalist crisis.

Gerry Healy was a central figure in mid-20th-century Trotskyism. An organiser who, in earlier decades, defended the Fourth International against Pabloite liquidationists. But the record of the 1970s–1980s shows a political, organisational and moral degeneration along with an increasing turn to opportunist relations with bourgeois nationalist forces, theoretical confusions that substituted Hegelian mystification for Marxist historical materialism, and organisational practices that isolated and bureaucratized the WRP. The International Committee of the Fourth International undertook a systematic Marxist analysis of this degeneration, culminating in Healy’s expulsion in 1985. The document explained that personal abuses and scandals were rooted in a deeper political betrayal: the abandonment of Trotskyist program, dialectical method, and international proletarian strategy.[1]

Whether Maupin knew about this history or even cares is open for conjecture. His book contains no direct quotes from books or documents from that period, and there is no bibliography or footnotes. There appears to be no consultation of the most important biography of Healy, by David North.[2]

For North Gerry Healy’s life must be understood not as the product of individual psychology alone, but as the interaction of his political capacities with the shifting material conditions and class struggles of his era. From a Marxist and dialectical perspective, North argues that Healy’s later trajectory cannot be reduced to personal vice alone. Instead, it reflected objective pressures and incorrect political responses. Also, a turn toward nationalist and opportunist relations with bourgeois regimes, the subordination of programmatic tasks to short‑term organisational growth, and a growing separation of theory from the historical materialist method. These tendencies were epitomised in Healy’s ideological retreat, most notably in his distortion of dialectical materialism in his writings and practices, which North critiqued, and in his unprincipled alliances that compromised Trotskyist independence.

Maupin, despite pretending to defend the Fourth International or Leon Trotsky, repeats numerous old slanders, such as the claim that Leon Trotsky collaborated with capitalist governments against the Soviet Union. Maupin Writes

“Trotsky held onto the notion of the USSR as a “workers’ state” that needed to have the “parasitical Stalinist bureaucracy” removed. Trotsky was perhaps holding out for the “political revolution” he called for that would install him in Stalin’s position. Several Soviet leaders were convicted of allegedly conspiring with Trotsky, as well as Germany and Japan, to make this happen. Investigating evidence of these charges—routinely dismissed by Western historians as fabrications from Stalin—has been the focus of Dr Grover Furr of Montclair State University. Furr maintains that Trotsky was indeed guilty of such a conspiracy, and the response to Furr’s work has generally been limited to finger-pointing and ridicule, rather than serious analysis of the evidence Furr presents.”[3]

Furr’s work attempts to rehabilitate Stalin and to cast Trotsky as an unreliable or dishonest historian. Variants of this argument range from minimising the scale of Stalinist repression to asserting that many well-established facts about the Moscow Trials, show trials, and mass terror are fabrications or grossly exaggerated. Politically, this disgusting apologist serves to blur the essential distinction that Marxists must draw between the proletarian revolution (and its leadership in 1917–23) and the bureaucratic counter-revolution that produced Stalinism. Furr’s books are published by the TKP, which is the sister party of the Stalinist Greek Communist Party (KKE). This pseudo-historian reproduces all the old Stalinist lies of the 1930s.

It must be said that even after a hard study of Maupin’s book, it is difficult to understand what exactly Maupin defends in Healy. That is, until one gets to the end of the book. Maupin, throughout his political career, has defended every bourgeois nationalist dictator on the planet. His hero, like Healy at the end, is Colonel Gaddafi. Maupin defends Healy’s treacherous collaboration with the bourgeois nationalist.

Despite Healy’s capitulation to Pabloite opportunism and his despicable personal conduct in his treatment of female cadres, Maupin sees Healy doing very little wrong. If he did bad things, this was not the result of a political betrayal or adaptation to hostile class forces. Still, individual misconduct and organisational corruption do not take place in a vacuum. They are rooted in political orientations and class alignments. Healy’s petty-bourgeois turn eroded links with the working class and led to the surrender of programmatic principles in pursuit of short-term gains.

