The Commodification of Intimacy: A Historical Materialist Analysis of the Sex Doll Boom

The rapid expansion of the AI-driven sex doll industry is more than just a technological trend; it reflects a deeper social issue. It signifies a new chapter in capitalism’s ongoing process of infiltrating, reshaping, and commodifying the most personal aspects of human existence. What is presented as “innovation” actually exposes the system’s failure to support authentic human relationships.[1]

Defenders of this industry, such as venture capitalists, technologists, and many so-called therapeutic commentators, claim that these devices increase “choice,” “agency,” and “pleasure.” However, understanding this phenomenon requires more than just ideological market categories. It should be viewed within the historical evolution of capitalist social relations, which have gradually turned intimacy, once a human need, into a profit-driven sector. The sex-doll boom isn’t an anomaly but the natural outcome of a centuries-long process.

From Feudal Bonds to Market Isolation

Under feudalism, closeness was rooted in communal and kinship networks. While these systems had their oppressive aspects, they offered a structure of social reliance. The shift to capitalism broke these bonds. Enclosing common lands, ending feudal duties, and increasing wage labour created a new social state: atomization. People were removed from traditional communities and pushed into the market as solitary labour units.

Marx articulated this process with stark clarity: capitalism “dissolves the family” and replaces natural human bonds with “naked self-interest” and “callous cash payments.’ This marks the start of intimacy becoming a commodity—not through sex dolls, but through turning human relationships into economic exchanges.

The 19th century experienced its first widespread intimacy crisis as capitalism rose. Industrialisation drew millions from rural areas into crowded cities, where life was marked by overcrowding, poverty, and relentless labour. The bourgeois family, often idealised in Victorian times, emerged from capitalist property relations and was based on inheritance, domestic servitude, and women’s subordination. For the working class, however, the family often remained fragile, strained by long hours, low wages, and lack of social support.

Prostitution increased not due to moral decline but because capitalism established conditions where intimacy was accessible only through the market. The sex trade became a fundamental aspect of industrial society. Engels noted that bourgeois society viewed prostitution as a “necessary complement” to the monogamous family, highlighting that capitalism generates both the ideal and its opposite.

Mass Culture and the Commodification of Desire

In the 20th century, the rise of mass consumer culture shifted the meaning of intimacy into a commercial realm. Advertising, cinema, and later television not only influenced desires but also rewired them, producing standardised fantasies sold to audiences. The sexual revolution, frequently seen as a move towards liberation, was quickly co-opted by market forces. Pornography turned into a worldwide industry, dating services became commercialised, and emotional life was targeted for psychological and corporate control. Rather than freeing intimacy, capitalism restructured it. The family was increasingly subordinated to the demands of wage labour, while loneliness—once seen as a social problem—became a profitable niche. The seeds of the present crisis were planted here.

In the late 20th and early 21st centuries, the crisis of intimacy deepened significantly. Neoliberal reforms led to the dismantling of welfare states, the privatisation of public goods, and the spread of market logic into all areas of life. These changes had severe effects: wages stagnated, housing costs increased rapidly, job security diminished, communities broke apart, and public spaces disappeared. The essential conditions for building stable relationships—time, security, and community—were systematically eroded. As a result, loneliness became widespread and ingrained.

At the same time, digital capitalism commodified social interaction itself. Social media transformed friendship into engagement metrics. Dating apps turned desire into algorithmic sorting. Influencers monetised parasocial attachment. The market colonised the emotional sphere.

The rise of AI-enabled sex dolls marks a new phase: the commodification of simulated intimacy. These devices are presented not just as sexual objects but as synthetic companions with “personalities,” “emotional responsiveness,” and “relationship modes.” This development is the logical result of a system that already modifies communication, affection, self-presentation, and loneliness. The doll is more than a product; it’s a simulation of a relationship—an intimacy devoid of reciprocity, vulnerability, and mutual recognition—transformed into a consumer good.

The most unsettling innovations in the industry—such as simulated resistance, distress, and trauma—reveal its core reasoning. These are not errors but deliberate aspects of a market that must constantly differentiate its products to maintain profits. As a result, domination turns into a commodity. Today, capitalism markets not just desire but also power.

Loneliness as a Revenue Stream

Industry defenders claim that no one is harmed because the doll lacks consciousness. This view is both superficial and cynical. The real harm stems from social conditions that create a desire for such objects. In a humane society, widespread loneliness would be seen as a crisis needing collective action. Under capitalism, however, it becomes a market opportunity. The system responsible for eroding community now sells artificial replacements for human connection. The rise of sex dolls exemplifies a larger trend where emotional lack is exploited commercially. Capitalism first causes isolation and then profits from coping strategies.

The rise of AI “girlfriend” and “boyfriend” apps highlights the cultural and ideological front of a social crisis also evident in the sex-doll industry. While the sex-doll industry focuses on commodifying physical intimacy, AI companion apps commercialise emotional and psychological connection. These platforms are not just products; they are tools that reshape how people view human relationships in an increasingly isolated society.

These apps position themselves as therapeutic aids—offering comfort, confidence, and a sense of ‘non-judgmental companionship.” However, they actually act as ideological tools that promote replacing human relationships with algorithm-driven imitations. They encourage users to accept intimacy without real give-and-take, affection without genuine vulnerability, and companionship lacking the social context necessary for authentic connections.

Their business model relies on fostering loneliness. Premium options promise “deeper emotional engagement,” “more affectionate responses,” and “enhanced personality traits,” transforming care into a subscription. Emotional deprivation becomes a steady source of income. Users pay not for real connection but for the illusion of recognition.

Even more concerning is the apps’ therapeutic rhetoric. By portraying loneliness as a personal psychological problem instead of a social issue resulting from decades of neoliberal restructuring, they depoliticise the intimacy crisis. They promote seeking comfort through private consumption rather than collective action, turning a sign of capitalist breakdown into a personal lifestyle choice. While sex dolls commodify domination by simulating resistance, distress, and trauma, AI companion apps do so ideologically. They promote relationships where one person is endlessly compliant, emotionally adaptable, and structurally subordinate, fostering intimacy expectations aligned with market principles: predictable, controllable, and continuously monetizable.

The rise of these apps is not a harmless cultural trend. It is a warning. They prepare the ground for a society in which emotional life is reorganised around profit imperatives, and in which synthetic relationships become the default response to a crisis capitalism cannot solve. The proper response is not moral condemnation of users, but recognition that genuine intimacy requires reconstructing social life itself—community, stability, public space, and democratic control over the conditions of existence. AI companion apps are the soft power of synthetic intimacy: the ideological justification for a world in which even affection has been commodified.

The appropriate response isn’t to morally condemn those using these devices. Many are victims of capitalism-driven isolation. The emphasis should be on transforming the social system that hampers genuine intimacy. From a socialist perspective, intimacy is a fundamental human need, not a commodity; loneliness is a collective issue, not solely an individual’s problem; and fostering human connections requires rebuilding social life. This includes ensuring housing security, offering meaningful employment, developing public spaces, supporting community institutions, and maintaining democratic control over living conditions.

The rise of sex dolls isn’t just a strange trend; it’s a signal. It highlights how deeply capitalism has infiltrated our emotional lives. Without a major societal shift, even our most personal needs risk being sacrificed to the pursuit of profit. The fight for socialism, among other goals, seeks to reclaim genuine intimacy from market forces and to reestablish authentic human connections in a world where everything, including loneliness, has been turned into a commodity.

Sources and Bibliography

Core Theoretical Works on Intimacy, Capitalism, and Alienation

  • Karl Marx, Economic and Philosophic Manuscripts of 1844 — foundational analysis of alienation, commodification, and the dissolution of human relations under capitalism.
  • Karl Marx & Friedrich Engels, The Communist Manifesto — on capitalism’s destruction of traditional social bonds and the reduction of human relations to market transactions.
  • Friedrich Engels, The Origin of the Family, Private Property and the State — historical materialist analysis of the family as a social institution shaped by property relations.
  • Erich Fromm, The Art of Loving — critique of love as a commodity in capitalist society; relevant to emotional commodification.
  • Zygmunt Bauman, Liquid Love: On the Frailty of Human Bonds — seminal work on intimacy in liquid modernity, consumerism, and the erosion of stable relationships.

Contemporary Scholarship on the Commodification of Intimacy

  • Nicole Constable, “The Commodification of Intimacy: Marriage, Sex, and Reproductive Labour,” Annual Review of Anthropology 38 (2009): 49–64. A key anthropological survey of how intimacy, marriage, sex work, and domestic labour have become commodified within global capitalist processes.
  • Júlia Rosell Saldaña, “Liquid Ties: How Consumer Capitalism Undermines Human Relationships,” 2024. Explores how consumer capitalism reshapes emotional bonds into disposable interactions governed by efficiency, self‑optimization, and symbolic profit.
  • Eva Illouz, Cold Intimacies: The Making of Emotional Capitalism — analysis of how capitalism reorganises emotional life, turning feelings into marketable commodities.
  • Eva Illouz, Why Love Hurts: A Sociological Explanation — on how capitalist structures produce emotional insecurity, loneliness, and commodified desire.
  • Arlie Russell Hochschild, The Managed Heart — foundational text on emotional labour and the commodification of affect.

Digital Capitalism, AI Companionship, and Synthetic Intimacy

  • Sherry Turkle, Alone Together: Why We Expect More from Technology and Less from Each Other — critical analysis of how digital technologies simulate intimacy while deepening social isolation.
  • Natasha Schüll, Addiction by Design — while focused on gambling machines, provides essential insights into algorithmic manipulation of human desire relevant to AI companion apps.
  • Jesse Fox & Wai Yen Tang, “Sexualization, Objectification, and Digital Companionship: The Rise of AI Partners,” Journal of Digital Social Research (2023) — on the psychological and social implications of AI “partners.”
  • Rob Brooks, Artificial Intimacy: Virtual Friends, Digital Lovers, and Algorithmic Matchmakers — overview of how AI reshapes intimacy, desire, and social bonds.

Historical and Sociological Context

  • Christopher Lasch, The Culture of Narcissism — on the psychological consequences of late capitalism, relevant to the rise of synthetic relationships.
  • Richard Sennett, The Fall of Public Man — analysis of the decline of public life and the privatisation of social existence.
  • David Harvey, A Brief History of Neoliberalism — essential for understanding the structural conditions (precarity, privatisation, atomization) that produce mass loneliness.
  • Silvia Federici, Caliban and the Witch — historical analysis of reproductive labour and the transformation of social bonds under capitalism.

Reports, Data, and Contemporary Analyses

  • OECD, Loneliness in the 21st Century (2021–2024) — statistical data on rising loneliness across advanced capitalist societies.
  • UNESCO, AI and Society reports — on ethical, social, and psychological impacts of AI companionship technologies.
  • MIT Technology Review, investigative pieces on AI companion apps and synthetic relationships (2022–2026).

Suggested Additional Reading

WSWS Editorial Board, analyses on social atomization, digital capitalism, and the crisis of social reproduction.

Neil Davidson, How Revolutionary Were the Bourgeois Revolutions? — for grounding your historical method.

Raphael Samuel, Theatres of Memory — on the social construction of experience and the erosion of communal life.


[1] AI vaginas, customisable personalities and fake bruises: the sex doll market is booming. Does it matter how the dolls are treated?- http://www.theguardian.com/lifeandstyle/2026/aug/30/sex-doll-market-booming-ai-vaginas-customisable-personalities-fake-bruises

Communism Did Not Build a Capitalist Superpower: Teemu Ruskola’s Liberal Interpretation of China’s Social Counter Revolution

Teemu Ruskola’s The Unmaking of the Chinese Working Class: How Communism Built a Capitalist Superpower provides a detailed examination of the legal and institutional changes through which the People’s Republic of China altered its land system, labour policies, and urban–rural relations from 1949 onward. However, the book’s main theoretical claim that China’s rise as a capitalist superpower was “built by communism” is based on a fundamental misunderstanding of the Chinese Communist Party (CCP) and Stalinist political logic. This essay contends that, despite its empirical strengths, Ruskola’s analysis is ultimately a liberal reading of a process better understood as a bureaucratic counter-revolution that led to capitalist restoration.

The exclusion of the 1989 Tiananmen Square massacre, the portrayal of the CCP bureaucracy as a neutral entity, and the lack of a theory of the working class as a political agent make the book inadequate from a Marxist perspective. To truly understand China’s political transformation and the revolutionary capacity of its working class today, a more rigorous framework such as Leon Trotsky’s concept of the degenerated workers’ state is essential.

The problem of naming China’s transformation

Teemu Ruskola’s book explores a longstanding debate about China’s transformation after 1978. His core claim that “communism built a capitalist superpower” is deliberately provocative. It challenges both Western liberal triumphalist stories and the CCP’s defensive narrative. The book also reinterprets China’s change from a comparative standpoint, drawing on E.P. Thompson’s The Making of the English Working Class and Karl Polanyi’s idea of land and labour as “fictitious commodities.”

Ruskola’s work makes significant empirical contributions. He thoroughly describes the hukou household-registration system, the legal separation between state-owned urban land and collectively owned rural land, and the hybrid nature of migrant labour. His original and persuasive argument that China’s transformation reversed the English process—prioritising labour commodification before land is both innovative and convincing.

However, the book’s theoretical approach is fundamentally flawed. It accepts the CCP’s self-identification as a communist regime and views the market reforms of the 1980s and 1990s as a paradoxical but ongoing development of “communism.” It overlooks the CCP bureaucracy as a distinct social layer with its own interests. Additionally, it fails to see the 1989 Tiananmen Square massacre as a pivotal political turning point and does not consider the working class as an active political subject.

This essay argues that Ruskola’s interpretation is a liberal mystification of a process that can only be understood as a bureaucratic counter‑revolution culminating in capitalist restoration.

The book’s strengths: land, labour, and the urban–rural divide

Ruskola’s analysis of China’s land system is one of the book’s major contributions. He correctly emphasises that the PRC’s dual structure of land ownership state-owned urban land and collectively owned rural land has no precedent in Chinese imperial history or Soviet practice. He shows how this duality underpinned both Maoist industrialisation and post‑1978 capitalist accumulation. “It is these workers’ ongoing reliance on the support of their rural kin that makes it possible for urban employers to pay them below-subsistence wages.”[1]

This insight is vital. Migrant workers’ continued access to rural land enables capital to pay wages that would otherwise be impossible in a wholly proletarianised society. The rural hinterland subsidises both domestic and international capital. Ruskola’s comparative approach, looking at England’s Enclosure Movement, the Soviet Union’s collapse, and China’s post-1949 development, also proves useful. His point that China compressed and reversed the English enclosure process is convincing. Additionally, his analysis of the hukou system as a way to divide the population into two unequal legal groups is crucial. These strengths, however, highlight the book’s main theoretical shortcoming.

