Sophie Scott-Brown’s article on Raphael Samuel is a thoughtful, well-researched contribution to understanding postwar British left intellectual culture. It benefits from careful critical analysis, especially from a Trotskyist perspective, as it uncovers not only the contradictions within Samuel’s project but also highlights the broader political trend of the British left during the second half of the twentieth century. This trend, as the essay suggests, is one of political withdrawal, often disguised by rhetoric around democratic education, cultural diversity, and the praise of “ordinary people” as key historical actors.[1]
Scott-Brown’s essay effectively emphasises several key points. She observes the theatrical and deliberately crafted nature of Samuel’s “people’s historian” persona—his “iron resolution” hidden behind a “deliberately dozy and slightly dotty front,” as Sheila Rowbotham noted. She also examines the contradictions between Samuel’s professed egalitarian ideals and his actual behaviours: for example, overriding Ruskin students’ choices on Workshop themes, staging the 1979 confrontation between E.P. Thompson, Stuart Hall, and Richard Johnson like a theatrical director, and employing charm and tactics where his theoretical authority was lacking. These insights are important corrections to the often romanticised views of Samuel’s legacy.
She correctly traces Samuel’s organising style back to the culture of the Stalinist Communist Party of Great Britain (CPGB), highlighting the Popular Front approach of persuasion—prioritising “friendly persuasion over theoretical cudgelling.” However, the article stops short of extracting the essential political implications of this insight. From a Marxist and Trotskyist perspective, Samuel’s involvement with the CPGB isn’t just a biographical detail but rather the key political environment that shaped his entire intellectual path.
I. The CPGB Historians’ Group and the Popular Front Tradition
The Communist Party Historians’ Group, which educated Samuel alongside notable figures like Christopher Hill, E.P. Thompson, Eric Hobsbawm, and Rodney Hilton, was deeply influenced by Stalinist politics. Ann Talbot noted that Hill’s “people’s history” approach, promoted by the CPGB, was more than just an academic tradition; it served as a political tool aligned with Popular Front ideology. This approach offered a democratic facade for a political stance that placed the working class under the control of the “progressive” sections of the bourgeoisie and justified the international repression of revolutionary Marxists.
A.L. Morton’s People’s History of England, the key work of the genre that Samuel inherited, intentionally downplayed the class aspects of historical struggles, blending them into a unified national-popular story. This nationalist skew was deliberate, driven by the CPGB’s focus on forming cross-class alliances. Even after Samuel left the Party in 1956, his “people’s history” continued to reflect this distortion.
Scott-Brown observes that many in Samuel’s generation left the CPGB following the Soviet invasion of Hungary. However, she does not mention that the most ideologically committed members joined the Trotskyist movement. Those who moved towards the New Left, including Samuel, retained the core political flaw of Stalinism: their rejection of an independent working-class political agenda in favour of a broad, pluralist, cross-class cultural movement.
II. Thompson, Althusser, and the Retreat from Marxism
Scott-Brown regards the clash between Thompson’s “socialist humanism” and the Althusserian structuralism of Hall and Johnson as the key theoretical controversy of that era. From a Trotskyist perspective, this debate was essentially a retreat from Marxism.
Thompson’s *Making of the English Working Class* is a truly brilliant work, but his idea of “socialist humanism” marked a retreat into empiricism, moralism, and eventually a nationalist view of working-class history. His polemic *The Poverty of Theory* argued for English empiricism against Continental theory, not scientific Marxism against idealism. Meanwhile, Althusserianism reduced class struggle to structuralist abstraction.
Samuel’s refusal to choose between these positions—his emphasis on “plurality”—was not a genuine compromise but a political dodge. The failure of Workshop 13 in 1979, as vividly detailed by Scott-Brown, was not just bad event management. It revealed the deeper incoherence of a political movement that had forsaken clear programmatic goals and sought to unify conflicting intellectual tendencies through organisational talent and personal charisma.
III. The Democratisation of History and Its Class Content
Samuel’s main initiative—the democratisation of historical practice—aims to empower “ordinary people” to produce their own histories, reflecting a genuine emancipatory goal. He believes that workers should understand their own history, as traditional ruling-class historiography often mystifies and subjugates them. Contributions such as the Ruskin College pamphlets on pit life, narratives from rail workers, and working-class club culture are important examples of this effort.
However, democratisation lacking political clarity risks becoming empty radicalism. Samuel’s idea of a “people’s historian” served more as a cultural stand-in for revolutionary political education. The key issue is not just whether workers can write their own history, but whether they can comprehend their role within capitalist society well enough to change it.
The traditional Samuel obstructed this understanding by reducing class analysis to a sort of ‘plurality’ and favouring cultural populism over political action. By the 1990s, as Scott-Brown observes, he had adapted more to the Thatcherite heritage industry than challenged it. The progression from the Ruskin pamphlets to ‘Theatres of Memory’ (1994) illustrates this shift. By that time, Samuel had moved from encouraging workers to investigate their own exploitation to praising popular historical entertainment—such as period dramas, country houses, and ‘retrochic’—as ways of creating history. Richard Hoggart’s comment that the book was created by a “traumatised Marxist” is harsh, but it holds some truth.
IV. Memory as a Substitute for Politics
Samuel’s shift to memory studies was more a political response than an intellectual breakthrough. When history is viewed as a cultural activity rather than a scientific analysis of class society, it becomes impossible to differentiate between progressive and reactionary historical views. If all “meaning-making about the past” holds equal validity, then miners’ oral histories and the National Trust’s curated nostalgia are seen as comparable.
This marks Samuel’s conception of pluralism: a theoretical approach where the working class and the bourgeoisie are seen as equal contributors to memory, rather than as opposing classes in conflict. The working class is viewed as a remembering subject, not just a resisting one. The past transforms into a space for identity formation rather than a field for critique. History turns into a theatrical stage rather than a purely scientific discipline.
V. The Limits of Cultural Democracy
Samuel’s approach to democratizing history increased participation but narrowed political perspectives. It made archives accessible but limited avenues for revolutionary ideas. While it amplified diverse voices, it also diminished the relevance of class. Workers can document their histories, yet if the framework is influenced by Popular Front nationalism or New Left culturalism, it results in self-expression confined to bourgeois ideology rather than fostering revolutionary consciousness.
The democratisation of history is significant only if it is connected to the political self-liberation of the working class, which demands a scientific grasp of capitalism, an internationalist outlook, and a revolutionary agenda. Samuel did not provide any of these elements.
VI. The Trotskyist Alternative: History as a Weapon
While Samuel’s tradition dissolves into cultural populism, the Trotskyist tradition emphasises the importance of the unity between historical knowledge and revolutionary practice. Trotskyism regards history as a science rather than a stage, considers the working class to be a revolutionary force rather than merely a cultural identity, and views the past not as a memory resource but as a strategic guide for overthrowing capitalism.
This is the response Samuel was unable to give when asked in 1979, “What is socialist history?” His reply—“it’s an awfully big question, Brian”—was not due to modesty but evasion. A truthful answer would have involved confronting the Stalinist tradition he inherited and recognising the need for an independent working-class political program.
Postscript: The Contemporary Stakes of Reassessing Raphael Samuel
A Trotskyist re-assessment of Raphael Samuel goes beyond mere antiquarian interests; it engages directly with current political and intellectual debates. The British left’s crisis in the late twentieth century—characterized by a retreat from class-based politics, an embrace of culturalism, and the shift from unified programs to pluralism—remains unresolved and has even intensified. The intellectual currents Samuel helped shape now dominate the humanities, while the working class continues to face systemic exclusion from political representation.
The modern academy, largely focused on cultural studies, memory, and identity-based histories, reflects the tendencies Samuel represented. The shift from class to culture, the prioritization of “voices” over analysis, and the celebration of diversity without political focus are now standard in historical research. Although seen as radical, these approaches serve as ideological compromises that allow a capitalist system to incorporate cultural criticism while suppressing conflicts over class.
Samuel’s legacy requires careful examination, not because of personal failings, but because his path illustrates a larger historical trend: the shift of the left from advocating revolutionary self-emancipation of workers to becoming a cultural and intellectual sphere focused on representation, identity, and memory. This shift has significant political implications. A left that neglects class struggle cannot challenge capitalism effectively. Similarly, a historical perspective that ignores class cannot reveal the true workings of exploitation. Without a clear program, politics cannot lead to genuine emancipation.
Today, Marxist historiography should focus on clarifying the structure of capitalist society and the role of the working class, rather than generating multiple narratives. It needs to reject the culturalist fragmentation legitimized by Samuel’s pluralism, reaffirm the scientific basis of historical materialism in opposition to the relativism of memory studies, and restore the connection between historical research and the political aim of socialist revolution.
This calls for a break not just from the Stalinist distortions of history but also from current culturalist distortions. It necessitates returning to the methodological clarity of Marx, Engels, Lenin, and Trotsky—not treating them as icons, but as theorists of a dynamic movement. It requires a historiography that views the past not as a stage for memory but as a battleground of struggle, where their lessons are crucial for future battles.
Raphael Samuel’s work, despite its vibrancy and generosity, ultimately aligns with a political tradition that lacked clarity. His idea of a “people’s history” made the archive more accessible but stripped away the political conflict of class struggle. It highlighted the ingenuity of ordinary people but overlooked the deep structural forces influencing their lives. While it expanded the number of stories and fostered engagement with warmth and color, it lacked the theoretical tools necessary to challenge capitalism.
A Marxist revaluation of Samuel does not reject his dedication to ordinary people but instead reclaims the political scope that his tradition denied. The working class requires more than just a platform for remembrance; it needs a thorough understanding of history. It needs an actionable plan and a movement that can change society, not just analyse its history.
Only the revolutionary Marxist tradition, embodied by the International Committee of the Fourth International, provides this perspective. It uniquely maintains the continuity in the fight against Stalinism, nationalism, and the culturalist dissolution of class. Additionally, it asserts that history is not a collection of competing stories but a tool for a class poised to seize power.
Samuel’s critique is not meant as a closing but as an opening gesture. It extends beyond the cultural turn, the New Left, and the Popular Front, aiming to reaffirm a Marxist historiography suitable for the twenty-first century. The goal is not merely to democratize history but to equip the working class with the historical awareness essential for its emancipation.
[1] Raphael Samuel and the Politics of the People’s Historian Sophie Scott-Brown-journal.socialisthistorysociety.co.uk/wp-content/uploads/Socialist-History-61_Final-76-95.pdf
Pip: There's a genre of history that loves the underdog so much it forgets to ask why the underdog keeps losing — and freerein61 has written a long, serious essay about exactly that problem.
Mara: This episode covers one extended piece of Marxist historiography: a close critical reading of Raquel Varela's work on European history, measured against Zinn, Hobsbawm, and Trotsky.
Pip: Let's start with what "people's history" gets right, and what it structurally cannot see.
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A People's History Without Revolutionary Leadership?
Mara: The essay opens a debate inside the left-wing historical tradition itself — not whether to center the working class, but whether centering "the people" is actually the same thing, and whether that distinction has real political consequences.
Pip: The core charge is laid out early, and it's precise. The essay argues that "the concept of 'the people' is politically vague… it conflates the working class, the peasantry, the urban petty bourgeoisie, and sections of the bourgeoisie itself."
Mara: So the upshot is that a category meant to be inclusive ends up dissolving the very class distinctions that explain why revolutions succeed or fail. Sympathy replaces analysis, and the reader is left inspired but not equipped.
Pip: The essay positions Varela against three reference points: Zinn, Hobsbawm, and Trotsky. Zinn gets credit for moral urgency but is faulted for treating all resistance as driven by a single impulse — victims and heroes rather than classes and parties.
Mara: Hobsbawm is handled differently. The essay acknowledges the structural depth of the Age of trilogy while noting that his Communist Party loyalty prevented him from analyzing Stalinist betrayals in Germany and Spain. Theory sound, politics compromised.