According to the analysis made in the document How the WRP Betrayed Trotskyism:” The Party was divided into an ‘Upstairs’—a coterie of exalted individuals around Healy—and a ‘Downstairs’ occupied by hundreds of rank and file members who were denied any role in the decision-making process and took orders. This created within the Party a whole series of destructive political relations. The leadership grew increasingly impervious to the real relations between the Party and the workers amid class struggle.

Contact between the Centre and the WRP branches assumed a purely administrative character, not unlike that between a local business franchise and the head office. Healy himself became a remote figure whom most members did not even know—and he knew very little about them. His trips to Beirut, Damascus, Baghdad, Abu Dhabi and Tripoli were undoubtedly far more frequent than his visits to Glasgow, Sheffield, Manchester and Cardiff.

Healy’s high-flying diplomacy and his sudden access to vast material resources, based largely on his opportunist utilisation of Vanessa Redgrave as the WRP’s calling card in the Middle East, had a corrosive effect on the Party’s political line and its relation to the working class. Whatever its original intention, it became part of a process through which the WRP became the political captive of alien class forces.

At the very point when it was most in need of a course correction, the “success” of its work in the Middle East, which from the beginning lacked a basic proletarian reference point, made it less and less dependent upon the penetration of the working class in Britain and internationally. The close and intimate connection with the British and international working class that the WRP had developed over decades of struggle for Trotskyist principles was steadily undermined. The isolation from the working class grew in direct proportion to the abandonment of these principles.[4]

Caleb Maupin: A petty‑bourgeois nationalist

Caleb Maupin, while identifying completely with WRP’s historical love affair with bourgeois nationalism, is hostile to genuine Trotskyist internationalism. His contemporary politics, a public promotion of “patriotic socialism,” alliances with nationalist currents, and accommodation to reactionary forces constitute a modern variant of the same petty-bourgeois opportunistic tendencies as the Workers Revolutionary Party.

Maupin, like Healy, sought alliances with national-bourgeois forces and capitulated to non-proletarian class forces. Maupin purposely fuses socialist language with nationalist, conspiratorial, or reactionary currents (the so-called “red‑brown” tendency), repudiating the internationalist, working-class orientation that is the essence of Marxism.

It is therefore clear why Maupin is so enamoured with Healy and the so-called “cult of Personality”; his  Red‑brown movement adores the cult of personality, opportunist sectarianism, and the dilution of theory into sectarian or conspiratorial rhetoric.

Aidan Beaty-A Class Brother

Maupin spends a considerable amount of space in his short 81-page polemic attacking Aidan Beaty’s hack work on Healy.[5] Beaty is a petit‑bourgeois academic and a Pseudo-Left. His book on Healy was not just a private dispute but a politically signalled intervention in the larger struggle over the legacy and continuity of Trotskyism and the Fourth International.

As David North points out, “ Professor Aidan Beatty’s The Party is Always Right: The Untold Story of Gerry Healy and British Trotskyism is a malicious piece of political hack work posturing as a biography. The book discredits its author and fails to meet the standards expected of a scholarly work. The book is nothing of the sort. Beatty has produced a crude diatribe against Trotskyism and its historic efforts to construct a revolutionary party rooted in Marxist theory and based on the working class.”[6]

Maupin and Beaty, it must be said, share similar class backgrounds. Red‑brown populists like Maupin and sensationalist academics like Beatty serve to disorient workers and youth. The former does so by offering nationalist, authoritarian or conspiratorial alternatives; the latter by discrediting Trotskyist organisational forms and the necessity of a revolutionary party without providing a constructive program for the working class.

Maupin’s defence of Gerry Healy barely rises above A-level standard biographical history. And even that is being generous. While not entirely a hack job, it lifts no dead dogs in Healy’s political memory. However, Maupin’s book does raise concrete political issues: how a writer or historian treats theory and the written record. Maupin’s book contains barely 81 pages, of which only 50 were given over to a defence of Healy.