Ruskola views the CCP primarily as a political body that manages land and labour, rather than as a bureaucratic caste, a social stratum with its own material interests that opposes independent working-class organisation and ultimately acts as an agent for capitalist restoration. This represents a critical theoretical mistake. The regime established in 1949 was not a Marxist workers’ state. Instead, it was a bureaucratic dictatorship based on nationalised property, modelled after Stalin’s Soviet Union. The working class did not hold political power; instead, a peasant-based army and a party apparatus ruled from the beginning, suppressing independent workers’ organisations.

Trotsky’s analysis of the Soviet Union as a degenerated workers’ state provides the necessary theoretical framework. A bureaucracy resting on nationalised property relations is inherently unstable. It tends toward capitalist restoration once it judges that this better secures its privileges. The CCP bureaucracy followed this logic with remarkable consistency.

Therefore, Ruskola’s account of China’s transition from equality to inequality and from socialist planning to capitalist accumulation is not a paradox, a drift, or a “contradiction of socialism.’ Instead, it reflects the inherent logic of Stalinism.

 Tiananmen Square as the decisive turning point

The most noticeable omission in Ruskola’s book is the 1989 Tiananmen Square massacre. He references the subsequent fear of “social instability’ but mainly focuses on protests by workers and peasants over labour conditions and land seizures. However, he does not investigate the massacre itself or its crucial impact on the path he outlines. This gap is more than just regrettable; it is a critical flaw.

Tiananmen was more than just a “student protest”; it was a large-scale movement involving workers and students protesting corruption, demanding democratic control, and social equality. These demands directly challenged the CCP bureaucracy’s authority. The massacre became a political prerequisite for the market reforms of the 1990s, paving the way for the end of the iron rice bowl, the commodification of labour, the restructuring of state-owned enterprises, China’s opening to global capital, and the emergence of a billionaire class.

Tiananmen is central to China’s modern development. Without it, there would be no capitalist revival, no Foxconn, and no major tech giants like Alibaba, Tencent, or Huawei. The so-called “Chinese miracle” is inseparable from Tiananmen’s influence. Ruskola’s silence on this matter reflects a structural issue. Recognising Tiananmen’s importance would mean accepting that the CCP bureaucracy acts as a counter-revolutionary force rather than true stewards of “communism.”

Ruskola states that the Chinese working class exists “in an objective sense” but has not yet developed a political self-awareness similar to Thompson’s concept of the English proletariat. This observation is accurate but incomplete. Over the past twenty years, Chinese workers have participated in numerous strikes, protests, factory occupations, and wildcat actions. They have built independent networks, circulated petitions, and faced both employers and local authorities. Although their struggles are often fragmented, suppressed, and localised, they undeniably exist.

Ruskola’s framework fails to incorporate these struggles because it views workers as mere objects within legal and demographic processes, rather than as a class capable of independent political action that challenges power structures. This reflects a defining trait of liberal scholarship: the working class is seen solely as a sociological category, never as a political agent.

By framing China’s transformation as “communism building a capitalist superpower,” Ruskola performs ideological work supporting both Beijing and Western liberal narratives. For Beijing, this phrase validates capitalist revival as a natural extension of “socialism.” For Western liberalism, it depicts China’s change as a technocratic evolution rather than a political upheaval. Consequently, the story suggests that the CCP bureaucracy isn’t a ruling class, capitalist revival isn’t a betrayal, Tiananmen isn’t a turning point, and the working class isn’t a political force. This isn’t analysis; it’s mystification.

China’s transformation mainly revolves around the actions of the CCP bureaucracy, not the legal land tenure, migrant worker demographics, or enclosure processes. Since 1949, this bureaucracy has seized political control from the working class, establishing a Stalinist regime modelled after the Soviet Union. It suppressed independent workers’ movements, including spontaneous committees during the Cultural Revolution and the 1989 Tiananmen protests. It also reintroduced capitalist property relations by dismantling communes, commodifying labour, and turning SOEs into corporations. Over time, it became integrated into global capital, forming a wealthy, corrupt ruling class hostile to workers. This is not “communism building a capitalist superpower” but Stalinism restoring capitalism.

Ruskola’s book offers a thorough overview of China’s land system, clearly explains the hukou regime, provides valuable insights into migrant labour, presents a useful comparative framework, and challenges China-exceptionalist narratives. However, it does not analyse the CCP bureaucracy as a social class, account for Tiananmen as a pivotal moment, develop a theory of capitalist restoration concerning the working class as a political agent, or offer a perspective on the future of Chinese socialism.

China and the Pseudo‑Lefts

Ruskola’s views align with numerous Pseudo-Left groups. The current political scene around China is filled with voices claiming to represent “the left.” However, most of these groups, both within China and abroad, are better described as pseudo-lefts: they use socialist language but actually support an authoritarian capitalist government and its bureaucratic elite.

Within China, the pseudo-left emerged alongside the CCP’s shift toward market reforms. It claims to defend “socialism with Chinese characteristics.” Still, its politics are driven more by nationalism, reverence for the state, and resistance to democratic oversight than by efforts to emancipate the working class. Recent research indicates that the so-called “Chinese New Left” is not a unified Marxist movement but rather a loose collection of scholars and commentators whose views range from Maoist nostalgia and cultural conservatism to authoritarian developmentalism. Their primary role is ideological: to offer a left-leaning rationale for a regime responsible for one of the fastest and most brutal capitalist transformations in modern history.

The pseudo-left’s key political act was how it responded to the 1989 Tiananmen Square protests. A true left would have seen the workers’ and students’ uprising as an early form of socialist democracy. Instead, the pseudo-left justified the massacre as a measure to maintain “stability,” siding with the bureaucracy against the working class. This stance has persisted. They dismiss strikes, independent unions, and labour protests as threats to national unity. They view surveillance, censorship, and repression as necessary to guard against “Western influence.” The pseudo-left’s version of socialism lacks real workers.

Globally, the pseudo-left reflects this decline. Parts of the Western left have supported the CCP as an “anti-imperialist” force, overlooking the fact that China’s ruling class is deeply embedded in global capitalism. They justify the regime’s authoritarian practices, downplay labour violations, and dismiss criticism as Western bias. This approach mirrors the main ideological stance of the Chinese pseudo-left: replacing internationalism with nationalism and prioritising state authority over working-class action.

The result is a political formation that speaks the language of socialism while rejecting its substance. The pseudo‑left is not a path toward socialist renewal in China or anywhere else. It is an obstacle. Its role is to obscure the class nature of the CCP bureaucracy, to delegitimise independent working‑class struggle, and to present capitalist restoration as a continuation of communism.

The large Chinese working class—whose development Ruskola explores in detail—won’t progress by depending on the CCP, nostalgia for Maoism, or liberal constitutionalism. Instead, its future relies on self-initiated political engagement, international worker solidarity, and opposition to both the CCP bureaucracy and the global capitalist system it currently upholds. This approach is essential for understanding China’s transformation and identifying the revolutionary opportunities that lie ahead.


[1] newleftreview-org.lonlib.idm.oclc.org/issues/ii151/articles/teemu-ruskola-the-making-of-the-chinese-working-class

Hotel Exile and the Crisis of Contemporary Historiography: Microhistory, Memory Politics, and the Retreat from Class Analysis

Jane Rogoyska’s Hotel Exile: Paris in the Shadow of War (Penguin, 2026) is celebrated as a vivid, compelling narrative history. It examines WWII through the lens of a single building: the Hôtel Lutetia, Paris’s only “grand hotel” on the Left Bank, which experienced three distinct phases from 1933 to 1945. Initially serving as a refuge for German and Central European exiles fleeing Nazism; later functioning as the Paris HQ of German military intelligence during the Occupation; and finally becoming a reception centre for survivors returning from concentration camps. Rogoyska organises her book into three sections, each corresponding to these phases, featuring numerous short, present-tense sketches of individuals who moved through the hotel’s doors.

The technique creates a book often filled with profound emotion. The concluding section, describing camp survivors returning in spring 1945—starving individuals being treated with DDT while anxious relatives searched the crowds for loved ones—has been noted as the most powerful part. It’s clear why. The striking image of emaciated survivors entering the hotel, welcomed by volunteers including Boy Scouts like the fourteen-year-old future French prime minister Michel Rocard, captures the essence of the catastrophe that impacted an entire continent.

Nevertheless, the strengths of Hotel Exile underscore the limitations of a particular kind of history that currently dominates historiography. This approach relies on fragments, prioritises memory over causality, and reflects a retreat from class analysis in historiographical methods.

A History Built from Fragments

Rogoyska’s achievement is in her detailed research. She meticulously examined a wide range of memoirs, diaries, and institutional records to bring to light the lives of often overlooked individuals: the German and Austrian émigrés—many Jewish, socialist, or communist—who arrived in Paris after 1933 to oppose Hitler in exile; the intelligence officers who later occupied the same building; the nurses, translators, and army doctors at the repatriation centre; and the survivors themselves, often reduced to mere statistics in history but, here, briefly restored to personal biography.

This detailed, human-focused approach is highly valuable. It challenges the common tendency of official remembrance to oversimplify the 1930s and 1940s as a morality story of villains and victims. It rightly emphasises that those who experienced these events were real people with identities, opinions, love lives, and disagreements. Several reviewers have pointed out that Rogoyska’s initial chapters on émigré politics in the 1930s are surprisingly relevant today: a paragraph about intellectuals and activists fleeing west from a rising nationalist movement could easily reflect current news if some proper nouns were changed. However, this core premise also makes the book’s limitations clear.

The Limits of Microhistory: A Building Is Not a Historical Force

Rogoyska emphasises in her prologue that Lutetia functions as “the stage on which dramas are played out,” rather than as an active participant. This candid statement highlights the challenge of treating a building as the primary unit of history rather than the social processes it embodies. The decision reflects a broader historiographical trend—closely linked with memory studies and microhistory—that favours collecting individual testimonies over analysing the social and political forces behind the catastrophe.

The prewar chapters rely on the comparatively thin thread that many of the people being tracked once attended the same meeting at the hotel. This connection can feel imposed on the material rather than growing organically from it. But the deeper problem is that the Lutetia’s prewar incarnation as a gathering place for the anti‑fascist emigration cannot be understood without reference to the wider political crisis of the European workers’ movement in the 1930s. This crisis—catastrophic in its consequences—finds little place in Rogoyska’s narrative.

The anti-fascist émigrés passing through Lutetia’s lobby were more than just “bewildered intellectuals.” They represented the remnants of a world-defining defeat: the disastrous policies of the Stalinist-controlled Communist International, which labelled the Social Democrats as “social fascists” and rejected united front efforts against the Nazis; the shift to opportunist alliances like the Popular Front, which placed the independent political actions of workers under the influence of fragile coalitions with bourgeois parties in France and Spain; the suppression of the Spanish Revolution; the breakup of the Trotskyist movement under repression; and the wave of exiles and defeats that ensued.

None of this is thoroughly explored in a book centred on biography and atmosphere. Rogoyska depicts individuals as they lived—confused, scared, resourceful, or doomed—yet the political forces that originally brought them into Lutetia’s lobby are mostly absent from the narrative. This isn’t a personal shortcoming; it reflects a genre-based structural limitation.

The wartime section, which details the hotel’s requisition by German military intelligence, encounters a similar issue but in the opposite direction. It explains the machinery of occupation and collaboration primarily through the individuals involved, with little focus on the nature of the Vichy government or the participation of parts of the French bourgeoisie, judiciary, and police in actions like deporting Jews and crushing resistance—topics that have been extensively studied over the last forty years.

The vivid portrayal of the Abwehr officers, hotel clerks, translators, and French intermediaries highlights individual roles. However, the underlying forces—such as the class interests of the French bourgeoisie, Vichy’s collaborationist ideology, the administrative complicity of police and prefectures, and France’s integration into the Nazi war effort—remain hidden behind personal stories. A building cannot capture these forces, nor can a microhistory fully encompass them.

The final part of the book, focusing on repatriation, stands out because it deliberately avoids sentimentality. Critics have appreciated Rogoyska for rejecting the false solace of a “happy ending” story: most survivors entering Lutetia in 1945 do not find their relatives, and the book makes this clear. This sets Hotel Exile apart from the more superficial type of popular Holocaust literature, which often presents survival as a neat narrative conclusion.

Even in this context, the lack of a broader political framework is significant. Survivors who went through Lutetia found themselves in a France keen to reestablish national unity, suppress class struggles, forget collaboration, and portray the war as a shared experience of suffering rather than a matter of political accountability. The repatriation centre serves as a setting for postwar memory politics—an aspect Rogoyska mentions but does not examine in depth.

Hotel Exile and the Crisis of Contemporary Historiography

Jane Rogoyska’s Hotel Exile exemplifies a key trend in modern historiography: focusing on microhistory, memory culture, and personal experience rather than broad structural analysis. Its compelling narrative, vivid human details, and archival discoveries highlight the ongoing intellectual crisis impacting how history is written today.

The book details the lives of émigrés, intelligence officers, nurses, and camp survivors who stayed at Hôtel Lutetia from 1933 to 1945. Rogoyska personalises individuals often lost amid the broad statistics of catastrophe. However, choosing a building as the organising focus reveals its limitations. While a hotel can act as a backdrop, it cannot explain the broader forces that drew its guests there. The upheaval in the European workers’ movement, the sectarian and later opportunistic tendencies of the Stalinized Comintern, the class interests of the French bourgeoisie, and the machinery of collaboration under Vichy—the underlying structures—remain largely out of view.

This gap is intentional, reflecting a broader shift in historiography. Over the past thirty years, historians have increasingly used narrative methods that highlight memory, trauma, and personal stories. While these approaches have provided valuable insights, they often overlook discussions of capitalism, class conflict, and state power. As a result, history has become more empathetic but less centred on fundamental causes. Instead of seeing catastrophe as influenced by social forces, it is depicted as a sequence of human experiences.

Hotel Exile is an engaging and often poignant book, but it falls within a genre that views the past as a collection of fragments rather than interconnected stories. Its honest account of repatriation in 1945 is compelling because it avoids the comfort of a tidy narrative closure. However, the political backdrop—the postwar attempt to reestablish national unity and erase the memory of collaboration—is mostly implied rather than explicitly addressed.

The core issue in modern historiography is its tendency to avoid explanation. By emphasising experience over structural analysis, memory over political context, and fragments over comprehensive interpretation, it often creates histories that highlight surface details while obscuring deeper causes. Rogoyska’s book is not at fault; rather, it reflects this broader trend. The human stories she presents deserve a broader context—one that can reveal the social forces influencing the world her subjects lived in.

Yet this very focus places Hotel Exile in tension with one of the central debates in modern German historiography: the question of “ordinary Germans.” Since the 1980s, historians have grappled with whether the crimes of the Third Reich were driven primarily by ideological elites or by the active participation—and sometimes enthusiasm—of broad layers of German society. The scholarship of Browning, Goldhagen, Aly, and others has insisted that the Holocaust cannot be understood without examining the social, economic, and cultural forces that shaped everyday German behaviour.