Pip: Trotsky is the yardstick. The essay identifies four methodological principles in his work: rigorous class differentiation, the centrality of revolutionary leadership, dialectical materialism, and internationalism. That last one matters — the argument is that you cannot understand the Russian Revolution without the German Revolution, cannot understand Spain without the Stalinist bureaucracy's global role.
Mara: The Portuguese Revolution of 1974 to 1975 is the essay's main test case. It argues that the Carnation Revolution was ultimately contained through the intervention of the Portuguese Communist Party and the Socialist Party, with the trade union bureaucracy as complicit. Varela describes the mass radicalization but, the essay contends, does not analyze the political mechanisms that stabilized capitalist rule.
Pip: Which is the structural flaw the essay keeps returning to: a history that chronicles uprisings without explaining their outcomes is a history that cannot teach the next generation what went wrong.
Mara: Part III widens this to the post-Soviet intellectual environment — the collapse of the USSR pushed the academic left toward cultural and identity frameworks, away from class analysis and the concept of revolutionary leadership. The essay reads Varela's theoretical gaps as a symptom of that broader retreat.
Pip: So the book is not dismissed — it's diagnosed. Valuable correction to bourgeois historiography, real sympathy for the oppressed, but short of what Marxist historical method actually demands.
Mara: The closing argument is that Varela's work should be read alongside Trotsky, Lenin, and the early Comintern — not as a replacement for that tradition, but as a starting point that needs the harder theoretical framework beside it.
Pip: History that inspires without equipping is, in the end, a comfort rather than a weapon.
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Mara: The question underneath all of this is whether the left's historiography is adequate to the political crises it's trying to address.
Pip: Moral urgency is not a substitute for a theory of defeat — and that gap, the essay argues, is not accidental. It's the next episode's problem too.
Raquel Varela, the Zinn Tradition, Hobsbawm’s Marxism, and the Trotskyist Conception of History
Part I
Raquel Varela’s A People’s History of Europe is a major contribution to modern left-wing historiography. It aims to blend the “history from below” perspective with a broad overview of Europe’s development from the Middle Ages to the present day. Varela’s writing is driven by a genuine commitment to workers, peasants, and oppressed groups, and it carries a moral urgency that sharply contrasts with the complacency and cynicism common in mainstream academic history. However, the strengths of her approach—such as its empathy for the exploited, focus on mass movements, and rejection of elite-focused stories—are closely linked to its weaknesses. These issues are not personal flaws but stem from the political and theoretical limits of the environment in which she operates, shaped by left-reformist, post-Trotskyist, and post-Stalinist currents that have influenced the European radical left since the 1990s.
This essay aims to analyse Varela’s approach by comparing it with that of three key figures: Howard Zinn, Eric Hobsbawm, and Leon Trotsky. Zinn embodies the populist moral story of resistance; Hobsbawm’s Marxism is scholarly yet politically compromised by the Communist Party; Trotsky advocates a scientific, dialectical, revolutionary approach that provides a clear explanation of major modern upheavals. Varela’s work exists where these traditions meet, drawing from each but mainly echoing the limitations of Zinn and Hobsbawm, while remaining somewhat distant from Trotsky’s method.
This analysis is more than an academic exercise; it involves high-stakes political issues. Addressing the crisis of global capitalism, the rise of imperialist wars, the growth of fascist movements, and the escalating struggles of the working class requires a historical perspective rooted in scientific socialism. While the ‘people’s history’ genre has its strengths, it falls short of this scope. It chronicles struggles but doesn’t analyse their outcomes, celebrates resistance but overlooks defeats, and invokes “the people” while hiding the crucial role of class leadership. The outcome is a history that is morally inspiring but lacks the necessary theoretical foundations—one that motivates but doesn’t equip.
Varela’s work aligns with the tradition set by Howard Zinn’s A People’s History of the United States—a tradition with notable strengths and notable limitations. The book is praised for emphasising class struggle, general strikes, and revolutionary upheavals. Still, it is also criticised for theoretical ambiguity and political vagueness, especially around the concept of “the people.” The main flaw identified is that “the concept of ‘the people’ is politically vague… [it] conflates the working class, the peasantry, the urban petty bourgeoisie, and sections of the bourgeoisie itself.” This issue is fundamental, as it underpins the book’s entire methodological approach. People’s History
The term “the people” is not rooted in Marxist theory but is instead a populist idea. It conceals the class conflict that shapes capitalist societies. This concept enables historians to praise acts of resistance without examining the underlying political goals, class makeup, or leadership of the movements. It replaces detailed, scientific analysis with moral outrage. Furthermore, it serves as a tool for the reformist left to avoid facing the key lesson of the 20th century: that the outcome of revolutions depends not on the vague notion of “the people,” but on the political leadership within the working class.
This is where a comparison with Zinn becomes necessary. Zinn’s “People’s History” is a passionate and compelling narrative that highlights the brutality of American capitalism and amplifies the voices of the oppressed. However, it does not offer a Marxist analysis. It fails to differentiate between proletarian, populist, petty-bourgeois radical, and bourgeois liberal movements, viewing all resistance as driven by a single moral impulse. Instead, it presents a history that focuses on victims and heroes rather than on class struggles or political parties. It chronicles injustice without analysing the inherent contradictions of capitalism.
Varela adopts this framework, viewing her “people” as united by oppressions rather than their roles in production relations. Her narrative emphasises sympathy over theoretical analysis, highlighting the struggles of workers, peasants, women, colonised peoples, and soldiers without exploring the class dynamics behind these conflicts. She lauds the mass movements of 1848, the Paris Commune, the Russian Revolution, the German Revolution, the Spanish Civil War, and the Portuguese Revolution, but does not analyse the political leaderships that shaped their outcomes. Consequently, her history is detailed but lacks explanatory depth.
The difference with Hobsbawm is revealing. Eric Hobsbawm, a highly knowledgeable Marxist historian, authored the significant “Age of” trilogy, which is a major achievement. He comprehended capitalism’s structural dynamics, the long-term shifts in class relations, and the broader European development context. However, his work was influenced by his lifelong allegiance to the Communist Party, preventing him from addressing Stalinism’s crimes or the betrayals within the Communist International. Consequently, he couldn’t analyse the critical role of Stalinist leadership in the failures of the German and Spanish Revolutions and the post-war revolutionary surge. While his Marxist theory was profound, his political stance remained compromised.
Varela resembles Hobsbawm in her focus on long-term processes and her sympathy for labour movements. However, she lacks his depth in theory. She does not provide a systematic analysis of capitalist development, class formation, or revolutionary dynamics. Simultaneously, she echoes his political evasions by avoiding the role of Stalinism in 20th-century defeats, the betrayals within social democracy, the political limits of anarchism, and the essential issue of revolutionary leadership.
This is where Trotsky’s approach proves essential. His works—such as The History of the Russian Revolution (1905), The Revolution Betrayed, and his analyses of the German catastrophe and the Spanish Revolution—are the pinnacle of Marxist historiography. They go beyond simple event recounting, offering scientific analyses of society’s laws of development. These works are rooted in dialectical materialism, focusing on the contradictions between productive forces and relations of production, the global nature of class struggle, and the critical influence of political leadership.
Four principles define Trotsky’s method.
First, Trotsky’s class analysis does not categorise “the people” as a single analytical unit. Instead, he clearly distinguishes among classes and their political tendencies, analysing the proletariat, peasantry, petty bourgeoisie, bourgeoisie, and state apparatus as separate social forces with distinct interests. Second, Trotsky emphasises the importance of leadership. He believes that the success of revolutions depends on the revolutionary party’s program, strategy, and organisation. While the working class may possess great energy and creativity, without revolutionary leadership, they cannot seize power.
Third, Trotsky advocates dialectical materialism, viewing revolutions as outcomes of capitalism’s contradictions. He explores the relationship between objective conditions and subjective factors, spontaneous struggle versus conscious leadership, and national developments in relation to the international context—fourth, internationalism. Trotsky rejects the national framework of bourgeois historiography. He analyses revolutions as part of a global process. He understands that the fate of the Russian Revolution depended on the German Revolution, that the international crisis of capitalism shaped the Spanish Revolution, and that the defeats of the 20th century were the result of the betrayals of the Stalinist bureaucracy on a world scale.
This approach highlights the weaknesses in Varela’s method, especially evident in her analysis of the Portuguese Revolution of 1974–75. The document emphasises this event as the critical test of her historiography. It states that the revolution “was ultimately contained and betrayed through the intervention of the Portuguese Communist Party… and the Socialist Party, with the complicity of the trade union bureaucracy.” This analysis aligns with Trotskyist perspectives by recognising the revolutionary potential of the working class, the counter-revolutionary roles played by Stalinism and social democracy, and the absence of a revolutionary party capable of leading the power struggle.
Varela’s interpretation of the Carnation Revolution, however, highlights the spontaneity and creativity of the masses, while downplaying the roles of the PCP and SP in maintaining capitalism. She praises the radicalisation of workers and soldiers but refrains from discussing revolutionary leadership. She outlines the process without addressing its ultimate result. Her account depicts a struggle but lacks a comprehensive theory of revolution.
This is the main flaw of the “people’s history” genre. It collects evidence of exploitation and resistance but fails to analyse the dialectical laws governing historical progress. It notes the symptoms of capitalist crises without exploring their root causes. While it praises the courage of the oppressed, it does not account for their defeats. It refers to “the people” but does not analyse the class forces that influence history. Consequently, it presents a history of victims and heroes rather than of classes and political parties.
The outcome is a history that appeals morally but fails to offer political solutions. It evokes sympathy without guiding strategy. It stirs feelings of injustice without proposing specific plans for revolutionary change. This is a significant flaw— the core limitation of the reformist left. It explains why the left struggles to give a clear response to the crisis of global capitalism, why mass movements often lead nowhere, and why betrayals by social democracy and Stalinism have not been remembered as lessons. It also clarifies why the working class lacks a revolutionary leadership.
The purpose of Marxist historiography is to analyse the class struggle, not to celebrate “the people.” Its role is to explain resistance outcomes, not just record them. It aims to understand rather than moralise, and to empower rather than inspire. Varela’s book, despite its virtues, falls short of this standard. While it corrects bourgeois historiography by highlighting the working class, it does not fully explain the class’s historical role. It recounts revolutions but lacks analysis of the conditions needed for their success. Although it celebrates struggle, it does not investigate leadership. It documents the oppressed’s history but does not depict the class struggle in the Marxist sense.
Part II
Varela’s A People’s History of Europe reveals its methodological weaknesses mostly through its narrative structure. The book focuses on episodes of mass resistance—such as peasant uprisings, strikes, revolutions, and anti-colonial struggles—and shows genuine sympathy for the oppressed. However, its narrative is episodic rather than dialectical, jumping from one act of resistance to another without examining the underlying contradictions or the political forces influencing these movements. Consequently, it offers a detailed account but falls short in providing comprehensive explanations.
This episodic format mirrors the influence of the Zinn tradition. Zinn’s People’s History presents a series of moral tableaux: the dispossession of Native Americans, the exploitation of workers, women’s struggles, and African American resistance. Each chapter functions as an independent critique of injustice. However, the book lacks a systematic theory of American capitalism or a dialectical analysis of its evolution. It doesn’t explore the links between economic change and political institutions, class struggle and state power, or national and international development. Overall, it is a moral narrative rather than a scientific examination.
Varela’s approach follows this pattern by depicting the struggles of “the people” as heroic episodes. However, she does not explore the underlying structural dynamics of European capitalism, such as the transition from feudalism to capitalism, the rise of the bourgeois state, the development of the modern working class, or the emergence of imperialism as a global system. She also overlooks the contradictions within the capitalist mode of production and the connection between economic crises and political upheavals. While she describes the symptoms of capitalist development, she does not analyze its fundamental laws.