There is not a single quote or reference to Healy’s work. There is no examination of other work or archives mined, and no study of internal documents. A systematic study of Books, pamphlets, press archives, and internal documents is the material basis by which a writer transmits ideas to the general reader, and  Maupin does none of that.

The political crisis of the WRP in the 1970s–1980s was not an abstract intellectual dispute but the product of objective pressures: crisis in recruitment, the lure of external funds and nationalist alliances, and the isolation of a leadership that increasingly substituted personal discretion for collective Marxist leadership. In these conditions, practices around written materials — what was printed in party publications, what internal documents were circulated, and how theory was annotated or hidden — became instruments of political control rather than tools of education and criticism. Any half-decent writer or historian would have to make something of this history. Did Maupin know that Healy, like many revolutionaries, made substantial markings in books from his prodigious library?

“Marking” books can take many forms: literal physical annotation (underlining, marginal notes, censorship stamps), classification as “approved” or “banned” within a party press/bookshop, editorial rewriting, or the selective destruction/withholding of documents. Under Healy’s apparatus, these practices were embedded in a wider method: concentrating control over publications and the paper, using the press as an instrument of leadership rather than as a forum for workers’ study and democratic debate.

What a writer deliberately leaves out of a book is not merely a cultural injury; it destroys readers’ ability to educate themselves, develop independent working-class perspectives, and engage in collective theoretical struggle.

The International Committee of the Fourth International (ICFI) and its sections produced a sustained investigation of the degeneration of the Workers Revolutionary Party (WRP) under Gerry Healy. That record documents concrete, physical, and administrative methods used by the leadership to mark, censor, conceal, and control books, archives, and internal documents — measures deployed to defend an increasingly opportunist, petty-bourgeois leadership against internal dissent and international oversight.

One of the worst crimes committed by the leadership of the WRP was the removal and sale (or attempted sale) of the movement archives. But for the intervention of the ICFI, the WRP leadership would have sold off much of the movement’s archives and documents to the highest bidder. It is still a mystery where most of this archive ended up.

As recently as 2025, Vanessa Redgrave, one of Healy’s closest supporters, attempted to sell off Healy’s vast library. She was turned down by the British Socialist Workers Party, who, in the end, got the books for free and sold them in their shop to the highest bidder. Maupin’s silence on these matters of historical importance is deafening.

.


[1] www.wsws.org/en/special/library/how-the-wrp-betrayed-trotskyism/book.html

[2] Gerry Healy and His Place in the History of the Fourth International Paperback – 1 Dec. 1991 Mehring Books

[3] Book Excerpt: “Why Demonize Gerry Healy in 2024?” http://www.cpiusa.org/news/book-excerpt-why-demonize-gerry-healy-in-2024

[4] www.wsws.org/en/special/library/how-the-wrp-betrayed-trotskyism/book.html

[5] The Party is Always Right The Untold Story of Gerry Healy and British Trotskyism by Aidan Beatty

[6] Biography as demonology: Aidan Beatty’s The Party is Always Right: The Untold Story of Gerry Healy and British Trotskyism-www.wsws.org/en/articles/2024/09/18/nizy-s18.html

Diary of a Nobody and News from Nowhere

If things continue as they have this month, the website and blog will surpass the 50,000-hit mark for the second time in the website’s history. Two things account for this. Firstly, there has been an increase in the number of articles. This has been achieved with the aid of the World Socialist Website’s new chatbot, Socialism AI. It not only provides a guide to writing but also serves as a valuable archive resource. Secondly, the US war and genocide against Iran has once again sparked a significant interest in a Marxist analysis.

Three new pages have been added to the website this week. Perhaps the most significant has been the WRP Page. The first article was on Gerry Healy’s books and archive, an ongoing investigation, and more will be written about it.[1] I purchased two books from the SWP belonging to Healy.

These will either be put in my personal archive, currently under construction at Bishopsgate Institute, or, if more books appear, donated to a suitable home for research purposes.

Work on the Raphael Samuel book has stalled a little, with only two draft chapters completed. This week, I will start writing a third as the research for it has mostly been done. The other project is a rewrite of my 2003 Oliver Cromwell dissertation.