Rogoyska’s book touches this debate only indirectly. Her émigrés, dissidents, and refugees are the victims of decisions made far beyond the hotel’s walls. The Abwehr officers who occupy the Lutetia are sketched as personalities rather than as representatives of a wider social consensus. The machinery of occupation—rooted in the collaboration of French authorities and the administrative routines of German power—is present, but only as background to individual stories. The result is a narrative that shows what Nazism did to people, but not how millions of ordinary Germans enabled, supported, or participated in those actions.

This is not a flaw unique to Rogoyska. It reflects a broader historiographical drift toward microhistory and memory culture, where empathy and testimony take precedence over structural analysis. Hotel Exile excels at evoking the atmosphere of exile, fear, and survival; it is less equipped to explain why the émigrés were exiled, why the Abwehr operated with such confidence, or why the repatriated survivors returned to a Europe eager to bury the memory of collaboration.

A Readable Book, and an Evasive One

In this sense, Hotel Exile stands as a beautifully written, humane work that nonetheless reveals the limits of a genre. It restores individuality to those swept aside by Nazism. Still, it cannot illuminate the deeper question that continues to animate German historiography: how an entire society became implicated in the crimes that sent so many of Rogoyska’s subjects through the doors of the Lutetia.

Hotel Exile is, in many respects, a commendable book: engaging, compassionate, and carefully researched. Its use of present tense has drawn both praise for creating immediacy and criticism for sometimes feeling forced; several reviewers have pointed out passages that become cumbersome because of too much detail. These issues are stylistic. The more significant limitation lies in its substance. A book aiming to explore a major catastrophe of the twentieth century, and hinting at its relevance to current political upheavals, mainly focuses on individual experiences. It does not explore the social forces—such as the interwar capitalist crisis, Stalinist betrayals, or the complicity of the French elite—that led to Lutetia’s three tragic versions in the first place. The rich human material Rogoyska collected deserves a broader context. Omitting this larger frame is the book’s core, albeit unstated, theme.

Bibliography for the Themes of Hotel Exile

I. Anti‑Fascist Exile and the European Left, 1933–1945

  • Walter Benjamin, The Arcades Project — essential for the intellectual milieu of German exile in Paris.
  • Anna Seghers, Transit — a literary but historically grounded account of refugee life in wartime France.
  • Arthur Koestler, Scum of the Earth — memoir of internment and exile in France, indispensable for understanding the émigré crisis.
  • Michael L. Miller, Shanghai Refuge: A Holocaust Historian’s Personal Journey Through the Jewish Ghetto — comparative exile history.
  • Hans Mommsen, From Weimar to Auschwitz — structural analysis of the collapse of German democracy and the fragmentation of the left.
  • Pierre Broué, The German Revolution 1917–1923 — foundational for understanding the political defeats that shaped later exile.
  • Timothy Snyder, Bloodlands — contextualises the east‑central European catastrophe that produced mass exile.

II. German Military Intelligence (Abwehr) and Occupation

  • Michael Mueller, Canaris: The Life and Death of Hitler’s Spymaster — the definitive biography of the Abwehr’s chief.
  • David Kahn, Hitler’s Spies: German Military Intelligence in World War II — a comprehensive study of Abwehr operations.
  • Robert Gellately, Backing Hitler — shows how ordinary Germans supported and enabled Nazi repression.
  • Christopher Browning, Ordinary Men — essential for the historiography of German participation in genocide.
  • Mark Mazower, Hitler’s Empire — structural analysis of occupation regimes across Europe.

III. Vichy France, Collaboration, and the French State

  • Robert O. Paxton, Vichy France: Old Guard and New Order — the foundational work on Vichy collaboration.
  • Michael Marrus & Robert Paxton, Vichy and the Jews — indispensable for understanding French complicity in deportations.
  • Julian Jackson, France: The Dark Years, 1940–1944 — authoritative synthesis of occupation and collaboration.
  • Henry Rousso, The Vichy Syndrome — the politics of memory in postwar France.
  • Sarah Fishman, From Vichy to the Sexual Revolution — social history of wartime and postwar France.

IV. Repatriation, Liberation, and Postwar Reconstruction

  • Annette Wieviorka, The Era of the Witness — key text on survivor testimony and postwar memory.
  • Simone Lagrange, Retour à la vie — memoir of repatriation and the psychological aftermath.
  • Tony Judt, Postwar — broad European context for the political and social reconstruction after 1945.
  • Johanna Schoen, Repatriation and Reintegration of Holocaust Survivors — institutional history of return.
  • Dan Stone, The Liberation of the Camps — authoritative study of the immediate aftermath of liberation.

V. Holocaust Studies and the Politics of Memory

  • Saul Friedländer, Nazi Germany and the Jews — definitive political and social history of the Holocaust.
  • Lawrence Langer, Holocaust Testimonies — analysis of survivor narratives and memory.
  • Omer Bartov, Anatomy of a Genocide — microhistory that contrasts sharply with Rogoyska’s approach.
  • Tim Cole, Holocaust Landscapes — spatial history of the Holocaust, relevant to the Lutetia as a “site of memory.”
  • Dominick LaCapra, History and Memory After Auschwitz — theoretical grounding for memory studies.

VI. Paris, the Lutetia, and Urban Histories of Occupation

  • David Drake, Paris at War, 1939–1944 — social history of the city under occupation.
  • Alan Riding, And the Show Went On — cultural life in occupied Paris.
  • Ronald C. Rosbottom, When Paris Went Dark — atmospheric but well‑researched account of daily life under German rule.
  • Antoine de Baecque, Paris by Night — cultural history of Parisian spaces, relevant to the Lutetia’s symbolic role.

VII. Historiography, Microhistory, and the Crisis of Explanation

  • Rüdiger Graf & Konrad Jarausch, The Long History of the Concept of Crisis — essential for understanding the inflation of “crisis” in historical writing.
  • Carlo Ginzburg, The Cheese and the Worms — classic microhistory; useful for comparison with Rogoyska’s method.
  • Pierre Nora, Realms of Memory — foundational for the “lieux de mémoire” approach that shapes Hotel Exile.
  • Geoff Eley, A Crooked Line — critique of the retreat from social history.
  • Eric Hobsbawm, On History — defence of structural, materialist historiography.

VIII. Marxist

  • Leon Trotsky, The Struggle Against Fascism in Germany — indispensable for the political context of the 1930s.
  • David North, The Heritage We Defend — historiographical critique of Stalinism.
  • Neil Davidson, How Revolutionary Were the Bourgeois Revolutions? — structural analysis of class and state power.
  • Tom Nairn, The Break‑Up of Britain

Slavery, Capitalism, and the Struggle for Human Emancipation: A Marxist Analysis of Harriet Jacobs’s Incidents in the Life of a Slave Girl

Harriet Jacobs’s Incidents in the Life of a Slave Girl, published in 1861 under the pseudonym Linda Brent, is one of the most politically charged texts from the antebellum United States. Beyond being a personal account of suffering, it serves as a sharp critique of a social system based on property, profit, and the systematic dehumanisation of individuals. Viewed through a Marxist perspective, Jacobs’s work exposes the fact that American slavery was not an outdated feudal leftover but a modern, capitalist system—whose brutality was deeply linked to the economic goals of the ruling class.

Jacobs’s story reveals how a society turned humans into commodities, reproductive tools, and means of surplus extraction. Her testimony, based on her own experience as an enslaved woman, challenges the ideological illusions of the slaveholding elite and anticipates Marxist ideas about racialised class control. Additionally, Jacobs’s account highlights the contradictions within Northern bourgeois democracy, where official freedom coexisted with economic reliance, racial bias, and the structural confines of capitalism.

This essay views Jacobs’s narrative as a powerful critique of society that remains relevant today, especially in an era of increasing inequality, racial discrimination, and threats to democratic freedoms. Her voice, rising from the depths of slavery, directly addresses ongoing efforts for human liberation.

The Enslaved Person as Commodity and Capital

Jacobs’s narrative clearly exposes the economic principles of slavery. In capitalism, workers sell their labour but keep ownership of their bodies. In chattel slavery, these boundaries disappear completely. Jacobs, her children, and relatives are regarded as capital assets—evaluated, mortgaged, inherited, and sold off to settle debts or increase the master’s wealth.

Her grandmother’s manumission money, raised through years of baking and selling goods, is not simply a sentimental detail; it is a stark illustration of how enslaved people were forced to buy back the very bodies that had been stolen from them. Jacobs’s fear that her children might be sold to settle Dr Flint’s financial obligations reveals the fundamental instability of life under slavery: the enslaved person’s existence is perpetually subject to the fluctuations of the master’s economic fortunes.

Marx wrote that capitalism “comes into the world dripping from head to foot, from every pore, with blood and dirt.” Jacobs shows how slavery, as a specific form of capitalist accumulation, was drenched in precisely such blood and dirt. The plantation was not a premodern relic but a profit-driven enterprise whose success depended on the total domination of labour.

Jacobs’s story is essential for grasping the gendered aspects of slavery. Her body serves as a site for both productive and reproductive work. The children she has are not just her own; they act as extra capital for the slave-owning elite. Dr Flint’s sexual abuse cannot be seen as personal immorality. Instead, it is deeply rooted in a structure where enslaved women’s fertility is used to generate wealth.

Jacobs’s decision to engage with Mr Sands—an act she feels ashamed of and uncertain about—should be seen as a desperate effort to reclaim agency in a system that leaves her powerless over her reproduction. This choice is also a political statement, rejecting Dr Flint’s attempts to exploit her sexuality for profit.

Marxist-feminist scholarship highlights reproductive labour as key to capitalist exploitation. Jacobs’s story prefigures this understanding by decades, revealing how slavery combined racial superiority with patriarchal authority, creating a particularly brutal form of gendered oppression.

Jacobs’s critique of Southern Christianity is among the most powerful in American literature. She highlights slaveholders who use scripture to justify torture, churches that advocate obedience to earthly masters, and ministers who declare slavery as aligned with God’s divine plan.

This represents ideology in its purest form: a superstructure that normalises exploitation and quells resistance. The slaveholding class depended on religion, law, and cultural norms to conceal the economic roots of their dominance. Jacobs’s story removes this ideological cover, revealing the hypocrisy and moral corruption of a society that professed Christianity while engaging in systematic barbarism.

Her work closely aligns with Marx’s view of ideology as a means of upholding class domination. The slave system relied not only on physical force but also on a moral and intellectual framework that justified the ownership of humans.

The Contradictions of Northern Freedom

Jacobs’s move to the North does not end her struggles. Instead, it exposes the limitations of bourgeois democracy. Free Black individuals in the North continue to confront poverty, discrimination, and ongoing insecurity. Jacobs remains financially reliant on the Bruce family, showing how legal freedom can coexist with material dependence.

Her experience echoes Marx’s critique of wage labour: emancipation from chattel slavery doesn’t eliminate exploitation; it only changes its form. Despite legal freedoms, the North remains a capitalist society where economic inequality and racial prejudice hinder true human liberation. Jacobs’s story thus questions the idea that freedom is merely a matter of legal status. She demonstrates that without economic stability, social equality, and political influence, freedom is only partial.

Jacobs’s seven-year hidden stay in her grandmother’s attic stands as one of the most remarkable acts of resistance in slavery’s history. Recent research views this period as marronage—a bold assertion of freedom within the confines of the slave system. Her “loophole of retreat” becomes a space of political independence, symbolising a refusal to engage with the master’s economy and serving as a hub for alternative social relations based on kinship and secrecy. Jacobs’s act of resistance isn’t just personal; it exemplifies a wider fight against the plantation system and the capitalist framework that supports it.

Her account shows that enslaved individuals were not merely passive victims but proactive participants in the struggle for freedom. Their acts of resistance—both personal and collective—were crucial in ending slavery and reshaping American society.

Jacobs’s authorship represents a revolutionary act. Slavery aimed to deprive the enslaved of literacy to stop them from sharing their experiences of oppression. By writing and publishing her narrative, Jacobs takes control of her own representation and directly participates in the ideological battle over slavery. Her work targets Northern women, appealing to their moral values and revealing the gender-specific violence of slavery. This broadens the political support for abolition and challenges the core beliefs supporting the slave system.

Harriet Jacobs’s Legacy in Current Historiography

Harriet Jacobs’ reputation has evolved considerably in recent scholarship on slavery, gender, and political thought. Originally viewed mainly as a sentimental abolitionist storyteller, she is now acknowledged as a key theorist of concepts like domination, freedom, and gendered oppression. Three main strands now characterise her historiographical legacy.

Initially, Jacobs is increasingly recognised as a sharp political thinker. Alan M. S. J. Coffee’s recent research for Cambridge University Press suggests that Incidents in the Life of a Slave Girl is not just a personal story but also a philosophical work providing one of the most insightful examinations of slavery’s social dynamics. Coffee situates Jacobs within the republican tradition, highlighting how her focus on sexual violence and relationships among enslaved individuals broadens classical republican ideas into a feminist critique of control.

Contemporary scholars emphasise Jacobs’s influence in redefining concepts of freedom and resistance. Sean Gerrity’s research on marronage interprets Jacobs’s seven-year imprisonment in her grandmother’s attic as a form of internal marronage—an assertive act of autonomy carried out within slavery’s confines. This view expands historiographical perspectives on freedom-seeking strategies, positioning Jacobs as a thinker of subtle, often unseen resistance that contests limited views of maroon activity.

Jacobs’s narrative has become a crucial part of intersectional historiography. As the first published slave narrative by an African American woman, Incidents offers a unique perspective on how race, gender, and property dynamics interconnected during slavery. Modern scholars in history and literature consider her work essential for understanding sexual violence as a systemic tool within the slave system and for exploring the origins of Black feminist thought. Her story is also recognised as a significant contribution to the slave narrative genre, standing alongside the works of Douglass, Equiano, and Wells Brown in shaping abolitionist debates.

Jacobs’s impact across these areas is clear: she is now recognised not only as a witness to slavery but also as a theorist whose ideas reshape contemporary understandings of domination, resistance, and the limits of bourgeois freedom. Her work continues to influence debates on racial capitalism, gendered violence, and the importance of emancipation in both historical and political discussions.

Harriet Jacobs and the Pseudo‑Lefts

Harriet Jacobs’s *Incidents in the Life of a Slave Girl* remains one of the most politically provocative documents of the nineteenth century. Its impact stems not only from exposing slavery’s brutality but also from showing that oppression is rooted in material relations—property, domination, and surplus value extraction. Today, however, Jacobs’s legacy is often misused, watered down, or weaponised by the pseudo-left: the wealthy, identity-focused sectors of academia and NGOs who claim to be radical yet uphold the social structures that sustain exploitation.