This lack of theoretical analysis is intentional, mirroring the current European left’s shift away from Marxist economic critique. The fall of the Soviet Union, the decline of social-democratic parties, and the emergence of post-Marxist ideas have led to a left that dismisses overarching narratives, questions class-based analysis, and resists the idea of revolutionary leadership. Consequently, the historiography focuses on resistance stories while sidestepping issues of power.
This avoidance is especially clear in Varela’s discussion of major 20th-century revolutions. The Russian Revolution of 1917, the German Revolution of 1918–23, the Spanish Revolution of 1936–39, and the Portuguese Revolution of 1974–75 are depicted as moments of popular mobilization, yet their underlying political dynamics are not analyzed. The contribution of the Bolshevik Party in guiding the Russian working class to power is recognized but not explored. The betrayals during the German Revolution by the Social Democratic Party are mentioned without analysis. The counter-revolutionary role of Stalinism in Spain is acknowledged but left unexamined. The suppression of the Portuguese Revolution by the PCP and SP is described but not sufficiently clarified.
This is not about historical facts but about the method of studying history. The outcome of revolutions depends not on the “people” in general, but on the political leadership of the working class. Trotsky’s key contribution to history shows that whether revolutions succeed or fail relies on the working class’s ability to build a revolutionary party. This party must offer strategic guidance, resist reformist and centrist influences, and lead in the fight for state power. Without such a party, the spontaneous enthusiasm of the masses cannot be turned into an aware effort to achieve socialism.
This is the lesson that Varela’s work does not fully incorporate. Her narrative is rooted in sympathy for the oppressed, yet it lacks a comprehensive theory of revolutionary leadership. She highlights the courage and creativity of the masses but does not analyze the political forces shaping their struggles. While she celebrates the Paris Commune, she overlooks the absence of a revolutionary party capable of coordinating the effort. She praises the militancy of German workers but fails to examine the SPD’s role in disarming the revolution. She venerates the heroism of Spanish workers and peasants but does not address the influence of the Stalinist bureaucracy in suppressing the revolution. Although she admires the radicalization of the Portuguese working class, she does not examine the political mechanisms through which the PCP and SP stabilised capitalist rule.
The outcome is a history that inspires morally but leaves politics confused. It elicits admiration for the oppressed’s struggles but fails to explain why those struggles were overcome. It creates a feeling of injustice without offering a clear strategy for change. While it presents a story of resistance, it does not provide a comprehensive theory of revolution.
The difference between Trotsky’s approach and others is clear. Trotsky’s “History of the Russian Revolution” is not just a timeline of events but a scientific analysis of revolutionary dynamics. It explores how objective conditions and subjective factors interact, the balance between spontaneous struggle and conscious leadership, and the relationship between the masses and the party. The book examines the contradictions within the Provisional Government, the role of the Soviets, the emergence of dual power, and the strategic choices that led to the October insurrection. It serves as a work of historical materialism, focusing on the laws governing societal change.
Trotsky’s analyses of the German and Spanish revolutions are equally meticulous. He argued that the German Revolution’s defeat was due to betrayals by the SPD and the Communist Party’s mistakes, not an inevitable outcome. Similarly, he pointed out that Spain’s revolution was defeated not because of Franco’s strength, but because of the Stalinist bureaucracy’s counter-revolutionary policies. He examined the political forces involved in these struggles and the strategic choices that led to their outcomes.
This level of analysis is missing from Varela’s work. Her narrative is detailed yet lacks explanation. She depicts the struggles of the oppressed but fails to analyze the political forces influencing their destiny. While she celebrates resistance, she does not explore leadership. She provides a history of the people but not of the class struggle.
The impact of this methodological weakness is clear in her analysis of the Portuguese Revolution. The Carnation Revolution, a key post-war movement, saw the working class radicalize, workers’ commissions form, factories occupied, and the colonial empire collapse, leading to dual power and directly challenging state authority. However, this upheaval was ultimately controlled and stabilized through an alliance between the PCP, SP, the military, and the trade union bureaucracy.
Varela discusses the mass radicalization but overlooks the political mechanisms that limited the revolution. She fails to investigate the PCP’s role in subordinating the working class to the MFA, nor does she analyze the SP’s defense of capitalist property relations. Additionally, she does not address the lack of a revolutionary party capable of leading the working class to power. While describing the symptoms of the revolution, she neglects its underlying dynamics.
This issue is not about historical facts but about the approach to history. To understand the fate of the Portuguese Revolution, it is essential to examine the roles played by PCP and SP, the impacts of Stalinism and social democracy, and the lack of revolutionary leadership. These elements are crucial in shaping the revolution’s outcome. Without considering them, the history of the revolution remains unfinished.
Varela’s discussion of European capitalism’s history shows a similar flaw. She highlights the plight of the oppressed but fails to explore the structural forces shaping capitalist growth. She overlooks key transitions like feudalism to capitalism, the rise of the bourgeois state, the advent of imperialism, and the worldwide aspects of capitalist accumulation. While she details the symptoms of capitalist development, she neglects its underlying laws.
This lack of theoretical analysis mirrors the political stance of today’s European left. After the Soviet Union’s collapse and the decline of social-democratic parties, the left has become wary of overarching narratives, doubtful of class analysis, and opposed to revolutionary leadership. Consequently, historiography tends to praise resistance while sidestepping issues of power.
This is the main limitation of the “people’s history” genre: it documents struggles but lacks analysis of their results. It honors resistance but doesn’t address defeat. It refers to “the people” but downplays the key role of class leadership. It tells stories of victims and heroes rather than classes and parties. Marxist historiography aims not to celebrate “the people,” but to analyze class struggle. Its goal is not just to document resistance but to explain its outcomes. It seeks understanding over moralizing. Its purpose is not to inspire but to equip.
Varela’s book, despite its strengths, falls short of this standard. While it offers a valuable correction to bourgeois historiography, it does not significantly advance Marxist theory. It reaffirms the importance of the working class in history but fails to explain its historical role. The book recounts revolutions without analyzing the conditions necessary for their success. It celebrates struggles but does not focus on leadership. Although it chronicles the oppressed, it does not present a history of class struggle in the Marxist framework.
Part III
Varela’s historiographical approach reveals more limitations when viewed against the backdrop of the broader crisis in historical consciousness during the post-Soviet period. The fall of the USSR in 1991 was seen by the bourgeois intelligentsia as the “end of history,” marking the triumph of liberal capitalism and the ultimate overthrow of Marxism. This ideological shift significantly influenced the academic left, leading to a decline in class analysis, a shift towards cultural and identity-focused perspectives, and increased skepticism about the idea of revolution. The result was a historiography that emphasised fragmentation, contingency, and micro‑history at the expense of structural analysis and global processes.
Varela’s approach partially counters current trends by emphasizing the central role of class struggle, the significance of mass movements, and the agency of oppressed groups. She rejects both liberal historiography’s complacency and post-modernism’s fatalism, bringing the working class back to the heart of European history. These are notable accomplishments. However, her work is still influenced by the post-Soviet left’s intellectual environment. It lacks the confidence found in traditional Marxist theory, avoids discussing revolutionary leadership, and replaces the scientific concept of class with the moral notion of “the people.” While she celebrates resistance, she does not delve into the conditions necessary for achieving victory.
This tension appears in her portrayal of European development’s long trajectory. Varela highlights peasant resistance to feudal lords, artisans fighting guild restrictions, workers opposing capitalist exploitation, and colonized peoples resisting imperial rule. However, she stops short of analyzing the structural shifts behind these struggles. She does not explore the transition from feudalism to capitalism, the rise of the bourgeois state, the expansion of the global market, or the rise of imperialism as a worldwide system. While she notes the signs of historical change, she overlooks its fundamental mechanisms.
Her treatment of 19th-century history notably omits structural analysis. While she links the revolutions of 1848, the unification of Germany and Italy, industrial capitalism’s growth, the rise of the labour movement, and imperialism as interconnected events, she does not explore their deeper dynamics. Key contradictions of capitalist development—such as the struggle between productive forces and relations of production, the tendency of profit rates to decline, the expansion of the global market, and intensified class conflict—are left unexamined. Consequently, her narrative becomes rich in detail but lacks the necessary theoretical clarity.
The contrast with Hobsbawm highlights important differences. His series—*Age of Revolution*, *Age of Capital*, and *Age of Empire*—provide a broad analysis of key structural changes in the modern world. They explore the links between economic growth, political systems, and social movements, and analyze capitalism’s contradictions and imperialism’s forces. Hobsbawm’s work places European history within a global context, but it is also influenced by his loyalty to the Communist Party. This limits his ability to critique Stalinism’s role in 20th-century defeats, the Soviet state’s decline, or the betrayals within the Communist International.
Varela’s work lacks the theoretical depth of Hobsbawm but echoes his political evasions. She avoids addressing Stalinism’s role in the failures of the German and Spanish revolutions, does not analyze the Soviet state’s degeneration, and omits the betrayals within the Communist International. While she details the struggles of the oppressed, she fails to scrutinize the political forces influencing their outcomes. Her work presents a history of the people but does not explore the broader class struggle.
This is where Trotsky’s method proves essential. His analyses of the Russian, German, and Spanish revolutions reveal that revolutions’ outcomes depend not on the “people” in general, but on the political leadership within the working class. Trotsky illustrated that the Russian Revolution’s success hinged on the Bolshevik Party’s capacity to provide strategic guidance, resist reformist and centrist influences, and spearhead the fight for state power. He attributed the failure of the German Revolution to betrayals by the SPD and shortcomings of the Communist Party. Additionally, he examined the counter-revolutionary role played by the Stalinist bureaucracy in Spain. His analysis also covered the interplay between objective conditions and subjective factors, spontaneous action and conscious leadership, as well as national and international developments.
This level of analysis is missing from Varela’s work. Her narrative is motivated by sympathy for the oppressed, yet it lacks a theory of revolutionary leadership. She highlights the courage and creativity of the masses but does not analyze the political forces influencing their struggles. While she celebrates resistance, she does not delve into strategy. She provides a history of the people but fails to address the broader class struggle.
This methodological weakness becomes especially clear in her discussion of the 20th century. While she links events like the First World War, the Russian Revolution, fascism’s rise, the Second World War, the post-war settlement, the Cold War, and the fall of the Soviet Union as interconnected, she does not analyze the deeper factors driving these events. Issues such as imperialism’s contradictions, the crisis of the nation-state, the influence of the Stalinist bureaucracy, and the global capitalist accumulation are left unexamined. Consequently, her narrative is detailed but lacks a solid theoretical foundation.
This lack of theoretical analysis mirrors the political stance of today’s European left. The fall of the Soviet Union and the decline of social-democratic parties have led to a left that distrusts grand narratives, doubts class analysis, and opposes the idea of revolutionary leadership. Consequently, historiography now emphasizes resistance but sidesteps issues of power.
This is the main limitation of the “people’s history” genre. It provides a record of struggles without analyzing their results. It honors resistance but doesn’t clarify why defeats happen. While it mentions ‘the people,’ it hides the crucial part played by class leadership. Essentially, it tells a story of victims and heroes, rather than focusing on classes and parties.
Marxist historiography’s purpose isn’t to praise “the people” but to analyze class struggle. It aims to explain resistance outcomes rather than just record them. Its goal isn’t moral judgment but understanding; not to inspire but to clarify. Varela’s book, despite its merits, doesn’t meet this standard. It offers a useful correction to bourgeois historiography but doesn’t significantly contribute to Marxist theory. While it restores the working class’s place in history, it doesn’t clarify their historical role. It describes revolutions but doesn’t analyze what conditions lead to their success. It celebrates struggle but overlooks leadership dynamics. It’s a history of the oppressed, not a history of class struggle in the Marxist sense.
