Richard Wright’s Uncle Tom’s Children is a collection of essays that brutally exposes what it was like to live in the United States as a Black worker in the early 20th century.
Born in 1908, Richard Wright is by far one of the most important working-class writers of the 20th century. His major works, Black Boy, Native Son, and his essays are not merely literary achievements; they are social documents that analyse how material conditions, class relations, and racial domination shape consciousness and behaviour. Wright’s development from a Southern sharecropper’s son to a writer who engaged with Communist and socialist circles in the 1930s exemplifies the dialectical relation between objective social conditions and subjective formation: economic precarity, social exclusion and how the violence of Jim Crow produced a political sensibility that sought collective, systemic remedies rather than individualised responses.
Wright’s method is fundamentally Marxist in orientation, even if he did not always fully self-identify as an orthodox Marxist. This is evident in his attitude toward Leon Trotsky. Wright was strongly attracted to Marxist analysis and to anti‑Stalinist critiques. Many intellectuals of Wright’s generation viewed Trotsky, who combined a searching analysis of the Soviet degeneration with a firm commitment to working‑class internationalism, as a compelling theoretical and moral reference. Trotsky’s dialectical materialist method and his insistence that the proletariat must be politically independent of bourgeois and bureaucratic forces resonated with anti‑racist writers who refused to subordinate the struggle of Black people to existing parties and state apparatuses.
Wright was not a Trotskyist in the doctrinal sense of an allegiance to the Fourth International; rather, his attraction to Trotskyist ideas was of the intellectual and moral kind: Trotsky’s critique of Stalinism, his emphasis on world revolution, and his analysis of how class relations shape consciousness offered resources for Wright’s own attempts to understand the racial question within world capitalism.
His characters in Uncle Tom’s Children show that racism is not a metaphysical or cultural “essence” but a social relation rooted in property, labour markets and the political organisation of capitalist society. Bigger Thomas in Native Son is comprehensible not as an expression of immutable racial pathology, but as the product of exclusion, proletarianization, and the social powerlessness imposed by capitalist and racial rule. Wright adopts a materialist conception of history to understand the social, economic, and political problems facing both black and white populations. The black working class holds that ideas and racial ideologies arise from and reflect class structures and economic imperatives, not the other way around.
Like many intellectuals and workers, Wright’s formative years and his political maturation occurred amid the Great Depression, the growth of industrial labour militancy, the rise of the Communist movement in the United States, and the international polarisations of the 1930s and 1940s. These were years in which the boundaries between cultural expression and political struggle blurred: literature became a form of social investigation and a weapon for political education.
Wright’s involvement with left-wing circles, his brushes with Communist Party orthodoxy, and his eventual break illustrate the complex interplay among revolutionary aspiration, the bureaucratic limitations of existing organisations, and the need for a revolutionary strategy rooted in the working class. His later travels and expatriation in Paris also reflect the international character of his struggle.
Richard Wright’s literature—from Black Boy to Native Son—remains an essential starting point for any serious discussion of race, class and the social psychology of oppression in the United States. Wright wrote as a proletarian intellectual: his fiction and essays insist that the oppression of Black people is rooted not in a metaphysical “racial DNA” but in specific social relations—segregated labour markets, violent property relations and the structural violence of capitalism.
Wright’s work traces how poverty, wage labour, discrimination and the threat of racial violence shape individual psychology and mass politics. In Native Son, Bigger Thomas’s crimes are not metaphysical expressions of an immutable racial pathology; they are the social consequences of exclusion, desperate material conditions and systemic dehumanisation. Wright’s political development—his engagement with communist and socialist circles in the 1930s—further grounded his view that the fight against racism must be situated within the struggle against capitalism and private property.
It is a testament to his political foresight and integrity that his books are still widely read today and remain relevant. Wright’s insistence that liberation requires systemic change remains crucial as workers today confront mass poverty, racist policing, mass incarceration and an economy reorganised around austerity and profit. The ruling class weaponises racism to prevent working-class unity; Wright’s work shows the political cost of accepting explanations that dissociate race from class and capitalism.
Wright’s political insights have even greater resonance in today’s debates, such as the controversy surrounding the New York Times’ 1619 Project, which presented a racialist view of historical developments. The Socialist Equality Party (SEP) critiqued the 1619 Project. Extensive documentation of this struggle can be found on the World Socialist Website.[1]
The SEP argued that the 1619 Project substituted racialist narratives for class analysis and treated racism as an immutable feature of American “DNA” rather than a historically specific product of capitalist development. Wright was not mentioned in the 1619 Project. For good reason, his materialist orientation not only cuts across the 1619 Project’s racialist interpretation of history, but also offers an antidote: it compels us to analyse how slavery, Jim Crow, segregation, migration, and proletarianization transformed social relations and created class potentialities for solidarity, unionism, and revolutionary politics.
To summarise from the standpoint of contemporary political life, Wright’s life and work underscore the necessity of connecting literary and intellectual inquiry to an independent working-class political struggle. Richard Wright remains a living challenge to the politics of identity that divorces race from class. His materialist, proletarian humanism points the way: the liberation of Black people is bound to the emancipation of the working class as a whole. Only through a united, politically independent working‑class struggle can the social relations that produce racism be abolished. Richard Wright’s legacy is both cultural and political: he challenges fatalism, rejects racial essentialism, and insists that emancipation requires transforming the social relations of production. His work remains a vital resource as a class-based alternative to capitalism.
[1] The New York Timesâ 1619 Project and the Racialist Falsification of History
David North; Thomas Mackaman-Mehring Books
A Trumpet of Sedition 