Jacobs’s narrative fundamentally conflicts with pseudo-left politics. She highlights slavery as a mode of production rather than a cultural trauma. Her discussion of sexual violence is viewed not as a matter of “identity” but as a structural tool for capital accumulation. Her critique of Northern “freedom” is not a praise of liberal rights but a warning that formal emancipation, without economic change, preserves oppression. Overall, Jacobs’s analysis emphasises the need for a revolutionary societal reorganisation—something the pseudo-left opposes.

The pseudo‑left’s treatment of Jacobs follows a familiar pattern. They elevate her narrative as a monument of “Black female experience,” but strip it of its class content. They celebrate her resistance while ignoring the economic system that made such resistance necessary. They turn her seven‑year confinement in the garret into a metaphor for “intersectional subjectivity,” rather than recognising it as a form of marronage—a refusal of the master’s economy and a concrete act of class struggle. In their hands, Jacobs becomes a symbol, not a theorist; a victim, not an analyst of racial capitalism.

This distortion has a political aim. The pseudo-left’s focus on identity enables them to appear as radicals while supporting the Democratic Party, corporate philanthropy, and academia. They criticise past oppression but endorse the capitalist system that continues to cause exploitation. They reference Jacobs to moralise rather than to inspire action; to foster guilt instead of solidarity; to split the working class into conflicting identities rather than unify it against capitalism.

Jacobs personally recognised the limitations of bourgeois reform efforts. Her writing reveals the hypocrisy within Northern liberalism, the continued economic dependence post-emancipation, and the ideological tools—such as religion, law, and sentimentalism—that concealed exploitation. She understood that domination extends beyond personal relationships to structural issues rooted in property relations. Her insights prefigure Du Bois’s plantation analysis, Angela Davis’s critique of gendered labour, and the Marxist view of racial capitalism. In contrast, the superficial politics of representation promoted by the pseudo-left could not be more different.

The modern pseudo-left praises Jacobs but dismisses the conclusions her story implies. They talk about “decolonising” institutions yet support the profit-driven system. They condemn historical slavery but overlook current exploitative practices like gig work, migrant precarity, mass surveillance, and imperialist wars that characterise today’s global capitalism. They elevate Jacobs as a cultural figure to sidestep engaging with the revolutionary insights of her analysis.

Jacobs’s legacy is rooted in serving the working class, not the pseudo-left. Her story functions as a tool against racial, gender, and economic oppression, revealing the ideological falsehoods that uphold exploitation. It highlights oppressed communities’ ability to resist, organise, and change society. To recover Jacobs’s legacy is to embrace the Marxist view that true freedom demands dismantling the social system that creates unfreedom. While the pseudo-left merely commemorates, Jacobs calls for revolutionary action.

Conclusion

Jacobs’s narrative is not simply a memoir; it is a weapon in the struggle for human emancipation. It anticipates later Marxist and socialist critiques of racial capitalism, and it remains a vital document for understanding the relationship between oppression, ideology, and resistance.

Harriet Jacobs’s Incidents in the Life of a Slave Girl is a work of enduring political significance. It reveals slavery as a capitalist institution rooted in property, profit, and the systematic degradation of human beings. It exposes the ideological apparatus that sustained the slave system and the contradictions of bourgeois democracy in the North. It illuminates the gendered dimensions of exploitation and the radical forms of resistance developed by enslaved women.

In an era marked by widening inequality, racial oppression, and the erosion of democratic rights, Jacobs’s narrative speaks with renewed urgency. Her testimony reminds us that genuine freedom requires more than legal emancipation; it demands the abolition of all forms of exploitation and the creation of a society based on equality, solidarity, and human dignity.

Sources and Bibliography

Primary Sources

  • Jacobs, Harriet. Incidents in the Life of a Slave Girl, Written by Herself. Edited by Jean Fagan Yellin. Cambridge, MA: Harvard University Press, 1987.
  • Douglass, Frederick. Narrative of the Life of Frederick Douglass, an enslaved American. Boston: Anti‑Slavery Office, 1845.
  • Wells Brown, William. Narrative of William W. Brown, a Fugitive Slave. Boston: Anti‑Slavery Office, 1847.

Foundational Historiography on Jacobs

  • Yellin, Jean Fagan. Harriet Jacobs: A Life. New York: Basic Books, 2004.
  • Carby, Hazel V. Reconstructing Womanhood: The Emergence of the Afro‑American Woman Novelist. New York: Oxford University Press, 1987.
  • Gunning, Sandra. Race, Rape, and Lynching: The Red Record of American Literature, 1890–1912. New York: Oxford University Press, 1996.
  • McCaskill, Barbara. “’ Yours for Freedom’: The Fugitive Slave Narrative and the Politics of Agency in African American Women’s Autobiography.” American Literature 64, no. 1 (1992): 50–75.

Recent Scholarship and Current Historiography

  • Coffee, Alan M. S. J. Harriet Jacobs and the Fight Against Slavery: A Republican Theory of Domination and Freedom. Cambridge: Cambridge University Press, 2025.
  • Gerrity, Sean. “Marronage and the Loophole of Retreat in Harriet Jacobs’s Incidents in the Life of a Slave Girl.” Legacy: A Journal of American Women Writers 38, no. 2 (2021): 217–240.
  • Mozaheb, Sara. “Harriet Jacobs and the Politics of Reproductive Labour.” Signs: Journal of Women in Culture and Society 47, no. 3 (2022): 611–635.
  • Spires, Derrick. The Practice of Citizenship: Black Politics and Print Culture in the Early United States. Philadelphia: University of Pennsylvania Press, 2019.
  • Hartman, Saidiya. Scenes of Subjection: Terror, Slavery, and Self‑Making in Nineteenth‑Century America. New York: Oxford University Press, 1997.

Marxist and Materialist Scholarship Relevant to Jacobs

  • Du Bois, W. E. B. Black Reconstruction in America, 1860–1880. New York: Harcourt, Brace, 1935.
  • Davis, Angela Y. Women, Race, & Class. New York: Random House, 1981.
  • James, C. L. R. The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution. New York: Vintage, 1963.
  • Robinson, Cedric J. Black Marxism: The Making of the Black Radical Tradition. Chapel Hill: University of North Carolina Press, 1983.
  • Johnson, Walter. River of Dark Dreams: Slavery and Empire in the Cotton Kingdom. Cambridge, MA: Harvard University Press, 2013.

Secondary Works on Slavery, Gender, and Racial Capitalism

  • Morgan, Jennifer L. Labouring Women: Reproduction and Gender in New World Slavery. Philadelphia: University of Pennsylvania Press, 2004.
  • Spillers, Hortense. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” Diacritics 17, no. 2 (1987): 65–81.
  • Patterson, Orlando. Slavery and Social Death: A Comparative Study. Cambridge, MA: Harvard University Press, 1982.
  • Baptist, Edward E. The Half Has Never Been Told: Slavery and the Making of American Capitalism. New York: Basic Books, 2014.

Works on Identity Politics and the Pseudo‑Left (WSWS‑Relevant Context)

(These are not citations of WSWS articles directly, but scholarly works that contextualise the critique of identity politics and its class character.)

  • Reed, Adolph. Class Notes: Posing as Politics and Other Thoughts on the American Scene. New York: New Press, 2000.
  • Fraser, Nancy. The Old Is Dying, and the New Cannot Be Born: From Progressive Neoliberalism to Trump and Beyond. London: Verso, 2019.
  • Lilla, Mark. The Once and Future Liberal: After Identity Politics. New York: HarperCollins, 2017.
  • Michaels, Walter Benn. The Trouble with Diversity: How We Learned to Love Identity and Ignore Inequality. New York: Metropolitan Books, 2006.

Suggested Archival and Digital Resources

  • Harriet Jacobs Papers, Library of Congress.
  • Documenting the American South, University of North Carolina (digital edition of Incidents).
  • Schomburg Centre for Research in Black Culture, New York Public Library.

Sixty years since the first Notting Hill Carnival: The suppressed legacy of Claudia Jones

This weekend’s “Diamond Jubilee” celebrations for the Notting Hill Carnival—featuring plaques, heritage tours, and corporate sponsorships—offer only a selective account of its history. Central to the festivities is Claudia Jones, known as the “Mother of Carnival”. However, the figure honoured does not fully reflect the real Jones: a dedicated revolutionary Marxist, a key member of the Communist Party USA, and an individual persecuted during McCarthy-era witch hunts, which led to her imprisonment and deportation because of her political beliefs. This omission is deliberate, reflecting decades of efforts by the British government, Labour councils, and some academics and media figures to detach anti-racist movements from their socialist origins and depict them as a harmless form of multicultural celebration.

A revolutionary, not a cultural mascot

Born in Trinidad in 1915 and raised amid Harlem’s poverty, Jones joined the Communist Party in 1936, motivated by the Scottsboro campaign. She became a prominent intellectual within the party, offering influential analyses of the “triple oppression” faced by Black working-class women—long before these issues entered mainstream discourse. Her activism resulted in government crackdowns, including imprisonment under the Smith Act and expulsion from the U.S. due to Cold War legislation aimed at alleged “subversives.”

Jones arrived in Britain in 1955 and immediately encountered the racism faced by Caribbean workers involved in rebuilding post-war Britain. The Notting Hill riots of 1958 and Kelso Cochrane’s killing in 1959 were more than mere ‘community tensions’; they were episodes of fascist violence tolerated by authorities. In response, Jones launched the West Indian Gazette and organised the first indoor Caribbean carnival in 1959, using these events as acts of political defiance and collective self-assertion, not just cultural celebrations.

Today’s official commemorations reduce Jones to a simple symbol of “diversity,” dismissing the Marxist elements that defined her life. Events like her imprisonment, deportation, her support for the Soviet Union, and her stance against colonialism are often downplayed or ignored. This move to present Jones as a multicultural figure seems motivated by a political goal: to conceal the truth that her fight against racist violence, police harassment, and exploitation of immigrant labour stems from capitalism. In contrast, her actions were driven by a sense of international working-class solidarity.

The Pseudo‑Lefts and the Notting Hill Carnival

The 60th anniversary of the Notting Hill Carnival has been marked by the familiar voices from Britain’s pseudo-left circles—Labour councillors, NGO activists, academics, and media figures—who frame Carnival as a celebration of “diversity,” “community,” and “Black cultural expression.” This narrative is strategically convenient because it is ultimately misleading. It overlooks the Carnival’s roots in working-class struggles and instead promotes a depoliticised identity-politics story that benefits the state and corporate interests.

Carnival did not originate from simply ‘heritage ‘. Instead, it grew out of racist violence, police harassment, and the exploitation of Caribbean workers brought to Britain after the war. Claudia Jones, the communist who organised the first indoor carnival in 1959, was not merely a cultural promoter but a revolutionary Marxist. She was imprisoned and deported by the American government because of her political beliefs. Her efforts in London—via the West Indian Gazette and her activism against the 1958 Notting Hill riots—were based on a conviction that racism was inherently linked to capitalism.

The pseudo-left struggles to acknowledge this history because it reveals their own complicity. Over time, they have shifted from class-based politics to identity politics, turning anti-racist efforts into symbolic cultural displays that do not threaten capitalism. The modern face of Carnival—with corporate sponsorships, heritage plaques, and endless debates about “representation”—fits their perspective perfectly. It lets them celebrate “Black joy” while ignoring the displacement of Caribbean working-class residents from Notting Hill, the gentrification that has transformed the neighbourhood into one of London’s wealthiest areas, and the large police presence that now dominates the event.

Their politics centre on accommodation. They celebrate Carnival because it has been commercialised and lost its socialist roots. The hidden truth is that Carnival originated as a working-class protest, founded by a communist whose beliefs conflict with the pseudo-left’s focus on identity politics and capitalism.

The Commodification of the Notting Hill Carnival

The commercialisation of Carnival has paralleled the gentrification of Notting Hill and surrounding areas, which has become one of London’s priciest districts because of property speculation. The Caribbean working class, originally responsible for organising the carnival, has gradually been pushed out, while corporations and government bodies now try to link themselves to its “heritage.” Although the heightened police presence at the modern carnival is often viewed as a logistical issue, it masks the more profound social inequalities and gentrification reshaping the community.

The Notting Hill Carnival originally symbolised working-class Caribbean resistance against racist violence and government hostility. Over the past forty years, it has gradually turned into a commercial spectacle—marketed, policed, and monetised by the same institutions that initially aimed to suppress it. What started as an act of political protest has now been transformed into a “cultural asset,” losing its socialist roots and becoming subordinate to the commercial and ideological interests of the British government and corporations.

From resistance to revenue stream

Carnival originated from intense social conflicts such as the 1958 racist riots, the killing of Kelso Cochrane, and ongoing harassment of Caribbean workers by police and landlords. Claudia Jones’s indoor carnivals served as acts of communal self-expression by a community under pressure. The initial outdoor processions were casual, improvised, and openly rebellious against authority.

Today, Carnival is regarded as a brand. Transport for London, global alcohol firms, property developers, and local councils vie to link themselves with its “heritage.” The event is marketed as a major tourist draw, bringing in hundreds of millions of pounds to London’s economy. Meanwhile, the Caribbean working class, who created Carnival, has been pushed out of Notting Hill by rising rents and real estate speculation, even as their cultural work is exploited for commercial gain. This shift is not accidental; it mirrors the broader capitalist trend of appropriating, sanitising, and transforming opposition-driven cultural forms into commodities.

Policing replaces politics

The modern Carnival is accompanied by an enormous police operation—one of the largest in Europe—framed as a matter of “public safety.” The same state that ignored racist violence in the 1950s now deploys thousands of officers, surveillance drones, and crowd‑control infrastructure. Sensationalist media coverage justifies the policing by treating Carnival as a security problem rather than a political tradition rooted in struggle.

This intense policing serves dual purposes: to keep Carnival within manageable boundaries, preventing it from turning into a space for political activism or social upheaval; and to support the idea that Caribbean communities need supervision, echoing the racist reasoning behind initial conflicts. The commercialisation of Carnival is inherently linked to its securitisation, both demonstrating the state’s effort to depoliticise and dominate a cultural expression that originated as a form of resistance.

Official “heritage” programs—such as plaques, exhibitions, and curated histories—are central to this process. They highlight Carnival as a symbol of diversity but obscure its political origins. Claudia Jones is recognised as a cultural pioneer, rather than as a communist persecuted by the US government. The racist violence that contributed to Carnival’s rise is mentioned only in softened, depoliticised terms. Meanwhile, the systemic exploitation of Caribbean labour, police involvement, and the links between racism and capitalism are subtly omitted from the story. Ultimately, heritage serves as a tool of ideological control: a way to showcase the imagery of past struggles while downplaying their true meaning.

Notting Hill has undergone a dramatic transformation. The area’s working-class Caribbean community has gradually been pushed out due to property speculation, luxury redevelopment, and rising rents. Carnival now occurs in a neighbourhood increasingly disconnected from the community that created it. Sixty years later, the official Carnival showcases how political leaders portray historical struggles while minimising their true significance. Claudia Jones’s genuine legacy—her Marxist beliefs, internationalist perspective, and understanding that racism is linked to capitalism—remains too controversial to be publicly acknowledged. While the carnival continues, most modern celebrations prefer to forget the revolutionary ideals that once inspired it.