Another project will be to research the historian Tim Mason. His archive currently resides at the Bishopsgate Institute. I want to say that I have followed his work, but his importance was brought to my attention by the Marxist David North. When North recommends or mentions a historian, it is well worth looking at their work. In the next few weeks, I will be attending several meetings and events.

Meetings and Events

 Charity After Empire: British Humanitarianism, Decolonisation and Development

When: 24 March 2026, 18:00 — 20:00 Birkbeck

 Football Writing Festival: Arsenal Special Saturday 28 March 2026 11:30

British Library

 A. ‎L. Morton, British Communism, and the New Left By

Raphael Samuel History Centre, Birkbeck, University of London

Thursday, Apr 9, 2026, from 4:30 pm to 6 pm

Remembering the General Strike, 100 years on

29 April 2026

A hybrid event bringing together historians and researchers to reflect on the significance of the 1926 General Strike and its impact on British political and labour history.  Panellists: Jonathan Schneer, Jon Cruddas, Florence Sutcliffe-Braithwaite, Paul Nowak. James Moher will chair.

Location: Hybrid event – Online and Room 349, Third Floor, Senate House, Malet Street, London WC1E 7HU. More information

 Remembering the General Strike of 1926

21 May 2026  | 4 pm – 6 pm

Visit the archives related to the General Strike 1926 in the LSE Library collection and hear from the former Librarian of the Trades Union Congress, Chris Coates.

Chris will discuss the factors leading up to the Strike, its effectiveness, and its impact on working people.

Location: LSE Library, London WC2A 2HD 

The Legend of Rasputin, London Library- Anthony Beevor, 30 April 2026, 18:00 – 20:00

Books

Sisters in Yellow Novel by Mieko Kawakami

89 Amy Lawrence

Tarantula Edurdo Halfon

Repetition Vigdis Hjorth

Borderless Jennifer De Leon

The Blood Never Dried John Newsinger

JFK John Hughes-Wilson

Where is Britain Going, Leon Trotsky

Social Policy in the Third Reich: Tim Mason


[1] keith-perspective.blogspot.com/2026/03/on-gerry-healys-books.html

On Gerry Healy’s Books

On 16/03/26, I visited the Socialist Workers Party bookshop, Bookmarks. While looking at the second-hand bookshelves, I noticed a lot of old Workers Revolutionary Party (WRP) books, like 10 copies of the Trotskyism Versus Revisionism series 1-6. The bookshop has three large bookshelves of second-hand books. I noticed more books, like Marx’s collected works, Lenin’s collected works and more books by Leon Trotsky.

I felt something was wrong here, so I went to the reception desk and asked if they knew anything about it. I was told that a representative from Vanessa Redgrave had initially offered two storage lockers full of books in early 2025. The SWP told Redgrave that they don’t buy. Redgrave donated the books to the SWP. The books were loaded into a medium-sized van in June or July of 2025. The books were advertised for sale through the SWP’s social media sites.

Given that Healy had a library that spanned over fifty years, one can only imagine how many were donated and what exactly Redgrave kept back. It is not well known that Healy’s secretaries kept a political diary. Excepts can be seen in Corrin Lotz’s somewhat sycophantic biography of Gerry Healy. What documents does Redgrave still hold on to?

Having a further look at the books on the Bookmarks shelves, I notice a significant number with G Healy written inside. Healy spent an inordinate amount of time writing in the books.

Healy clearly annotated his books to engage more deeply with the text, enhance comprehension, and retain information, essentially turning his reading into an active conversation with the author. It serves as a personal record of his thoughts, feelings, and insights, facilitating easier reference later and adding a deeper layer of enjoyment to the reading experience. It means that future historians will not have access to this precious archive.

It is clear that the books donated are not from Redgrave’s library but are, in fact, Healy’s personal library. I know this because six months before the split in the WRP in 1984, Redgrave sold off an enormous amount of her books. I purchased two suitcases full of her books, including the proof copy of One Long Night, with her name inside.Also, there appear to be several books from the WRP library, which I assume were at Clapham. It appears Redgrave must have looted that library. This needs further investigation, but I am pretty sure it is part of, or the whole of, G Healy’s library.