The comparison with Zinn, Hobsbawm, and Trotsky highlights the strengths and weaknesses of Varela’s approach. Zinn provides a moral story of resistance but lacks in-depth theoretical analysis. Hobsbawm presents a structural view of capitalism but is politically biased due to his allegiance to the Communist Party. Trotsky offers a scientific perspective on revolutionary dynamics and emphasizes the importance of political leadership. Varela takes inspiration from Zinn and Hobsbawm, however, remains somewhat detached from Trotsky’s ideas. This distancing is intentional, reflecting the political stance of the modern European left, which has largely moved away from the Marxist critique of political economy and the idea of revolutionary leadership. Consequently, this historiography emphasizes resistance while sidestepping the issue of power.
The purpose of Marxist historiography is to surpass this restriction by analyzing capitalism’s structural dynamics, imperialism’s contradictions, the function of the state, class struggle movements, and the importance of political leadership. It should review past revolutions’ achievements and setbacks, recognize the betrayals by reformist and Stalinist leaders, and identify the conditions necessary for future struggles. The goal is to offer a scientific interpretation of history rather than a moralistic story.
Varela’s ‘A People’s History of Europe’ offers an important challenge to bourgeois historiography by re-centering the working class and questioning liberal narratives’ complacency. However, it is confined by the typical boundaries of the “people’s history’ genre, lacking the depth of historical materialism, the clear political stance of Trotskyism, and the comprehensive structural analysis found in Marxist historiography at its best.
Therefore, it is important to study Varela’s work together with the classical Marxist analyses by Trotsky, Lenin, and the early Comintern. These works offer the necessary theoretical framework to understand not only how and why workers fought and were defeated but also the lessons that can be learned for the future.
Pip: A seventeenth-century lens-grinder gets excommunicated for dangerous ideas, and four centuries later a Trotskyist historiography argues he was right about basically everything — welcome to A Trumpet of Sedition.
Mara: freerein61 has been digging into the long arc of materialist philosophy, tracing how Spinoza's monism connects to Marx, to Trotsky, and to the question of what revolutionary consciousness actually means.
Pip: Let's start with the lineage itself — Spinoza, materialism, and how one excommunicated philosopher ends up as the ontological ground of dialectical materialism.
Spinoza, Materialism, and the Revolutionary Lineage
Mara: The post opens with a provocation: that Spinoza has been celebrated precisely by stripping him of what made him threatening. Contemporary scholarship, even sympathetic scholarship, isolates him from the class antagonisms of his own century.
Pip: The post puts it directly — Spinoza's ideas were "dangerous in his own time, and remain dangerous today," because they undermine every ideological justification for hierarchy, privilege, and clerical authority.
Mara: That danger was biographical before it was philosophical. Spinoza's excommunication at twenty-three for "abominable heresies" wasn't theological squeamishness — it was a mercantile-rabbinic elite protecting its position inside the Dutch Republic's fragile tolerance. His material circumstances and his philosophy were inseparable.
Pip: And the post uses Trotsky's method of concrete analysis of concrete conditions to make that case — you cannot read Spinoza's intellectual defiance apart from the class forces that produced the Dutch Republic.
Mara: The philosophical hinge is his rejection of Cartesian dualism. Where Descartes split reality into mind and matter, Spinoza asserted one substance — Deus sive Natura — and his claim that "the order and connection of ideas is the same as the order and connection of things" anticipates Marx's insistence that consciousness is a product of material conditions.
Pip: So monism isn't a metaphysical curiosity — it's the move that makes a scientific account of society possible at all.
Mara: The post traces this through the French materialists: La Mettrie, Diderot, d'Holbach absorbed Spinoza's monism and turned it into militant atheism. Plekhanov called present-day materialism "a Spinozism that has become more or less aware of itself." Engels simply said old Spinoza was quite right.
Pip: On freedom and necessity, the post draws a careful parallel: for Spinoza, freedom is not free will but the understanding of necessity; for Trotsky, that understanding becomes collective revolutionary praxis — the working class grasping the laws of history in order to transform them.
Mara: The post also does sharp ideological critique of Roger Scruton, whose conservative reading of Spinoza the post calls "the ideological antithesis of Spinoza's rationalism" — admiring the logical rigour while rejecting the egalitarian implications, turning a revolutionary into a philosopher of aesthetic consolation.
Pip: Domesticating Spinoza, the post argues, mirrors the Stalinist domestication of Marx — detaching revolutionary thought from its materialist foundations.
Mara: The conclusion is that Marxism doesn't supersede Spinoza but completes him: his monism becomes the ground of dialectical materialism, his critique of superstition becomes the critique of ideology, and his defence of democracy becomes the defence of workers' democracy.
Pip: Four centuries on, the lens-grinder is still grinding.
Mara: The thread running through all of this is the question of what it means to complete a thinker rather than merely inherit them.
Pip: Spinoza dissolved dualism; Marx dissolved idealism; Trotsky dissolved fatalism. That's a relay race worth following — more next time.
I. Introduction: Spinoza and the Problem of Historical Materialism
Baruch Spinoza occupies a singular position in the history of philosophy: a thinker simultaneously canonised and neutralised. He is celebrated as a rationalist metaphysician, admired as a pioneer of secular modernity, and invoked as a precursor to democratic thought. Yet these recognitions have often come at the cost of stripping his work of its revolutionary implications. Contemporary scholarship, even when sympathetic, tends to isolate Spinoza from the social antagonisms of the seventeenth century and from the radical traditions that later drew upon his ideas. Spinoza’s ideas were “dangerous in his own time, and remain dangerous today,” precisely because they undermine every ideological justification for hierarchy, privilege, and clerical authority.
2.Spinoza’s Life as a Historical Symptom
Spinoza’s biography is not an incidental backdrop to his philosophy; it is a historical symptom of the contradictions of the Dutch Republic. Born into Amsterdam’s Portuguese‑Jewish community a community of former conversos who had fled the Inquisition Spinoza was excommunicated at twenty‑three for “abominable heresies” and “monstrous deeds.” The severity of the cherem reveals the political anxieties of a mercantile‑rabbinic elite dependent on the Republic’s fragile tolerance. Spinoza’s ideas threatened not only theological orthodoxy but the ideological foundations of a commercial oligarchy.
His modest life as a lens‑grinder, his clandestine publications, and his sympathy for Jan de Witt’s republicanism all point to a thinker whose material circumstances were inseparable from his philosophical commitments. His attempt to denounce de Witt’s murder as “barbaric” an act his landlord prevented for fear of reprisals illustrates the political stakes of his thought. Spinoza’s biography thus becomes a site where intellectual history and class struggle intersect.
Leon Trotsky’s method of “concrete analysis of concrete conditions” is indispensable here. Spinoza’s intellectual defiance cannot be understood apart from the class forces that shaped the Dutch Republic: the rise of a commercial bourgeoisie, the crisis of feudal remnants, and the ideological vacuum created by the decline of scholasticism. Spinoza’s philosophy emerges not as an abstract system but as the rational expression of a world in transition.
3.Monism as the Ontological Ground of Materialism
Spinoza’s rejection of Cartesian dualism is the decisive philosophical rupture that makes modern materialism possible. Descartes’ division of reality into res cogitans and res extensa preserved the theological worldview of the seventeenth century. Spinoza demolished this architecture by asserting that there is only one substance “God or Nature (Deus sive Natura).” Thought and extension are attributes of the same substance; the mental and the physical are two expressions of one reality.
This monism is not a metaphysical curiosity but the ontological foundation of materialism. By dissolving the supernatural realm, Spinoza undermines the ideological authority of church and state. His claim that “the order and connection of ideas is the same as the order and connection of things” anticipates Marx’s insistence that consciousness is a product of material conditions. Spinoza’s monism thus becomes the conceptual precondition for a scientific account of society.
Trotsky’s dialectical materialism deepens this insight. For Trotsky, the unity of mind and world is not merely ontological but historical: consciousness develops through labour, social relations, and class struggle. Spinoza’s monism provides the ontological ground; Marx and Trotsky provide the historical and dialectical method.
4.Consciousness, the Body, and the Anticipation of Marx
Steven Nadler’s argument is that consciousness corresponds to bodily complexity, citing Spinoza’s remark that “in proportion as a body is more capable… so its mind is more capable.” This insight dissolves the Cartesian “hard problem” centuries before its formulation. Consciousness is not an immaterial substance but the mental expression of a body embedded in causal networks.
Marx radicalises this insight by adding the historical dimension. Consciousness is not only the correlate of a complex body but of a body transformed by labour, tools, and social relations. When Marx writes that “consciousness can never be anything else than conscious being,” he completes the trajectory that begins with Spinoza’s monism. Spinoza provides the ontology; Marx provides the anthropology and the historical method.
Trotsky extends this further. In Problems of Everyday Life, he insists that consciousness is shaped by the rhythms of production, the organisation of labour, and the ideological apparatuses of class society. Spinoza’s insight into the embodied nature of consciousness becomes, in Trotsky’s hands, a theory of revolutionary consciousness: the capacity of the working class to grasp the necessity of social transformation.
5.Spinoza and Trotsky on Necessity, Freedom, and Determinism
The question of necessity and freedom occupies a central place in both Spinoza’s philosophy and the Marxist tradition. Yet the conceptual architectures through which each thinker approaches the problem differ in form while converging in political and historical significance. Spinoza articulates a monistic determinism in which freedom consists in the adequate understanding of necessity; Trotsky, working within the framework of dialectical materialism, transforms this insight into a theory of revolutionary praxis in which freedom emerges through the conscious intervention of the working class into historically determined processes. The comparison reveals not only a deep structural affinity but also the way in which Marxism completes and historicises Spinoza’s project.
Trotsky’s theory of permanent revolution provides the conceptual framework for understanding Spinoza’s political significance. Spinoza’s democratic republicanism anticipates the bourgeois revolutions of the eighteenth century, but it also contains the seeds of a more radical egalitarianism that can only be realised through proletarian revolution. Spinoza’s critique of superstition becomes, in Marxist hands, a critique of ideology; his defence of democracy becomes a defence of workers’ democracy; his monism becomes the ontological ground of dialectical materialism.
6 Spinoza: Freedom as the Understanding of Necessity
Spinoza’s determinism is absolute. Everything that exists follows from the nature of substance with the same necessity with which the properties of a triangle follow from its essence. Human beings, as finite modes, are no exception. Our actions, desires, and thoughts are determined by the causal order of nature; the experience of free will is an illusion born of ignorance of the causes that determine us. As the uploaded document notes, for Spinoza “freedom… is not free will but the understanding of necessity.”
This conception of freedom is not merely metaphysical but ethical and political. To understand necessity is to liberate oneself from the bondage of passive affects, superstition, and ideological mystification. Spinoza’s critique of religious authority rests on this insight: superstition thrives where causal understanding is absent. Freedom, therefore, is the achievement of adequate ideas — a rational comprehension of the causal order that governs both nature and society.
Yet Spinoza’s determinism is not fatalistic. The more we understand the causes that determine us, the more we participate in the activity of substance itself. Freedom is not the negation of necessity but its conscious appropriation. This is the conceptual core that Marx and Trotsky will later radicalise.
7. Trotsky: Freedom as Conscious, Collective Praxis
Trotsky inherits Spinoza’s insight that freedom is inseparable from necessity, but he transforms it by embedding it within a historical and social framework. For Trotsky, necessity is not the static causal order of nature but the dynamic, contradictory movement of history shaped by class struggle, technological development, and the global expansion of capitalism. Freedom emerges not through individual rational insight but through collective revolutionary praxis.
Trotsky’s critique of voluntarism and fatalism alike reflects this dialectical conception. Against voluntarism, he insists that revolutionary action must be grounded in an analysis of objective conditions; against fatalism, he argues that these conditions do not determine outcomes mechanically but open possibilities that can be realised only through conscious intervention. The working class becomes the agent through which necessity is transformed into freedom.