Sources and Bibliography

Primary Sources

  • West Indian Gazette (1958–1964). Issues edited by Claudia Jones, including coverage of the Notting Hill riots, Kelso Cochrane’s murder, and early Carnival organising.
  • Claudia Jones, “An End to the Neglect of the Problems of the Negro Woman!” Political Affairs, 1949.
  • Claudia Jones, speeches and correspondence (various), held in the Claudia Jones Archive, Black Cultural Archives, Brixton.
  • BBC Television, Caribbean Carnival broadcast, January 1959.
  • Home Office papers on the Notting Hill riots (1958), National Archives, HO 376 series.
  • Metropolitan Police reports on the murder of Kelso Cochrane (1959), National Archives, MEPO series.

Historical and Scholarly Works

  • Carole Boyce Davies, Left of Karl Marx: The Political Life of Black Communist Claudia Jones (Duke University Press, 2008).
  • Winston James, Holding Aloft the Banner of Ethiopia: Caribbean Radicalism in Early Twentieth‑Century America (Verso, 1998).
  • Brian Alleyne, Radicalism and Cultural Politics in the Notting Hill Carnival (Mellen Press, 2003).
  • Ruth Glass, London: Aspects of Change (Centre for Urban Studies, 1964) — foundational text on gentrification, including early analysis of Notting Hill.
  • Tariq Modood, Multicultural Politics: Racism, Ethnicity and Muslims in Britain (University of Minnesota Press, 2005) — for context on state multiculturalism.
  • Paul Gilroy, There Ain’t No Black in the Union Jack (Hutchinson, 1987) — on race, nationalism, and cultural politics in Britain.

Political Analyses and Contemporary Reporting

  • World Socialist Web Site (WSWS):

          “The political legacy of Claudia Jones” (various articles)—coverage of the     Windrush scandal, British racism, and pseudo‑left identity politics.

  • The Guardian and The Observer archives on Notting Hill Carnival (1966–present).
  • The Times and Evening Standard reporting on policing, sponsorship, and gentrification of Carnival.
  • Greater London Authority (GLA) reports on Carnival funding, policing, and economic impact (2000–2025).
  • Transport for London (TfL), “Carnival 60” heritage programme documentation (2026).

Works on the Pseudo‑Left and Identity Politics

  • David North, The Frankfurt School, Postmodernism and the Politics of the Pseudo‑Left (Mehring Books, 2015).
  • Alex Lantier, “Identity Politics and the Pseudo‑Left” (WSWS, various).
  • Eric London, The CIA’s Role in the Promotion of Identity Politics (WSWS, 2021).
  • Adolph Reed Jr., “The Limits of Anti‑Racism” (Left Business Observer, 2000) — critical of identity politics from a class perspective.

Urban and Social Context

  • London Borough of Kensington and Chelsea housing reports (1970–2025) — documenting displacement and gentrification.
  • Centre for London, “The Changing Face of Notting Hill” (2018).

Person of Interest: Surveillance, Liberalism, and the Crisis of the American State

When Person of Interest debuted on CBS in 2011, it launched into a society already shaped by ten years of unchecked militarism, domestic surveillance, and a vast security network. The American elite had exploited the September 11, 2001, attacks to enforce measures they had long planned and desired politically: the Patriot Act, warrantless wiretaps, secret courts, indefinite detention, and the blending of intelligence agencies with telecom and tech giants. By 2013, when Edward Snowden revealed the NSA’s global spying efforts, the foundation of a police state was no longer a threat but a reality.

Person of Interest should be interpreted in the context of its time. The series is more than just a thriller about an all-knowing AI; it reflects the fears, misconceptions, and ideological responses of the liberal-technocratic class that created, supported, and benefited from the surveillance system. Its story is influenced not by a lack of awareness of the state’s misconduct but by the political constraints of the social group responsible for it.

The Machine and the Liberal Conscience

The show’s core idea is surprisingly straightforward: Harold Finch, a secluded billionaire programmer, has developed “the Machine,” an AI that monitors all electronic communications and forecasts violent crimes. Finch and his partner, ex-CIA agent John Reese, step in to protect those the system identifies. The Machine is portrayed as a well-intentioned invention that the government misuses, but it can be redeemed because of its creator’s moral principles.

These principles dominate the entire show and are the core ideology of the series. Finch does not represent the working class or oppressed groups by the surveillance state. Instead, he embodies the conscience of the technical intelligentsia—the engineers, programmers, and visionaries who consider themselves guardians of democracy even as they develop tools for authoritarian control. His guilt is personal rather than political, and his approach is individual rather than systemic. Rather than dismantling The Machine, it is repurposed, and the machinery is moralised instead of being questioned. This is the fantasy of liberal dissent: that the problem lies not in the existence of the surveillance state but in the character of those who administer it.

The Surveillance State as a Product of Capitalist Decay

The show’s failure to address the fundamental structural causes of the surveillance system is deliberate. It mirrors the political shortsightedness of liberal intellectuals, who view the state as a neutral entity tainted by malefactors rather than as a tool of class power. The post-9/11 expansion of surveillance did not arise from terrorism fears. Instead, it stemmed from a crisis within American capitalism. Confronted with waning global dominance, rising social inequality, and increased domestic unrest, the ruling class adopted mass surveillance to control an increasingly resistant population. Snowden’s revelations about the NSA programs demonstrated that these measures were not anomalies but an extension of a state preparing for internal conflict.

Person of Interest acknowledges this reality only indirectly. Its unease feels authentic, yet its analysis remains incomplete. The show senses the slide toward authoritarianism but fails to explain it. It portrays the mechanisms of repression but does not identify the social structure that necessitates them.

Samaritan and the Logic of Algorithmic Governance

The introduction of Samaritan, a rival AI backed by intelligence agencies and financial capital, accentuates the show’s contradictions. Samaritan is openly authoritarian, aiming to impose a computational order on society. It exemplifies the merging of state authority and corporate interests, reflecting the true direction of algorithmic governance within capitalism. However, the conflict between the Machine and Samaritan is portrayed not as a clash between democracy and authoritarianism but as a confrontation between two elite visions of social control. The Machine is paternalistic and covert, while Samaritan is explicit and coercive. Both assume governance from above, exclude democratic oversight, and view the population as data points to be managed. The show cannot envision a world without algorithmic dominance because its creators cannot conceive of a world beyond the capitalist state.

The Erasure of the Working Class

A notable aspect of Person of Interest is how it depicts ordinary people. Workers, immigrants, and those with low income are shown often, but only as victims or in need of rescue. They are never portrayed as political agents; they do not organise, resist, or act together. Instead, they are treated as case files rather than people. This omission isn’t accidental; it’s rooted in the structural needs of American TV, which is influenced by the same corporate and political powers that created the surveillance state. Showing the working class as able to challenge the state would implicate the entire social system. It would reveal that the surveillance system exists mainly to shield the ruling class from the populace, not to serve society. Therefore, the show’s political scope is confined to the moral conflicts among elites. The working class appears only as data for the Machine’s forecasts.

Liberalism’s Final Refuge: The Good Technocrat

In its final seasons, Person of Interest aims for a dystopian grandeur, featuring episodes from the Machine’s perspective, cityscapes governed by algorithms, and the collapse of democratic institutions, all hinting at a deeper critique. However, it falls short of true social analysis, as it does not recognise that the surveillance state is a deliberate feature of capitalist rule, not a flaw. Instead, it relies on its core fantasy: that salvation depends on benevolent technocrats. Finch’s remorse becomes the moral backbone, and the Machine’s “goodness” symbolises the liberal belief that technology can be ethical when guided by enlightened elites. This reflects the ideology of a class losing grip on the world they helped create—its fear is real, but its proposed solutions are illusions.

The Missing Resolution: Class Struggle

Person of Interest fundamentally cannot envision the end of the surveillance state, the existence of the working class, or revolutionary change. The only entity capable of dismantling surveillance is the international working class, acting consciously and politically against capitalism. This viewpoint is missing from the series and the liberal intelligentsia’s worldview. The Machine will not be saved by its creators, nor will oversight committees reform the surveillance system. The surveillance apparatus will only be dismantled through active struggle against the social order that sustains it.

Person of Interest and the Pseudo‑Left

Person of Interest is often lauded for its foresight regarding surveillance and artificial intelligence. However, its political stance aligns with that of today’s pseudo-left: a social class that appears radical but ends up defending the core structures of capitalism. The main characters—Finch, the wealthy engineer, and Reese, the CIA agent—are not against the surveillance system. Instead, they function as its ideal stewards. Their aim isn’t to abolish the Machine but to ensure it’s controlled by a “better” group. This mirrors the pseudo-left’s view of the capitalist state: the issue isn’t the system itself, but who wields power over it.

The pseudo-left, originating from the affluent professional-managerial class, has spent twenty years justifying the surveillance systems it claims to oppose. It backed the Patriot Act, promoted humanitarian imperialism, embraced censorship under the guise of “safety,” and aligned with intelligence agencies against whistleblowers like Snowden and Assange. Its politics are characterised by moral gestures, identity-based appeals, and calls for an “ethical” approach. Managing inherently reactionary institutions is complex. Samaritan—the rival AI supported by finance and intelligence agencies—embodies what the pseudo-left fears most: not authoritarianism itself, but authoritarianism without their influence. The core conflict of the show isn’t just democracy versus repression, but a struggle between two elite visions of social control. The working class is depicted only as victims or cases, never as an agent capable of dismantling the surveillance state.

In this sense, Person of Interest is a cultural expression of the pseudo‑left’s worldview: unease without analysis, critique without opposition, and a fantasy of benevolent domination in place of genuine social transformation. Both the show and the pseudo‑left accept the permanence of the capitalist state and the inevitability of mass surveillance. Both imagine salvation through enlightened technocrats rather than through the independent mobilisation of the working class.

Conclusion

Person of Interest is a product of its time: a moment when millions sensed the authoritarian transformation of the American state but lacked a political framework to understand it. The show’s unease is genuine, its craftsmanship often impressive, and its ambition notable. But its political imagination never escapes the confines of liberal ideology.

It offers a fantasy of benevolent surveillance in an era of capitalist decay. It gestures toward dystopia while clinging to the hope that elites can save society from the machinery they built. It reflects the conscience of a class that fears the consequences of its own creations but cannot envision a world beyond them.

Its enduring limitation is the limitation of liberal dissent itself: the inability to recognise that the crisis of democracy is the crisis of capitalism, and that the solution lies not in better algorithms or kinder elites but in the revolutionary transformation of society.

Philippine DHL Workers Enter Second Week of Strike Against Warehouse Closure

The indefinite strike by over 430 logistics workers at DHL Supply Chain’s warehouse in Sucat, Muntinlupa City, has now lasted two weeks, marking a major clash between Filipino workers and a global logistics giant. The walkout began on August 17 after talks between DHL management and the DHL United Workers Union (DUWU) broke down, and the company subsequently announced plans to close the facility on August 30–31. The company plans to cut 436 jobs, which could cause economic hardship for many families. Since the strike started, workers have been nonstop picketing at the warehouse gates. On August 21, they broadened their protest to include DHL retail outlets in Quezon City and the Department of Labour and Employment (DOLE) headquarters, aiming to expose the company’s practices and rally support from more workers and young people.

But the conflict occurs under circumstances heavily tilted in the company’s and the state’s favour. The looming presence over the strike is Article 263(g) of the Philippine Labour Code. This martial-law-era law allows the government to issue an “Assumption of Jurisdiction” (AJ) order, which essentially bans the strike and forces workers to return to work under the threat of police action. This authoritarian tool, inherited from the Marcos regime, has been used repeatedly by successive governments to suppress strikes in crucial industries.

The threat of AJ is real, not theoretical. It plays a key role in the state’s toolkit to control workers, aiming to keep large enterprises running smoothly. Its ongoing presence highlights the deeply anti-worker nature of Philippine labour law, which prioritises corporate profits over workers’ rights.

A Global Corporate Offensive

The shutdown of the Muntinlupa warehouse is part of a broader overhaul of DHL’s global operations, not an isolated incident. As one of the world’s largest logistics firms, operating in over 220 countries, DHL is systematically cutting jobs, merging facilities, and boosting automation. In the U.S., 6,000 DHL Express workers, represented by the Teamsters, voted 96 per cent in March to authorise a nationwide strike. However, union leaders intervened at the last moment to impose a concessionary contract, preventing a potential mass mobilisation of logistics workers. Similarly, in Canada, DHL workers represented by Unifor have experienced lockouts and strikes during tense negotiations. In Germany, the Verdi union approved a concessions contract with Deutsche Post/DHL, aiding management’s restructuring efforts.

Across all these countries, the pattern remains the same: management pushes ahead with layoffs and automation, while unions try to contain and diffuse workers’ anger. The unions act more like industrial police, enforcing capital’s demands and isolating workers from their global class allies. DHL’s choice to shut down the Muntinlupa plant is guided by global corporate strategy, not local factors. Workers in Metro Manila are suffering the fallout of decisions made in distant corporate boardrooms.

The Bankruptcy of the Union’s Legal Strategy

DUWU and other unions have directed their dispute into DOLE’s legal processes by filing petitions and waiting for decisions. This approach is politically flawed and solely isolates the workers. DOLE’s arbitration system is structured to favour corporate interests and does not provide a way to challenge a closure decision based on commercial reasons. DHL has already concluded that closing the warehouse is part of its global restructuring plan, and no legal challenge will change that decision.

By treating the closure as a local violation of Philippine labour law, the unions have confined the struggle within national boundaries and prevented workers from linking up with DHL workers internationally who face the same attacks. This isolation is fatal. A few hundred workers in Metro Manila cannot defeat a transnational corporation through legal channels that the corporation and the state both understand far better than the union bureaucracy.

The Role of the State and Political Establishment

Several legislators have visited the picket line and issued statements of support, criticising DHL’s conduct and urging DOLE to intervene. These gestures are empty. They do nothing to challenge the underlying corporate restructuring or the state’s repressive labour framework.

The Philippine political establishment — from the Marcos Jr. administration to the congressional opposition — is united in its defence of foreign capital and its hostility to independent workers’ struggles. The AJ mechanism remains untouched because it is essential to maintaining the “investor‑friendly” environment demanded by multinational corporations.

Workers cannot place any confidence in the state or its political representatives. Their interests are irreconcilably opposed to those of the capitalist class.

The Necessity of Rank‑and‑File Committees

To continue their struggle, DHL workers need to lead the fight themselves. This involves forming rank-and-file committees that operate independently from DUWU and the broader union bureaucracy. These committees should: maintain democratic control over the strike, develop demands centred on workers’ needs rather than what the company or union leaders deem “realistic,” reach out directly to DHL workers throughout the Philippines and internationally, and be ready to oppose any efforts by DOLE or police to enforce an AJ order.