It is clear that Redgrave has no interest in revolutionary politics and by carrying out this act of political and historical vandalism spits on the history of the movement. The books should have been donated to a library or an academic institution such as Warrick University.

Breaking Our Chains: Women, Marxism and the Path to Liberation (Sarah Bates and Judy Cox) Bookmarks Publication-2026 £10

“As a general proposition: Social advances and changes of periods are brought about by virtue of the progress of women towards liberty, and the decadences of the social order are brought about by virtue of the decrease of liberty of women.

Charles Fourier on “the progress of women”

Women’s freedom is the sign of social freedom.

 ―Rosa Luxemburg

“Life is not an easy matter…. You cannot live through it without falling into frustration and cynicism unless you have before you a great idea which raises you above personal misery, above weakness, above all kinds of perfidy and baseness.”

― Leon Trotsky, Diary in Exile, 1935

This new book, Breaking Our Chains—Women, Marxism and the Path to Liberation, written by Sarah Bates, Judy Cox and Sally Campbell, is a feminist-Marxist polemic or, as the authors state, a manifesto that examines women’s oppression as a historically specific phenomenon rooted in class society.

The authors present a materialist conception of history, which insists that the emancipation of women cannot be separated from the struggle to overthrow capitalism and replace it with a socialist society. This article situates the book within classical Marxist theory, traces its historical-material logic, assesses its contemporary relevance, and contrasts its outlook with reformist and bourgeois feminist tendencies.

As Judy Cox states, “ it is important to stand with all those who want to fight back against sexism. But strategies do matter. I remember being told that we were all equal now and we didn’t need to worry about sexism anymore. We were told that the key was a few women winning individual success who would then “feminise” or “humanise” the boardroom.

These ideas have proved to be disastrously wrong. Lots of people are attracted to Marxism, but they think it needs adding to or building on to explain women’s oppression properly. I am absolutely for developing Marxism to address new ways of thinking about the world. But actually, I think Marxism, when it is properly understood, can explain the world and point to effective strategies for change. So, I welcome any engagement with Marxism, but I think Marxism is the theory of women’s liberation. We see women’s liberation as inextricably linked to the overthrow of capitalism.[1]

At the book’s heart is the application of the dialectical materialist method. The authors trace how social reproduction, the sexual division of labour, property relations and the state interpenetrate to produce gender hierarchies. Classical Marxism views ideas about gender not as timeless truths but as expressions of concrete class relations and material interests. The authors therefore locate patriarchy’s deepest roots in private property, commodity production and the wage system—showing how ideological forms (sexism, “tradition”, cultural myths) mediate and naturalise material inequalities.

Collectively, the authors situate women’s oppression within several distinct formations: precapitalist patriarchies, the rise of capitalist private property, and the modern wage-labour system. Historically specific institutions like household labour, unequal access to independent means of production, and the monetary valuation of labour have shaped the content and limits of women’s social power. The book charts how reformist struggles (suffrage, workplace protections, social-welfare reforms) have won partial gains but have been repeatedly constrained or reversed because they do not alter underlying class relations.

Marxism treats the question of women’s oppression not as a moral add-on but as an integral moment of class society. The materialist conception of history shows that family structures, gender relations and the legal status of women are rooted in modes of production: how people make their living shapes social relations, property, law and ideology.

As Frederick Engels argued, “We must admit that so total a reversal of the position of the sexes can come to pass only because the sexes have been placed in a false position from the beginning. If the reign of the wife over the husband, as inevitably brought about by the factory system, is inhuman, the pristine rule of the husband over the wife must have been inhuman too.”[2]

The book is not just an examination of past liberation movements and struggles; it also has contemporary relevance. Today, intensified economic poverty, neoliberal austerity, the casualisation of labour, and the rollback of public services have further commodified and privatised social reproduction. The book explains why these trends disproportionately impact women: cuts in social care and public provision shift unpaid labour back into households; precarious employment deepens women’s dependency and vulnerability. It therefore argues that feminism divorced from class struggle can be absorbed as a market-friendly ideology or reduced to identity-based bargaining within capitalism.