In The Revolution Betrayed, Trotsky writes that “freedom is the recognition of necessity — and the transformation of necessity into action.” This formulation echoes Spinoza but adds a crucial dimension: the transformation of necessity is a historical process, not a metaphysical one. Where Spinoza locates freedom in the intellect, Trotsky locates it in praxis.
8. Determinism Without Fatalism: A Shared Structure
Both Spinoza and Trotsky reject the notion of free will understood as uncaused choice. Both insist that human action is determined by causes that can be understood and acted upon. Both oppose superstition, mystification, and ideological obfuscation. Yet neither collapses determinism into fatalism.
For Spinoza, determinism is the condition of freedom: only in a universe governed by necessity can rational understanding liberate us from passive affects. For Trotsky, determinism is the condition of revolutionary agency: only in a world governed by historical laws can the working class intervene consciously to transform society.
The difference lies in the level of analysis. Spinoza’s determinism is ontological; Trotsky’s is historical. Spinoza’s freedom is intellectual; Trotsky’s is political. Spinoza’s subject is the rational individual; Trotsky’s is the revolutionary class.
Yet the structural affinity is unmistakable. Trotsky’s dialectical materialism can be read as the historical realisation of Spinoza’s monism: the unity of mind and world becomes the unity of theory and practice; the understanding of necessity becomes the transformation of necessity; the critique of superstition becomes the critique of ideology.
9. Necessity and Freedom in Revolutionary Time
The most profound convergence between Spinoza and Trotsky lies in their shared rejection of contingency as the foundation of human action. For both thinkers, freedom is not the assertion of arbitrary will but the alignment of human activity with the causal structure of reality. In Spinoza, this alignment is achieved through adequate ideas; in Trotsky, through the scientific analysis of capitalism and the strategic organisation of the working class.
Trotsky’s theory of permanent revolution exemplifies this synthesis. The revolution is not a voluntaristic leap but the unfolding of historical necessity — the contradictions of combined and uneven development — realised through conscious action. Spinoza’s dictum that “the more we understand, the more we are free” becomes, in Trotsky’s hands, “the more the working class understands the laws of history, the more it can transform them.”
10. Completing Spinoza: Marxism as the Historical Realisation of Monism
The comparison reveals that Marxism does not break with Spinoza but completes him. Spinoza provides the ontological foundation: the unity of mind and world, the determinism of nature, the critique of superstition. Marx and Trotsky provide the historical and political realisation: the unity of theory and practice, the determinism of history, the critique of ideology.
Spinoza dissolves dualism; Marx dissolves idealism; Trotsky dissolves fatalism. Spinoza grounds equality in nature; Marx grounds it in social relations; Trotsky grounds it in revolutionary praxis. Spinoza’s freedom is the understanding of necessity; Trotsky’s is the transformation of necessity.
In this sense, Trotsky is the most Spinozist of Marxists — not because he repeats Spinoza’s metaphysics, but because he realises its deepest implications in the sphere of history and revolution.
11 Politics, Ideology, and the Democratic Lineage
Spinoza’s political radicalism emerges directly from his metaphysics. If all humans are modes of the same substance, then no divine hierarchy can justify monarchy or clerical authority. His defence of democracy, equality, and secularism is not an ethical preference but a logical consequence of his ontology. His critique of superstition anticipates Marx’s analysis of ideology: both identify false consciousness as the mechanism through which domination is reproduced.
Jonathan Israel’s argument that Spinoza was the first major modern democrat is historiographically significant, but a Trotskyist analysis must go further. Spinoza’s political thought is not merely democratic; it is revolutionary. It articulates the emerging interests of a class whose ascent threatened the existing order. Ann Talbot’s claim that Spinoza was “as responsible as any one person could be for the revolution in consciousness” preceding the Enlightenment captures this dynamic.
12. The Line of Descent: Spinoza → French Materialism → Marxism
The connection between Spinoza and Marx is not retrospective but genealogical. The French materialists — La Mettrie, Diderot, d’Holbach — absorbed Spinoza’s monism and transformed it into a militant atheism that confronted the ideological apparatus of absolutism. Plekhanov’s assertion that “present‑day materialism is a Spinozism that has become more or less aware of itself” captures this continuity. Engels’s remark — “Old Spinoza was quite right” — confirms that Marxism recognised Spinoza as a precursor.
This lineage is not a chain of influence but a sequence of determinate historical transformations. Spinoza’s nature becomes Marx’s social totality. Spinoza dissolves dualism; Marx dissolves idealism. Spinoza grounds equality in nature; Marx grounds it in social relations and class struggle.
Trotsky’s contribution is decisive here. He insists that materialism must be historical and dialectical, capable of analysing the contradictions of capitalism and the dynamics of revolution. Spinoza’s monism becomes, in Trotsky’s hands, a weapon against both idealism and mechanical materialism. The unity of mind and world becomes the unity of theory and practice; the critique of superstition becomes the critique of Stalinist mystification; the defence of democracy becomes the defence of workers’ democracy against bureaucratic degeneration.
13. Scruton and the Conservative Neutralisation of Spinoza
The uploaded document’s contrast between Spinoza and Roger Scruton is a model of Trotskyist ideological critique. Scruton’s work represents the conservative attempt to reclaim Spinoza by stripping him of his revolutionary content. He admires Spinoza’s logical rigour but rejects the egalitarian implications of his monism. He transforms Spinoza into a philosopher of aesthetic consolation, a thinker whose metaphysics can be reconciled with hierarchy, tradition, and the “sacred.”
This is not an innocent misreading but an ideological operation. Scruton’s conservatism is “the ideological antithesis of Spinoza’s rationalism.” Where Spinoza dissolves the sacred, Scruton elevates it; where Spinoza undermines hierarchy, Scruton defends it; where Spinoza insists that social reality can be understood and transformed, Scruton insists it must be accepted. Trotsky would recognise this immediately as the reactionary function of philosophy under conditions of capitalist crisis.
Scruton’s domestication of Spinoza mirrors the Stalinist domestication of Marx: both seek to neutralise revolutionary thought by detaching it from its historical and materialist foundations. A Trotskyist historiography exposes these operations and restores Spinoza to the revolutionary lineage from which he has been severed.
14. Conclusion: Spinoza in the Age of Global Capitalism
Spinoza’s revival reflects the exhaustion of postmodernism and the crisis of bourgeois philosophy. As the ideological coherence of neoliberalism collapses, the materialist tradition — from Spinoza to Marx to Trotsky — re‑emerges as the only framework capable of explaining consciousness, politics, and social transformation. Spinoza was a revolutionary in the Dutch Republic; his ideas remain revolutionary under global capitalism. Marxism does not supersede Spinoza but completes him.
Spinoza’s monism becomes the ontological ground of dialectical materialism; his critique of superstition becomes the critique of ideology; his defence of democracy becomes the defence of workers’ democracy; his rationalism becomes the rationality of revolutionary praxis. In an era marked by deepening inequality, ideological disorientation, and the global crisis of capitalism, Spinoza’s rational, egalitarian, and naturalistic worldview offers not a relic of the past but a resource for the future. Only Marxism, as the dialectical completion of Spinoza’s project, can realise its emancipatory potential.
“Naughton documents the conditions of the working class with sympathy and precision, but he lacks the revolutionary perspective necessary to grasp the forces shaping those conditions.”
World Socialist Website
“I mean the only experience that doesn’t do you any good is the one you learn nothing from.”
Bill Naughton
Naughton’s humane portrayals of working‑class life stand in stark contrast to the complacent liberalism of Britain’s cultural establishment. Yet Naughton’s work, shaped by the ideological constraints of the Labour and Stalinist milieu, ultimately reflects the political impasse of the postwar settlement. His realism documents the conditions of the working class with sympathy and precision, but it lacks the revolutionary perspective necessary to grasp — let alone resolve — the contradictions of capitalist society.
The Social and Historical Background to Naughton’s Work
Bill Naughton (1910–1992) occupies a revealing place in the cultural history of postwar Britain. Born in County Mayo and raised in Bolton, Lancashire, he emerged not from the grammar‑school intelligentsia that produced the “Angry Young Men,” but from the most physically demanding layers of the industrial working class. Before turning to writing, he worked as a lorry driver, coal‑bagger and weaver — an increasingly rare biography even in mid‑century Britain. This background endowed his best work with a documentary authority and moral seriousness that sharply distinguished him from contemporaries who approached working‑class life from the outside. Yet Naughton’s career also reveals the political and artistic limitations of the postwar social‑realist tradition, shaped as it was by the ideological constraints of Labourism and Stalinism.
The Short Stories: Fidelity to Working‑Class Life
Naughton’s early short stories, collected in Late Night on Watling Street (1959), represent his most assured artistic achievement. The nocturnal world of the transport café — populated by lorry drivers, mechanics and night‑shift workers — is depicted with a fidelity reminiscent of the great realists. Crucially, Naughton writes from inside this world. He does not romanticise the men who pass through the café, nor does he treat them as sociological specimens. He knows the work, the fatigue, the camaraderie and the loneliness. This concreteness aligns with the Marxist insistence, from Engels onward, that truth emerges through the particular.
Yet the stories remain confined to the horizon of endurance. They register the emotional toll of night work — the isolation, the reliance on strangers for warmth — but they do not interrogate the social conditions that produce this world. The alienation is felt, not analysed. The result is realism without critique: a world faithfully rendered but not questioned.
The Family Drama and the Crisis of Postwar Respectability
Naughton’s most accomplished dramatic work, Spring and Port Wine (1964), engages more directly with the contradictions of postwar working‑class family life. The Crompton household, ruled by the patriarch Rafe, becomes a microcosm of class ideology. Rafe’s authority is not personal pathology but the expression of a social form: the patriarchal working‑class family, constructed by capitalism and now destabilised by postwar prosperity.
The play’s central conflict — Hilda’s refusal to eat a herring — becomes a test of Rafe’s authority and, by extension, of the viability of the old moral order. Naughton perceptively shows how working‑class respectability, once a survival strategy, becomes a mechanism of oppression when material conditions shift. But the play ultimately retreats into reconciliation. The contradictions it exposes are resolved through a softening of Rafe’s heart rather than through recognition that genuine liberation requires transforming the economic structures — the wage relation, the sexual division of labour, housing dependency — that produced patriarchy in the first place.
Alfie and the Ideology of the “Permissive Society”
Alfie (1963), Naughton’s most culturally enduring work, reveals the ideological tensions of the 1960s with particular clarity. Alfie Elkins, the working‑class London wide‑boy who treats women as disposable, embodies the so‑called “permissive society”: rising wages, loosening sexual mores and a new working‑class male hedonism.
The work oscillates between critique and glamorisation. The women Alfie exploits are drawn with humanity, and the backstreet abortion scene remains one of the most disturbing moments in 1960s British cinema. Yet the film’s marketing, Michael Caine’s charisma and the jaunty Bacharach score package Alfie’s lifestyle as aspirational. This ambivalence reflects the commodification of sexual liberation under consumer capitalism. Freedom becomes lifestyle; masculine domination becomes cultural product.
“The realism that seemed fresh in 1959 proved politically weightless when the postwar settlement collapsed and the working class entered into direct confrontation with the Labour and trade‑union bureaucracy.”
Catholic Moralism and the Political Ceiling of Naughton’s Perspective
Naughton’s later autobiographical works, including Saintly Billy and On the Pig’s Back, draw heavily on his Irish Catholic upbringing. This moral framework — emphasising conscience, humility and personal responsibility — explains the ethical seriousness of his writing. But it also marks a political ceiling. Catholic social ethics addresses the symptoms of capitalism without identifying its systemic causes, resolving contradictions through personal renewal rather than collective action.
The Erasure of the Irish Working Class in English Cultural Life
Although Naughton’s Irish origins shaped his life, they are largely absent from his public identity as a “Bolton writer.” This reflects a broader pattern: the Irish Catholic working class of Lancashire, despite its major contribution to labour and cultural life, was rendered invisible by a literary establishment with its own image of “the working class.”