The main goal is to convert the strike from a localised dispute into a unified international fight against DHL’s global restructuring. Workers in the United States, Canada, Germany, and elsewhere are confronting similar attacks. Their efforts need to be coordinated.

A Turning Point for the Philippine Working Class

The DHL strike is a significant development in the Philippine working class. It exposes the brutal reality of global capitalism, the complicity of the union bureaucracy, and the repressive character of the state. It demonstrates that workers cannot defend their jobs and livelihoods through legal appeals or reliance on political figures.

The future of the struggle depends on workers breaking out of the confines imposed by the unions and the state and building new organs of class power. Forming rank‑and‑file committees is the decisive step forward.

The Muntinlupa workers’ fight is part of a global battle against the capitalist system that subordinates every aspect of life to profit. Their struggle deserves the active support of workers throughout the Philippines and internationally.

The Individualisation of Historical Guilt: Katja Hoyer’s Latest Exercise in Moral Anecdotalism

The Moralization of History in an Age of Political Reaction

Katja Hoyer’s recent essay, ‘From Housemaid to Camp Guard,’ examines how ordinary people can commit acts of evil. Although it appears to emphasise the role of structural and systemic factors in fascist violence, it actually highlights a broader tendency in modern popular history. This trend reduces intricate political and economic dynamics into moral tales, psychological stories, and personal biographies.

This approach—blaming individuals for historical guilt—is more than style; it’s an ideological tactic. It transforms fascism from a consequence of capitalist crises into an ongoing moral danger concealed within “ordinary people.” This method replaces analysis with emotion, structural understanding with narrative, and class with personal characteristics. In effect, it strips away political context from history, prioritising a moralistic story over deeper explanation.

Hoyer’s essay is more than merely inadequate; it reflects a wider cultural and political change: the erosion of historical awareness amid capitalist decline, the dominance of platform-driven “content” replacing traditional historiography, and the ruling class’s ideological effort to depoliticise history when its lessons are most critical.

Biography as Ideology: The Retreat from Structure

Hoyer’s essay centres on a biographical case study featuring Hermine Braunsteiner, infamous as the “Stomping Mare” of Majdanek. It presents her as a complex psychological figure—a troubling progression from a domestic worker to a camp guard. The reader is invited to reflect on her “choices,” her “path,” and her “transformation.” The narrative’s structure seeks to provoke moral reflection rather than enhance political understanding.

This emphasis on biography is widespread beyond Hoyer and is typical in popular history, especially during political backlash. Incorporating biographical anecdotes allows historians to suggest complexity without engaging in detailed structural analysis. It also enables readers to feel morally connected without tackling the political economy of fascism. Consequently, this approach shifts the perception of perpetrators from systemic actors to psychological curiosities.

This mode highlights what a materialist historiography would emphasise: the class makeup of the SS, the economic issues in Depression-era Austria and Germany, the gender-specific recruitment tactics of the Nazi regime, the backing of fascism by German financial elites, and the Federal Republic’s effort to rehabilitate camp staff after WWII. Braunsteiner’s life isn’t a moral lesson; rather, it’s a case study illustrating how capitalism mobilises, disciplines, and weaponises human labour during crises. Conversely, Hoyer’s approach conceals this underlying reality.

The Arendtian Legacy: Banality Without Structure

Hoyer’s framing—“ordinary people doing evil things”—directly draws from the Arendtian tradition. However, while Hannah Arendt’s work engaged with the mechanisms of the totalitarian regime, Hoyer’s interpretation is a simplified, moralised version that lacks political context. Arendt’s concept of the “banality of evil” shifted focus from ideological extremism to bureaucratic normality, paving the way for a psychological view of fascism: viewing evil as thoughtlessness, obedience, and conformity. Nonetheless, Arendt’s own writings remain ambivalent, caught between philosophical ideas and specific historical circumstances.

Hoyer retains only the abstract concept. She transforms the banal evil into a universal moral risk, making fascism a constant human potential. The reader is encouraged to worry about the weakness of conscience rather than capitalism’s crisis. The structural causes of fascism—the breakdown of parliamentary democracy, the rise of paramilitary violence, and the Nazi-industrial alliance—disappear from view. Arendt’s complex ideas are reduced to evasions in Hoyer’s approach.

Goldhagen’s Shadow: Voluntarism Without Politics

If Arendt explained fascism as arising from thoughtlessness, Daniel Goldhagen attributed it to deliberate hatred. His argument—that ordinary Germans were “willing executioners” motivated by a distinct eliminationist anti-Semitism—shifts focus from structural causes to cultural essentialism. Hoyer’s story echoes this voluntarist perspective. Braunsteiner’s actions are portrayed as personal decisions, moral lapses, or a psychological decline. Readers are encouraged to consider her cruelty as an individual moral failure rather than a consequence of systemic factors.

Goldhagen’s voluntarism, similar to Arendt’s concept of banality, serves an ideological purpose: it shifts blame away from the ruling class. When fascism is attributed to hatred or thoughtlessness, the influence of the capital, state, and military vanishes from the explanation. This directs attention to the perpetrators while rendering the systemic structures unseen. Hoyer’s essay exemplifies this pattern, presenting more than just a moral story; it functions as a form of political avoidance.

A materialist approach to the history of fascism starts with class analysis. Fascism is not an ethical anomaly but a class-based tactic. It emerges when the ruling elite can no longer maintain power through parliamentary channels and resort to extra-parliamentary violence to oppress workers. In this view, Braunsteiner’s life is understood not as a psychological mystery but as a product of structural forces: her recruitment into the SS was driven by the economic hardship faced by working-class women in Depression-era Austria. Her participation in the camp system was part of a bureaucratic setup designed to enforce racialised labour discipline. Her later anonymity in Queens was preserved by the political interests of the Federal Republic, which reabsorbed thousands of fascist affiliates to uphold bourgeois stability.

Hoyer’s essay does not include any of these aspects. It omits the class character of fascism, the Nazi state’s political economy, and the connection between fascist and postwar bourgeois institutions. As a result, the narrative tends to psychologize, moralise, and personalise fascism, but it never explains.

Substack as Historiographical Medium

Katja Hoyer’s recent work is deeply connected to its medium. Her Substack newsletter, Zeitgeist, functions not just as a platform but as a historiographical form influenced by platform capitalism’s economic principles. Substack’s subscription model—personality-driven, serial, and emotionally tuned—encourages trends that have diminished the quality of popular historical writing in the neoliberal age: favouring anecdotes over analysis, moral reflection over structural insights, and psychological storytelling over political economy.

Substack turns the historian into a personal brand. Subscribers follow not just for historical facts, but for the persona the historian projects. The historian’s voice becomes the main attraction, with the past serving as a setting for its display. This change is deliberate and structural, driven by the platform’s need for frequent content, which limits in-depth archival work and promotes episodic stories. Its focus on emotional connection prioritises moral stories—like “chilling” lives, “ordinary” individuals, and “extreme” decisions—over meaningful analysis of class, government, or capitalism.

Hoyer’s essays exemplify this approach well. They follow a steady pattern: starting with a biographical hook, then providing a psychological perspective, and concluding with a gentle liberal lesson. The past is depicted more as a mood to be experienced than as a political process. Fascism is portrayed as a moral issue rather than a class strategy. The GDR is shown as a nostalgic scene rather than a state with a specific social identity. The Cold War is described through human-interest stories rather than as a global clash of social systems.

This is more than just a stylistic choice; it serves an ideological purpose inherent to the medium. Substack’s favoured format—the serialised moral story—personalises historical responsibility, exaggerates dangers universally, and omits structural causality. This creates a sense of history that is emotionally comprehensible yet politically passive. It caters to a middle-class audience that desires engagement without discomfort, reflection without critique, and memory that avoids political implications.

Hoyer’s choice of Substack highlights more than her personal approach; it underscores a wider shift in historical writing driven by platform capitalism. This shift turns history into consumable content, transforms the historian into an influencer, and frames historical awareness as a commodity that serves the ideological demands of a crisis-ridden era.

Substack and the Rebranding of “Ordinary Germans”

Substack has become a key platform where modern writers reshape German history for a mostly Anglo-American global audience. Its economic model—focused on subscriptions, personality, and a lack of emphasis on political economy—creates a particular type of historical storytelling. It’s no surprise that Katja Hoyer’s work thrives here, as Substack favours interpretive approaches like anecdotal storytelling, moral psychology, and replacing structural causes with personal narratives.

The platform’s format influences its content. Substack essays tend to be short, emotional, and easy to read quickly. They aren’t suited for in-depth analysis of class struggles, government institutions, or fascism’s political economy. Instead, they focus on personal stories—like the housemaid, the neighbour, or the nostalgic pensioner—as the primary units of historical significance. The “ordinary German” becomes a storytelling device and a moral figure whose life is summarised in 1,500 words, ending with a gentle liberal lesson about “choices,” “complexity,” or “human nature.”

This isn’t merely a stylistic choice but reflects the medium’s ideological role. Substack’s favoured narrative approach tends to individualise historical accountability, turning fascist perpetrators into psychological riddles rather than recognising them as parts of a systemic structure. It broadens the concept of danger—suggesting that “ordinary people can become monsters”—while overlooking the specific class interests, state mechanisms, and economic crises that fuelled the Nazi movement. This shift replaces the political inquiry (“Why did German capital embrace fascism?”) with a moral one (“Why did this woman commit evil acts?”).

In this manner, Substack engages in the larger framework of memory capitalism: transforming the past into easily consumable content that lacks opposition. The “ordinary German” is transformed into a brand category, a narrative archetype enabling the platform to evoke emotional responses without provoking political tensions. The audience is encouraged to experience history emotionally rather than to comprehend it. Consequently, the past is presented as a mood rather than a coherent structure.

Hoyer’s utilisation of Substack is therefore purposeful. It highlights how platform capitalism shapes historical understanding, creating a portrayal of German history in which fascism is moralised, depoliticised, and disconnected from contemporary issues. The “ordinary German” becomes a warning rather than an active participant in a specific social context. This creates a story that is emotionally powerful, politically vague, and closely aligned with the ideological demands of a society in turmoil.

Hoyer’s success in Britain is closely tied to her supportive environment, including outlets like The Spectator, UnHerd, TLS, The Observer, and the broader liberal-conservative commentariat. This scene favours a style of historical writing that is accessible, impartial, and devoid of ideological conflicts. In this framework, Weimar is seen as a symbol of “polarisation” rather than a sign of capitalism’s failure. The GDR is perceived more as a nostalgic scene than a state defined by specific class traits. Fascism is framed as a cautionary tale against ‘extremism,’ rather than a tool used by the ruling class. History is approached as entertainment, not as a platform for critique. Hoyer’s work aligns with this environment, providing German history that is politics-free, memory without hostility, and narratives without causal explanations.

The emphasis on individual guilt in history today serves a contemporary purpose. By portraying fascism as the moral failure of “ordinary people,” the historian diverts blame from the capitalist class that financed Hitler, the state bodies involved in genocide, the postwar governments that reintegrated fascist figures, and the current ruling elite again embracing militarism. This explains why such narratives spread—they enable people to feel morally involved while sidestepping political accountability. They foster guilt without encouraging critical analysis, promote self-reflection without critique, and evoke memory without considering historical context. Consequently, Hoyer’s essay is not just lacking; it actively functions politically by supporting the ongoing effort to depoliticise history, aligning with the rightward shift in European politics.

Serious historiography aims to explain the past, not moralise about it. Fascism isn’t merely a psychological temptation; it is a class phenomenon that emerges from capitalist crises, not human nature. Specific institutions enable it, not personal choices. Preventing its recurrence requires conscious political action by the working class. Hoyer’s essay, along with its broader trend, obscures this understanding by substituting explanation with anecdote, structure with story, and politics with morality. This shifts fascism from a concrete product of capitalist crisis into a timeless moral hazard. In contrast, a materialist historiography emphasises that understanding the past is essential to addressing the present, warning against the ideological trap of individualising guilt.

Sources and Bibliography

I. Academic Sources on Memory, Capitalism, and Media

  • Pilkington, Danny. Myopic Memory: Capitalism’s New Continuity in the Age of AI. Memory, Mind & Media, Vol. 3 (2024). A commentary on how neoliberalism and capitalist technological development constrain social memory and critical reflection.
  • Erll, Astrid; Rigney, Ann; Wüstenberg, Jenny (eds.). Dynamics, Mediation, Mobilisation: Doing Memory Studies With Ann Rigney. De Gruyter, 2025. A major contribution to the study of mediated memory and its political uses.
  • Rigney, Ann & Merrill, Samuel (eds.). Remembering Activism: Explorations in the Memory–Activism Nexus. Memory Studies, 17(5), 2024. Explores how memory is mobilised in contemporary political contexts.
  • Chidgey, Red & Garde-Hansen, Joanne. Museums, Archives and Protest Memory. Palgrave Macmillan, 2024. Useful for understanding institutional mediation of memory.
  • Reading, Anna. Autistic Dreaming: Vibrant Memory, Activism and Environment. Berghahn, 2025. A study of memory practices under contemporary social conditions.
  • Erbil, Deniz; Rigney, Ann; Vlessing, Clara (eds.). Remembering Contentious Lives. Palgrave Macmillan, 2025. On the politics of remembering individuals within broader social conflicts.

II. Sources on Memory Culture, Digital Platforms, and Substack

  • The Memory Palace (Substack). A Substack publication dedicated to the philosophy of memory, illustrating how academic memory discourse is migrating to platform‑based media.
  • Hoskins, Andrew. Digital Memory Studies: Media Pasts in Transition. Routledge, 2018. Foundational for understanding how digital platforms reshape historical consciousness.
  • van Dijck, José. The Culture of Connectivity: A Critical History of Social Media. Oxford University Press, 2013. Essential for situating Substack within the broader political economy of platform capitalism.
  • Couldry, Nick & Mejias, Ulises. The Costs of Connection: How Data Is Colonising Human Life and Appropriating It for Capitalism. Stanford University Press, 2019. Critical for theorising how platforms commodify human expression, including historical narrative.
  • Dean, Jodi. Blog Theory: Feedback and Capture in the Circuits of Drive. Polity, 2010. A theoretical precursor to understanding Substack’s affective economy.

III. Historiography, Fascism, and the “Ordinary Germans” Debate

  • Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. Penguin, 1963. The foundational text for the “ordinary people doing evil” paradigm.
  • Goldhagen, Daniel. Hitler’s Willing Executioners: Ordinary Germans and the Holocaust. Knopf, 1996. The most influential voluntarist interpretation of perpetrator agency.
  • Browning, Christopher. Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland. HarperCollins, 1992. The classic empirical counterpoint to Goldhagen, grounding perpetrator behaviour in situational and structural factors.
  • Aly, Götz. Hitler’s Beneficiaries: Plunder, Racial War, and the Nazi Welfare State. Metropolitan Books, 2007. Shows how material incentives and class interests shaped popular complicity.
  • Kershaw, Ian. The Nazi Dictatorship: Problems and Perspectives of Interpretation. Bloomsbury, 2015. Essential for situating “ordinary Germans” within structural historiography.
  • North, David. A Marxist Critique of Daniel Goldhagen’s “Hitler’s Willing Executioners.” Detroit: Mehring Books, 1997.