The authors are correct in their insistence that real emancipation requires linking demands around wages, workplace democracy, social provision, childcare, reproductive rights and an end to militarism to a program to abolish wage labour and capitalist property—i.e., to socialist transformation. All women’s organisations must be rooted in the working class, not subordinated to bourgeois parties or union bureaucracies that manage capital’s interests. That perspective distinguishes genuine Marxist-feminism from reformist “management-of-inequality” approaches and the bourgeois “lean-in” model that leaves hierarchical structures intact.

To sum up, Breaking Our Chains provides a necessary corrective to bourgeois and reformist versions of feminism by grounding the fight for women’s liberation in Marxist historical materialism. Its central lesson: the liberation of women requires the revolutionary overthrow of capitalist social relations and the building of working-class political independence and international organisation. Women’s liberation is not attainable as a partial reform of capitalism. It requires the collective political mobilisation of the working class to overturn the property relations that underlie gender oppression and to build democratic, social institutions that free labour from private, unpaid burdens.  For students and activists seeking a theoretical and practical guide, the book underscores that only by combining rigorous theory, mass organisation and revolutionary strategy can genuine, lasting emancipation be achieved.

One major criticism of both the authors and the Socialist Workers Party that they belong to is that, despite the occasional publication of books that adopt a classical Marxist standpoint with references and quotes from Marxist revolutionaries Karl Marx, Frederick Engels, and Russian revolutionaries Vladimir Lenin and Leon Trotsky, they usually offer a platform for the flotsam and jetsam of pseudo-left politics. The group is thoroughly convinced of capitalism’s power and longevity and is hostile to the working class and to genuine socialism. The SWP’s sole purpose is to oppose the independent political mobilisation of the working class on a revolutionary and internationalist programme. 


[1] Breaking Our Chains: Smashing sexism and the system-socialistworker.co.uk/womens-liberation/breaking-our-chains-smashing-sexism-and-the-system/

[2] The Condition of the Working Class in England. Friedrich Engels 1845

Correspondence On Robert Harris’s -Selling Hitler

 I have been more than surprised to read the piece on the Hitler diaries 

dated 15th March, 2026. Hugh Trevor-Roper read German fluently from the 

1930s. He was assured by Stern before he saw the so-called “diaries”. That 

their authenticity had been technically verified, but this proved to be 

incorrect. No one who knew him could ever have supposed that he was “a 

bourgeois historian”.

Regards,

Christopher Thompson

Selling Hitler by Robert Harris. New York: Pantheon Books. First American edition, 1986, 402 pp., $18.95, ISBN 0-394-5533-5.

Robert Harris’s Selling Hitler is a well-written and scrupulously researched examination of the “Hitler diaries” forgery. It is a journalistic and fictionalised account of the 1980s forgery case. It raises important questions about ideology, politics, culture and the circulation of false narratives about fascism.

In his review of the book, H. Keith Thompson makes the following point: “The quantities of Third-Reich-related forgeries in circulation can generally be divided into two categories. First, there are the forgeries made by the World War II Allies, and by various international pressure groups, for propaganda purposes, such as the masses of faked material introduced by the Allies at their various postwar “trials” of defeated Axis adherents, e.g., the Russian “evidence” concerning the Katyn Massacre. Most forgeries in the second category (documents, uniforms, medals, weapons and other memorabilia) are merely attempts to make money.”[1]

The Hitler Diaries scandal was perhaps the most stupid blunder by a media outlet. In 1983, the German magazine Stern paid 9 million Deutsche Marks for the “discovery,” only for forensic tests on the ink and paper to reveal they contained chemicals not available during WWII. The so-called handwriting experts brought in to validate the diaries were nothing of the sort. As Harris relates, “Hilton’s report, couched in five pages of professional gobbledy-gook, was conclusive. But, based as it was on the assumption that all the documents he had been given for comparison were authentic, it was also completely wrong…they were all forged by Kujau.”