Naughton and the Postwar Social‑Realist Tradition
Naughton belongs to the wider eruption of working‑class subject matter in late‑1950s Britain — Barstow, Sillitoe, Waterhouse, Braine, Osborne. This was a genuine aesthetic achievement: the working class appeared on the page and screen with unprecedented fidelity. But the tradition shared a common limitation. It documented working‑class life during the relative stability of the postwar settlement but had no political framework with which to confront the crises of the 1970s — the collapse of full employment, the Thatcher offensive, the destruction of the very communities it had celebrated.
The Collapse of the Postwar Settlement and the Limits of Labourism
The realism that had seemed so fresh in 1959 proved politically weightless when the postwar settlement unravelled. Writers registered the world as it was, but they could not grasp why it was so, or how it might be changed. The Labour and Stalinist bureaucracies, which dominated the workers’ movement, systematically blocked the development of a revolutionary perspective. The result was a literature of endurance rather than transformation.
Conclusion: The Need for a Revolutionary Perspective
Bill Naughton deserves serious critical attention. His short fiction and plays capture the texture of working‑class life with honesty and intelligence. But like the broader postwar social‑realist tradition, his work stops short of political consciousness. It documents the working class; it does not arm it. It registers contradictions; it does not resolve them. The world Naughton depicted — Bolton mill workers, lorry drivers on night haulage, young women trapped by respectability — demanded more than sympathy. It demanded a revolutionary perspective capable of transforming the conditions of life themselves.
Naughton gave us the literature of endurance. What was needed — and what the Labour and Stalinist bureaucracies systematically prevented — was the literature of emancipation.
SIDEBAR
Jim Allen, Barstow, and the Trajectory of British Social Realism
The contrast between Bill Naughton and his near‑contemporaries — particularly Jim Allen and Stan Barstow — illuminates the political tensions within postwar British culture.
Allen, a former miner from Manchester, developed an explicitly socialist perspective that brought him into repeated conflict with the cultural establishment. His plays and screenplays, including The Spongers (1978) and Perdition (1987), confronted the betrayals of the Labour and trade‑union bureaucracy, the crimes of Stalinism, and the historical falsifications used to justify them. The censorship of Perdition by the Royal Court Theatre remains one of the most revealing episodes in modern British cultural life.
Barstow, by contrast, exemplified the strengths and limitations of the postwar social‑realist novel. A Kind of Loving (1960) captured the texture of working‑class life with remarkable fidelity, but it remained confined within the ideological horizon of the welfare state and the apparent stability of the 1950s. When that stability collapsed in the 1970s, the tradition had no political resources with which to respond.
Naughton occupies a position between these two poles: more humane and attentive to collective life than Barstow, but lacking the political clarity and historical consciousness that defined Allen’s best work.
Pip: A Trumpet of Sedition opens this week with Spinoza — a seventeenth-century lens-grinder whose ideas were so dangerous they got him excommunicated, banned across Europe, and apparently are still causing trouble in the twenty-first century.
Mara: freerein61 has been busy — the posts this week range from Spinoza's materialist philosophy and its Marxist lineage, to the contradictions inside Hobsbawm's nationalism scholarship and the crimes of the British Empire, to Emily Brontë's social world, and finally to what Hofstadter's paranoid-style thesis actually does to working-class politics.
Pip: A full week. Let's start with the philosophy — Spinoza, materialism, and why Engels said the old man was quite right.
Spinoza, Materialism, And The Marxist Lineage
Mara: The post reviewing Steven Nadler's Spinoza, Atheist frames Spinoza as the foundation of philosophical materialism — the thinker who demolished Cartesian dualism by arguing there is only one substance, God or Nature, and that mind and body are two attributes of the same underlying reality.
Pip: Which means no immortal soul, no divine providence, no miracles — and a seventeenth-century excommunication that described his offenses as "abominable heresies and monstrous deeds" without actually specifying them, which is the institutional equivalent of being too scared to write it down.
Mara: Nadler's specific contribution is on consciousness. The post quotes directly from the Ethics: "In proportion as a body is more capable than others of doing many things at once… so its mind is more capable than others of perceiving many things at once."
Pip: So degrees of consciousness track degrees of bodily complexity — which the post argues anticipates embodied cognition and dissolves the hard problem centuries before Chalmers named it.
Mara: The post then traces the line forward: Plekhanov called present-day materialism "a Spinozism that has become more or less aware of itself," and when Engels was asked whether Spinoza was right that thought and extension are attributes of one substance, he replied simply — "Of course. Old Spinoza was quite right." Marx adds the historical and social dimension Spinoza lacked.
Pip: The contrast with Roger Scruton ties it together — Scruton admired Spinoza's logic but wanted aesthetic consolation, not revolution. The post calls that a difference of class position, not temperament.
Mara: The post concludes that only Marxism can complete what Spinoza began, by grounding consciousness and freedom in the material conditions of social life. On to empire and nationalism — where the same question of class position shapes everything.
Hobsbawm, Empire, And The Limits Of Nationalist History
Mara: The post on Eric Hobsbawm's On Nationalism opens a sustained argument: Hobsbawm's scholarship on invented traditions and national identity is genuinely valuable, but his Stalinist political formation prevents him from drawing the revolutionary conclusion his own evidence demands.
Pip: He can show that Highland tartans and British coronation rituals were largely fabricated between 1870 and 1914 to manufacture deference — and then stay completely silent about Stalin constructing Great Russian nationalist mythology to consolidate the bureaucracy. That silence, the post argues, is not an oversight.
Mara: The post is direct about this: "the most disastrous 'invention of tradition' in the twentieth century was Stalinist nationalism itself — the doctrine of 'socialism in one country.'" Hobsbawm's framework can debunk bourgeois myths but cannot explain why nationalism persists once its constructed character is exposed, because he lacks a class theory of ideology rooted in material social relations.
Pip: David North's essay on Trotsky and Hobsbawm gets named here for targeting what the post calls Hobsbawm's fatalism — the reduction of history to what happened, which retrospectively validates every Stalinist betrayal by insisting there was no alternative.
Mara: The Blood Never Dried, John Newsinger's people's history of the British Empire, runs into a related problem from a different angle. The post credits Newsinger with an unflinching chronicle — the slave trade, the 1857 Rebellion, the Opium Wars, the Mau Mau camps — but argues his SWP background leads him to frame imperial crimes primarily as moral outrages rather than products of capitalism's structural logic.
Pip: The upshot being that moral outrage without class analysis slides naturally into decolonisation rhetoric and identity politics that leave the capitalist system intact.
Mara: The post closes by pointing workers toward Lenin's Imperialism and Trotsky's Permanent Revolution as the analytical tools Newsinger's framework cannot supply. Which connects directly to the next territory — what happens when inner life gets separated from those same social forces.
The Brontës, Class, And The Prison Of Victorian Society
Pip: The post on Deborah Lutz's new biography of Emily Brontë opens a question that runs through the whole piece: how did a clergyman's daughter, largely isolated on the Yorkshire moors, produce Wuthering Heights — and does a biography organised around objects and inner life actually answer that?
Mara: The post quotes Marx directly on Charlotte Brontë and her contemporaries — that they "painted the middle class as full of presumption, affectation, petty tyranny and ignorance" and revealed more political and social truths than all the professional politicians and moralists combined.
Pip: That's the benchmark the post applies to Lutz — and it finds her materialist instincts strongest in her earlier Paperwork essay, which connects Brontë's tiny, concealed handwriting to the cost of paper in the 1840s, rag shortages, and the paper tax not lifted until 1860.
Mara: The post values that work precisely because it grounds artistic practice in economic conditions. But it argues Lutz's thing theory and material culture framework stop short of asking why an exceptionally talented woman had to hide her inner life completely — and the answer the post gives is not personal eccentricity but the societal exclusion of women from public intellectual life in Victorian bourgeois society.
Pip: Emily's privacy was structural, not temperamental. The post extends this to the sisters collectively — the Brontës published as Currer, Ellis, and Acton Bell because the alternative was dismissal.
Mara: The post also engages Terry Eagleton's Myths of Power as the most comprehensive Marxist reading of the Brontës to date, crediting his argument that Heathcliff's revenge is carried out entirely through property — mortgages, marriage alliances, inheritance schemes — while criticising his Althusserian framework for disconnecting the novels from actual historical class struggle.
Pip: And the SWP's treatment of the Brontës gets a sharp paragraph — reducing three of Victorian England's most complex writers to proto-feminist symbols for identity politics, the post says, diminishes both their legacy and the interests of the working class.
Mara: The post's conclusion is that Wuthering Heights endures because it is, as Paul Bond's review of the Fennell adaptation is quoted as saying, "visceral and astonishing… rooted not just in a brutal landscape, but in a real world of class distinction and savagery that must find reflection in the passions of our daily lives." That framework carries directly into the final segment — what happens when political analysis loses its class grounding entirely.
Hofstadter And The Paranoid Style As Liberal Weapon
Mara: The post on Hofstadter's The Paranoid Style in American Politics opens by granting the essay a limited concession — it correctly identifies a recurring pattern of conspiratorial politics across American history — and then argues that the framework's real function is to pathologise working-class discontent rather than explain it.
Pip: Labelling millions of people's distrust of institutions a psychiatric disorder is a tidy way to avoid asking why those institutions failed them.
Mara: The post quotes David North directly on Trump's trajectory: "More than any other Republican candidate, Trump has tailored his message to resonate with the intense anger and frustration of tens of millions of Americans who feel quite rightly neglected and scorned by a political system that overlooks their daily issues."
Pip: So the anger is legitimate — the analysis of who is responsible is wrong. That distinction is the whole argument, and Hofstadter's framework collapses it by treating the anger itself as the pathology.
Mara: The post connects this to David North's lecture on the long shadow of history — Hofstadter's shift from The American Political Tradition, written from a genuinely critical standpoint, to the consensus school, which removed class conflict as a meaningful analytical category. The post argues that move served Cold War liberalism's need to delegitimise both McCarthyism and socialist politics simultaneously.
Pip: The revival of Hofstadter in the Trump era gets the sharpest treatment — the post argues it allowed the Democratic Party and liberal establishment to avoid accountability for deindustrialisation, the opioid crisis, and the 2008 collapse by converting a political and economic crisis into a cultural one.
Mara: The post's answer is not a return to the liberal centre but the construction of a revolutionary socialist party — the same conclusion that runs through the Hobsbawm and Newsinger posts, and back to Spinoza's insistence that understanding causes is the only path to freedom.
Pip: What ties the week together is a single question asked four different ways — what does it cost an analysis when it stops at the symptom and refuses the structural cause?
Mara: Spinoza dissolved dualism, Brontë exposed class brutality, and the posts keep returning to the same gap — the political vacuum that fills with paranoia, nationalism, or myth when the working class has no organised alternative.
Spinoza, Atheist: Materialism, Consciousness, and the Marxist Lineage
Baruch de Spinoza (1632–1677) stands as one of the most radical and consequential thinkers in the history of philosophy. His work helped detonate the ideological foundations of the seventeenth‑century world and laid the groundwork for the Enlightenment, the democratic revolutions, and ultimately the materialist conception of history developed by Marx and Engels. Steven Nadler’s scholarship — especially his insistence that Spinoza was, in every meaningful sense, an atheist — has revived interest in this extraordinary figure. Yet Nadler’s work also reveals the limits of academic philosophy, which often isolates Spinoza from the historical and social forces that shaped him and from the revolutionary tradition that later drew upon his ideas.
Spinoza’s thought was dangerous in his own time, and it remains dangerous today. As the World Socialist Web Site has noted, his ideas are “dangerous to the financial aristocracy of the twenty‑first century” because they undermine every ideological justification for hierarchy, privilege, and religious authority.¹ To understand why, we must examine Spinoza’s life, his philosophical system, his political commitments, and his place in the lineage of materialist thought culminating in Marxism.