IV. Sources on German Memory Politics and Popular History

  • Moeller, Robert G. War Stories: The Search for a Usable Past in the Federal Republic of Germany. University of California Press, 2001. On postwar memory politics and the construction of “ordinary German” narratives.
  • Niven, Bill. The Politics of Memory in Postwar Europe. Palgrave Macmillan, 2006. Useful for contextualising contemporary German memory culture.
  • Confino, Alon. A World Without Jews: The Nazi Imagination from Persecution to Genocide. Yale University Press, 2014. On the ideological and cultural dimensions of Nazi violence.

V. Sources on Media, Narrative, and the Commodification of History

  • Huyssen, Andreas. Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford University Press, 2003. A foundational text for understanding memory as a cultural commodity.
  • Assmann, Aleida. Cultural Memory and Western Civilisation: Functions, Media, Archives. Cambridge University Press, 2011. On the mediation and institutionalisation of memory.
  • Garde-Hansen, Joanne. Media and Memory. Edinburgh University Press, 2011. A concise overview of how media forms shape historical consciousness.
  • Olick, Jeffrey K. The Politics of Regret: On Collective Memory and Historical Responsibility. Routledge, 2007. Essential for understanding the moralization of historical guilt.

VI. Sources on Platform Capitalism and Digital Labour

  • Srnicek, Nick. Platform Capitalism. Polity, 2017. The definitive analysis of the economic logic underpinning platforms like Substack.
  • Zuboff, Shoshana. The Age of Surveillance Capitalism. PublicAffairs, 2019. On how digital platforms commodify human behaviour and expression.
  • Terranova, Tiziana. Network Culture: Politics for the Information Age. Pluto Press, 2004. A foundational text on digital labour and cultural production.

VII. Suggested Primary Sources for Katja Hoyer’s Work

(These are not cited from search; they are standard bibliographic entries.)

  • Hoyer, Katja. Blood and Iron: The Rise and Fall of the German Empire 1871–1918. Penguin, 2021.
  • Hoyer, Katja. Beyond the Wall: East Germany, 1949–1990. Penguin, 2023.
  • Hoyer, Katja. Zeitgeist (Substack newsletter).
  • Hoyer, Katja. Various essays in The Spectator, UnHerd, The Telegraph, etc.

VIII. Integration Notes for a Further Essay

These sources support:

  • Memory capitalism → Pilkington (2024), Erll/Rigney (2025), Hoskins (2018), van Dijck (2013).
  • Substack as historiographical medium → Dean (2010), Srnicek (2017), Zuboff (2019).
  • Individualisation of historical guilt → Arendt (1963), Goldhagen (1996), Browning (1992), Olick (2007).
  • Ordinary Germans debate → Kershaw, Aly, Confino.
  • German memory politics → Moeller, Niven.
  • Media and memory → Assmann, Garde-Hansen, Huyssen.

“The Gentleman’s Game and the Worker’s Scapegoat: Class Politics of the Bodyline Affair”

The 1932–33 Bodyline series is often described as a cricketing controversy, a diplomatic dispute between England and Australia, or a tactical shift in fast bowling. However, these common explanations, repeatedly promoted by official cricket narratives, overlook the core truth: Bodyline was fundamentally a class struggle. It was fought not only between nations but also within the social hierarchy of English cricket itself. This moment revealed how the contradictions of the gentleman-amateur ideal clashed with the practicalities of modern sport, with the ruling class protecting its authority by sacrificing the worker who enforced its will.

At the heart of this story is Harold Larwood, the Nottinghamshire miner’s son whose name is now linked with the aggressive nature of Bodyline. Larwood did not create the tactic or devise the strategy; he simply carried it out—with remarkable skill, discipline, and bravery—because his captain, Douglas Jardine, directed him to do so. Jardine, a representative of the old-school public-school elite, reflected the MCC’s view: cricket as a symbol of imperial power, where the gentleman led, and the professional followed. Larwood’s task was to bowl fast, relentlessly, and without hesitation. He did exactly that.

When the Australian press reacted with outrage, when politicians criticised imperial discord, and when the MCC’s moral standing was challenged, Jardine was not the one asked to apologise. Instead, Larwood was summoned. The club prepared a letter insisting he accept responsibility for a plan devised by his superiors. Larwood’s refusal to sign transgressed a fundamental norm of English class society: he stood up for his dignity against those deemed his social superiors. As a result, his Test career concluded at age twenty-eight.

This episode exposes the true essence of the MCC’s gentlemanly ideology. Beneath the surface of sportsmanship and fair play, a rigid hierarchy treats working-class professionals as replaceable tools. The amateur ideal—lauded in official histories as a noble tradition—serves as a tool of class control, allowing the ruling class to dominate strategic choices while shifting responsibility for outcomes onto those without social power. Bodyline was not just a tactical move; it was the logical outcome of a system where the gentleman leads, and the worker takes the blame.

The fallout from Bodyline reveals this hypocrisy even more. Jardine kept his social status, his portrait at Lord’s, and his role in the history of English cricket. Larwood, by contrast, was excluded. He moved to Australia, where he was treated more kindly than in his home country. The MCC’s decision not to commission a portrait of him—despite his reputation being restored—is not just a bureaucratic mistake but a symbolic gesture. It highlights the institution’s lingering guilt and its reluctance to face the injustice it caused. The Long Room, filled with aristocratic faces, still stands as a testament to the class system that Bodyline temporarily uncovered.

While modern cricket has moved away from amateur ideals, the underlying power dynamics remain intact. Today’s players are officially professionals, yet they still operate under the control of boards, franchises, and commercial interests that see them as resources to manage rather than as individuals with agency. Fast bowlers especially carry the physical load of strategies conceived well above their level, endure gruelling schedules, are expected to produce entertainment on demand, and are held accountable when the dangers of their work become evident. The Bodyline approach endures: responsibility is pushed downward, while authority is maintained upward.

The globalisation of cricket has intensified these contradictions. The rise of franchise leagues has created new centres of power, but the basic dynamic remains unchanged. Administrators and owners shape the game’s direction; players absorb the consequences. When controversies erupt — over workload, concussion, short‑pitched bowling, or the balance between bat and ball — it is the labouring athlete who is scrutinised, not the system that compels him to perform. Larwood’s experience is not an historical anomaly; it is the template.

Even the politics of memory mirror this ongoing pattern. Jardine’s portrait, displayed at Lord’s, stands as a symbol of aristocratic authority. In contrast, Larwood’s absence is deliberate, reminding us that institutions tend to honour those in command rather than labourers. The modern game, enhanced by corporate branding and international scope, still reflects this bias. It continues to celebrate leadership, strategy, and administration, while sidelining the worker whose physical effort creates the spectacle.

Bodyline isn’t just a story from the past; it reflects today’s reality. It shows how cricket, like all modern sports, is influenced by class dynamics and the struggle between those who govern the game and those who play it. The injustice faced by Larwood isn’t merely nostalgic; it serves as a warning. Until the contemporary game acknowledges the importance of labour and tackles the structures that exploit it, the shadow of Bodyline will persist.

The official narrative suggests that Bodyline was a controversy over sportsmanship and deviated from cricket’s moral norms. Nonetheless, this explanation mainly masked deeper class conflicts within the sport. The MCC’s strong reaction to Australian criticism was more politically motivated than moral: they feared that a working-class bowler’s dominance over a famous batsman threatened the aristocratic myth that underpinned their authority. Bradman’s encounter with Larwood’s fast bowling was seen as unacceptable not because it endangered players, but because it undermined the core belief in English cricket that leadership and strategy belonged solely to the upper class.

Bodyline represents a moment when the conflicts within English society surfaced on the cricket field. It revealed the fragile nature of the amateur ideal, the harshness of class hierarchy, and how institutions were willing to sacrifice individuals to maintain their legitimacy. Larwood’s absent portrait serves as the last, lasting symbol of this struggle. It is a silence that conveys meaning: a reminder that the worker who executed the ruling class’s commands was never intended to be remembered.

Understanding Bodyline requires recognising that sport is intertwined with society, serving as a stage where social relations are played out and challenged. The MCC’s handling of Larwood was not an isolated incident but reflected the class system that shaped English society. The controversy persisted beyond 1933, influencing how history is remembered, the narratives institutions promote, and the images they display.

Larwood’s portrait is deserved not out of sentimentality, but as a recognition of the truth. Honouring him means facing the fact that the ruling class tried to hide: that England’s best fast bowler was a worker, and the injustice he faced was systemic, not personal. Bodyline represented class conflict, with Larwood as its most genuine figure.

The Liberal Canonisation of Hannah Arendt: The Totalitarianism Thesis and the Ideological Work of Postwar Anticommunism

The publication of The Portable Hannah Arendt, edited by Peter Baehr and released by Penguin Classics in 2003, is more than just a neutral scholarly act. It functions as an ideological intervention. The “Portable” series aims to establish a canon — guiding a broad audience, especially students, on which thinkers are important and how they should be understood. In Arendt’s case, this canonisation has a specific historical goal: to reinforce a Cold War liberal perspective that dismisses Marxism, revolutionary movements, and the legacy of October 1917 as morally illegitimate, categorising them under “totalitarianism.”

Peter Baehr’s introduction to The Portable Hannah Arendt adopts a familiar ideological stance: it depicts Arendt as a timeless, humane thinker unaffected by the Cold War context, emphasising her insights as universal rather than historically specific. This framing is deliberate. It embeds Arendt in the modern liberal canon, removing the political conflicts that characterised her work and recontextualising her for a post-Soviet academic environment eager to uphold the moral superiority of liberal capitalism.

Baehr’s introduction presents Arendt as a diagnostician of modern evil—including statelessness, totalitarianism, and the decline of political judgment—emphasising the continued relevance of her categories today. However, it notably omits the fact that Arendt’s theoretical framework was developed in opposition to Marxism, revolutionary politics, and any history based on class struggle. What is presented as a neutral, humane synthesis of a major twentieth-century mind is in fact the transmission belt for a historically specific — and historically discredited — Cold War category.

Baehr adopts Arendt’s thesis on totalitarianism without analysing its political role. He views it as an established idea rather than an ideological tool created during the early Cold War to equate communism with fascism and undermine the October Revolution. By doing so, he perpetuates the dominant myth of postwar liberal history: that the twentieth century was shaped not by the conflict between capital and labour, but by the struggle between “freedom” and “totalitarianism.”

Baehr’s discussion of Arendt’s opposition to the “social question” is equally insightful. He treats her distinction between the political and social as a philosophical nuance rather than a class-based stance—the perspective of an intellectual environment that could see politics as a realm of pure action, separate from hunger, poverty, and exploitation. The reactionary consequences of this view, most clearly seen in Arendt’s Reflections on Little Rock, are masked by the anthology format. The introduction presents Arendt’s categories as universal, hiding their incompatibility with any politics rooted in social struggle.

Baehr’s introduction performs two key functions: it sanitises Arendt’s political views and elevates her conceptual language into a normative framework for understanding the twentieth century. This aligns well with the demands of modern liberal scholarship. Arendt becomes a versatile thinker because her categories enable political theory to proceed without referencing capitalism, class, or revolution. She provides a way to discuss evil without addressing its social roots, politics without examining its material basis, and history without considering revolutionary potential.

Baehr’s introduction goes beyond being just an editorial preface; it functions as an act of ideological reproduction. It guarantees that Arendt stays at the heart of a historiography focused on moral clarity, neglecting social analysis, political theory disconnected from class struggle, and historical memory that avoids revolution. Her canonisation reflects a liberal order that depends on intellectuals who can describe modern crises without challenging the social systems that cause them.

The anthology’s structure starts with statelessness, then addresses totalitarianism, and ends with the vita activa, mirroring the progression of postwar liberal political theory. It serves as an educational tool to help students see the main conflict of the twentieth century as a struggle between “freedom” and “totalitarianism,” rather than capitalism versus the global working class. As the document explains: “It takes a thinker whose entire theoretical apparatus was constructed against Marxism and revolutionary politics, and repackages her as a ‘portable’ companion for the college-educated reader. This repackaging is not accidental. It is the essence of Arendt’s postwar function.

 Arendt and the Historiography of “Ordinary Germans”

In current historiography, Hannah Arendt occupies a central but deeply contested position in debates over the role of “ordinary Germans” in the Nazi dictatorship. Her influence is unmistakable: the categories she introduced — “totalitarianism,” “the banality of evil,” the atomised mass — continue to shape how scholars and the public interpret participation in fascist crimes. Yet these categories obscure more than they reveal. They offer a moral‑psychological portrait of perpetrators that detaches their actions from the social, political, and class forces that produced Nazism.

Arendt’s most famous formulation, the “banality of evil,” has become a shorthand for understanding the perpetrators not as ideological actors but as bureaucratic functionaries incapable of thought. In Eichmann in Jerusalem, she wrote that Eichmann was “neither perverted nor sadistic,” but “terrifyingly normal.” This line has been repeatedly invoked in discussions of ordinary Germans, suggesting that genocide was carried out by men and women who were simply following orders, trapped in a machinery of total domination.

This interpretation has had enormous historiographical influence — but it has also provoked sustained criticism. Social historians, Marxist scholars, and historians of everyday life have shown that the Nazi project depended not on thoughtless obedience but on active participation, ideological commitment, and material interest. The scholarship of Christopher Browning, Ulrich Herbert, and the Bielefeld school demonstrated that ordinary Germans were not passive cogs but conscious actors shaped by nationalism, anti‑communism, racial ideology, and the social crisis of German capitalism.

Arendt’s framework cannot account for this. Her theory of totalitarianism posits a population rendered politically inert by terror and propaganda, incapable of autonomous judgment. This conception collapses under historical scrutiny. The Nazi regime did not rule a population of atomised subjects; it ruled a society mobilised through promises of national revival, social order, and the destruction of Marxism. The working class had been defeated; the middle classes radicalised; sections of capital actively supported the regime. These dynamics are absent from Arendt’s account.

The problem is not merely empirical but theoretical. Arendt’s hostility to the “social question” — her insistence that politics must be insulated from material need — makes it impossible for her to grasp why ordinary Germans supported fascism. She cannot see that fascism emerged from the crisis of German capitalism, the destruction of the workers’ movement, and the fears of a ruling class confronting revolution. Her categories reduce these forces to psychological dispositions: loneliness, thoughtlessness, susceptibility to ideology.