The book details how the small-time forger, Konrad Kujau, managed to create and sell over 50 fake diaries to a gullible German journalist, Gerd Heidemann, of the magazine Stern. The story reached global headlines in April 1983 when Stern offered to sell the diaries for a substantial sum (around $4 million at the time), and major publications, including The Sunday Times and Newsweek, became embroiled in authenticating and publishing excerpts.

The scam successfully fooled many reputable historians and media executives, who were blinded by the prospect of fame, money, and a historical scoop that could alter perceptions of the Third Reich. The hoax was exposed just a week later when forensic tests proved the diaries were crude forgeries, written on modern paper and with ink that glowed under ultraviolet light.

Harris, while having a journalistic flair and his book reads like a novel, has only a limited understanding of the class interests involved in the story. How did cultural authority, market pressures and political currents combine to produce credence for a lie?. The forgery should be placed in the wider history of political myth-making about Nazism, the post-war rehabilitation of German militarism, and the role of intellectuals in legitimising reactionary narratives.

Enter Hugh Trevor-Roper (1914–2003), who was described as the historian who caused the most trouble. Roper was an Englishman who had built a career on his book, The Last Days of Hitler, but who was in fact a specialist in the 16th and 17th centuries.

Harris notes: “He was not a German scholar. He was not fluent in the language and had admitted as much in a review of Mein Kampf published a decade earlier: “I do not read German,” he confessed, “with great ease or pleasure.” Written in an archaic script, impenetrable to most Germans, the diaries might as well have been composed of Egyptian hieroglyphics for all the sense Trevor-Roper could make of them. He had to rely on the Stern men for translation. The conversation was entirely in English”.

Hugh Trevor‑Roper was one of the most prominent English historians of the mid-20th century. He rose to public prominence through scholarly work on early modern Britain and Nazi Germany, serving as Regius Professor of Modern History at Oxford and as a public intellectual whose judgments carried great weight in the bourgeois media and academic establishment. His career—most famously marked by the episode of the forged “Hitler Diaries” in 1983—illustrates key lessons about the social basis of historical authority, the limits of individualist scholarship under capitalism, and the political stakes of historiography.

Trevor‑Roper’s name became synonymous with the controversy when he initially authenticated material presented as Hitler’s diaries, a judgment later shown to be wrong when forensic evidence proved the texts to be modern forgeries. That mistake was not merely a personal lapse, for it reflected the institutional pressures and prestige relations in which a bourgeois historian operates. The eagerness of major newspapers and magazines to publish sensational claims, and the weight accorded to a single eminent expert’s word, produced a social environment in which haste could substitute for collective, methodical verification.

The unchecked authority given to persons like Trevor‑Roper often rests as much on social position and institutional prestige as on methodical, collective inquiry. The careers of such figures illustrate how bourgeois historiography can serve ideological functions, to legitimate national myths, to placate ruling‑class anxieties, or to manage memories of criminal regimes in ways compatible with present political needs.

Trevor‑Roper’s mistake thus demonstrates a dialectical relation: individual fallibility and institutional tendencies interpenetrate. The scandal exposed contradictions—authority versus truth, spectacle versus method—that are inherent in bourgeois cultural life.

Trevor Roper’s scholarship indeed made significant historiographical contributions; his errors do not nullify all of his work. But a historical materialist appraisal must treat individual scholars as social products: their interpretations reflect the material and institutional contexts in which they live and work. The proper response to episodes like the Hitler Diaries is not merely to censure but to insist on strengthening collective, methodical historical practice grounded in material evidence and social analysis.

In sum, the Hugh Trevor-Roper affair is a cautionary tale: under capitalism, historiography is vulnerable to commodification, to authority concentrated among social elites, and to ideological manipulation. The remedy is not reliance on isolated historians but the development of democratic, scientifically disciplined historical practice.


[1] Selling Hitler-A Review By H. Keith Thompson ∙ December 1, 1986-codoh.com/library/document/selling-hitler/