A Life of Intellectual Defiance
Spinoza was born into Amsterdam’s Portuguese‑Jewish community, a group of former conversos who had fled the Inquisition. Educated in Jewish tradition, he quickly distinguished himself as a formidable thinker. But at the age of twenty‑three, he was excommunicated with unprecedented severity. The cherem condemned him for “abominable heresies” and “monstrous deeds,” though it did not specify them a sign of the community’s fear of his ideas.²
After his expulsion, Spinoza lived modestly, supporting himself by grinding optical lenses. He corresponded with leading scientists and philosophers across Europe, including Henry Oldenburg, secretary of the Royal Society. His works circulated clandestinely, often in manuscript, because they were banned across Catholic and Protestant Europe. His Theological‑Political Treatise (1670) was published anonymously and immediately condemned as “a book forged in hell.”
Steven Nadler’s Spinoza: A Life reconstructs this world with remarkable archival detail.³ It shows Spinoza as a man of personal integrity, political sympathy for the republican cause of Jan de Witt, and unwavering commitment to intellectual freedom. When de Witt was murdered by an Orangist mob in 1672, Spinoza reportedly attempted to post a sign denouncing the killing as “barbaric,” only to be restrained by his landlord for fear of reprisals.
Spinoza died in 1677 at the age of forty‑four, likely from lung disease caused by inhaling glass dust. His friends published his Ethics posthumously, along with his correspondence and unfinished works. The Ethics would become one of the most influential — and feared — books in European intellectual history.
The Philosophical Break: Monism Against Dualism
Spinoza’s philosophical revolution begins with a decisive rejection of Cartesian dualism. Descartes had divided reality into two substances: res cogitans (thinking substance) and res extensa (extended substance). This dualism preserved the theological worldview of the seventeenth century: an immaterial soul, a transcendent God, and a universe governed by divine will.
Spinoza demolished this architecture. There is only one substance, infinite and self‑caused, which he calls God or Nature (Deus sive Natura). Thought and extension are not two substances but two attributes of the same underlying reality. As he writes in the Ethics, “the order and connection of ideas is the same as the order and connection of things.”⁴
This is the foundation of philosophical materialism. There is no supernatural realm, no divine providence, no miracles, no immortal soul. Human beings are modes of nature, governed by the same laws as everything else. Spinoza’s critics were correct to call him an atheist. Nadler argues persuasively that Spinoza’s “God” is not a being but a conceptual placeholder for the totality of nature.⁵
Spinoza’s monism dissolves the mind‑body problem centuries before it became the central obsession of analytic philosophy. If thought and extension are two aspects of one substance, there is no need to explain how an immaterial mind interacts with a material body. The problem is a product of dualist metaphysics, not a feature of reality.
Consciousness and the Body: Nadler’s Contribution
Nadler’s most significant philosophical contribution concerns Spinoza’s theory of consciousness. Many commentators have located consciousness in Spinoza’s doctrine of “ideas of ideas” — the notion that every idea has a second‑order idea that represents it. But Nadler argues that this cannot explain degrees of consciousness, since the doctrine applies uniformly to all ideas.
Instead, Nadler highlights Spinoza’s remarks linking consciousness to bodily complexity. In the scholium to Ethics IIp13, Spinoza writes:
“In proportion as a body is more capable than others of doing many things at once… so its mind is more capable than others of perceiving many things at once.”⁶
This is the basis of what Nadler calls “explanatory materialism”: consciousness is not caused by the body but is the mental expression of the body’s organisation. Degrees of consciousness correspond to degrees of bodily complexity. This anticipates modern embodied cognition and dissolves the Cartesian “hard problem” centuries before Chalmers formulated it.
From a Marxist standpoint, this is crucial. Spinoza provides the monistic foundation; Marx adds the historical and social dimension. Human consciousness is not only the correlate of a complex body — it is the correlate of a body transformed by labour, tool‑use, and social practice. Marx’s dictum in The German Ideology — “consciousness can never be anything else than conscious being” — completes what Spinoza began.⁷
Politics: Equality, Democracy, and the Attack on Ideology
Spinoza’s philosophical radicalism was inseparable from his political radicalism. Jonathan Israel has shown that Spinoza was the first major modern thinker to embrace democratic republicanism as the most rational form of political organisation.⁸ If all humans are modes of the same substance, governed by the same natural laws, then no divine hierarchy can justify monarchy, aristocracy, or clerical authority.
Freedom, for Spinoza, is not free will but the understanding of necessity — the rational comprehension of the causes that determine us. This is why superstition, religious authority, and political tyranny are intertwined: they depend on ignorance of causes. Spinoza’s Theological‑Political Treatise is one of the earliest and most powerful arguments for secularism, freedom of thought, and the separation of philosophy from theology.
It is no accident that Spinoza’s revival in the 1780s preceded the French Revolution. As Ann Talbot notes, Spinoza was “as responsible as any one person could be for the revolution in consciousness” that made the Enlightenment possible.⁹
Spinoza and Marxism: A Line of Descent
The connection between Spinoza and Marx is not a retrospective imposition. It runs through the French materialists — La Mettrie, Diderot, d’Holbach — and into the dialectical transformation of materialism achieved by Marx and Engels.
Plekhanov put it plainly: “present‑day materialism is a Spinozism that has become more or less aware of itself.”¹⁰ When he asked Engels in 1889 whether Spinoza was right that thought and extension are attributes of one substance, Engels replied: “Of course. Old Spinoza was quite right.”¹¹
Spinoza provided the monistic ontology; Marx provided the historical, social, and dialectical method. Spinoza dissolved dualism; Marx dissolved idealism. Spinoza grounded human equality in nature; Marx grounded it in social relations and class struggle.
Spinoza vs. Roger Scruton: Materialism Against Conservative Idealism
The contrast between Spinoza and Roger Scruton reveals the political stakes of philosophy. Scruton admired Spinoza’s logical rigour but sought to neutralise him — to turn Spinoza into a source of aesthetic consolation rather than a revolutionary materialist. Scruton’s conservatism, rooted in tradition, hierarchy, and the “sacred,” is the ideological antithesis of Spinoza’s rationalism.¹²
Where Spinoza insists that social reality can be understood and transformed, Scruton insists it must be accepted. Where Spinoza undermines religious authority, Scruton defends it as a source of social cohesion. Where Spinoza’s monism points toward equality, Scruton’s idealism defends hierarchy. This is not a difference of temperament; it is a difference of class position.
Why Spinoza Matters Now
The renewed interest in Spinoza — from Nadler’s scholarship to the embodied‑mind movement to the revival of radical Enlightenment studies — reflects a deeper crisis. Postmodernism, with its rejection of reason and truth, has exhausted itself. Bourgeois philosophy, trapped between scientistic reductionism and irrationalist relativism, finds itself returning to the materialist tradition it once abandoned.
Spinoza offers a way out: a rational, naturalistic, egalitarian worldview that rejects superstition and hierarchy. But only Marxism can complete what Spinoza began — by grounding consciousness, politics, and freedom in the material conditions of social life. Spinoza was a revolutionary in the age of the Dutch Republic. His ideas remain revolutionary in the age of global capitalism.
Notes
Ann Talbot, “Spinoza Reconsidered,” World Socialist Web Site, 2001.
Steven Nadler, Spinoza: A Life (Cambridge: Cambridge University Press, 1999), 73–75.
Ibid.
Baruch Spinoza, Ethics, IIp7.
Steven Nadler, “Was Spinoza an Atheist?”, Journal of the History of Philosophy 45, no. 2 (2007).
Spinoza, Ethics, IIp13s.
Karl Marx and Friedrich Engels, The German Ideology (1846).
Jonathan Israel, Radical Enlightenment (Oxford: Oxford University Press, 2001).
Ann Talbot, “Spinoza Revisited,” World Socialist Web Site.
G. V. Plekhanov, Fundamental Problems of Marxism (1908).
Ibid., correspondence with Engels.
Roger Scruton, Spinoza (Oxford: Oxford University Press, 1986).
Bibliography
Israel, Jonathan. Radical Enlightenment: Philosophy and the Making of Modernity, 1650–1750. Oxford: Oxford University Press, 2001.
Marx, Karl, and Friedrich Engels. The German Ideology. 1846.
Nadler, Steven. Spinoza: A Life. Cambridge: Cambridge University Press, 1999.
“Was Spinoza an Atheist?” Journal of the History of Philosophy 45, no. 2 (2007).
Plekhanov, G. V. Fundamental Problems of Marxism. 1908.
Scruton, Roger. Spinoza. Oxford: Oxford University Press, 1986.
Spinoza, Baruch. Ethics. 1677.
Talbot, Ann. “Spinoza Reconsidered.” World Socialist Web Site, 2001.
“The blood of India is on England’s hands… the whole system of English rule in India is one of systematic plunder and oppression.”
Ernest Jones
“In the boundless areas of India, Egypt, Persia, over which the gigantic octopus of British imperialism sprawls—in this uncharted human ocean vast internal forces are constantly at work, upheaving huge waves that cause tremors in the City’s stocks and hearts.”—
Leon Trotsky on Britain
We plough and sow, we’re so very, very low, That we delve in the dirty clay; Till we bless the plain with the golden grain, And then we’re thrust away.
Ernest Jones
“They are closely bound up with and dependent upon British capitalism. They tremble for their own property. They stand in fear of the masses. They seek compromises with British imperialism, no matter what the price, and lull the Indian masses with hopes of reforms from above.”—
Leon Trotsky’s Writings on Britain
John Newsinger’s The Blood Never Dried offers a powerful refutation of the widely held belief that British imperialism served as a benevolent, civilising force. Drawing upon the evocative words of Chartist poet Ernest Jones for its title, Newsinger’s work forcefully asserts that violence and coercion were not exceptions but fundamental to the Empire’s foundation and maintenance. The book traces this thread of brutality from the conquest of Ireland through to the Opium Wars in China, the forceful suppression of the 1857 Indian Rebellion, and the post-war counterinsurgency campaigns in places like Malaya and Kenya.
In doing so, it provides a necessary critique of the resurgence of imperial nostalgia in contemporary discourse. This challenge is particularly pertinent given recent attempts by figures such as US Secretary of State Marco Rubio to portray Western colonialism as a positive legacy, thereby highlighting the ongoing political relevance and urgency of Newsinger’s intervention.
Ernest Jones: The Revolutionary Tradition the Pseudo-Left Buries
Ernest Jones (1819–1869) remains one of the most important yet often overlooked figures in British radical history, primarily because his ideas threaten the superficial politics of the pseudo-left. He was the leading revolutionary figure of the later Chartist movement, a close political ally of Marx and Engels in England, and possibly Britain’s first to deliberately combine the fight for democratic rights with a clear socialist agenda rooted in the working class.
Jones had an unlikely background, born in Germany to a British military officer, raised as a gentleman, and trained as a lawyer. However, by the 1840s, he was fully dedicated to the workers’ cause. A gifted speaker and poet, he conveyed genuine class anger in his poetry. His 1852 “Song of the Lower Classes,” penned during two years of hard labour in Tothill Fields prison for his Chartist activism, remains one of the most powerful expressions of working-class consciousness in English. We plough and sow, we’re so very, very low,That we delve in the dirty clay;Till we bless the plain with the golden grain,And then we’re thrust away.
This was not mere sentimental reformism. Jones advocated for expropriating landlords and capitalists, nationalising land and industry, and empowering the working class politically. Unlike many of his Chartist peers, he understood that the six points of the People’s Charter were not the final objective but, as Engels observed, “a mere means to further ends,” specifically, the socialist transformation of society.