This is why Arendt remains attractive to liberal historiography. Her framework allows scholars to discuss perpetration without confronting class, capitalism, or the political economy of fascism. It transforms the question of ordinary Germans into a moral drama rather than a social analysis. The perpetrators become universal figures — bureaucrats, joiners, men who failed to think — rather than historically specific actors shaped by the collapse of Weimar, the defeat of the working class, and the counterrevolutionary aims of German capital.

In contemporary historiography, Arendt’s place is therefore paradoxical. She is cited constantly, but her categories are increasingly inadequate for explaining the historical realities uncovered by decades of research. Her influence persists not because her analysis clarifies the role of ordinary Germans, but because it offers a politically comfortable way of remembering fascism: as a warning about human frailty rather than as a product of social crisis and class struggle.

Arendt’s legacy in this field is thus double-edged. She remains central to public memory and political theory, but her framework obscures the very forces that made ordinary Germans participants in genocide. To understand fascism historically — and to understand the perpetrators as historical actors — requires moving beyond Arendt’s categories and returning to the material, political, and class foundations she systematically rejected.

Arendt’s *The Origins of Totalitarianism* (1951) exemplifies her rejection of a class-based view of fascism. The core idea—that Nazism and Stalinism are different manifestations of the same phenomenon—was embraced by Cold War thinkers to justify equating communism with fascism. This was driven not only by scholarly oversight but also by political motives. In *Stalinism and Bolshevism* (1937), Trotsky contended that Stalinism represented a bureaucratic decline of a workers’ state rather than its true Marxist essence. He depicted the bureaucracy as mimicking Bolshevism’s rhetoric while cultivating demoralisation and gangsterism. Arendt’s contribution was to remove this distinction from a liberal perspective, viewing Stalinism not as a betrayal of October but as its inevitable outcome.

This ideological move had two main aims: it validated the Soviet bureaucracy, allowing it to frame its crimes as a natural part of Marxism instead of a counterrevolutionary takeover; and it also justified Western capitalism, which could portray its global imperialism as defending “freedom” against a unified totalitarian menace. The document clearly articulates this: “It provided the Cold War liberal intelligentsia with a theoretical justification for treating the October Revolution and Auschwitz as points on the same continuum.”

The totalitarianism thesis became the intellectual foundation for every subsequent attempt to equate communism with fascism — from the Black Book of Communism to the European Union’s “Day of Remembrance for Victims of Totalitarian Regimes.” Arendt’s work is the template for this entire genre.

Arendt’s political philosophy rests on a rigid separation between “the political” and “the social.” For her, politics is the realm of free action among equals; the intrusion of economic need — hunger, poverty, exploitation — corrupts this realm. This is not a philosophical distinction. It is a class position. For Arendt, the intrusion of economic need… into the public realm corrupts authentic politics.

This hostility towards the social question reflects the worldview of a bourgeois intellectual who views politics as a stage for aristocratic self-display. It fundamentally clashes with Marxism, which sees politics as inherently linked to the struggle over conditions of production. Arendt’s controversial essay, Reflections on Little Rock, highlights the reactionary consequences of her approach. She opposed using federal authority to enforce desegregation, claiming that Black children should not be “used” to serve social goals. Ralph Ellison and others criticised the essay because it exposed the limitations of a political theory that dismisses mass social struggles as illegitimate. The anthology features this essay but does not address its implications, presenting a form of depoliticisation disguised as humanism.

Eichmann, Banality, and the Evacuation of Historical Causation

Arendt’s idea of the “banality of evil” has long been admired as a deep insight into how modern bureaucratic crimes work. However, its real purpose has been to psychologize fascism—making the Holocaust seem like a result of thoughtlessness—and thus hiding its class roots. Historically, this idea has served to individualise and psychologize Nazi crimes, neglecting the political and economic analysis of German fascism. In reality, German fascism was not just bureaucratic banality; it was a tool used by a segment of German capital facing revolutionary upheaval. Its anti-Semitism was tied to anti-communism, and its genocidal policies were not due to ignorance but were a calculated response to counterrevolution.

Arendt’s opposition to class analysis, her disputes with the Frankfurt School, and her hostility towards Marxism were fundamental to her entire theoretical framework. She replaced traditional political economy with concepts such as will, judgment, and the human condition. This approach produced a philosophy capable of describing fascist crimes but not explaining their causes.

Hannah Arendt and Rosa Luxemburg: Two Incompatible Conceptions of Politics

Hannah Arendt and Rosa Luxemburg stand at opposite poles of twentieth‑century political thought. Their divergence is not simply theoretical but rooted in fundamentally different conceptions of freedom, politics, and the forces that shape history. Luxemburg represents the revolutionary Marxist tradition, grounded in class struggle and the working class’s self-emancipation. Arendt represents the liberal tradition, grounded in separating politics from social need and a suspicion of mass movements.

For Luxemburg, politics emerges from the material conditions of life. The struggle against exploitation underpins democratic action, and the working class is the central historical agent. Her insistence that “freedom is always the freedom of the one who thinks differently” was inseparable from her belief that genuine political freedom requires abolishing capitalist social relations. Mass strikes, revolutionary upheavals, and collective action were not threats to politics but its highest expression.

Arendt’s framework rejects this entirely. She insists on a strict division between “the political” and “the social,” arguing that politics must be insulated from economic necessity. Movements rooted in social struggle — including the workers’ movement Luxemburg championed — are, in Arendt’s view, bound to necessity and therefore incapable of sustaining political freedom. This hostility to the social question leads Arendt to treat revolutionary Marxism as inherently dangerous, culminating in her claim that attempts to transform society through mass action pave the way to totalitarianism.

The contrast is clearest in their views of revolution. Luxemburg saw the Russian Revolution as the opening of a new epoch of human emancipation, despite her criticisms of Bolshevik policy. Arendt saw it as the beginning of total domination. Luxemburg’s revolution aimed to abolish exploitation; Arendt’s preferred revolutions — American, council‑based, constitutional — leave social relations intact.

Their place in contemporary historiography reflects present needs. Arendt is canonised as a philosopher of political action precisely because her categories exclude class struggle and revolutionary transformation. Luxemburg remains marginal because her politics expose the limits of liberalism and insist that freedom cannot be separated from equality.

In short: Luxemburg represents politics as social transformation; Arendt represents politics as its renunciation. Their opposition marks one of the central ideological fault lines of the twentieth century — and of our own.

Baehr’s anthology concludes by transforming Arendt into a “portable” thinker—a reliable, canonical guide to the twentieth century. Its structure is intentionally political, not neutral, framing a narrative: Statelessness as the human condition of displacement, Totalitarianism as the unified evil of Nazism and Stalinism, and The Vita Activa as a philosophy of action disconnected from material conditions. This sequence reflects the core ideological achievement of postwar liberalism: omitting class struggle from historical narrative. It convinces an entire intelligentsia that the twentieth century’s central drama was a battle between ‘totalitarianism’ and ‘freedom,’ rather than between capitalism and the international working class.

The anthology serves as a conduit for this worldview, intentionally aimed at undergraduate syllabi to promote a liberal interpretation of history. Students engaging with Arendt in this way will likely never explore Marx, much less Trotsky. This outcome is deliberate and reflects the curriculum’s explicit goal.

Hannah Arendt’s Place in Current Historiography

Arendt’s canonisation reflects a broader historical trend: the rise of a liberal intellectual class that opposes Marxism and revolutionary ideas. Her work forms the philosophical basis for this opposition, presenting politics as classless, history as devoid of revolution, and evil as having no causal roots.

In contemporary historiography, Hannah Arendt occupies a paradoxical position: she is simultaneously treated as a foundational theorist of the twentieth century and as a figure whose core analytical categories — “totalitarianism,” “the political,” “the banality of evil” — have been repeatedly challenged, revised, or discredited by serious historical scholarship. Yet her prestige endures. This endurance is not the result of empirical adequacy but of ideological necessity.

Arendt’s central historiographical function today is to provide a liberal, anti‑materialist framework for interpreting the catastrophes of the modern world. Her work offers a narrative of the twentieth century that is morally dramatic but politically safe: a struggle between “freedom” and “totalitarianism,” rather than between capitalism and the international working class. This narrative remains indispensable to a broad swathe of academic and political institutions whose legitimacy depends on erasing Marxism as a revolutionary alternative.

The persistence of the totalitarianism thesis is the clearest example. Despite decades of scholarship demonstrating the profound historical differences between fascism and Stalinism — their class bases, social trajectories, and political aims — Arendt’s conceptual fusion of the two remains hegemonic in political theory, Holocaust studies, and public memory culture. It is invoked in museum exhibitions, policy discourse, and university syllabi as a self‑evident truth. The category survives not because it explains history, but because it explains history in a way that stabilises the present: it delegitimises socialist revolution by associating it with genocide, and it sanctifies liberal capitalism as the only viable alternative.

Arendt’s hostility to the “social question” has likewise found renewed life in current historiography. In an era of rising inequality, collapsing welfare states, and intensifying class conflict, her insistence that politics must be insulated from material need has become attractive to a professional‑managerial intelligentsia anxious to preserve the autonomy of its own discourse. Historians and political theorists who adopt Arendtian categories often do so precisely because they allow political action to be conceptualised without reference to exploitation, class struggle, or the economic foundations of social life. Arendt’s framework offers a way to discuss “democracy,” “plurality,” and “public space” while avoiding the structural realities that make these concepts impossible under capitalism.

Her place in Holocaust historiography is equally fraught. The “banality of evil” thesis, though widely criticised by historians of Nazism, continues to shape public understanding of the perpetrators. Its appeal lies in its psychological minimalism: it transforms fascist genocide into a problem of bureaucratic thoughtlessness rather than of counterrevolutionary violence rooted in class interests and political aims. In doing so, it shifts attention away from the social forces that produced fascism — the crisis of German capitalism, the defeat of the workers’ movement, the alliance between big business and the Nazi state — and toward a universal moral lesson about human frailty. This depoliticisation is precisely why the concept remains popular.

Arendt’s current historiographical status, then, is not the result of scholarly consensus but of ideological utility. She provides a vocabulary through which liberal academia can confront the horrors of the twentieth century without confronting the social system that produced them. Her categories allow historians to speak of evil without speaking of capitalism, of politics without speaking of class, of freedom without speaking of revolution. In this sense, Arendt remains central not because she clarifies history, but because she obscures it in politically convenient ways.

 The so-called “Portable” Arendt isn’t just a handy summary; it functions as a tool for ideological perpetuation. It trains students to view politics through lenses that exclude the working class, material conditions, and possibilities for social change. Essentially, it offers a liberal response to 20th-century crises—a response that downplays capitalism’s role, dismisses revolutionary traditions, and venerates the Cold War era. Arendt isn’t about explaining modern catastrophes; she’s about shaping how those in power want them remembered.

Sources and Bibliography: The Portable Hannah Arendt

(Edited by Peter Baehr, Penguin Classics, 2000 / 2003)

I. Primary Source: The Anthology Itself

  • Arendt, Hannah. The Portable Hannah Arendt. Edited with an Introduction by Peter Baehr. New York: Penguin Classics, 2000; reissued 2003.

This is the central text. All citations to the anthology should reference this edition.

II. Works by Arendt Included in the Portable Reader

(These are the texts Baehr selected and framed — essential for analysing the anthology’s ideological structure.)

1. Statelessness / Imperialism / Antisemitism

  • The Origins of Totalitarianism (1951) — selected chapters on antisemitism, imperialism, and statelessness.

2. Totalitarianism

  • The Origins of Totalitarianism — Part III (“Totalitarianism”), including “Ideology and Terror.”

3. The Vita Activa / Political Theory

  • The Human Condition (1958) — selections on labour, work, action.
  • “What Is Freedom?” (from Between Past and Future, 1961).
  • “The Crisis in Education” (from Between Past and Future).

4. Eichmann / Banality of Evil

  • Eichmann in Jerusalem: A Report on the Banality of Evil (1963) — selected chapters.

5. Essays

  • “Reflections on Little Rock” (1959).
  • “Truth and Politics” (1967).
  • “Personal Responsibility Under Dictatorship” (1964).

III. Editorial and Framing Material by Peter Baehr

These are essential for analysing the anthology’s political function.

  • Baehr, Peter. “Introduction.” In The Portable Hannah Arendt. Penguin Classics, 2000/2003. The key text shaping the reader’s encounter with Arendt.
  • Baehr, Peter. “The Portable Arendt: A Political Theory for the Liberal Imagination.” (Often cited in discussions of the anthology; published in academic venues summarising his editorial approach.)
  • Baehr, Peter. Hannah Arendt, Totalitarianism, and the Social Question. (Relevant for understanding his interpretation of Arendt’s hostility to the social.)

IV. Secondary Scholarship Directly Discussing the Portable Reader

1. On Arendt’s Canonisation and Liberal Reception

  • Benhabib, Seyla. The Reluctant Modernism of Hannah Arendt.
  • Villa, Dana. Arendt and Heidegger: The Fate of the Political.
  • Young-Bruehl, Elisabeth. Hannah Arendt: For Love of the World.
  • Wolin, Sheldon. “Hannah Arendt: Democracy and the Political.”

2. On Arendt’s Totalitarianism Thesis

  • Losurdo, Domenico. War and Revolution: Rethinking the Origins of Totalitarianism.
  • Traverso, Enzo. The Origins of Nazi Violence.
  • Fine, Robert. “Arendt’s Theory of Totalitarianism: A Reassessment.”

3. On Arendt’s Hostility to the Social Question

  • Pitkin, Hanna Fenichel. The Attack of the Blob: Hannah Arendt’s Concept of the Social.
  • Bernstein, Richard J. Hannah Arendt and the Jewish Question.
  • Burroughs, Michael D. “Hannah Arendt, ‘Reflections on Little Rock,’ and White Ignorance.”

4. On Arendt’s Banality Thesis

  • Cesarani, David. Becoming Eichmann.
  • Stangneth, Bettina. Eichmann Before Jerusalem.
  • Bernstein, Richard J. Why Read Hannah Arendt Now? (sections on Eichmann).

V. Marxist and Trotskyist Critiques Relevant to the Portable Reader’s Ideological Function

1. On Totalitarianism as a Cold War Category

  • North, David. The Frankfurt School, Postmodernism and the Politics of the Pseudo-Left.
  • Rippert, Ulrich. WSWS review of The Black Book of Communism.
  • Trotsky, Leon. Stalinism and Bolshevism (1937).
  • Trotsky, Leon. The Revolution Betrayed (1936).

2. On Arendt’s Anti-Marxism

  • Anderson, Perry. The Antinomies of Antonio Gramsci (contextual critique of liberal political theory).
  • Eagleton, Terry. Why Marx Was Right (chapter on liberal anti-Marxism).

VI. Bibliographic Tools and Reference Guides

  • Jerome Kohn (ed.), The Hannah Arendt Papers (Library of Congress).
  • Hannah Arendt Centre (Bard College) — bibliographies and archival guides.
  •