Marx and Engels held Jones in high regard. After the 1848 defeats of Chartism, when many leaders shifted toward bourgeois liberalism, Jones remained committed to the revolutionary agenda and maintained close ties with Marx and the International Workingmen’s Association (the First International). In a 1858 letter to Engels, Marx emphasised Jones’s significance, describing him as “the only educated Englishman (in the professional sense) among the politicians who is fundamentally on our side.” Jones lectured on political economy, using Marx’s categories, and maintained regular correspondence with Marx. He understood—more than most of his British contemporaries—the international nature of the workers’ struggle.
Importantly, Jones was among the rare figures in 19th-century Britain’s labour movement to adopt a principled anti-colonial position regarding Britain’s empire. During the peak of the 1857 Indian Rebellion—referred to by the British ruling class as the “Indian Mutiny”—as patriotic media demanded retribution, Jones spoke at large gatherings advocating for the Indian people’s right to oppose British authority. He described the rebellion in his publication, People’s Paper: “The blood of India is on England’s hands… the whole system of English rule in India is one of systematic plunder and oppression.”
This was not merely moral indignation. Jones understood the connection between the exploitation of colonised peoples abroad and the exploitation of the working class at home — that the same ruling class that ground down the Lancashire mill workers also bled India dry through the East India Company, that the surplus extracted from colonial peoples helped finance the bribery of the upper layers of the British working class. This is precisely the insight — the connection between imperial exploitation, the labour aristocracy, and the corruption of the working-class movement that Lenin later theorised in Imperialism: The Highest Stage of Capitalism, and that Trotsky built upon in his analysis of Britain.
Jones’s legacy offers a clear political lesson. British schools seldom teach about him. When the pseudo-left discusses British radical history, it usually focuses on the “Moral Force” branch of Chartism—represented by William Lovett—emphasising respectability, petitions, and reform, rather than the revolutionary tradition of Jones and the Newport Rising. The true revolutionary aspect of Chartism, advocating for the working class to directly challenge the capitalist state both nationally and internationally, is deliberately downplayed by the pseudo-left.
John Newsinger’s The Blood Never Dried: A People’s History of the British Empire (first published in 2006, updated in 2013) is an accessible, unflinching chronicle of the British Empire’s crimes: the slave trade and its defenders, the conquest of India and the deliberate creation of famines, the brutal suppression of the 1857 Rebellion, the Opium Wars forced upon China, the conquest of Egypt and Sudan, the Boer concentration camps, the suppression of the Irish, the Mau Mau torture camps in Kenya, the Malayan “Emergency,” and the bloody retreat from empire through the mid-20th century.
Newsinger writes from a socialist perspective and plays a significant role in recovering the voices of those who resisted, including not only the colonised peoples but also the small number of British workers and radicals who refused to reconcile with the Empire. The book serves as a valuable popular history and offers a helpful counterpoint to the imperial nostalgia that periodically emerges in British society. Nonetheless, a Marxist critique of Newsinger’s work must go beyond mere appreciation. Newsinger spent many years as a member of the Socialist Workers Party, the same organisation identified as a key vehicle for pseudo-left politics in Britain. The political limitations inherent in the SWP’s tradition influence even Newsinger’s most notable work.
The fundamental theoretical problem is this: The Blood Never Dried tends to present the crimes of the British Empire primarily as a moral and political outrage, which of course they are, without fully grounding them in the structural logic of capitalism itself. The Empire was not an aberration from British history that can be condemned and then set aside while preserving the existing social order. It was the product of British capitalism at its most expansive, driven by the imperatives of capital accumulation, the search for markets, raw materials, and fields of investment. As Marx wrote in Capital, capitalism came into the world “dripping from head to foot, from every pore, with blood and dirt.” The enclosures that dispossessed the English peasantry, the slave trade that financed the industrial revolution, and the colonial famines that generated surplus value for British capital were not separate phenomena; they were facets of a single system.
This issue is extremely significant for contemporary politics. If the British Empire’s wrongdoings are viewed simply as a historical moral scandal — terrible acts committed in the past by bad actors under a now-defunct empire — then the natural political response tends toward “decolonisation” rhetoric, reparations, and cultural politics within the current capitalist system. This pattern is evident in the SWP environment, which has shifted from a nominally anti-imperialist stance to becoming entangled in identity politics and “decolonise the curriculum” campaigns that fail to challenge capitalism and instead tend to divide the working class along racial lines.
The British Pseudo-Left’s Approach to Empire: Moral Outrage Without Class Politics
This underscores the main problem with how the British pseudo-left, including groups like the SWP, Counterfire, and various Corbynite factions, approaches the history and legacy of Empire today. Their stance is characterized by three interconnected shortcomings. Firstly, they see imperialism mainly as a moral concern rather than a structural one. While they rightly condemn particular atrocities, they neglect to connect them to the underlying logic of capitalist accumulation. This view enables them to cling to the false hope that a reformed Labour government or a different foreign policy could make British imperialism “ethical.” For instance, the Stop the War Coalition’s proposal for Britain to pursue an “independent foreign policy” modeled after France and Germany reflects this belief: that imperialism can be made more humane from within, without challenging the capitalist class that sustains it.
Secondly, there is a shift from traditional class politics towards identity politics and the discourse of “decolonisation.” The SWP’s support for racial and gender issues, its endorsement of “intersectionality” as compatible with Marxism, and its focus on the professional-managerial classes in universities all tend to reduce the class debate to a cultural concern. While the atrocities of Empire are real and must be addressed, genuine confrontation occurs only when they are linked to the capitalist system that causes and sustains them. In contrast, identity politics promotes the absurd idea of a “diverse” British military—including women, people of color, and LGBT soldiers—participating in actions like bombing Afghanistan or supporting the Israeli genocide in Gaza. Representation within the imperial state is not a form of anti-imperialism; it is merely its latest cultural facade.
Most importantly, the pseudo-left fails to develop a vital political tool: an independent revolutionary party that genuinely represents the working class, the only force capable of ending imperialism. Ernest Jones understood that the working class needs its own party, program, and leadership that are fundamentally opposed to the bourgeoisie. In contrast, the SWP mainly revolves around the Labour Party, pressures the trade union bureaucracy, and confines anti-imperialist ideas within controlled bourgeois channels.
Alongside pseudo-left critiques of the British Empire, a new wave of right-wing and racist historiography has emerged, led by figures like Kehinde Andrews. Andrews’ *The New Age of Empire* warrants serious critical analysis from a Marxist perspective because, although it rightly condemns imperialism and capitalism’s crimes, it is fundamentally rooted in postcolonial theory and racial idealism. This framework, despite its radical rhetoric, ultimately offers a political dead end for the working class.
Andrews rightly sees that colonialism is an ongoing issue, not just a closed chapter in history. The exploitation of the Global South—through wealth extraction via unequal trade, debt dependence on international financial institutions, and the persistence of neocolonial regimes—remains a continuous aspect of capitalism. His critique of Western liberal hypocrisy is also valid. However, recognising these symptoms alone does not provide a full diagnosis, and this is where the book’s framework falls short.
Andrews focuses on race rather than class as his central analytical category. He views racism—defined as a system of white supremacy rooted in colonialism and still ongoing—as the main organising principle of the modern world. This perspective resembles postcolonial theory presented as radicalism, yet it has historically favoured the interests of the upper-middle class and the national bourgeoisie in former colonial countries, rather than the working class.
His framework lacks an explanation for this history because it doesn’t clearly see it. When race is the primary lens instead of class, it’s difficult to understand why formally “decolonised” nations led by Black and brown bourgeoisie remain trapped in poverty and dependence. The Marxist perspective is explicit: capitalism and imperialism are primarily class projects, and they employ race merely as a division tool.
“The Blood Never Dried” serves as a stark reminder that the crimes of the British Empire are ongoing. British imperialism has sent Challenger tanks to Ukraine and provided arms to Israel for the Gaza genocide. They detained Julian Assange and used the entire colonial state apparatus against its own working class through austerity and wage suppression. The blood continues to flow because the system responsible for shedding it remains unoverthrown. While “The Blood Never Dried” is valuable for exposing imperial crimes, workers seeking to understand the reasons for imperialism, how to oppose it, and what political strategies are needed should study Lenin’s “Imperialism,” Trotsky’s “Permanent Revolution,” and the daily analysis on the World Socialist Web Site. Ultimately, the history of empire is the history of capitalism; only when the international working class overthrows capitalism will it end.
Pip: A Yorkshire clergyman's daughter, writing in secret on scraps of recycled paper, produces one of the most socially explosive novels in the English language — and we're still arguing about what it means.
Mara: That's the territory freerein61 maps out across this episode: a new biography of Emily Brontë, the social roots of Wuthering Heights, and what it costs to read the Brontës without a class framework.
Pip: Let's start with the biography itself, and the question it raises about how we understand where great literature actually comes from.
This Dark Night: biography, class, and the Brontës
Mara: The central tension here is methodological: Deborah Lutz's new life of Emily Brontë is richly researched, but does focusing on biography risk reducing a major novel to a reflection of its author's inner world rather than its social conditions?
Pip: The post anchors its argument in Paul Bond's reading of Wuthering Heights, setting it up this way — the novel reveals "an almost organic expression of this devastating personal impact which has definite social roots in property relations."
Mara: That phrase does real work. It means Heathcliff's rage, Catherine's choice, the whole machinery of revenge through mortgage and marriage — none of it is psychological backstory. It is the social structure of mid-nineteenth-century England made flesh.
Pip: And Lutz's earlier scholarship actually gets close to that. Her "Paperwork" essay traces the cost of paper in the 1830s and 1840s, the rag trade, the tax on paper not lifted until 1860 — connecting Brontë's tiny, concealed handwriting to genuine material scarcity. That is not romantic mythologization; that is the economic base showing up on the page.
Mara: The concern is that Lutz's broader framework — thing theory, material culture studies, haptic reading — focuses on objects and their meanings without fully exploring the social relations behind their production. The post notes that collectors and workers gathered raw materials processed at early industrial sites, and that the Brontës' difficulties were not merely personal.
Pip: Charlotte worrying that her Professor manuscript might end up as butter-barrel lining is either a charming period detail or a precise illustration of how intellectual labour sits inside capitalism — and the post is firmly in the second camp.
Mara: The post also takes on Terry Eagleton's Myths of Power, which it calls arguably the most comprehensive Marxist analysis of the Brontës to date. Eagleton reads Heathcliff as a symbol of the contradictions capitalism produces: brutalised as a foundling, he then exploits the logic of property and inheritance to exact revenge on those who degraded him.
Pip: High praise, followed immediately by a precise complaint — Eagleton's Althusserian framework ultimately treats texts as systems of signs and ideological conflicts, pushing the actual historical context, the Chartist movement, the condition of the working class in Yorkshire, to the background.
Mara: The post then turns to the SWP's coverage of the Brontës, described as reducing three of Victorian England's most significant writers to symbols supporting a modern identity-politics agenda. The argument is that reading the sisters primarily as proto-feminist figures misses the broader social and historical forces that give their work its depth and its staying power.
Pip: Emily's concealed poems, written in a script "meant to conceal even as it revealed," get read here not as personal eccentricity but as the direct consequence of what Victorian bourgeois society permitted educated women to be.
Mara: And the post closes by asking whether Lutz's biography meets a specific standard: does it situate Brontë's inner life within the tangible context of Victorian England — class conflict, treatment of women, economic instability among the educated poor — or does it indulge the myth of a solitary genius communing with nature?
Pip: The answer is left open, which is either admirably honest or a very long way to say "read it and find out." Either way, the framework for reading it has been thoroughly constructed.
Mara: That framework extends naturally to the other Brontë sisters — and to Jane Eyre's particular version of independence, which is where the argument about class and women's labour becomes most direct.
Pip: What stays with me is the butter-barrel problem: intellectual work produced under material constraint, circulating in a market that doesn't care about its value.
Mara: That tension hasn't resolved. The Brontës wrote it into their novels, and it's still the right question to bring to any biography that follows.